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['Korean']
|
['1f0Ge99dbVAt']
|
['This image appears to be taken in some classroom or office. We can see people wearing straw hats and light green t-shirts dancing. There are about 12 people in total, a mix of men and women, all of whom seem to be middle-aged. Given that they are all moving, it is likely that they are performing some kind of dance. Since the straw hats and green t-shirts appear to be uniform, it suggests they might be part of a coordinated outfit. The individuals in the front are all smiling while dancing. This video is from the Mapo District Office Internet Broadcasting Station, reported by Kim Ji-kyung of MBC News.']
|
[False]
|
[nan]
|
The image in question is set in what seems to be a classroom or an office environment. The scene captures a group of approximately twelve individuals who are engaged in a lively dance routine. Among these dancers, there is a noticeable mix of men and women, all of whom appear to be in their middle age. They are all dressed in coordinated outfits consisting of straw hats and light green t-shirts, which suggests that they may be participating in a themed event or group activity where this attire is symbolic or holds particular significance. As the dancers move energetically, it becomes apparent that they are performing a choreographed dance, and their expressions are jubilant, evident from their broad smiles. The atmosphere seems to be one of camaraderie and celebration, with the performers enjoying themselves fully while sharing this experience together. This lively event is reported by Kim Ji-kyung from MBC News and is featured as part of the Mapo District Office Internet Broadcasting Station's content. The organization behind the video might be showcasing a community engagement initiative or a cultural celebration, emphasizing the importance of social bonds and enjoyment in community life.
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Das betreffende Bild zeigt eine Szene, die sich scheinbar in einem Klassenraum oder einem Büroumfeld abspielt. Die Aufnahme fängt eine Gruppe von etwa zwölf Personen ein, die in eine lebhafte Tanzroutine vertieft sind. Unter diesen Tänzern gibt es eine auffällige Mischung aus Männern und Frauen, die alle anscheinend im mittleren Alter sind. Sie sind alle in koordinierten Outfits gekleidet, bestehend aus Strohhüten und hellgrünen T-Shirts, was darauf hindeutet, dass sie möglicherweise an einer thematischen Veranstaltung oder Gruppenaktivität teilnehmen, bei der diese Kleidung symbolisch ist oder eine besondere Bedeutung hat. Während sich die Tänzer energetisch bewegen, wird deutlich, dass sie einen choreografierten Tanz aufführen, und ihre Mienen strahlen Freude aus, was sich in ihren breiten Lächeln zeigt. Die Atmosphäre scheint von Kameradschaft und Feierlichkeit geprägt zu sein, wobei die Darsteller die Erfahrung in vollen Zügen genießen und diese gemeinsam teilen. Dieses lebhafte Ereignis wird von Kim Ji-kyung von MBC News berichtet und ist Teil der Inhalte des Internet-Broadcasting-Standorts des Mapo-Distrikts. Die Organisation hinter dem Video könnte eine Initiative zur Einbindung der Gemeinschaft oder eine kulturelle Feier präsentieren, die die Bedeutung sozialer Bindungen und Freude am Gemeinschaftsleben betont.
|
de
| 27,866
|
|
['English', 'Chinese']
|
['1ohuIlPGDv2W', '1dzS9LIhghch']
|
[' This is an image of two women cooking. One woman is younger and she is on the left. She has a yellow shirt, a brown blazer, and green pants. The woman on the right has a yellow flower dress. The one on the left is taking out some item. And the one on the right has a pan full of another item. There is a metal pot on the stove. And in the background there is some clutter of cups and a picture frame. And in the background there is some clutter of cups and a picture frame.', 'This is a very old picture, and it is clear that it depicts scenes from America in the 1960s and 70s. There are two people in the image, likely an older individual and a younger one, possibly a mother and daughter, happily making breakfast together. Additionally, it seems that the woman is preparing dumplings, and the kitchen appears to be a cozy and homey space, radiating joy and warmth. The overall scene suggests they are enjoying a cheerful and pleasant life, although it also conveys that their living situation may not be particularly affluent.']
|
[False, False]
|
[nan, nan]
|
This is an image featuring two women engaged in the act of cooking together, which highlights a moment of shared activity in the kitchen. The younger woman, positioned on the left side of the image, is dressed in a vibrant yellow shirt, paired with a brown blazer, and green pants, showcasing a casual yet put-together look. On the right side, the older woman is wearing a yellow flower-patterned dress, contributing a sense of warmth and familiarity to the scene. In terms of their actions, the younger woman appears to be taking out some items from perhaps the countertop, while the older woman is occupied with a frying pan that is filled with another dish, indicating that they are both actively involved in the cooking process. The kitchen environment is characterized by a metal pot placed on the stove, adding to the sense of preparation and cooking. The background of the image presents an assortment of items, including cluttered cups and a picture frame, which suggests a lived-in space. This detail hints at a homey atmosphere, often associated with familial warmth and comfort, despite the presence of disorganization. In another description, a very old photograph captures a nostalgic scene likely from America in the 1960s or 1970s. This image features two individuals, who appear to be from different generations—an older person and a younger one, possibly a mother and daughter. They are joyfully making breakfast together, conveying a sense of togetherness and familial love. The younger woman is noted to be preparing dumplings, a food item that varies culturally but often symbolizes home-cooked meals and care within the family setting. The kitchen depicted in this image radiates a cozy and inviting ambiance, filled with emotional warmth and nostalgia. The overall scenario suggests that the participants are enjoying a joyful and happy life, with underlying hints that their economic circumstances might not be particularly affluent, reflecting a relatable slice-of-life moment during that era.
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Ceci est une image présentant deux femmes engagées dans l'acte de cuisiner ensemble, mettant en avant un moment d'activité partagée dans la cuisine. La femme plus jeune, positionnée sur le côté gauche de l'image, porte une chemise jaune vif, associée à un blazer marron et un pantalon vert, affichant un look décontracté mais soigné. Sur le côté droit, la femme plus âgée porte une robe à motifs floraux jaunes, apportant une sensation de chaleur et de familiarité à la scène. En ce qui concerne leurs actions, la femme plus jeune semble sortir des objets, peut-être du plan de travail, tandis que la femme plus âgée est occupée avec une poêle remplie d'un autre plat, indiquant qu'elles sont toutes les deux activement impliquées dans le processus de cuisson. L'environnement de la cuisine est caractérisé par une casserole en métal placée sur le feu, ajoutant au sens de préparation et de cuisine. L'arrière-plan de l'image présente un assortiment d'objets, y compris des tasses en désordre et un cadre photo, ce qui suggère un espace vécu. Ce détail évoque une atmosphère chaleureuse, souvent associée à la chaleur familiale et au confort, malgré la présence de désorganisation. Dans une autre description, une très vieille photographie capture une scène nostalgique probablement en Amérique dans les années 1960 ou 1970. Cette image met en scène deux personnes, qui semblent appartenir à différentes générations — une personne plus âgée et une plus jeune, peut-être une mère et sa fille. Elles préparent joyeusement le petit-déjeuner ensemble, transmettant un sentiment de proximité et d'amour familial. Il est mentionné que la femme plus jeune prépare des boulettes, un aliment qui varie culturellement mais symbolise souvent les repas faits maison et l'attention au sein de la famille. La cuisine représentée dans cette image dégage une ambiance chaleureuse et accueillante, remplie de chaleur émotionnelle et de nostalgie. La situation globale suggère que les participants vivent une vie joyeuse et heureuse, avec des sous-entendus indiquant que leurs circonstances économiques pourraient ne pas être particulièrement prospères, reflétant un moment de vie relatable durant cette époque.
|
fr
| 15,852
|
|
['Vietnamese', 'English', 'Chinese']
|
['1cfYCBLZyN7l', '1mhIY7Q87aTb', '1lLz3iPo10qe']
|
['The black and white image of a wall in this picture seems to depict a garden area. The wall has some hanging plants and there are many gardening tools in the left corner of the frame. Surrounding the wall are several potted plants, and in the lower left corner, there is an inscription that looks like "sm eleven." On the right side of the image, there are two or three upright wooden sticks. This picture appears to have been taken in the morning.', "This image is that of an outdoor garden. There are roughly 10 pots, each having their own individual plants in it. These plants may be bushes, flowers. They are very clean and very messy looking. They are on what seems to be like a stone wall and shelving. Behind that, there's a brick wall with wood fixtures. There are gardening appliances hanging from these walls. There also seems to be some baskets and other gardening appliances. To the right of it, there's a window that you can look outside that is implying that this garden is some form of a greenhouse. It is hard to tell the plant's colors given that this is a black and white image. There's also a bag hanging on the wall. There's some wood running across it. There are some words at the bottom of the image that seem to say FIN11.", "In this photo, there are many flowers and a lot of grass. The flowers here might belong to a garden, and this garden is hanging on someone's wall. The flowers are scattered throughout the entire photo. There's also a basin-like place with flowers and grass. It seems to be daytime; this photo is taken during the day. This photo is in black and white."]
|
[False, False, False]
|
[nan, nan, nan]
|
The first description presents a black and white image depicting a wall that seems to be part of a garden area. The wall features several hanging plants, suggesting an aesthetic focus on greenery. In the left corner of the frame, there is a collection of gardening tools, indicating an active gardening space. Surrounding the wall are multiple potted plants, enhancing the garden atmosphere. An interesting detail is found in the lower left corner of the image where there is an inscription that appears to read "sm eleven." This detail could suggest a personal touch or a specific location identifier. To the right side of the image, two or three upright wooden sticks are visible, which could serve various purposes such as supporting climbing plants or marking sections within the garden. The photograph seems to have been taken in the morning, which may imply a bright yet gentle quality of early light illuminating the scene. The second image focuses on what is clearly an outdoor garden, showcasing roughly ten pots, each containing its own distinct plants. The plants may include a variety of bushes and flowers, giving the garden a diverse and vibrant look. However, the overall appearance of the plants is described as both clean and somewhat messy, possibly reflecting a natural and organic gardening style rather than a meticulously arranged one. This garden arrangement is situated against what appears to be a stone wall and shelving, lending structural support to the plants. Behind the stone wall, a brick wall with wooden fixtures can be seen, adding texture and character to the setting. Additionally, gardening appliances are suspended from these walls, indicating a space that is not only decorative but also functional. There are baskets and various gardening tools that further emphasize the purpose of this area. To the right side of the image, a window implies that this garden may exist within a greenhouse, offering a controlled environment for plant growth. Due to the black and white nature of the image, the colors of the plants are indeterminate. Notably, there is a bag hanging on the wall alongside some wooden elements that cross the frame, contributing to the rustic appeal of the garden. At the bottom of the image, there are some words that appear to say "FIN11," possibly related to an endpoint or label associated with the setting. The final photo encapsulates a vibrant depicture of a garden, filled with numerous flowers and plenty of grass. It suggests that these flowers could belong to a garden that is either part of a larger outdoor space or is creatively arranged on someone's wall, implying an artistic approach to gardening. The flowers are scattered liberally throughout the image, creating a sense of abundance and diversity in plant life. Additionally, there is a basin-like area filled with flowers and grass, which may serve as a focal point or decorative feature within the garden. The photograph appears to be taken during daytime, showcasing the brightness of the setting. Like the others, this image is also in black and white, which may evoke a timeless feel but also obscures the vibrant colors that would typically define such a garden scene.
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คำบรรยายแรกเสนอภาพขาวดำที่แสดงให้เห็นกำแพงซึ่งดูเหมือนจะเป็นส่วนหนึ่งของพื้นที่สวน กำแพงนี้มีพืชที่แขวนอยู่หลายชนิด ซึ่งแสดงให้เห็นถึงความสนใจในความสวยงามของพืชเขียวขจี มุมซ้ายของกรอบภาพมีเครื่องมือทำสวนรวมกันอยู่ ซึ่งบ่งบอกถึงการทำสวนที่มีการใช้งาน ภายนอกกำแพงมีพืชในกระถางหลายต้นที่ช่วยเสริมบรรยากาศสวน รายละเอียดที่น่าสนใจอยู่ที่มุมซ้ายล่างของภาพซึ่งมีการจารึกที่ดูเหมือนจะเขียนว่า "sm eleven" รายละเอียดนี้อาจบ่งบอกถึงการสัมผัสส่วนตัวหรือการระบุสถานที่เฉพาะบนกำแพงด้านขวาของภาพ มีไม้แหลมตั้งอยู่สองหรือสามแท่ง ซึ่งอาจทำหน้าที่ต่าง ๆ เช่น การรองรับพืชที่ปีนป่ายหรือการทำเครื่องหมายบริเวณในสวน ภาพถ่ายนี้ดูเหมือนจะถ่ายในตอนเช้า ซึ่งอาจแสดงถึงแสงที่สดใสแต่ค่อนข้างอ่อนโยนของแสงในตอนเช้าที่ส่องสว่างฉาก ภาพที่สองมุ่งเน้นไปที่สวนกลางแจ้งซึ่งชัดเจน แสดงกระถางประมาณสิบใบ ซึ่งแต่ละใบมีพืชที่แตกต่างกัน พืชเหล่านี้อาจรวมถึงพุ่มไม้และดอกไม้หลากหลาย ทำให้สวนมีรูปลักษณ์ที่หลากหลายและมีชีวิตชีวา อย่างไรก็ตาม พืชทั้งหมดนี้ถูกบรรยายว่าเป็นทั้งสะอาดและค่อนข้างยุ่งเหยิง ซึ่งอาจสะท้อนถึงสไตล์การทำสวนที่เป็นธรรมชาติและออร์แกนิกมากกว่าการจัดเรียงอย่างเข้มงวด ขนาดของสวนนี้ตั้งอยู่ข้างกำแพงหินและชั้นวางซึ่งให้การสนับสนุนโครงสร้างแก่พืช ส่วนเบื้องหลังกำแพงหินมีผนังอิฐพร้อมการติดตั้งไม้ ทำให้บรรยากาศมีเนื้อสัมผัสและลักษณะเฉพาะ เพิ่มเติมคืออุปกรณ์ทำสวนที่แขวนจากผนังเหล่านี้ ซึ่งบ่งบอกถึงพื้นที่ที่ไม่เพียงแต่สวยงามแต่ยังมีฟังก์ชันใช้งาน นอกจากนี้ ยังมีตะกร้าและเครื่องมือทำสวนหลากหลายที่ช่วยเน้นวัตถุประสงค์ของพื้นที่นี้ ที่ด้านขวาของภาพ มีหน้าต่างชี้ให้เห็นว่าสวนนี้อาจอยู่ภายในโรงเรือน ซึ่งเสนอสิ่งแวดล้อมที่ควบคุมสำหรับการเจริญเติบโตของพืช เนื่องจากภาพนี้เป็นขาวดำ ทำให้สีสันของพืชไม่ชัดเจน โดยเฉพาะอย่างยิ่งมีถุงที่แขวนอยู่บนกำแพงควบคู่ไปกับองค์ประกอบไม้บางอย่างที่ข้ามภาพ ซึ่งเพิ่มเสน่ห์แบบชนบทของสวน ที่ด้านล่างของภาพมีข้อความที่ดูเหมือนจะเขียนว่า "FIN11" ซึ่งอาจเกี่ยวข้องกับจุดสิ้นสุดหรือตารางที่เกี่ยวข้องกับพื้นที่นี้ ภาพสุดท้ายสื่อถึงภาพสวนที่สดใส เต็มไปด้วยดอกไม้จำนวนมากและหญ้าอันควร มีการเสนอว่าดอกไม้เหล่านี้อาจเป็นของสวนที่เป็นส่วนหนึ่งของพื้นที่กลางแจ้งที่ใหญ่กว่า หรืออาจจัดเรียงอย่างสร้างสรรค์บนกำแพงของใครบางคน ซึ่งบ่งบอกถึงวิธีการทำสวนที่มีศิลปะ ดอกไม้ถูกกระจายอยู่ทั่วภาพ สร้างความรู้สึกของความอุดมสมบูรณ์และความหลากหลายของพืช นอกจากนี้ ยังมีพื้นที่คล้ายอ่างที่เต็มไปด้วยดอกไม้และหญ้า ซึ่งอาจทำหน้าที่เป็นจุดสนใจหรือลักษณะตกแต่งในสวน ภาพถ่ายนี้ดูเหมือนจะถ่ายในเวลากลางวัน แสดงให้เห็นถึงความสว่างของพื้นที่ อย่างไรก็ตาม เช่นเดียวกับภาพอื่น ๆ ภาพนี้ก็เป็นขาวดำ ซึ่งอาจสร้างความรู้สึกที่ไม่มีวันหมดเวลาแต่ก็ปิดบังสีสันสดใสที่มักจะกำหนดฉากสวนแบบนี้
|
th
| 15,628
|
|
['English', 'Chinese']
|
['1ckcWP3PHIH5', '1fljfFY4BJBI']
|
[" ...receiving an award for the award show. The background clearly depicts that they're standing in front of some kind of poster for which they're taking a picture. Possibly it could be a movie that they acted in. The person looks very handsome. It's a man, and they have some kind of side part hair going for them, a very strong jawline, and they're holding the award. They're holding the award, which is red on the bottom, red in the base, and it looks very bright up top. It's golden in color, a golden hue. In their right hand, they're actually holding a single-eyed plushie. It looks like a monster plushie almost. It could have something to do with the movie that they acted in. The background also has a lot of waves. It's very blue in color, and you could see hilly, icy mountains. Granted, the text that is given in the background, it's not legible because I do not know the language that is being discussed.", 'In this photo, we can see a man who appears to be giving an interview. If you recognize him, you would know he is a singer named Yang Zongwei. He is wearing a black suit, and in his left hand, he is holding something resembling a trophy; this trophy is red, and on top of it is a transparent object that looks like crystal. In his right hand, he is holding something that resembles a doll, which has one eye; people who are familiar with it will know that this doll represents Sina Weibo. Behind him, there is a billboard that is mostly light blue, with a lot of text including "New City Digital Music Station" and "New City Mandarin Awards," etc. It looks like he is attending a music awards ceremony and someone took this photo of him possibly while he was being interviewed.']
|
[False, False]
|
[nan, nan]
|
In this captivating scene, we witness a man receiving an award at a prestigious ceremony, which appears to align with an award show focused on the cinematic arts. The background of the setting prominently features a large poster, likely related to a film in which he has played a significant role. This man has a striking appearance; he possesses a strong jawline and sports a classic hairstyle with a pronounced side part, contributing to his handsome demeanor. In his hands, he proudly holds the award, which has a distinctive design – the base is a vibrant red while the top gleams with a golden hue, creating an eye-catching contrast. Accompanying the award in his right hand is a whimsical plushie resembling an imaginative monster with a single eye, which may suggest a connection to the film or project associated with the award. The visual backdrop complements the scene with beautifully rendered waves in shades of blue, alongside hilly, icy mountains that might evoke a sense of adventure or winter. However, the specific text visible in the background remains illegible, as it is written in an unfamiliar language. In another moment captured in a photograph, we see a man conducting an interview, recognized as the singer Yang Zongwei. He is dressed sharply in a black suit, radiating professionalism and style. In his left hand, he holds a trophy that mirrors the previous context – a red base featuring a transparent crystal-like object atop it, indicative of its value and prestige. Yang Zongwei’s right hand cradles a unique doll characterized by a single eye, which represents Sina Weibo, a popular social media platform in China. The setting behind Yang Zongwei includes a captivating billboard that predominantly features light blue hues and is adorned with various texts including “New City Digital Music Station” and “New City Mandarin Awards,” hinting at the ceremony's celebration of musical achievements. This photograph likely captures him at a moment of recognition, either during an interview or in the midst of festivities at the awards ceremony, showcasing his contributions to the music industry.
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اس دلکش منظر میں، ہم ایک آدمی کو ایک معزز تقریب میں ایک ایوارڈ دیتے ہوئے دیکھتے ہیں، جو سنیما کے فنون پر مرکوز ایک ایوارڈ شو سے مربوط معلوم ہوتا ہے۔ پس منظر میں ایک بڑا پوسٹر نمایاں ہے، جو ممکنہ طور پر ایک فلم سے متعلق ہے جس میں اس آدمی نے اہم کردار ادا کیا ہے۔ یہ آدمی ایک دلکش شکل و صورت کا حامل ہے؛ اس کی jawline مضبوط ہے اور اس کا hairstyle کلاسک ہے جس میں ایک نمایاں سائیڈ پارٹ ہے، جو اس کی خوبصورتی میں اضافہ کرتا ہے۔ اس کے ہاتھوں میں ایوارڈ موجود ہے، جس کا منفرد ڈیزائن ہے – بیس روشن سرخ ہے جبکہ اوپر سونے کی نرم چمک سے چمکتا ہے، جو ایک دلکش تضاد پیدا کرتا ہے۔ اس کے دائیں ہاتھ میں ایوارڈ کے ساتھ ایک منفرد پلوش ہے جو ایک خیالی مخلوق کی شکل میں ہے جس کی ایک آنکھ ہے، جو اس ایوارڈ سے منسلک فلم یا پروجیکٹ کا اشارہ دے سکتی ہے۔ مناظر کا پس منظر خوبصورت نیلے رنگ کی لہروں سے مزین ہے، ساتھ ہی برفیلے پہاڑ بھی ہیں جو مہم جوئی یا سردیوں کا احساس دلاتے ہیں۔ تاہم، پس منظر میں نظر آنے والا مخصوص متن ناقابلِ پڑھائی ہے، کیونکہ یہ ایک غیر معروف زبان میں لکھا ہوا ہے۔ ایک اور لمحہ جس کی تصویر لی گئی ہے، ہم ایک آدمی کو انٹرویو کرتے ہوئے دیکھتے ہیں، جو گلوکار یان زونگ وی کے طور پر پہچانا جاتا ہے۔ وہ ایک سیاہ سوٹ میں تروتازہ نظر آتا ہے، جو پیشہ ورانہ مہارت اور انداز کی عکاسی کرتا ہے۔ اس کے بائیں ہاتھ میں ایک ٹرافی ہے جو پچھلی سیاق و سباق کی عکاسی کرتی ہے – ایک سرخ بیس پر ایک شفاف کرسٹل کی طرح کا شے موجود ہے، جو اس کی قیمت اور شان و شوکت کی علامت ہے۔ یان زونگ وی کے دائیں ہاتھ میں ایک منفرد گڑیا ہے جو ایک آنکھ کی خصوصیت رکھتی ہے، جو چین میں ایک مقبول سوشل میڈیا پلیٹ فارم سینی ویبو کی نمائندگی کرتی ہے۔ یان زونگ وی کے پیچھے کا منظر ایک دلکش بل بورڈ سے مزین ہے جو بنیادی طور پر ہلکے نیلے رنگ میں ہے اور مختلف متون سے آراستہ ہے جن میں "نیو سٹی ڈیجیٹل میوزک اسٹیشن" اور "نیو سٹی مینڈارن ایوارڈز" شامل ہیں، جو تقریب کی موسیقی کی کامیابیوں کا جشن منانے کی طرف اشارہ کر رہے ہیں۔ یہ تصویر ممکنہ طور پر اس لمحے کی عکاسی کرتی ہے جب اسے پہچانا جا رہا ہو، چاہے انٹرویو کے دوران ہو یا ایوارڈز کی تقریب میں جشن کے بیچ، جو موسیقی کی صنعت میں اس کے کردار کو اجاگر کرتی ہے۔
|
ur
| 22,692
|
|
['Chinese']
|
['1i126i1i97qY']
|
['The scene depicts a group of people gathering at home, with many individuals present. In the middle, two people are holding game controllers and smiling while looking at the television in the lower left corner of the frame. They are standing indoors, and the wall on the left side is lemon yellow, while the wall on the right side is a light coral red. The two men holding the game controllers are positioned in the center; the man on the left is holding a blue game controller, and there is a white cable connecting the two controllers. The man on the left is wearing a black short-sleeve top and red, blue, and white plaid shorts, and he has a broad smile as he looks at the television in the lower left corner. The man on the right is also smiling as he gazes at the television, holding a pink game controller with both hands, which is also connected by a white cable. He is wearing a beige short-sleeve top and brown and white patterned shorts. Everyone in the room is barefoot, standing on a dark brown wooden floor. The room also contains a sofa, where one girl is seated, taking pictures with a camera to capture the moment. Next to the television, there is a cabinet with a lamp and some magazines on top. In the corner, there is a bookshelf. In the background, there are two middle-aged women wearing a red short-sleeve top and a light blue short-sleeve top. To the right of the frame, there is a dark brown leather sofa on the floor. On the far right, a man can be seen standing close to the camera, but only part of his face is visible, including his nose, eyes, and a white top, as he looks at the television, although he is not playing; he is only partially captured in the frame.']
|
[False]
|
[nan]
|
The scene unfolds in a cozy living room where a lively gathering of people has taken place. A noticeable number of individuals are present, creating a warm and inviting atmosphere. At the center of the action are two friends, both smiling broadly as they engage in a video game, each holding a game controller. The television, positioned in the lower left corner of the frame, serves as the focal point of their attention. The interior of the room is accented with vibrant wall colors, with the left side painted a cheerful lemon yellow, while the right side contrasts with a softer coral red. The two men at the center stand closely together, forming a joyful duo immersed in their game. The man on the left holds a blue game controller, his demeanor radiating excitement and enjoyment. His attire consists of a casual black short-sleeve top paired with plaid shorts that feature a mix of red, blue, and white tones. His smile is infectious as he focuses on the screen. Next to him, the man on the right is also engaged in the gaming experience, clutching a pink game controller with both hands. He complements his friend's attire with a more subdued look, wearing a beige short-sleeve shirt along with brown and white patterned shorts. The two controllers share a white cable, signifying their connection for multiplayer gameplay. Everyone present in the room is barefoot, standing on the dark brown wooden floor, which adds a touch of homeliness to the gathering. The atmosphere is further enhanced by a cushy sofa located in the room where one girl is perched, intent on capturing the moment with her camera. She takes pictures to document the lively interaction, adding to the joyful spirit of the occasion. Adjacent to the television, there is a cabinet adorned with a lamp and scattered magazines, hinting at a casual yet organized living space. In one corner of the room, a bookshelf stands, likely filled with books and trinkets, providing a sense of personality to the environment. In the background, the scene includes two middle-aged women, one dressed in a vibrant red short-sleeve top and the other in a light blue short-sleeve top, contributing to the familial and friendly vibe of the gathering. To the right edge of the frame, a dark brown leather sofa can be spotted, providing additional seating for guests. There is a man standing close to the camera on the far right; however, only part of his face is visible, including his nose and eyes, suggestive of curiosity as he also looks towards the television, participating in the atmosphere despite not actively playing the game. His white top suggests a casual yet unassuming appearance. Overall, this detailed portrayal encapsulates a lively, interactive environment filled with joy and camaraderie.
|
シーンは、心地よいリビングルームの中で展開されており、賑やかな人々の集まりが行われています。多くの人々が集まり、温かく迎え入れる雰囲気を生み出しています。中心にいるのは二人の友人で、二人とも笑顔を浮かべながらビデオゲームを楽しんでおり、それぞれがゲームコントローラーを持っています。画面の左下に配置されたテレビが、彼らの注意を引く焦点となっています。部屋の内部は鮮やかな壁の色で引き立てられ、左側は明るいレモンイエローに塗られ、右側は柔らかなコーラルレッドと対照を成しています。中心に立つ二人の男性は密接に寄り添い、ゲームに没頭している喜ばしいデュオを形成しています。左側の男性は青いゲームコントローラーを持ち、彼の態度は興奮と楽しさで溢れています。彼の服装はカジュアルな黒の半袖トップと、赤、青、白の色合いが混ざったチェック柄のショートパンツで構成されています。彼の笑顔は画面に集中しつつも周囲に喜びを広めています。隣の右側の男性もゲーム体験に夢中で、両手でピンクのゲームコントローラーを握っています。彼は友人の服装とは対照的に、もう少し控えめなスタイルで、ベージュの半袖シャツと茶色と白のパターンのショートパンツを着ています。二つのコントローラーは白いケーブルでつながっており、マルチプレイヤーゲームを示唆しています。 部屋にいる全員は裸足で、ダークブラウンの木製の床に立っており、集まりに家庭的な雰囲気を加えています。雰囲気は、部屋にあるふかふかのソファによってさらに高められ、一人の女の子がその上に座ってカメラで瞬間を捉えようとしています。彼女は活気あるやりとりを記録するために写真を撮っており、場の喜びを増しています。テレビの横には、ランプと散らばった雑誌が飾られたキャビネットがあり、カジュアルながらも整理されたリビングスペースを暗示しています。部屋の隅には、本や小物でいっぱいの本棚が立っており、環境に個性を与えています。 背景には、中年の女性二人が写っており、一人は鮮やかな赤の半袖トップを、一人は薄い青の半袖トップを着ており、集まりの家族的で友好的な雰囲気に寄与しています。フレームの右端には、ゲストのための追加席として、ダークブラウンのレザーソファが見えています。カメラの近くには、右端に立っている男性がいて、彼の顔の一部、特に鼻と目だけが見え、テレビを見つめている様子が興味津々であることを示唆しています。彼は白いトップを着ており、カジュアルでありながら控えめな外見をしています。全体として、この詳細な描写は、喜びと友情に満ちた賑やかでインタラクティブな環境を捉えています。
|
ja
| 17,749
|
|
['English', 'Chinese']
|
['16UDNERk8Rsd', '13Qd7gFJmXVt']
|
[" This next image is of maybe somebody's living room. We see that there are, there's a table, there's a couch, there's a record player, there's a lamp that comes from the record player, like kind of branches over. There's chairs and a table on the left. There's all sorts of cubbies and clocks and paintings on the wall. It looks like there's a disco ball hanging from the ceiling, actually multiple. There's one big one, one medium one, two small ones. The room looks a little bit messy. It looks lived in. There's a drink on the table. There's also some sort of weird decor. There's a shot glass with some whiskey or bourbon or something on the table. There's a tree. Yeah.", 'This photo captures the appearance of a living room. Above the entire room, there is a spotlight shining on a disco ball, so the ceiling is filled with many tiny, sparkling reflections from the ball. In the center of the image, there is a floor lamp with a red lampshade, but its design is very interesting, featuring a curved metal pole. In the center, there is a wooden cabinet, and in the corner, there is a leather lamp. On the left side of the image, there is part of a dining table, and on the right side, very close to the lens, we can see a table displaying CDs and a CD player. The player has a bit of a vintage metallic feel to it, and there is some lighting on the control panel.']
|
[False, False]
|
[nan, nan]
|
This next image presents a glimpse into a living room that reflects a unique personal style. Upon first sight, the room reveals a variety of furnishings and decor elements that contribute to its character. There is a prominent table paired with a couch, a classic record player positioned nearby, and a lamp that intriguingly branches out from the record player, creating a unique aesthetic. The left side of the room hosts a collection of chairs surrounding a table. As we delve deeper into the ambiance of the space, we observe an array of cubbies, clocks, and framed artwork adorning the walls, showcasing personal mementos and artistic expressions. Notably, the ceiling features several disco balls, which vary in size— a large one, a medium one, and two smaller ones—adding a playful and vibrant touch to the atmosphere. The arrangement of items in the room suggests a lived-in feel, with a slight hint of messiness indicative of a cozy, welcoming environment. On the table, we see a drink, which could potentially be whiskey or bourbon served in a shot glass, further enhancing the relaxed vibe of the setting. Additionally, there is a tree positioned within the room, contributing to the organic feel of the decor. In another angle captured in a photograph, a spotlight emanates from above, illuminating one of the disco balls prominently, filling the space with tiny, shimmering reflections that dance across the ceiling. At the heart of the room is a floor lamp featuring a red lampshade, complete with a curved metal pole, showcasing its distinctive design. A wooden cabinet rests at the center, while a leather lamp occupies one corner, contributing to the layered lighting of the room. To the left, a section of a dining table is visible, while to the right, very close to the lens, sits a table bedecked with CDs and a CD player. This player exudes a vintage metallic aesthetic, complete with illuminated controls that lend a nostalgic charm to the scene. Collectively, these elements paint a vivid picture of a space that is both inviting and personal, imbued with character and a sense of creativity.
|
Это следующее изображение дает представление о гостиной, отражающей уникальный личный стиль. При первом взгляде комната открывает множество предметов мебели и элементов декора, которые вносят свой вклад в ее характер. На первом плане находится заметный стол, рядом с которым стоит диван, классический проигрыватель виниловых дисков, расположенный поблизости, и лампа, интересно вытягивающаяся из проигрывателя, создавая уникальную эстетическую атмосферу. Слева от комнаты расположен набор стульев, окружающих стол. Углубляясь в атмосферу пространства, мы наблюдаем ряд ящиков, часов и художественных работ в рамках, украшающих стены, демонстрирующих личные воспоминания и художественные выражения. Особенно стоит отметить, что на потолке находятся несколько диско-шаров разных размеров — один большой, один средний и два поменьше, что добавляет игривый и яркий акцент в атмосферу. Расположение предметов в комнате создает ощущение обжитости, с легкой ноткой неаккуратности, что свидетельствует о домашней, гостеприимной обстановке. На столе можно увидеть напиток, который, возможно, является виски или бурбоном, поданным в стопке, что дополнительно подчеркивает расслабляющую атмосферу. Также в комнате находится дерево, что придает органическое ощущение декору. На другой фотографии, сделанной под другим углом, освещение осуществляется из-за, подчеркивая один из диско-шаров, заполняя пространство крошечными, мерцающими отражениями, которые танцуют по потолку. В центре комнаты находится торшер с красным абажуром, завершенный изогнутой металлической ножкой, показывающей свой уникальный дизайн. В центре стоит деревянный шкаф, а в углу — кожаная лампа, которая вносит вклад в многослойное освещение комнаты. Слева видна часть обеденного стола, а справа, очень близко к объективу, находится стол, украшенный компакт-дисками и CD-плеером. Этот плеер излучает винтажный металлический эстетический вид с подсвечиваемыми контроллерами, что придает сцене ностальгическое очарование. В совокупности эти элементы рисуют яркую картину пространства, которое одновременно и привлекательное, и личное, наполненное характером и чувством творчества.
|
ru
| 18,932
|
|
['Russian']
|
['1lGaYQQOHwmm']
|
["In this image, we see a white building with many people walking in front of it. If we consider the texts, it will release the positions of the object because people are interacting in front of it. A tree is situated in front of the people; the central object in the scene is this building. No views from inside are observed, but there is a light green dome that looks very beautiful. The empty areas are neatly arranged. The colors are always very beautiful. The atmosphere is somewhat international and gloomy, yet the illuminated area where you walk is very pleasant. What can be understood from this image? The location. Most likely, it’s some kind of theater or venue. Now, it could be a museum. Well, that's all."]
|
[True]
|
[nan]
|
In this image, we observe a striking white building that serves as the focal point of the scene. Numerous individuals are seen walking in front of this structure, suggesting that it is a place of interest or significance, drawing crowds. The people in the vicinity are actively interacting, which adds a dynamic element to the surroundings. Prominently in front of the individuals, there is a tree, providing a natural element that contrasts with the architectural features of the building. Although we cannot see inside the building, the exterior is notable for its light green dome that exudes an aesthetic appeal, contributing to the beauty of the scene. The surrounding areas are well-organized and tidy, suggesting a level of care and maintenance in the environment. The colors depicted in the image are vibrant and attractive, enhancing the overall visual experience. The atmosphere around the building carries a somewhat international and somber tone, yet there is an illuminated pathway that creates a pleasant ambiance for those walking there. This balance of mood indicates a welcoming space despite the darker elements present. From the visual clues, one might deduce that this location is likely a cultural venue, such as a theater or possibly a museum, hinting at its role in the community as a gathering place for the arts or exhibitions. Overall, the scene encapsulates an engaging mix of architectural beauty, human activity, and a carefully curated environment, leaving a lasting impression of the location’s significance.
|
I dette bildet observerer vi en slående hvit bygning som fungerer som fokuspunktet i scenen. Mange personer ses gående foran denne strukturen, noe som tyder på at det er et sted av interesse eller betydning som tiltrekker seg folkemengder. Folkene i nærheten interagerer aktivt, noe som tilfører et dynamisk element til omgivelsene. Fremtredende foran individene er det et tre, som gir et naturlig element som kontrasterer med de arkitektoniske detaljene i bygningen. Selv om vi ikke kan se inn i bygningen, er utsiden bemerkelsesverdig for sin lyse grønne kuppel som utstråler en estetisk appell, og bidrar til skjønnheten i scenen. Omgivelsene er godt organiserte og ryddige, noe som tyder på et nivå av omsorg og vedlikehold i miljøet. Fargene som er fremstilt i bildet er levende og tiltalende, noe som forbedrer den totale visuelle opplevelsen. Atmosfæren rundt bygningen har en noe internasjonal og dyster tone, men det er en opplyst sti som skaper en behagelig stemning for de som går der. Denne balansen av humør indikerer et innbydende rom til tross for de mørkere elementene som er til stede. Fra de visuelle ledetrådene kan man anta at dette stedet sannsynligvis er et kulturelt venue, som et teater eller muligens et museum, som antyder sin rolle i samfunnet som et samlingssted for kunst eller utstillinger. Samlet sett fanger scenen en engasjerende blanding av arkitektonisk skjønnhet, menneskelig aktivitet og et nøye kuratert miljø, og etterlater et varig inntrykk av stedets betydning.
|
no
| 9,581
|
|
['Russian']
|
['1g0S7EThQHcu']
|
["The subject of our discussion is a very serious person who stands out among other objects, with the text completely absent. He looks not at the frame but in that direction, considering the positioning of objects. He occupies a central position, and there are no other details. You can see a subtox or handkerchief, as it's called, in the front pocket of his jacket. It's also noticeable that he has a tie and a white collar. He is dressed classically and looks quite presentable. The background is a typical gray-white, likely because this is a low-quality black-and-white photograph. It seems to have been taken in a photo studio using old equipment, and the photo quality leaves much to be desired."]
|
[True]
|
[nan]
|
The subject of our discussion is an individual who possesses a serious demeanor, distinguishing himself notably from his surroundings. In this image, there is an absence of text, allowing full focus on the person. Instead of looking directly at the camera, he gazes off in a specific direction, as though contemplating the arrangement of the objects around him. He occupies a central position within the frame, with no additional details or elements to divert attention from him. Prominently displayed in the front pocket of his jacket is a handkerchief, sometimes referred to as a "subtox," which adds a touch of sophistication to his attire. His clothing is of a classic style, further enhanced by the presence of a neatly tied tie and a crisp white collar that contribute to his overall presentable appearance. The background of the photograph features a conventional gray-white tone, indicative of a low-quality black-and-white image. This suggests that the photograph was likely captured in a studio setting, utilizing older photographic equipment which may explain the diminished quality. The overall impression left by the photo is one of a formal, yet dated aesthetic, characterized by its lack of clarity and detail.
|
Temaet for vår diskusjon er en person som har en alvorlig fremtoning, som klart skiller seg ut fra omgivelsene. I dette bildet er det ingen tekst, noe som gjør at fokuset fullt ut rettes mot personen. I stedet for å se direkte inn i kameraet, ser han bort i en bestemt retning, som om han vurderer plasseringen av objektene rundt seg. Han inntar en sentral posisjon innenfor rammen, uten tillegg av detaljer eller elementer som kan avlede oppmerksomheten fra ham. Fremtredende plassert i frontlommen på jakken hans er et lommetørkle, noen ganger kalt en "subtox", som tilfører et preg av sofistikert stil til antrekket hans. Klærne hans har en klassisk stil, ytterligere forsterket av tilstedeværelsen av et pent knyttet slips og en crisp hvit krage som bidrar til hans generelt presentable utseende. Bakgrunnen i fotografiet har en konvensjonell grå-hvit tone, som er typisk for et lavkvalitets sort-hvitt bilde. Dette tyder på at fotografiet sannsynligvis ble tatt i et studio, ved hjelp av eldre fotografisk utstyr, noe som kan forklare den reduserte kvaliteten. Den generelle inntrykket bildet etterlater er av en formell, men utdaterte estetikk, preget av mangel på klarhet og detaljer.
|
no
| 9,746
|
|
['English', 'Chinese', 'Chinese', 'Chinese']
|
['1aauq95xdwnq', '15RYNJPgiD1O', '1ayKnsOVQV8M', '1jd1vvZGeVGY']
|
['The image shows a screenshot of a mobile screen and it shows recipes or photos of food in cards on the screen. The top is the black bar of the device and then there is a red bar that appears to have a dashboard icon and a search icon. There are a total of 8 cards of food in frame but possibly more if you scroll. The photos of food shown are fruit toast with banana and kiwi and chocolate balls. On the second row from left to right there is a spam egg sandwich and then next to that is a lime mojito. And on the third row there are hash browns and sesame balls. The background of this photo of these cards is light beige and the last two food items are not in frame. This appears to be some form of app. The background of this photo is some form of app. The background of this photo is some form of app.', "This poster appears to be a screenshot of a recipe app that looks like it's for mobile phones. It features several breakfast-related screenshots, showcasing various recipes for things like different types of bread and toast, as well as other items such as glutinous rice balls and fried sweet potato patties. The colorful assortment of foods suggests that many of these recipes are likely for breakfast, which could attract people to download the app because it presents enticing breakfast ideas that look quite appealing.", 'At first glance, this picture looks like a group of delicious foods. There are a total of six types of food. In the top left corner, it appears to be a banana sandwich, the top right corner has chocolate, the left side seems to be another sandwich, and in the middle, there is an egg. On the right side, in the second row, the right side features lemonade, while the left side looks like a fried fish fillet, and the right side resembles black and yellow mulberries. The images are arranged in two columns, three in each column. One detail is that the text in the top left corner is not very clear; it seems to mention a popular recipe. This should come from a recipe app, and the arrangement looks like that of a mobile phone. Overall, the color scheme is white, and the theme of the app is likely red.', 'This photo looks like a screenshot taken from a website that teaches people how to cook. We can see at the top two lines labeled "Popular Recipes" and "Search Recipes." The photo is divided into six sections, with each post being shared by a different person, showcasing a variety of foods. Each post has the name of the dish at the top and a photo of the prepared food below. From top to bottom and left to right, the first dish is French toast, the middle features a meat pie and a drink, and below are golden potato cakes and handmade Hakka mochi. Everything looks very colorful and appealing. We can also see other posts further down, but they weren\'t captured in the photo. Overall, the impression is very comfortable, bright, and attractive, especially with the food photos.']
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
The first image appears to be a screenshot of a mobile application's user interface, specifically focusing on showcasing recipes or food photographs displayed in a card format. At the very top of the screen, there is a black status bar typical of mobile devices, indicating it is likely a smartphone screenshot. Below that, a vibrant red bar houses two icons: one resembling a dashboard and another resembling a search function, facilitating easy navigation within the app. The visual layout presents a total of eight food cards within the visible frame, although additional cards may be accessible by scrolling. The foods featured on these cards are presented in an appetizing manner. The first card displays a fruit toast topped with banana slices, kiwi, and chocolate balls. The second row introduces a spam egg sandwich next to a refreshing lime mojito. The third row features crispy hash browns accompanied by sesame balls, which are a popular snack, particularly in various Asian cuisines. It is worth noting that the background of the card interface is a soft beige tone, which adds to the aesthetic appeal of the food displayed. The overall impression indicates that this is part of a recipe-oriented app designed to entice users with visual representations of diverse food items. The second screenshot, also representing an app, appears to be focused on breakfast recipes. It highlights an array of breakfast-related dishes, showcasing various types of bread, toast, and dishes like glutinous rice balls and fried sweet potato patties. The colorful presentation and variety of foods imply that these recipes are designed to attract users looking for appealing breakfast ideas. This visual diversity suggests that the app encourages users to explore and experiment with their breakfast options, making it an inviting tool for culinary inspiration. In another image described, the composition consists of six different food items arranged in a visually engaging manner. The top left corner features a banana sandwich, while the top right corner displays a chocolate item. The left side of the second row seems to depict another sandwich, and in the center is an egg. The right side of this row showcases lemonade, alongside a fried fish fillet on the left, and black and yellow mulberries on the right side, completing a colorful food presentation. The items are neatly arranged in two columns with three items in each. However, the text present in the top left corner is somewhat unclear, potentially referring to a popular recipe linked with the visual theme of the app, which is predominantly white with a likely red accent. Finally, the last photo is a captured screenshot from a cooking tutorial website. The layout includes two labeled sections at the top, indicating "Popular Recipes" and "Search Recipes," emphasizing the interactive aspect of the site. The screenshot is divided into six distinct sections, each showcasing a different recipe shared by individual users, highlighting community participation in the culinary space. Each section features the dish's name prominently displayed above an enticing photo of the prepared food. The featured dishes include French toast, a meat pie paired with a drink, golden potato cakes, and handmade Hakka mochi, a traditional Taiwanese treat that reflects cultural culinary practices. The overall aesthetic of the screenshot is vibrant, comfortable, and inviting, especially enhanced by the appealing food photography that captures attention and encourages exploration of the recipes presented.
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Hình ảnh đầu tiên dường như là một ảnh chụp màn hình của giao diện người dùng ứng dụng di động, đặc biệt tập trung vào việc trình bày các công thức nấu ăn hoặc hình ảnh thực phẩm hiển thị ở dạng thẻ. Ở phần trên cùng của màn hình, có một thanh trạng thái màu đen điển hình của các thiết bị di động, cho thấy đây có khả năng là một ảnh chụp màn hình từ điện thoại thông minh. Phía dưới thanh đó, một thanh màu đỏ tươi chứa hai biểu tượng: một biểu tượng giống như bảng điều khiển và một biểu tượng giống chức năng tìm kiếm, giúp dễ dàng điều hướng trong ứng dụng. Bố cục hình ảnh trình bày tổng cộng tám thẻ thực phẩm trong khung nhìn thấy được, mặc dù có thể có thêm thẻ khác có sẵn bằng cách cuộn. Các món ăn được trình bày trên những thẻ này được thể hiện một cách hấp dẫn. Thẻ đầu tiên hiển thị một lát bánh mì phủ trái cây với các lát chuối, kiwi và viên chocolate. Hàng thứ hai giới thiệu một chiếc bánh sandwich trứng spam bên cạnh một ly mojito chanh tươi. Hàng thứ ba có khoai tây chiên giòn đi kèm với bánh bao mè, món ăn vặt phổ biến, đặc biệt trong các nền ẩm thực châu Á. Đáng chú ý là nền của giao diện thẻ có tone màu be nhẹ, điều này tăng thêm sức hút thẩm mỹ cho thực phẩm được trình bày. Ấn tượng tổng thể cho thấy đây là một phần của ứng dụng theo chủ đề công thức nấu ăn được thiết kế để thu hút người dùng với những hình ảnh minh họa các món ăn đa dạng. Bức ảnh chụp màn hình thứ hai, cũng đại diện cho một ứng dụng, có vẻ tập trung vào các công thức nấu ăn cho bữa sáng. Nó làm nổi bật một loạt các món ăn liên quan đến bữa sáng, trình bày nhiều loại bánh mì, bánh nướng, và các món như bánh trôi và bánh chiên từ khoai lang. Cách trình bày đầy màu sắc và sự đa dạng của các món ăn ngụ ý rằng các công thức này được thiết kế để thu hút người dùng tìm kiếm những ý tưởng bữa sáng hấp dẫn. Sự đa dạng hình ảnh này cho thấy ứng dụng khuyến khích người dùng khám phá và thử nghiệm các lựa chọn bữa sáng của họ, biến nó thành một công cụ thú vị cho cảm hứng ẩm thực. Trong một hình ảnh khác được mô tả, bố cục bao gồm sáu món ăn khác nhau được sắp xếp một cách hấp dẫn về mặt thị giác. Góc trên bên trái có một bánh sandwich chuối, trong khi góc trên bên phải hiển thị một món chocolate. Bên trái của hàng thứ hai dường như mô tả một chiếc sandwich khác, và ở giữa là một quả trứng. Bên phải của hàng này trình bày nước chanh, bên trái là một phi lê cá chiên, và bên phải là quả dâu tằm đen và vàng, hoàn thiện một màn trình bày thực phẩm đầy màu sắc. Các món ăn được sắp xếp gọn gàng thành hai cột mỗi cột có ba món. Tuy nhiên, văn bản xuất hiện ở góc trên bên trái có phần không rõ ràng, có thể đề cập đến một công thức nổi tiếng liên quan đến chủ đề hình ảnh của ứng dụng, chủ yếu có màu trắng với một điểm nhấn màu đỏ có thể. Cuối cùng, bức ảnh cuối cùng là một ảnh chụp màn hình từ một trang web dạy nấu ăn. Bố cục bao gồm hai phần được gán nhãn ở trên cùng, chỉ ra "Công Thức Nấu Ăn Nổi Bật" và "Tìm Kiếm Công Thức," nhấn mạnh khía cạnh tương tác của trang web. Ảnh chụp màn hình được chia thành sáu phần riêng biệt, mỗi phần trình bày một công thức khác nhau được chia sẻ bởi các người dùng cá nhân, làm nổi bật sự tham gia của cộng đồng trong không gian ẩm thực. Mỗi phần có tên món ăn được hiển thị nổi bật trên một bức ảnh hấp dẫn của món ăn đã được chuẩn bị. Các món ăn được giới thiệu bao gồm bánh mì nướng Pháp, một chiếc bánh thịt kết hợp với một thức uống, bánh khoai tây vàng và mochi Hakka tự làm, một món ăn truyền thống của Đài Loan phản ánh các thực hành ẩm thực văn hóa. Tổng thể, thẩm mỹ của bức ảnh chụp màn hình rất sinh động, thoải mái và mời gọi, đặc biệt là nhờ vào những bức ảnh thực phẩm hấp dẫn thu hút sự chú ý và khuyến khích khám phá các công thức được trình bày.
|
vi
| 21,395
|
|
['English']
|
['1G0qke1AF8FE']
|
[" Yeah, so this is an image of, it appears to be a person's breakfast again. We see in the background of the photo, we see a fork, a cup on a teacup on a plate. Would that be a plate? I guess it's like, yeah, it would be a plate. And then you have, you can kind of make out four cups also in the background, two of which appear to be water. The main focus of this image is this breakfast plate or lunch plate that has on it, it appears to be some sort of avocado toast with cheese. It appears to be like arugula, tomatoes, and some sort of meat, some French fries, and then a dipping, a white dipping that could be ranch or possibly ranch. And yeah, it's a colorful photo and it is taken on, the food is sitting on top of this sort of wooden tabletop."]
|
[False]
|
[nan]
|
This image captures a visually appealing breakfast setup that seems to prioritize a mix of flavors and textures. In the background, there is a fork alongside a delicate teacup resting on a plate, reaffirming that the setting is indeed for dining. Additionally, one can make out four distinct cups in the backdrop, where two of them seem to contain water, which adds an element of hydration to the meal. The centerpiece of the photograph is a beautifully arranged breakfast or lunch plate. Dominating this plate is what appears to be avocado toast topped with cheese, hinting at a modern take on a classic dish. Accompanying the toast are vibrant and fresh ingredients, including peppery arugula and juicy tomatoes, which contribute both flavor and color. There is also some form of meat included, which adds a savory component to this meal. On the side, we see French fries, a favorite comfort food that contrasts pleasantly with the healthier items on the plate. A notable aspect of this presentation is a small container holding a white dipping sauce, which could potentially be ranch dressing. This dipping option seems to complement the fries, providing a creamy, flavorful accompaniment. The overall color palette of the photo is striking and engaging, with the fresh greens, reds, and browns creating an inviting and appetizing scene. The food is displayed on a rustic wooden tabletop, which adds a warm, organic touch to the composition, enhancing the visual and culinary appeal of the meal presented.
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Cette image capture une mise en place de petit déjeuner visuellement attrayante qui semble privilégier un mélange de saveurs et de textures. En arrière-plan, on peut voir une fourchette accompagnée d'une délicate tasse à thé reposant sur une assiette, confirmant que l'ensemble est en effet conçu pour le repas. De plus, on distingue quatre tasses distinctes en arrière-plan, dont deux semblent contenir de l'eau, ajoutant un élément d'hydratation au repas. Le point central de la photographie est une assiette de petit déjeuner ou de déjeuner joliment arrangée. Dominant cette assiette, ce qui semble être un toast à l'avocat garni de fromage, suggérant une interprétation moderne d'un plat classique. Accompagnant le toast, on trouve des ingrédients vibrants et frais, y compris de la roquette poivrée et des tomates juteuses, qui contribuent à la fois en saveur et en couleur. Il y a également une forme de viande incluse, ajoutant une composante savoureuse à ce repas. Sur le côté, nous voyons des frites, un plat réconfortant favori qui contraste agréablement avec les éléments plus sains sur l'assiette. Un aspect notable de cette présentation est un petit récipient contenant une sauce blanche à tremper, qui pourrait être une vinaigrette ranch. Cette option de trempage semble compléter les frites, offrant un accompagnement crémeux et savoureux. La palette de couleurs générale de la photo est frappante et engageante, avec les verts frais, les rouges et les bruns créant une scène invitante et appétissante. La nourriture est présentée sur une table en bois rustique, ce qui ajoute une touche chaleureuse et organique à la composition, améliorant ainsi l'attrait visuel et culinaire du repas présenté.
|
fr
| 14,444
|
|
['Korean']
|
['11QSwpBpAaWc']
|
['In the photo, two women are standing and looking at the camera. The woman on the left has blonde hair and is wearing a pink scarf and a checkered coat. She is wearing white gloves on both hands and holding a model airplane. The woman on the right has brown hair and is wearing a white hat and a white fur-lined coat, also with white gloves. She is holding a toy car. Both of them were photographed inside a building. The background appears somewhat dark, and windows with curtains are also visible.']
|
[False]
|
[nan]
|
In the photograph, there are two women prominently positioned as they stand together, both gazing directly at the camera, creating an engaging connection with the viewer. The woman on the left is characterized by her striking blonde hair, styled in a manner that highlights her features. She is elegantly dressed in a fashionable pink scarf that adds a pop of color to her overall look, complemented by a checkered coat that exhibits a classic and sophisticated pattern. Her hands are adorned with white gloves, a timeless accessory often associated with formal or semi-formal attire. In her right hand, she holds a model airplane, which suggests an interest in aviation or perhaps a playful nod to childhood memories associated with flight. To the right, the second woman presents a contrast with her rich brown hair, which is neatly styled under a fashionable white hat. Her choice of outerwear—a white coat lined with fur—evokes luxury and warmth, making it suitable for a cooler environment. Like her companion, she is also wearing white gloves, enhancing her polished appearance. In her hands, she holds a toy car, an item that may evoke nostalgia or symbolize a sense of playfulness and imagination. The setting of the photograph appears to be inside a building, which is indicated by the backdrop that includes somewhat dark surroundings. The presence of windows with curtains in the background suggests that the environment may be a cozy indoor space, possibly a home or a private venue, rather than a public place. The overall composition of the image captures a moment filled with warmth and camaraderie between the two women, revealing not only their attire but also their shared enjoyment of their surroundings and the props they hold.
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இந்த புகைப்படத்தில், இரண்டு பெண்கள் ஒரே இடத்தில் நிற்கின்றனர் மற்றும் beide நேரடியாக கேமராவுக்கு பார்க்கிறார்கள், இது பார்வையாளனுடன் ஒரு ஈர்க்கும்வரிசையை உருவாக்குகிறது. இடத்தில் உள்ள பெண் தனது அற்புதமான சுண்டான முடியை வழங்கி அவளுடைய முகத்தை மையமாக்கும் வகையில் காடுகிறாள். அவள் ஒரு பருப்பு நிற உள்ளாடையை அணிந்திருக்கும், இது அவளின் முழுக்காண்பில் மேலும் நிறத்தைச் சேர்க்கிறது, இது பாரம்பரியமான மற்றும் நுட்பமான மாதிரியில் அமைந்த செங்குத்தான கோடுடன் அமைந்துள்ளது. அவளின் கைகளை வெள்ளை மிதவைகளால் அலங்கரிக்கப்பட்டுள்ளது, இது பொதுவாக காணப்படும் அல்லது பாதி அதிகாரபூர்வ உடை அணியலு தொடர்புடைய ஒரு காலாதிகாரப் பொருள். அவளது வலதுகை உள்ள மட்டத்தில், அவள் ஒரு மாதிரி விமானத்தை பிடிக்கிறாள், இது விமானம் தொடர்பான ஆர்வத்தை அல்லது குழந்தைப்பால்வேறு நினைவுகளை இழுக்கும் ஒரு விளையாட்டு கூச்சலுக்கு ஒப்புமை அளிக்கக் கூடும். வலதுபுறத்தில், இரண்டாம் பெண் தனது பணக்காரத்தின் பழுப்பு முடியை ஒரு ஆராய்ச்சிக்கூட்டமாக சூழ்ந்த வெள்ளை உருண்டுக் காடி மூலம் neatly வடிவமைக்கின்றாள். அவளது வெளிநட்டத்தைத் தேர்வுசெய்யும் - ஒரு வெள்ளை கோட்டை - இது பணக்கார மற்றும் சூடானது, அதற்கு சிறந்த சூழ்லாக இருக்க வேண்டும். அவளும் வெள்ளை மிதவைகள் அணிந்துள்ளார், அவளுடைய தூய்மையான தோற்றத்தை மேம்படுத்துகிறது. அவளது கைகளில், அவள் ஒரு விளையாட்டு கார்கள் பிடிக்கிறாள், இது நினைவுகளை ஊக்கம் தரும் அல்லது விளையாட்டுத்திறன் மற்றும் கற்பனைக்கு ஒரு குறியீட்டாக இருக்கலாம். புகைப்படத்தின் அமைப்பு ஒரு கட்டிடத்தில் உள்ளதாகக்க் காட்சியளிக்கின்றது, இது பின்னணி somewhat இருண்ட சூழலை உட்படுத்துகிறது. பின்னணியில் ஜன்னல்கள் மற்றும் மூட்டைகளைவிடாக்கியதால், இந்த சூழல் ஒரு வசதியான உள்ளுரிச் சூழல், இதற்கு வீட்டுக்குள் அல்லது தனிப்பட்ட இடமாக இருக்கக் கூடுமா என்பது குறிக்கிறது, பொதுவான இடமாக அல்ல. படம் முழுவதும், இந்த சம்பவம் இரு பெண்களுக்கு இடையே ஒரு தர்ம மற்றும் நட்பதை உள்ளடக்கிய இருப்புகளைப் பிடிக்கிறது, அவற்றின் உடைகள் மட்டமல்லாமல், அவற்றின் சுற்றுப்புறத்திற்கும் மற்றும் அவற்றைப் பிடித்துள்ள பொருள்களும் ஆன்உனர்வு புரிகின்றது.
|
ta
| 27,365
|
|
['Korean', 'Korean']
|
['1fsxoGF7haLv', '15k36DXFJAiV']
|
["Looking at the photo, it seems that there is a person receiving a certificate or award. On the left, there is a man wearing glasses and a red ribbon, holding a certificate while looking at the camera. It appears that he has received an award. On the right, another man is wearing an orange tie and a navy suit, smiling while handing over the certificate. In the background, there is a statue of a horse and blue curtains, but it's difficult to determine the exact location or situation in which this award is being presented based on the image. See you in the next video!", 'The image depicts two men officially exchanging an award. In the photograph, there are two elderly men. One man is holding a large trophy in the shape of a horse, while the other is holding a certificate. The certificate is inscribed with the name of the Korean Language Industry Association, and another page of the certificate mentions the Palm Awards. The two men are facing each other and positioned on either side. In the background, there is a poster commemorating the event. Both men are dressed in navy suits, and one of the men is wearing a pink sash over his suit.']
|
[False, False]
|
[nan, nan]
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In the first part of the transcription, the scene presents an individual appearing to receive a certificate or award in a ceremonial setting. On the left side of the image, there is a man who wears glasses and is adorned with a red ribbon. He is actively holding a certificate while looking directly into the camera, indicating that he has been honored with an award. To the right, another man is dressed in an orange tie paired with a navy suit. He is smiling warmly as he hands over the certificate to the first man, suggesting a moment of celebration. The backdrop features a statue of a horse along with blue curtains, providing a sense of formality, although the specifics of the location or context surrounding this award presentation remain unclear based solely on the image. The scene concludes with a friendly farewell, "See you in the next video!" The second part of the transcription provides a more detailed account of an official award exchange between two elderly men. In this image, one of the men is prominently holding a large trophy that is crafted in the shape of a horse, which may signify a particular achievement or honor related to equestrian events or perhaps metaphorically represent excellence. The other man is grasping a certificate that is inscribed with the name of the Korean Language Industry Association, indicating that the award pertains to contributions or accomplishments in the field of Korean language and culture. Furthermore, another page of the certificate references the Palm Awards, which are likely prestigious recognitions in this context. Both men are positioned facing one another, standing on either side, suggesting a reciprocal acknowledgment of each other’s achievements. In the background, there is a poster commemorating the event, adding to the atmosphere of recognition and celebration. Both gentlemen are attired in navy suits, showcasing their formal appearance, while one of the men enhances his outfit with a pink sash draped over his suit, possibly indicating a special role or distinction at the event.
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I den første delen av transkripsjonen vises en person som tilsynelatende mottar et sertifikat eller en pris i en seremoniell setting. På venstre side av bildet står en mann med briller som er prydet med et rødt bånd. Han holder aktivt et sertifikat mens han ser direkte inn i kameraet, noe som indikerer at han har blitt hedret med en pris. Til høyre står en annen mann kledd i oransjefarvet slips kombinert med en marineblå dress. Han smiler varmt mens han overrekker sertifikatet til den første mannen, noe som antyder et øyeblikk av feiring. Bakgrunnen har en statue av en hest sammen med blå gardiner, og gir en følelse av formalitet, selv om detaljene om stedet eller konteksten rundt denne prisoverrekkelsen forblir uklare kun basert på bildet. Scenen avsluttes med en vennlig avskjed, "Vi ses i neste video!" Den andre delen av transkripsjonen gir en mer detaljert beskrivelse av en offisiell prisutveksling mellom to eldre menn. I dette bildet holder den ene mannen fremtredende en stor trofé som er laget i form av en hest, noe som kan bety en spesiell prestasjon eller ære knyttet til hestesport, eller kanskje metaforisk representere dyktighet. Den andre mannen holder et sertifikat som er innskrevet med navnet på den Koreanske Språkindustriforeningen, noe som indikerer at prisen gjelder bidrag eller prestasjoner innen koreanisk språk og kultur. Videre refererer en annen side av sertifikatet til Palm Awards, som sannsynligvis er prestisjefylte anerkjennelser i denne sammenhengen. Begge mennene står overfor hverandre, plassert på hver sin side, noe som antyder en gjensidig anerkjennelse av hverandres prestasjoner. I bakgrunnen er det en plakat som hedrer arrangementet, noe som bidrar til atmosfæren av anerkjennelse og feiring. Begge herrene er iført marineblå dresser, som viser deres formelle utseende, mens en av mennene forbedrer antrekket sitt med en rosa sjerf som henger over drakten, noe som kanskje indikerer en spesiell rolle eller distinksjon ved arrangementet.
|
no
| 28,044
|
|
['English', 'Korean', 'Chinese']
|
['1gqnovY8XEY0', '1c0tJZBVeHhf', '126nOoolXrzZ']
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[" This is a picture of a... of kitchen utensils. In the picture it's very dark so it's hard to exactly pinpoint what everything is but it's very clear that this is a kitchen. It seems like there's a pot or a kettle on the stove. There seems to be two of them. One of them has a handle in front of the other one so it's difficult to tell if the one behind is a kettle or a pot. There is a... there's a cover of a pot in the middle of the picture. To the left side of the picture there's some utensils put in like a little cup and some of them hung on like a shelf-like structure. You can see some spatulas and spoons and you can also see that the tile... the kitchen is tiled at the back. The picture is very dark. The style is very like dim and it's difficult to to see. There's two brown spoon and one metallic spoon. There are some other things going on but nothing very distinct to pick out.", 'This image seems to capture a corner of a dimly lit kitchen. Under soft lighting, black cooking vessels like pots or kettles rest on the gas stove, with a small pot lid placed beside them. To the left, there is a metal container holding wooden spatulas or ladles, and next to it, a wooden box that appears to be a knife block is faintly revealed. The wall displays brown-toned tiles, some arranged in a diamond pattern, adding a touch of decorative element to the simple kitchen wall. The low light makes it difficult to distinguish the shapes and textures of surrounding objects; instead, only their outlines emerge softly, creating a mysterious atmosphere. One can imagine quiet nighttime moments under this lighting—cooking alone or quietly boiling tea after the family has gone to sleep. Overall, this photo conveys a cozy, tranquil sentiment that feels different from a bright, modern kitchen, suggesting a soft, timeless flow of moments.', 'This is a very dark image, and you can’t tell what it is at first glance. Upon closer inspection, I see there’s a kettle, likely in a kitchen on a stove, along with some kitchen utensils. There’s a kettle, a pot lid, several spoons, one, two, three, four kitchen tools, and a rack for knives. There’s no text at all. The kettle is on the right side of the image, the pot lid is below it, above the stove, and some kitchen utensils are on the left side of the image. The knives are also on the left side. The background is very dark, consisting of a brown wall. The image is quite gloomy, with the main colors being brown and gray.']
|
[False, False, False]
|
['No', nan, nan]
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This image captures a corner of a dimly lit kitchen, shrouded in shades of brown and gray which create a somewhat gloomy ambiance. The photograph's lighting is very soft and low, making it challenging to discern every detail immediately. However, a closer inspection reveals several key elements that contribute to the scene. On the gas stove, dark cooking vessels that appear to be a kettle and a pot are prominently placed, although the faint lighting obscures some of their distinguishing features. The kettle is positioned on the right side of the image, with a pot lid resting just below it. There are two cooking vessels: one has a handle that’s visible in front of the other, making it difficult to determine if the one behind is indeed another kettle or simply a pot. To the left, the image features some kitchen utensils stored in a metal container, likely holding wooden spatulas and ladles. Next to this container, a wooden box emerges faintly, suggesting that it might be a knife block where knives are stored. This arrangement hints at a well-used kitchen with practical, everyday cooking tools on display. The wall behind is tiled, with some of the tiles exhibiting a brown tone and arranged in a decorative diamond pattern, adding a subtle touch of character to this simple kitchen environment. The overall scene creates a mysterious and cozy atmosphere, evoking the quiet tenderness of nighttime moments spent in the kitchen, perhaps while preparing a warm meal or boiling tea after the family has settled down for the night. Each outline in the dim lighting lends itself to a sense of nostalgia and tranquility, starkly contrasting with the bright and modern kitchens often depicted in contemporary designs. The absence of text in the image allows the viewer to focus solely on the details and emotions conveyed through the dim lighting and the arrangement of the kitchen tools.
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Esta imagen captura un rincón de una cocina tenue, envuelta en tonos de marrón y gris que crean una atmósfera algo sombría. La iluminación de la fotografía es muy suave y baja, lo que hace difícil discernir todos los detalles de inmediato. Sin embargo, una inspección más cercana revela varios elementos clave que contribuyen a la escena. En la estufa de gas, se encuentran destacados recipientes de cocina oscuros que parecen ser un hervidor y una olla, aunque la luz tenue oculta algunas de sus características distintivas. El hervidor está situado en el lado derecho de la imagen, con una tapa de olla descansando justo debajo de él. Hay dos recipientes de cocina; uno tiene un mango que es visible frente al otro, lo que dificulta determinar si el de atrás es realmente otro hervidor o simplemente una olla. A la izquierda, la imagen presenta algunos utensilios de cocina almacenados en un contenedor de metal, que probablemente contiene espátulas y cucharones de madera. Junto a este contenedor, una caja de madera aparece débilmente, sugiriendo que podría ser un block donde se guardan los cuchillos. Este arreglo insinúa una cocina bien utilizada con herramientas de cocina prácticas y cotidianas a la vista. La pared de atrás está revestida con azulejos, algunos de los cuales exhiben un tono marrón y están dispuestos en un patrón decorativo de diamante, añadiendo un toque sutil de carácter a este simple entorno de cocina. La escena en su conjunto crea una atmósfera misteriosa y acogedora, evocando la tierna tranquilidad de momentos nocturnos pasados en la cocina, quizás mientras se prepara una comida caliente o se hierve té después de que la familia se ha acomodado para la noche. Cada contorno en la iluminación tenue aporta una sensación de nostalgia y tranquilidad, en un fuerte contraste con las cocinas brillantes y modernas que a menudo se representan en diseños contemporáneos. La ausencia de texto en la imagen permite al espectador concentrarse únicamente en los detalles y las emociones transmitidas a través de la luz tenue y la disposición de las herramientas de cocina.
|
es
| 15,742
|
|
['English', 'English', 'Chinese', 'Chinese']
|
['18HqGjEvBNOe', '16quNoCh3IIq', '1iGnZKG6tBNV', '1gY6uxisVhWp']
|
[" We have a small photo of a whole bunch of people. Faces are blurred out and people are standing, a whole bunch of people in the foreground standing with their backs turned to me. These people are men or perhaps boys. Most of them are wearing white formal shirts. Some of them are not. Those shirts are untucked. They have black pants and black shoes. There's a young boy who's wearing a yellow shirt but also black pants and black shoes. In the background there looks to be a bunch of women around maybe a flagpole, some sort of a pole. Those women are wearing orange and white. Faces are blurred. I think I also see a bunch of young girls in the deep background. There's a wall and a building, a window and a flag.", "The picture shows more than 10 people standing together. It looks like there is a white pole in the middle of the picture and the people are all standing around it. There are women, children, and men. It looks like there is some sort of a flag. The flag has green, white, and orange. I'm not sure which country that is. It could be Indian flag. It looks like the people are also waving little flags. Maybe it's a celebration of some sort. In the background, there is a wall and the wall has a bunch of that same flag. It's probably not in America because I don't see American flags. Definitely in Asia. It looks like some of the women are wearing sari.", 'In the scene, we can see what appears to be a flag-raising ceremony. There are some individuals wearing white school uniforms and blue trousers, as well as others in traditional attire dressed in orange, surrounding a flagpole at the center. A man in orange clothing, serving as the flag bearer, is preparing for the flag-raising ceremony. From the flags they are holding and the color combinations, this likely represents a small flag-raising event in India. Everyone is focused on the flagpole, and the Indian national flag, made up of orange, white, and green, features an emblem in the middle. The background of the ceremony consists of a building with a brick wall, which is adorned with many small Indian flags as decoration. This looks like an important national festival in India, similar to Independence Day, suggesting that the flag-raising ceremony is being conducted in celebration of this national holiday.', 'This is at an outdoor ceremony with many people. In the middle of the photo, there is a person surrounded by a few circles; the outermost circle is made up of someone wearing white clothing, while the people inside are wearing orange tops. They are gathered in front of a pole and standing outside a building. They are conducting some kind of ceremony where everyone has their hands clasped together and are appearing to clap. The photo is taken at the base of a large tree.']
|
[False, False, True, False]
|
[nan, nan, 'Indian national flags.', nan]
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In this collection of photographs, we see a vibrant and detailed scene filled with a large group of people gathered together for what appears to be a ceremonial event. The first image depicts a significant number of individuals, primarily men and perhaps young boys, who are mostly dressed in white formal shirts that are untucked, paired with black pants and black shoes. Among the group, there is a young boy distinctively wearing a yellow shirt, while still adhering to the black pants and shoes attire. The setting suggests a festive or formal atmosphere as they stand with their backs turned to the camera, showcasing them as a united group. In the background, there are women, who appear to be grouped around a tall flagpole. These women are adorned in clothing that features a striking orange and white color scheme. Additionally, hints of young girls can be discerned deeper in the background, contributing to the lively composition. A wall with a building behind it and a window can also be seen, along with the flag that signifies the nationality of the gathering. In the second photo, we observe a similar gathering involving more than ten individuals. Central to this scene is a white pole, around which the people congregate. This diverse group includes men, women, and children, suggesting a community event, possibly a celebration. They are seen with their hands raised, possibly waving small flags, featuring a color palette of green, white, and orange. Notably, this flag resembles the national flag of India, and the presence of several women in saris—traditional attire—reinforces this idea. It is suggested that this might not take place in America, given the absence of American flags and the cultural indications pointing toward an Asian setting. In the background, the wall presents a display of numerous small Indian flags, enhancing the likelihood that this scene is part of an important festive occasion. The third transcription describes a flag-raising ceremony, where individuals donning white school uniforms alongside blue trousers are present. Along with them, participants dressed in traditional orange attire surround a flagpole, with one man specifically identified as the flag bearer, poised to announce the raising of the flag. The focus of the group is evidently directed towards the flagpole where the Indian national flag, characterized by its orange, white, and green sections adorned with an emblem, is to be raised. This event is taking place against a backdrop of a brick wall building, decorated with multiple small Indian flags, indicating a celebratory atmosphere. The event bears resemblance to national festivities in India, such as Independence Day, underscoring the significance of the flag-raising as a part of the observed holiday. Lastly, an outdoor ceremony is visible, where numerous attendees have gathered. In the center of this particular photograph is a person encircled by others, creating concentric circles of participants. The outermost circle consists of individuals dressed in white clothing, while the inner circle contains those in orange tops. They gather in front of the pole, indicating the communal nature and collective spirit of the ceremony, where individuals are seen clasping their hands—possibly in a moment of respect or reverence—as they appear to be clapping. This photo is notably taken underneath a large tree, symbolizing grounding and nature's presence at this significant gathering. The combination of all these elements suggests a heartfelt celebration infused with cultural significance, likely honoring a national or community-based event.
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اس تصویر کے مجموعے میں، ہم ایک زندہ دل اور تفصیلی منظر دیکھتے ہیں جہاں ایک بڑی تعداد میں لوگ ایک تہذیبی تقریب کے لئے جمع ہیں۔ پہلی تصویر میں بہت سے افراد کو دکھایا گیا ہے، زیادہ تر مرد اور شاید نوجوان لڑکے، جو عام طور پر سفید رسمی قمیضوں میں ہیں جو باہر نکلی ہوئی ہیں، جنہیں سیاہ پینٹ اور سیاہ جوتوں کے ساتھ جوڑا گیا ہے۔ گروپ میں ایک نوجوان لڑکا ہے جو منفرد طور پر پیلے رنگ کی قمیض پہنے ہوئے ہے، جبکہ وہ بھی سیاہ پینٹ اور جوتوں کے لباس کی پابندی کرتا ہے۔ یہ ماحول تہذیبی یا رسمی محسوس ہوتا ہے کیونکہ وہ کیمرے کی طرف پیٹھ کیے کھڑے ہیں، اور ایک متحدہ گروپ کے طور پر نظر آتے ہیں۔ پس منظر میں، خواتین ہیں جو ایک بلند جھنڈے کے کھمبے کے گرد جمع ہیں۔ یہ خواتین ایسی لباس میں ملبوس ہیں جس میں ایک دلکش نارنجی اور سفید رنگ کی مجموعہ ہے۔ علاوہ ازیں، پس منظر میں نوجوان لڑکیوں کے آثار بھی نظر آتے ہیں، جو زندہ دل منظرنامے میں اضافہ کر رہے ہیں۔ ایک دیوار ہے جس کے پیچھے ایک عمارت اور ایک کھڑکی بھی دکھائی دیتی ہے، ساتھ ہی وہ جھنڈا ہے جو اس اجتماع کی قومیت کی نشانی ہے۔ دوسری تصویر میں، ہم ایک ایسے اجلاس کا مشاہدہ کرتے ہیں جس میں دس سے زیادہ افراد شامل ہیں۔ اس منظر میں ایک سفید کھمبا مرکزی ہے، جس کے گرد لوگ جمع ہیں۔ یہ متنوع گروپ مرد، خواتین اور بچوں پر مشتمل ہے، جو ایک کمیونٹی تقریب کو ظاہر کرتا ہے، ممکنہ طور پر ایک جشن۔ وہ اپنے ہاتھ بلند کرتے ہوئے دیکھے جا رہے ہیں، ممکنہ طور پر چھوٹے جھنڈے لہراتے ہوئے، جن کی رنگت سبز، سفید اور نارنجی ہے۔ یہ جھنڈا خاص طور پر بھارت کے قومی پرچم سے مشابہت رکھتا ہے، اور کئی خواتین جو سری میں ملبوس ہیں—تہذیبی لباس—اس خیال کو تقویت دیتی ہیں۔ ایسا لگتا ہے کہ یہ تقریب امریکہ میں نہیں ہو رہی، کیونکہ وہاں امریکی جھنڈے کی عدم موجودگی اور ثقافتی اشارات ایشیائی ماحول کی طرف اشارہ کرتے ہیں۔ پس منظر میں، دیوار متعدد چھوٹے بھارتی جھنڈوں کی نمائش کر رہی ہے، جو اس بات کو تقویت دیتی ہے کہ یہ منظر ایک اہم تہذیبی موقع کا حصہ ہے۔ تیسری نقل ایک جھنڈا بلند کرنے کی تقریب کی وضاحت کرتی ہے، جہاں افراد سفیدہ دستانوں کے ساتھ نیلی پینٹ میں ملبوس ہیں۔ ان کے ساتھ، نارنجی روایتی لباس میں ملبوس شرکاء ایک جھنڈے کے کھمبے کے ارد گرد ہیں، جن میں سے ایک شخص خاص طور پر جھنڈا اٹھانے والا ہے، جو جھنڈا بلند کرنے کا اعلان کرنے کے لیے تیار ہے۔ یہ گروپ واضح طور پر جھنڈے کے کھمبے کی طرف متوجہ ہے جہاں بھارتی قومی پرچم، جس میں نارنجی، سفید، اور سبز حصے ہیں جن پر ایک نشان موجود ہے، بلند کیا جانا ہے۔ یہ تقریب ایک اینٹوں کی دیوار کی پس منظر میں ہو رہی ہے، جسے چھوٹے بھارتی جھنڈوں سے سجایا گیا ہے، جو ایک جشن کا مظہر ہے۔ یہ تقریب بھارت میں قومی تہذیبی مواقع، جیسے یوم آزادی، سے مشابہت رکھتی ہے، جو جھنڈا بلند کرنے کی اہمیت پر زور دیتی ہے جیسا کہ یہ تعطیل منائی گئی۔ آخر میں، ایک کھلی تقریب نظر آتی ہے، جہاں بہت سے شرکاء جمع ہوئے ہیں۔ اس خاص تصویر کے مرکز میں ایک شخص ہے جو دوسروں کے ارد گرد گھرا ہوا ہے، جو شرکاء کے متوازن حلقے بنا رہا ہے۔ باہر کے حلقے میں ایسے افراد ہیں جو سفید لباس میں ملبوس ہیں، جبکہ اندر کے حلقے میں نارنجی بلاؤز پہنے ہوئے لوگ ہیں۔ وہ کھمبے کے سامنے جمع ہیں، جو کمیونٹی کی نوعیت اور اجتماع کے اجتماعی روح کو ظاہر کرتا ہے، جہاں افراد اپنے ہاتھ باندھے ہوئے دیکھے جا رہے ہیں—شاید احترام یا عقیدت کے لمحے میں—جب وہ تالیاں بجاتے ہوئے نظر آتے ہیں۔ یہ تصویر خاص طور پر ایک بڑے درخت کے نیچے لی گئی ہے، جو اس اہم اجتماع میں زمین سے جڑنے اور قدرت کی موجودگی کی علامت ہے۔ ان تمام عناصر کا مجموعہ ایک دلکش جشن کی نشاندہی کرتا ہے جو ثقافتی اہمیت سے بھرپور ہے، جو ممکنہ طور پر قومی یا کمیونٹی کی بنیاد پر ایونٹ کی عزت کرتا ہے۔
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ur
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['English', 'English', 'English', 'Korean', 'Chinese', 'Chinese', 'Chinese']
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['1lLCXDEMi5Ow', '1mlSBtrQdSDD', '1d6nv6gg88H1', '14k0h7MliYCX', '173lL0UNxRaE', '13QcggcBlWYK', '11WLVRkrMHKG']
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[" At first glance, this is a picture of four people sitting around a table preparing food. There are two women on one side of the table and a woman and a man on the other side of the table, and the table is rectangular. On the further side, there are two older-looking women with dark hair wearing red sweaters and pink gloves, and they seem to be preparing some type of food with some red seasoning mix, and they're stuffing it inside of some large green leafy vegetable, perhaps cabbage. The two people on the closer side of the camera are a man and a woman who also look older, and they're also wearing pink gloves and sweaters, and they all seem to be working together to prepare some kind of lettuce-wrapped food.", " seems to have four people that are preparing kimchi, which is a fermented cabbage side dish that is Korean. We can see that three of the women in this picture are, they're wearing red clothing. One of them is wearing an apron. The man in the picture is wearing a green shirt. There are two people in the foreground of the image, and the other two people are sitting across a table from them in more of the background. There is cabbage as well as the coating or the spices sitting on the table, and they are all wearing pink gloves to handle the food. And then it seems like after they are finished coating the leaves with the mixture, they are placing them in these red tubs to be fermented as well. The table has this sort of plastic covering so that it doesn't get dirty, and it seems to be a wooden table under that as well. In the background, we see some sort of maybe trees or wood or something like that, some nature background. And we can see some other buckets as well. We can see a full red bucket in the background sitting behind the people as well that seems to have the cabbage in it as well. In terms of the location, it's very unclear. Where specifically maybe this is, perhaps it's on the ground next to some nature-esque location.", " This is an image of four individuals, I believe three women and a man. The women are all wearing red, the man is wearing yellow. They're all processing some vegetables. It appears to be they're wearing pink gloves as they either cut apart or tear apart these vegetables and put them in different red bins sitting on the floor around them. In the middle of this table that they're working at, it's a low table, they're all sitting on the floor around it, is like a red processed vegetable it appears to be. Most of the vegetables are like a green cabbage looking vegetable. They're sitting on this large tarp and in the background there's a fence and beyond that there appears to be some kind of grass. In the foreground there are also some metal pans around them and some more red pans to the side and the back as well as some green baskets. Most of the vegetables are wearing aprons, one's wearing a striped black apron, but they're all wearing red. Their gloves also have a lot of red on it, indicating there's something that stains a lot that they're working with.", 'In the photo, there are three grandmothers and one man named Arthur, who is making kimchi. In the center, a lot of kimchi is gathered, and next to it are napa cabbages prepared for mixing with sauces for making kimchi. To the side, someone is mixing the ingredients. It appears to be a photo taken during the kimjang season. Two women in red are visible, along with a person in front with white hair. In the lower left corner, a man can be seen. On either side, there are large bowls filled with kimchi, and it looks like there are many plastic sheets below. The photo does not seem to be taken in a home; it gives the impression of being taken outside, perhaps in a plastic greenhouse, showing the process of making kimchi.', 'From the image, there are four people gathered around a square table covered with plastic wrap. They are mixing some chili powder with cabbage leaves. In a nearby basin, there are already some prepared cabbage leaves stacked up. It looks like a family working together to make kimchi or pickles. From the back, there are some iron railings enclosing the yard, and the ground is also covered with plastic wrap to prevent dust from contaminating the vegetables. Next to them, there are plastic bowls, wooden bowls, and some jars for sauces. There is a lot of chili powder in the center, and everyone is wearing pink gloves. The family consists of the husband, wife, grandmother, and mother, all working together to prepare this type of kimchi dish, kneading the chili into every layer of cabbage leaves rather than just the surface. This seems to be a traditional family food commonly made by the Korean ethnic group.', 'In the entire picture, the users are practicing making spicy pickled cabbage with four people involved. Among them, three are women and one is a man. It is noticeable that they are all of a certain age, as one person in the middle has gray hair, while the others without gray hair still appear to be older. The three women have similar hairstyles, which are permed and dyed, and are somewhat short. They can be seen wearing reddish clothing and pink rubber gloves. They are gathered around a table that has a white plastic cover. On the table, there are many cabbages and peppers; some of the cabbages have been pickled and coated with chili, giving them a reddish color, while others are plain. Nearby, there are many large red bowls, including those for storage, filled with both pickled and unpickled cabbage. In the background, there is a large plastic sheet on which they are sitting, possibly for laying out the pickled cabbage to dry. The entire picture describes the process of making spicy pickled cabbage, and they are actively engaged in the preparation.', 'In the image, several people seem to be engaged in the process of making Korean kimchi. Facing the camera are two women who look to be in their forties or fifties and appear to be Korean. With their backs to the camera, there are two other individuals, a man in the lower left corner and an elderly woman with white hair in the lower right corner. These four people are gathered around a square table, preparing kimchi. The reason we say they are making kimchi is that in the center of the table there are some chili paste ingredients needed for the preparation. On the right side of the table, there is some napa cabbage, and these individuals are applying the chili paste onto the cabbage. On the left side of the image, there is a jar where they will place the prepared napa cabbage, which is likely part of the kimchi-making process.']
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[False, True, False, True, False, True, True]
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[nan, 'Culturally distinct food, kimchi, is being made in the picture.', nan, 'makign kimchi', nan, 'This is a Korean tradition to make Kimchi', 'Korean food making']
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At first glance, the image presents a scene involving four individuals who are sitting around a rectangular table engaged in food preparation. Two women are situated on one side of the table, while a man and a woman occupy the opposite side. The two women across the table are older and have dark hair; they are both dressed in red sweaters and pink gloves. They appear to be preparing food, specifically stuffing a large green leafy vegetable, likely cabbage, with some type of red seasoning mix. On the nearer side of the camera, the two older individuals, a man and a woman, share similar attire, characterized by pink gloves and sweaters, indicating their participation in the culinary task at hand. This collaborative effort seems to revolve around creating a type of lettuce-wrapped dish, with an emphasis on kimchi, which is a traditional fermented cabbage side dish commonly found in Korean cuisine. The ingredients and tools of their craft lay spread across the table, including cabbage and a vibrant red spice mix meant for coating the vegetable leaves. After these leaves are fully treated with the seasoning mix, it appears they will be placed into red containers for fermentation. The table itself is protected by a plastic cover to prevent mess, hinting at the care they are taking with this food preparation. Surrounding this scene, nature subtly stirs in the background, perhaps signified by the presence of trees or a wooded area, all while additional buckets sit nearby, one filled with cabbage. The location of this gathering remains ambiguous but suggests a setting that might be outdoors, potentially next to a natural backdrop. The atmosphere is rich with cultural significance, as the act of making kimchi, or kimjang, is not just about food; it is a tradition that emphasizes family bonding and communal effort, deeply rooted in Korean culture. This image further provides detail on the dynamics of the group, where three women in red clothing and one man in a yellow shirt collaborate on food preparation, seemingly processing vegetables. The individuals—most notably older adults—wear pink gloves as they handle fresh produce, cutting or tearing vegetables while placing them into assorted red bins around their low table, which they use as a base for their work. The process of making kimchi is highlighted by the central gathering of ingredients, where napa cabbages await their turn to be mixed with the necessary seasoning for kimchi production. Noteworthy in the image are three grandmothers and Arthur, the only man, who helps facilitate the preparation. He’s pictured alongside the cabbages and the various bowls laid out for mixing. The environment surrounding them boosts the familial vibe; it feels like an outdoor, community-centric event rather than a private home activity—indicating perhaps a greenhouse or setting dedicated to such culinary crafts. To add layers to the scene, one can see in the immediate area the presence of metal pans, red containers, and green baskets, which complements the primary activity underway. The women engage in labor that may stain clothes, as evidenced by the prominent red on their gloves, a testament to the spicy ingredients being utilized. The essence of Korean food traditions showcases itself in the kneading process, where participants ensure that the chili coating fully envelops each cabbage leaf for optimal flavor, making this gathering resonate with cultural practices that celebrate the art of food preparation in a communal context.
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Nhìn thoáng qua, bức ảnh hiện lên một cảnh tượng có bốn người đang ngồi quanh một chiếc bàn chữ nhật, tham gia vào việc chuẩn bị món ăn. Hai người phụ nữ ngồi ở một bên của bàn, trong khi một người đàn ông và một người phụ nữ chiếm giữ bên đối diện. Hai người phụ nữ ở phía bên kia bàn lớn tuổi hơn và có tóc tối màu; họ đều mặc áo len đỏ và đeo găng tay hồng. Họ đang chuẩn bị thức ăn, cụ thể là nhồi một loại rau xanh lớn, có thể là bắp cải, với một loại gia vị đỏ nào đó. Ở phía gần của camera, hai người lớn tuổi, một người đàn ông và một người phụ nữ, mặc trang phục tương tự, được đặc trưng bởi găng tay hồng và áo len, cho thấy họ tham gia vào công việc nấu nướng này. Nỗ lực hợp tác này dường như xoay quanh việc tạo ra một loại món ăn cuốn trong lá rau, với điểm nhấn là kimchi, một món ăn phụ truyền thống lên men từ bắp cải thường thấy trong ẩm thực Hàn Quốc. Nguyên liệu và dụng cụ của họ được trải đều trên bàn, bao gồm bắp cải và một loại gia vị đỏ rực rỡ để phủ lên lá rau. Sau khi những lá rau này được xử lý hoàn toàn với gia vị, có vẻ như chúng sẽ được cho vào các thùng đỏ để lên men. Chiếc bàn được bảo vệ bởi một lớp nhựa để tránh lộn xộn, cho thấy sự cẩn thận mà họ dành cho việc chuẩn bị món ăn này. Xung quanh cảnh tượng này, thiên nhiên nhẹ nhàng hoà mình trong nền, có thể được thể hiện qua sự hiện diện của cây cối hoặc khu vực rừng, trong khi thêm những chiếc thùng ngồi gần, một chiếc đầy ắp bắp cải. Địa điểm của buổi tập trung này vẫn còn mơ hồ nhưng gợi ý một bối cảnh có thể là ngoài trời, có khả năng gần một bối cảnh tự nhiên. Không khí mang đậm ý nghĩa văn hoá, vì hành động làm kimchi, hay kimjang, không chỉ là về thực phẩm; đó là một truyền thống nhấn mạnh sự gắn kết gia đình và nỗ lực chung, sâu sắc trong văn hoá Hàn Quốc. Bức ảnh này cũng cung cấp chi tiết về động lực của nhóm, nơi ba người phụ nữ trong trang phục đỏ và một người đàn ông trong áo sơ mi vàng cùng nhau hợp tác trong việc chuẩn bị thực phẩm, có vẻ như đang xử lý rau củ. Những người này—đáng chú ý là những người lớn tuổi—đeo găng tay hồng khi họ xử lý các sản phẩm tươi, cắt hoặc xé rau củ và đặt chúng vào các thùng đỏ khác nhau xung quanh chiếc bàn thấp mà họ sử dụng làm nền tảng cho công việc của mình. Quá trình làm kimchi được nổi bật bởi sự tập trung vào nguyên liệu, nơi những củ bắp cải đang chờ lượt để được trộn với gia vị cần thiết cho việc sản xuất kimchi. Điểm đáng chú ý trong bức ảnh là ba bà cụ và Arthur, người đàn ông duy nhất, người giúp đỡ trong việc chuẩn bị. Anh ấy được chụp cùng với những củ bắp cải và nhiều bát bên cạnh để trộn. Môi trường xung quanh họ tăng cường cảm giác gia đình; nó tạo cảm giác như một sự kiện cộng đồng ngoài trời chứ không phải là một hoạt động riêng tư trong nhà—gợi ý có thể là một nhà kính hoặc bối cảnh dành cho những nghề nấu nướng như vậy. Để thêm chiều sâu cho cảnh tượng, có thể thấy trong khu vực gần đó có sự hiện diện của chảo kim loại, thùng đỏ và giỏ xanh, điều này bổ sung cho hoạt động chính đang diễn ra. Những người phụ nữ đang tham gia vào công việc có thể làm vấy bẩn quần áo, như được chứng minh bởi màu đỏ nổi bật trên găng tay của họ, một minh chứng cho các nguyên liệu cay được sử dụng. Bản chất của các truyền thống ẩm thực Hàn Quốc tự thể hiện trong quá trình nhào trộn, nơi những người tham gia đảm bảo rằng lớp ớt bao phủ hoàn toàn mỗi lá bắp cải để có hương vị tối ưu, khiến cho buổi tập trung này vang vọng với những thực hành văn hoá tôn vinh nghệ thuật chuẩn bị thực phẩm trong bối cảnh cộng đồng.
|
vi
| 8,796
|
|
['Chinese']
|
['1oPGkKUqDKKp']
|
['The first impression of the entire picture is that it is very eye-catching. In the center, there is a plate filled with various vegetables and red strawberries, topped with two cookies. The surrounding items are blurred due to the close-up shot, making it hard to see what they are. It is evident from this image that the food on the plate is very healthy and light, with little oil. The background color is very saturated, likely adjusted to a high level, as the greens and reds in the picture appear particularly vivid. One can sense that the creator of this food is someone who enjoys fitness or is currently on a diet focused on healthy eating.']
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[False]
|
[nan]
|
The first impression of the entire image is that it is exceptionally eye-catching and visually appealing. Central to the picture is a beautifully arranged plate filled with an array of fresh vegetables, alongside bright red strawberries, and two enticing cookies placed atop the vibrant produce. The close-up nature of the shot has rendered the surrounding items blurred, contributing to an air of focus on the plate itself, while obscuring any detailed view of the background elements. It is immediately clear from the image that the food presented on the plate embodies qualities of healthiness and lightness, suggesting minimal use of oil in the preparation. The color palette of the background is strikingly saturated, indicating that it has likely undergone some adjustment to achieve a high level of vibrancy. The greens of the vegetables and the deep reds of the strawberries stand out particularly, adding to the overall allure of the composition. One can deduce that the creator of this dish is an individual who is either passionate about fitness or currently pursuing a dietary regimen that emphasizes healthy eating. This inference arises not only from the choice of ingredients but also from the presentation, which aligns well with trends in health-conscious culinary practices.
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Det første inntrykket av hele bildet er at det er eksepsjonelt iøynefallende og visuelt tiltalende. Sentral i bildet er en vakkert anrettet tallerken fylt med en rekke ferske grønnsaker, ved siden av lyse røde jordbær, og to fristende småkaker plassert oppå det fargerike utvalget. Nærbildet av motivet har gjort at de omkringliggende elementene er uskarpe, noe som bidrar til en følelse av fokus på tallerkenen selv, mens detaljene i bakgrunnen forblir uklare. Det er umiddelbart klart fra bildet at maten som presenteres på tallerkenen har kvaliteter av sunnhet og letthet, noe som antyder minimalt bruk av olje i tilberedningen. Fargepaletten i bakgrunnen er slående mettet, noe som indikerer at den sannsynligvis har gjennomgått noe justering for å oppnå et høyt nivå av livlighet. Grønnfargene fra grønnsakene og de dype røde fargene på jordbærene skiller seg spesielt ut, og tilfører til den samlede appellen av komposisjonen. Man kan anta at skaperen av denne retten er en person som enten brenner for fitness eller som for øyeblikket følger et kosthold som vektlegger sunn kosthold. Denne slutningen oppstår ikke bare fra valget av ingredienser, men også fra presentasjonen, som passer godt sammen med trender innen helsebevisste matlagingspraksiser.
|
no
| 14,906
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['11z7uJMI9cWe', '1d8nSODPR0y1', '1fYJcRcCrsMF', '1q5XLj1smwzp', '1lF5ZcmimViW', '14eX4QqffV48']
|
[" In this picture we can see a man standing in what appears to be a looking pose where he's searching for something. He appears to have a pole on his left hand, while in his right hand he is trying to look for something behind him. There is a cold wall with square patterns and the floor is green. He appears to be in what seems to be a traditional attire and has his face painted in white and red with black patterns. His attire seems to have gold overall with black patterns. It also has red and blue sections in it as well as a turquoise green. The pole appears to be gold and he also has a gold ring. The background, like I mentioned, has different patterns and seems to be a dragon sword. This could be some sort of Asian culture thing.", " Looks to be a performer that has his face painted and is wearing like an ear, a ball next to his ear, looks clown-like, and is wearing, looks like silk, yellowish shirt and pants with a blue and red tunic style with kind of like flowery patterns inscribed in the opposite color. So if it's on the yellow pants, it's dark inscriptions. And if it's in the dark colors, like the blue and the red, then it's light inscriptions, but it's the same flower-like pattern. And he looks like he's willing a rod, like a golden rod. The background is golden. And the bottom of the curtain in the background is nicely patterned with some green snaking pattern. And he looks like he's snaking. Saluting or something. So this looks like he's standing on a green carpet and wearing little sandals that match his outfit. So it looks like he's performing. It looks, again, it looks Asian culture. I can't place which Asian culture, but just based on the pattern that is inscribed on his garb and the silk, looks to be some sort of. And he's also wearing. A hat that matches his outfit. So he's supposed to be from an Asian performance.", " This image shows a Monkey King character in Peking Opera. Based on the bottom of the image, it looks like a green floor. It could be the performer playing Monkey King on the stage, and also given the screen in the background. The color is very bright, given the background screen and the clothes seem to be very intricate and full of the traditional Peking Opera patterns. The person is also wearing the face painting, and he has the standard or the traditional Monkey King's stick. So a person could infer this is a performance. So a person could infer this is a performance. But unclear on the location of the performance. But the details on the clothes indicate this is a performance and doing the Monkey King character.", "This image is a photograph of a person portraying a very traditional and famous mythological character from China, Sun Wukong. The location of the shoot appears to be a stage; it's possible to discern that it's a theatrical stage. The background features a golden curtain, and on the stage, there is a green carpet. The performer portraying Sun Wukong stands in the middle of the image, gazing into the distance. We can see that his right hand is raised to his forehead as if looking far away, while his left hand holds a golden staff. His face is painted in a style similar to Peking opera, and he is dressed in a golden outfit. At first glance, any Chinese person would immediately recognize that he is dressed as or performing Sun Wukong.", 'In this picture, we can see a person standing in the middle, with an orange background. They are standing on a green surface covered with a green blanket. The person is holding a stick and has their face painted in a mix of white and red. In this scene, they are wearing a yellow outfit, with yellow pants, and a small apron that features blue and green patterns. Around their neck, they have a red scarf. It’s evident that this is a portrayal of the character Sun Wukong. The hat they are wearing is yellow, and overall, it depicts a scene without any other characters or text. It simply shows Sun Wukong holding the Golden Staff, exploring the path ahead. The Golden Staff has a color similar to shimmering gold and silver.', 'Here is a performer of Peking opera, and he should be portraying Sun Wukong. He is wearing a yellow costume with a yellow background behind him. He is holding a golden staff and standing on a green grass stage. This should be Sun Wukong.']
|
[False, True, True, True, False, False]
|
[nan, "Can't place the culture exactly but it is some form of Asian performance based on the outfit looking silk with flowery patterns and the yellow colors.", nan, 'Sun Wukong', 'wukong', nan]
|
In the first image, there is a man depicted in a pose suggesting he is searching for something. He holds a pole in his left hand while his right hand is reaching behind him as if to look for something concealed. The wall behind him is cold and features a square pattern design, and the floor is a vivid green. He is garbed in traditional attire that boasts a rich gold base adorned with black patterns, along with sections of red, blue, and a unique turquoise green. The pole he carries appears to be made of gold, and he wears a gold ring on his finger. The background is intricately patterned, possibly showcasing a dragon sword, hinting at influences from Asian culture. In the second image, a performer stands out with their face artistically painted, presenting a lively yet clown-like visage. This individual has an ear adorned with a ball and is dressed in a silky, yellowish shirt and pants combined with a tunic that is vibrant blue and red. The tunic features floral patterns that are intricately inscribed; dark motifs appear on the lighter yellow pants, and in contrast, the blue and red attire includes lighter patterns. The performer wields a golden rod and is engaged in a saluting or performative gesture, standing atop a green carpet, while wearing sandals that harmonize with their outfit. The background is punctuated by a gold theme, and a green, snake-like pattern at the base of the curtain enhances the aesthetic. This portrayal aligns with elements of Asian performance culture, although the specific cultural origin remains unspecified. The third image captures a performer embodying a character from Peking Opera known as the Monkey King. It showcases a theatrical environment, evident from the stage setting with a green floor and a bright background. The clothes are elaborately designed with traditional Peking Opera patterns, and the performer sports distinctive face painting associated with the Monkey King. He holds the character's iconic staff, indicating that this is indeed a performance, though the specific location of the event is not clear. The fourth image presents a striking photograph of a performer dressed as Sun Wukong, a well-known mythological figure from Chinese culture. This scene unfolds on what appears to be a theatrical stage characterized by a golden curtain in the background and a green carpet on the stage itself. The performer stands centrally, gazing into the distance with his right hand raised to his forehead, mimicking the action of searching far away. His left hand grips a golden staff, and his face is painted in a style reminiscent of Peking Opera, adorned with intricate details that highlight his golden costume. Upon first glance, any individual familiar with Chinese culture would confidently recognize the character as Sun Wukong. In the final image, we see another portrayal of the character Sun Wukong, which emphasizes the performer's position in the center of the frame against an orange backdrop. This performer stands on a green surface that seems to be covered with a green blanket. Holding a stick while his face is painted in a blend of white and red, he is attired in a striking yellow outfit that includes yellow pants and a petite apron bearing blue and green patterns. A red scarf is around his neck, adding to the overall presentation. The hat he wears is also yellow, enhancing the character’s vibrant portrayal as Sun Wukong, who is shown holding the Golden Staff, indicative of his adventurous exploration ahead. The staff possesses a notable shimmering effect that combines colors resembling both gold and silver. In summary, the images illustrate the vibrant tradition of Peking Opera and the cultural significance of characters like Sun Wukong, showcasing intricate costumes and lively performance elements that reflect rich Asian cultural heritage.
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Dans la première image, un homme est représenté dans une pose suggérant qu'il est à la recherche de quelque chose. Il tient un bâton dans sa main gauche tandis que sa main droite atteint derrière lui comme s'il cherchait quelque chose de caché. Le mur derrière lui est froid et présente un motif en carré, tandis que le sol est d'un vert vif. Il porte une tenue traditionnelle avec une riche base dorée ornée de motifs noirs, ainsi que des sections de rouge, de bleu et d'un vert turquoise unique. Le bâton qu'il tient semble être en or, et il porte une bague en or à son doigt. L'arrière-plan est richement décoré, possiblement avec une épée de dragon, ce qui laisse entrevoir des influences de la culture asiatique. Dans la deuxième image, un performer se démarque avec son visage artistiquement peint, présentant un visage vivant mais clownesque. Cet individu a une oreille ornée d'une boule et est vêtu d'une chemise et d'un pantalon en soie d'un jaune pâle, combinés avec une tunique vibrante bleue et rouge. La tunique présente des motifs floraux délicatement inscrits ; des motifs sombres apparaissent sur le pantalon jaune plus clair, tandis que les vêtements bleus et rouges incluent des motifs plus clairs. Le performer brandit une baguette dorée et effectue un geste de salutation ou de performance, se tenant sur un tapis vert, tout en portant des sandales qui s'harmonisent avec sa tenue. L'arrière-plan est ponctué par un thème doré, et un motif en forme de serpent vert à la base du rideau enrichit l'esthétique. Cette représentation s'aligne avec des éléments de la culture de performance asiatique, bien que l'origine culturelle spécifique reste non précisée. La troisième image capture un performer incarnant un personnage de l'Opéra de Pékin connu sous le nom de Roi Singe. Elle met en avant un environnement théâtral, évident par le décor de la scène avec un sol vert et un arrière-plan lumineux. Les vêtements sont soigneusement conçus avec des motifs traditionnels de l'Opéra de Pékin, et le performer arbore un maquillage distinctif associé au Roi Singe. Il tient le bâton emblématique du personnage, indiquant qu'il s'agit certainement d'une performance, bien que le lieu spécifique de l'événement ne soit pas clair. La quatrième image présente une photographie saisissante d'un performer déguisé en Sun Wukong, une figure mythologique bien connue de la culture chinoise. Cette scène se déroule sur ce qui semble être une scène théâtrale caractérisée par un rideau doré en arrière-plan et un tapis vert sur la scène elle-même. Le performer se tient au centre, regardant au loin avec sa main droite levée à son front, imitant l'action de chercher au loin. Sa main gauche saisit un bâton doré, et son visage est peint dans un style rappelant l'Opéra de Pékin, orné de détails complexes qui soulignent son costume doré. À première vue, toute personne familière avec la culture chinoise reconnaîtrait sans aucun doute le personnage comme étant Sun Wukong. Dans la dernière image, nous voyons une autre représentation du personnage Sun Wukong, qui souligne la position du performer au centre du cadre sur un fond orange. Ce performer se tient sur une surface verte qui semble être recouverte d'une couverture verte. Tenant un bâton tout en ayant le visage peint dans un mélange de blanc et de rouge, il est vêtu d'une tenue jaune saisissante comprenant un pantalon jaune et un petit tablier portant des motifs bleus et verts. Une écharpe rouge entoure son cou, ajoutant à la présentation globale. Le chapeau qu'il porte est également jaune, renforçant la représentation vibrante du personnage en tant que Sun Wukong, qui est montré tenant le Bâton d'Or, symbole de son exploration aventurière à venir. Le bâton possède un effet scintillant notable qui combine des couleurs ressemblant à de l'or et de l'argent. En résumé, les images illustrent la tradition vibrante de l'Opéra de Pékin et la signification culturelle de personnages comme Sun Wukong, mettant en avant des costumes complexes et des éléments de performance animés qui reflètent un riche héritage culturel asiatique.
|
fr
| 2,036
|
|
['English', 'English', 'Korean', 'Chinese', 'Chinese', 'Chinese']
|
['1c0MiUDEV5eu', '1deGG6KW994u', '1hjRhiHczgFm', '15AH3cZEr9Pt', '1hO15o1iCRbw', '1orSQYLOiGVz']
|
[" This is an image of a set of garden statues. It's definitely a cultural image. I can't tell what culture. It's on a paved pathway or area of some kind of garden place. There's some stones with some cracks between them filled with a sand. Each of these objects are made out of stone. Each one has a face and a body and hands. They all have faces. They all have a flower headband around them. The first two have a pink flower headband. The first two on the left are also taller than the other ones. Then after them, there's a yellow headband. The next two after that have orange ones. The next one after that has a yellow headband. Then there's a hot pink headband flower sticking out of the headband. Then there's a red headband flower sticking out of that. There's also another orange one all the way on the right side. In the background, there are a lot of trees. A lot of leaves in these trees. They're all green. Some of them are a little yellow on the upper half of the trees. There's also some spaces there. There's a fence in the background in the middle left of the image. There's a little blank space there.", "It has 8 statues in the pictures Each statue has a head and some fresh flowers decorated on top of it This statue looks like the statue from Jeju island which is an island in South Korea Behind the statues were many green trees Even though these pictures didn't show any sea or ocean but based on the statues, we can tell it's something related to Jeju island By tradition, those statues usually make the name of Jeju island and are made from the volcanic rocks Based on that, we can associate it's somewhat related to the Korean culture", "This photo features the stone statues known as Dolhareubang standing side by side in Jeju Island. Dolhareubang are traditional stone figures of Jeju, primarily placed at village entrances or important locations, serving as protectors. They are characterized by their rough facial expressions and their hands clasped in front of their bellies, and they are mainly made of basalt. The Dolhareubang in the photo vary in size, and each one is adorned with colorful floral decorations on their heads, creating a unique atmosphere. There are a total of eight Dolhareubang visible in this image. The stone statues set in nature harmonize with Jeju's landscape, showcasing a blend of unique traditions and modern sensibilities. Additionally, there are trees in the background, suggesting that the Dolhareubang are located within a forest setting. Dolhareubang are also a very popular photo spot for tourists visiting Jeju, symbolizing a significant aspect of Jeju's culture.", "Um, actually outside the market, there's a ground made of a hard material like stone, with eight little figurines carved from stone. The background features green trees, with some leaves sprouting tender new shoots, and there are some shadows creating deeper colors. In the foreground, there are some fallen leaves. These eight little figures are arranged in a horizontal line, with the two on the left being slightly larger, suggesting that the larger one on the left might represent parents. Each figure is about half a person’s height, and they simply have heads and hands growing directly from cylindrical bodies, with no visible feet. They all wear a kind of headgear that has a round top and hangs down around the sides. Their eyes are very large, their noses are also big, and their mouths are closed, resembling the shape of their eyes. Their arms are positioned at their bellies, sometimes with the left hand on top and sometimes the right hand. It looks like the figures represent a set of parents and their six children. There might be people passing by in the background, and some flowers have been placed on their heads as decorations, making the flowers all different kinds. The adults have pink and red flowers, while the smaller figures have gold and orange, as well as red flowers. Overall, the scene is lively and cute.", 'In the center of this image, there are eight stone statues arranged in a line. Among them, the first two statues are a bit larger and taller than the remaining six, which are somewhat shorter and smaller. The poses of each statue are quite similar, with both hands placed in front of their chests, and their expressions are generally smiling gently. Each statue is wearing a hat, and above the statues, there are floral wreaths made of fresh flowers—white, red, and yellow. The background resembles a forest with some trees and leaves. The foreground features a stone-paved ground, suggesting that this is a site of some ancient culture. These statues are likely representations of a certain ethnic group, depicting their ancestors in carved images placed here, giving the sense that such statues belong to a place rich in ancient culture.', 'I saw a place that looks like a park. In this park, there is a row of stone statues on the open ground. In this photo, there are a total of eight stone statues. These eight statues are quite cartoonish; you can see they have big heads and two arms, but they do not have specific details of their bodies and legs. They resemble the shape of cartoon dolls. All these statues have their eyes closed and there are fresh flowers or artificial flowers arranged into vibrant bouquets on their heads. Each bouquet is of a different color. In the background, there is a lush forest, and they are all in front of the trees. There are some fallen leaves on the ground. This is a picture that gives off a sense of calmness.']
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[True, True, True, False, True, False]
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[nan, 'Look like the statues on Jeju island', 'It features Dol Hareubang which is traditional stone statues that are unique to Jeju Island, South Korea.', nan, 'Looks like a specific culture stone sculptures.', nan]
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This series of images showcases a collection of eight stone statues, prominently arranged in a line, each imbued with cultural significance. These statues are known as Dolhareubang, traditional stone figures from Jeju Island, South Korea. The Dolhareubang carry a distinct appearance: characterized by a rough facial expression, large eyes, broad noses, and closed mouths, they exude a sense of guardianship that is culturally integral to Jeju traditions. Typically, these figures are crafted from basalt, a volcanic rock, which aligns with the island's geological features. In these images, the statues are adorned with colorful floral decorations atop their heads—flowers such as pink, red, yellow, and orange—each bouquet unique and vibrant, contributing to a lively atmosphere. The first two statues on the left are noticeably taller than the others, possibly symbolizing the representation of parental figures, while the smaller figures could depict their children. The sculptures themselves stand erect with their arms clasped in front of their bodies, a pose that suggests dignity and protection. Surrounding the statues is a rich natural setting; the background is filled with lush green trees, some displaying hints of yellowing leaves, suggesting seasonal change. The ground beneath the sculptures is paved with stone, and there are occasional fallen leaves scattered about, further enhancing the tranquil, park-like environment. The area where these Dolhareubang are located appears serene and inviting, indicating its role as a popular photo spot for tourists, providing an opportunity to engage with a significant element of Jeju's culture and heritage. The statues not only serve as aesthetic objects but also embody the spirit of Jeju Island, where they act as protectors and cultural symbols reflecting the region's history. The juxtaposition of these figures against a backdrop of vibrant nature creates a unique harmony, merging deeply rooted traditions with the calmness reflected in the scenery. Additionally, while no ocean is visible in these images, the association with Jeju Island's coastal identity through the Dolhareubang resonates deeply within the cultural narrative of the area. Overall, the scenes evoke a sense of warmth, vitality, and connection to both the past and present of Korean culture, particularly that of Jeju Island.
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ఈ చిత్రాల శ్రేణి ఎనిమిది రాయి విగ్రహాల నిబంధనను చూపిస్తుంది, ప్రతి ఒక్కటి సాంస్కృతిక ప్రాముఖ్యం కలిగినట్లు ఉనికి చెందింది. ఈ విగ్రహాలను డోల్హరేబంగ్ (Dolhareubang) అంటారు, ఇవి దక్షిణ కొరియాలోని జేజు దీవి నుండి వస్తాయి. డోల్హరేబంగ్ లో ప్రత్యేకమైన రూపం ఉంటుంది: కఠినమైన ముఖ భావన, పెద్ద కళ్ళు, వెడల్పు నాసికలు మరియు మూగ ముక్కులు ఉండటం, వీటి సాంస్కృతిక సంప్రదాయానికి సంబంధించిన కాపలాగా ఉండే భావనను వ్యక్తం చేస్తాయి. సాధారణంగా, ఈ రూపాలను బాసాల్ట్ అనే జ్వాలాముఖి రాళ్లతో తయారు చేస్తారు, ఇది దీవి యొక్క భౌగోళిక లక్షణాలతో అనుకూలంగా ఉంటుంది. ఈ చిత్రాలలో, విగ్రహాలు తమ తలలపై రంగితీరుల పుష్పాల అలంకరణతో అలంకరించబడ్డాయి—గులాబీ, ఎరుపు, మట్టితెచ్చి, నారింజ రంగు వంటి పూలు—ప్రతి మలుకు ప్రత్యేకంగా మరియు కాంతివంతంగా, జీవన్మయమైన వాతావరణాన్ని అందిస్తుంది. ఎడమ వైపు ఉన్న మొదటి రెండు విగ్రహాలు ఇతర కంటే ఉత్కంఠంగా ఉన్నాయి, వీటి ద్వారా తల్లిదండ్రుల రూపాలను సూచించవచ్చు, కంటే చిన్న విగ్రహాలు వారి పిల్లలను ప్రాతినిధ్యం వహిస్తాయని అభిప్రాయించవచ్చు. విగ్రహాలు సొంతంగా నిలబడినట్లు కన్పిస్తాయి, తమ శరీరాల ముందు చేతులు కలిపి, ఇది గౌరవం మరియు కాపలక్తనాన్ని సూచిస్తుంది. విగ్రహాలను చుట్టుముట్టి రసైనిక ప్రకృతి ప్రాంతం ఉందిది; నేపథ్యం పచ్చని చెట్లు, కొంతకాలం పసుపు పచ్చులు చూపిస్తాయి, కాలం మార్పును సూచిస్తూ. విగ్రహాల కింద కాళ్లపై రాళ్లతో కప్పిన మట్టి ఉంది, మితి పిడుగులు చిగురించిన పత్రాలు వచ్చాయ, ఇది ప్రశాంతమైన, పార్క్ వంటి వాతావరణాన్ని మరింత పెంచుతుంది. ఈ డోల్హరేబంగ్ ఉన్న ప్రాంతం శాంతంగా మరియు ఆహ్వానించదగ్గట్లు కనిపిస్తుంది, ఇది పర్యాటకులకు ప్రముఖ ఫోటో స్పాట్గా పాత్రపోషిస్తుంది, జేజు యొక్క సాంస్కృతిక మరియు వారసత్వం的重要 అంశంతో ప్రత్యేకమైన కలయిక పొందడానికి అవకాశం ఇస్తుంది. ఈ విగ్రహాలు కేవలం ఆహ్లాదకమైన వస్తువులుగా ఉండడం కాదు, జేజు దీవి యొక్క ఆత్మను ప్రతిబింబించే కాపలేదారులు మరియు సాంస్కృతిక చిహ్నాలుగా కూడా ఉంటాయి, ఇది ఈ ప్రాంతంలోని చరిత్రను ప్రతిబింబిస్తుంది. ఈ ఆకృతులు తెరిచిన ప్రకృతితో కూడిన నేపథ్యానికి సంధిగ్గ చేసే సమన్వయం ప్రత్యేకమైన శ్రద్ధను సృష్టించి, అంతటా ఉన్న సంప్రదాయాల మధ్య నిగరసిస్తూ శాంతియుతంగా పొందుకొంటుంది. అదనంగా, ఈ చిత్రాలలో ocean కనబడటం కాకపోగా, డోల్హరేబంగ్ ద్వారా జేజు దీవి యొక్క తీర ప్రాంత గుర్తింపు సాంస్కృతిక కధనంలో చాలా మాంచి పరిగణననను అందిస్తుంది. మొత్తం మీద, ఈ దృశ్యాలు ఉష్ణం, జీవన్తా మరియు గతాన్నీ, ప్రస్తుతాన్నీ, కొరియా సాంస్కృతిక సంబంధాలు, ప్రత్యేకంగా జేజు దీవికి సంబంధించిన అనుభూతిని కలిగిస్తాయి.
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te
| 8,860
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['11r8r4T4Ev5m', '14gIx3ybZOvr', '1lc9vSu3o1UK', '1ahaJCXpQ52a', '12U6fea5UCuI', '1kNsaSZ4e680']
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[" In this new picture I am able to realize that I am inside a building looking out towards a glass, out looking towards a parking lot and then even past the parking lot there appears to be a river and some vegetation. In the parking lot I can see two different cars as well as what appears to be people drying clothes. There seems to be four or five people outside looking towards the river slash vegetation that's in there. From the window I can tell that there is a painting, a sticker on the window that is a Chinese sticker with Chinese wording. It is a red circle with a couple different butterflies and other signs in it as well as a lot of Chinese words. This is a picture of a Chinese person looking towards the river and there is a lot of Chinese words. It is a circular with a big Chinese symbol in the middle so that people from the outside can see it. I do not know what this means but just from the environment as well as the picture I can assume that we are in China.", " In this photo, it looks like you're looking outside of a window. There's a big Chinese logo in red on the window, some kind of writing probably identifying what kind of building or establishment that they're in. Otherwise, outside, you see a car towards the lower left of the image, some clothesline and some garbage or other things towards the right of the image. You see three people towards the center left of the photo. Then the rest of the photo, more in the background, you see some vegetation or fields, some trees, and then a sky. So probably you're in some pretty rural area since most of the background is all trees and fields. Yeah, there's not much else to tell. Otherwise, there's pavement in maybe the first half of the image. That the car is located on and the people too. And then another car that's barely visible on the right. But there's really not much else of interest in this photo and nothing of any cultural significance other than, yes, you could just tell based on the vegetation that the context is that you're probably in some rural area in an Asian country, Chinese country. Sorry, a country where Chinese is spoken, but that's really it.", " This is a traditional Chinese decoration. The picture shows a big bright red decoration hanging high on the window and in the center of this red decoration it is a Chinese word Fu which means good fortune in Chinese and this is typically decorated during the Chinese Spring Festival and there are also some other words on red decoration as well such as the like Chen Jiafu which means the family's good fortune and also some of other words such as lucky or something like that. There's some sort of stuff like that and under this eye-catching red decoration there's a plain concrete ground. On the ground there's a white car parked close to the front and behind it there are some people standing there maybe talking with each other and there are also some clothes hanging on the rope as well. So I think it's a good decoration. So I think it's a good decoration. I would guess this is a picture taken in the countryside of China during this Spring Festival.", "What I see is a photo on glass with a character for 'blessing' on it, and there are three people. There’s also a tax, which should signify a family blessing. Its position seems to be sideways, and in the details, there’s a car, trees, mountains, vegetables, and clothes and quilts hanging out to dry. In the background, there are also mountains, trees, and farmland, with colors like green and red. I think it should be in a rural area of China, and I guess this was taken on a winter afternoon when a group of neighbors might be gathering at the doorstep to chat. I have a feeling it could be during the New Year celebration.", 'This photo appears to have been taken from a window at home. The person likely lives in this rural area because the view outside the window is of their backyard and the farmland beyond it. Inside their yard, there is a concrete floor where a clothes rack is set up for hanging clothes and quilts. Below it, there is a quilt hanging and quite a few items like underwear and pants on hangers. On the concrete surface, two cars are parked—one might be a compact car and the other possibly an SUV. In the backyard, there are four or five relatives standing around, though it\'s unclear what they are doing. The most prominent feature in this photo taken from the window is a character for "fortune" (福) posted on the window. This character reads "my fortune," and adjacent to it are words like "new happiness" and "prosperity." On the other side of the fortune character is a large inscription that reads "family reunion photo." It seems to be during a festive season when everyone returns home and decorates with such ornaments. The photo captures a moment taken by someone looking out from the window.', "This is a view from outside a window. There’s a decorative paper cutout on the window, with the character 'Fu' written on it, indicating good fortune, which is the most important. It also features illustrations of yuanbao and ruyi, among other things, representing traditional Chinese symbols of good luck. Next to it, there are the words 'Family Happiness' and 'Auspicious and Favorable'. There are also some phrases that aren't very clear, like 'Wealth and Prosperity' and 'Good Fortune'. Looking through the window, you can see what looks like a village, with vegetable gardens and elderly people chatting. There are a few parked cars, some brightly hung underwear, and other items connected by a bright clothesline. The overall scene is rural with colors like green, blue, and the sky."]
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[False, False, True, True, False, True]
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[nan, 'No', 'The red "Fu" is a traditional Chinese decoration during Spring Festival.', 'It has Chinese characters.', nan, 'Chinese rural']
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In this series of descriptions, we delve into a series of photographs capturing various scenes viewed through windows in a rural area in China. The first image portrays a person gazing outside from inside a building, focusing on a glass window that offers a view of a parking lot. Beyond the parking lot, a river and a patch of vegetation can be seen. In the parking lot, the individual notices two cars, as well as a group of four to five people engaged in drying clothes. These observers appear captivated by the natural scenery comprising the river and the surrounding greenery. Positioned on the window is a visually striking red sticker featuring Chinese characters, including a circular design with butterflies – a common motif in Chinese art. Although the individual is unable to decipher the Chinese text, the ambiance and imagery suggest they are situated within a Chinese cultural context. The second description of another photo confirms this interpretation, indicating the presence of a large red Chinese logo on the window. Accompanying the logo is text, possibly identifying the establishment. The photograph captures a car in the lower left, some clothing hanging on a line, and some articles of refuse or other items to the right. On the left side of the image, three people can be seen, while a backdrop of trees and agricultural fields hints at the rural setting. This description emphasizes the area’s scenery, mentioning that the dominant features include the natural environment composed of trees and open fields, suggesting that the viewer is indeed in a rural area where the Chinese language is prevalent. The third image introduces a traditional Chinese decoration prominently on display, notably a vibrant red ornament typically used during the Chinese Spring Festival. At the center is the character "Fu" (福), meaning "good fortune," which is a quintessential symbol in Chinese culture, especially during celebrations. Additional inscriptions can be discerned, including "Chen Jiafu," which refers to family good fortune, among other auspicious phrases. The setting includes parked cars and the sight of people animatedly conversing while garments hang out to dry, which is a commonplace sight in many households. The context of the decoration suggests a festive atmosphere, further establishing the image as one that resonates with traditional Chinese cultural practices. The fourth description reveals yet another scene capturing the essence of family and community, featuring imagery of blessing characters that also evoke a sense of good fortune. The photo features elements like cars, trees, and mountains blending with rural life, connecting the visual representation with the Christmas and New Year celebrations, which often focus on familial bonding. The mention of neighbors chatting nearby hints at community and togetherness, enhancing the cultural narrative behind the image. Finally, another image reveals a view from inside a home, reinforcing the rural motif. Here, one can observe a backyard with a concrete floor set up for drying clothes, supporting the personal narrative of the individuals who dwell there. Various items, including a quilt and clothing, are hanging on the rack against a backdrop of family members engaged in quiet interactions. Central to this photo is a red decorative character, reading "my fortune," alongside phrases promoting new beginnings and family reunions indicative of traditional holiday practices. These decorations serve to symbolize the celebration of familial ties during times when family members convene and decorate their spaces. Last, the description emphasizes the vibrant scenery outside—decorative characters illustrated with auspicious symbols woven into the fabric of community life. Observations include elderly residents in conversation, alongside vegetable gardens, laundry billowing gently in the breeze. This scene encapsulates a depiction of rural life infused with traditional values, vibrant colors, and the rich tapestry of Chinese culture, celebrating both fortune and familial togetherness.
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この一連の描写では、中国の田舎地域にある窓を通して見たさまざまなシーンを捉えた写真を深く掘り下げています。最初の画像は、建物の内部から外を見つめる人物を描いており、駐車場を見渡すガラスの窓に焦点を当てています。駐車場の向こうには川と緑地が見えます。駐車場には二台の車と、衣服を干している四人から五人の人々のグループがいます。これらの観察者は、川や周囲の緑地からなる自然の風景に心を奪われているようです。窓には、蝶の円形デザインを含む中国の文字が描かれた視覚的に印象的な赤いステッカーが貼られています。個人は中国語のテキストを解読できませんが、雰囲気とイメージから彼らが中国の文化的文脈にあることが示唆されています。 次の写真の説明では、この解釈を裏付けるために、窓に大きな赤い中国のロゴがあることが確認されます。ロゴには、たぶんその施設を特定するテキストも添えられています。写真には、左下に車が写っており、ラインにかかっている衣服や、右側にあるゴミや他のアイテムも見受けられます。画像の左側には三人の人々が見え、背景には木々や農地が広がっています。これは、木々や広い野原からなる自然環境が主な特徴であることを強調し、観察者が確かに中国語が話される田舎地域にいることを示唆しています。 第三の画像では、概観に伝統的な中国の装飾が目立っており、特に中国の春節（旧正月）に使用される鮮やかな赤い装飾品が描かれています。中央には「福」という文字があり、これは「幸運」を意味する、中国文化において特に祝い事に用いられる象徴的なシンボルです。その他に「陳家福」といった文字も見受けられ、家庭の幸運などの吉兆を表すフレーズが含まれています。背景には駐車された車や、人々が元気に会話を交わし、衣服が干されている光景があり、これは多くの家庭で見られる日常的な光景です。この装飾の文脈はお祭りの雰囲気を示唆し、画像が伝統的な中国の文化的慣習と共鳴していることをさらに強調しています。 第四の説明では、家族やコミュニティの本質を捉えた別のシーンが明らかにされており、幸運を呼ぶ文字が描かれています。この写真には、車、木々、山々が混ざり合い、田舎の生活と結びついています。この視覚的表現は、しばしば家族の絆をテーマにしたクリスマスや新年の祝いに関連しています。近くで隣人が話している様子が、コミュニティやつながりを示唆し、画像の背後にある文化的な物語を強化しています。 最後に、もう一つの画像は家の内部からの景色を示し、田舎のモチーフを再確認しています。ここでは、衣服を干すために設置されたコンクリートの床を持つ裏庭が観察でき、そこに住む人々の個人的な物語を支えています。キルトや衣服などのさまざまなアイテムが、静かにやり取りを交わす家族の人々の背景に干されています。この写真の中心には「私の運」という文字の赤い装飾文字があり、新しい始まりや家族の再会を促すフレーズが、伝統的な休日の慣習を示しています。これらの装飾は、家族が集まり、空間を飾る時に家族の絆を祝うことを象徴しています。 最後に、外の活気ある風景が強調され、幸福のシンボルを描いた装飾文字がコミュニティ生活に織り込まれています。観察には、会話を交わす高齢者や野菜畑、そよ風に揺れる洗濯物が含まれており、このシーンは伝統的な価値観、鮮やかな色合い、そして中国文化の豊かなタペストリーが融合した農村生活の描写を体現し、幸運や家族のつながりを祝っています。
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ja
| 2,060
|
|
['English', 'English', 'Chinese']
|
['1bxjMgCmfTOO', '147ZjI6SM6Ax', '1cDui4nfUni6']
|
[' This is a close-up image of a salad bowl. The salad bowl is turquoise teal with a black stripe and a white interior. It is placed on top of a white marble countertop. Inside the bowl, which is most of the picture, contains a lot of broccoli, beets, onions, and other green vegetables cut up and mixed all together. There is also a metal spatula inside that is presumably used to mix the vegetables. They appear to be green. On the bowl, it is basically wet and very shiny, and presumably coated in some kind of white salad dressing.', " This is an image of a close-up of a salad. We can see the edge of the bowl and the stone white table underneath it. The bowl seems to be a sort of turquoise, a mix between blue and green, with a dark blue stripe going through the top of the bowl. And inside the bowl, we can see broccoli, onions, and various vegetables mixed together with some sort of sauce, a white sauce. And there seems to be a utensil, although we can't really see it very well. It seems to be a fork. The inside of the bowl is mostly white, and the majority of the vegetables seem to be broccoli, as there is one in the very middle of the image. I don't know.", 'This is a bowl of fresh salad mainly consisting of broccoli, onions, and various toppings placed in a light green bowl. The broccoli is the most abundant, along with thinly sliced red onions, some nuts, and either raisins or red dates scattered throughout the salad, as well as some celery slices. The utensils seem to include a golden fork inserted into the salad, which reflects a golden sheen at the top center of the image. The colors of the salad are very vibrant and well-balanced, making it appear particularly exquisite, healthy, and clean. This should be a light-colored countertop, possibly from a kitchen, with a smooth texture and simple color that highlights the salad, giving a refreshing and natural feeling of healthiness.']
|
[False, False, False]
|
[nan, nan, nan]
|
This transcription presents a detailed visual description of a close-up image of a salad bowl. The bowl is noted for its striking turquoise teal color, accented with a dark black stripe at the top, while the interior of the bowl is white. It is positioned on a pristine white marble countertop, which adds an elegant touch to the overall presentation. Inside the bowl, the composition primarily features an abundance of broccoli, which is a vibrant green, accompanied by sliced red beets, various onions, and a medley of other green vegetables that have been cut and mixed together. The presence of a metal spatula is also mentioned; it is likely employed for mixing the contents of the bowl. The overall appearance of the bowl is shiny and somewhat wet, suggesting that it is coated in a white salad dressing that enhances the dish's freshness. The second transcription describes a similar close-up of the same salad, noting the edge of the bowl and the stone countertop beneath it. The turquoise color of the bowl is emphasized again, with its blend of blue and green hues along with the dark blue stripe. The contents are highlighted, revealing broccoli, various mixed vegetables, and a white sauce that coats the salad. An indication of a utensil is made, and while initially thought to be a fork, it is not clearly visible. The interior of the bowl primarily showcases broccoli at the center of the image, and the mix of vegetables contributes to a colorful and appealing presentation. The final transcription further elaborates on the salad's composition, mentioning its fresh ingredients including broccoli, onions, and a variety of toppings. The bowl is described as light green, and it contains not just broccoli, but also thinly sliced red onions, nuts, as well as what appears to be either raisins or red dates scattered throughout, adding an interesting texture and flavor. Celery slices are also included to enhance the freshness. A golden fork is inserted into the salad, reflecting a shiny appearance, which adds a touch of elegance. The vibrant, well-balanced colors of the salad contribute to its alluring presentation, making it appear exquisite, healthy, and clean. The countertop's light color and smooth texture subtly enhance the visibility of the salad, imparting a refreshing and natural ambiance that evokes feelings of healthiness and vitality.
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Этот транскрипт представляет собой подробное визуальное описание крупного плана изображения салатницы. Чаша выделяется своим ярким бирюзовым цветом, украшенным темной черной полосой в верхней части, в то время как внутренность чаши белая. Она расположена на безупречном белом мраморном столешнице, что придает элегантность общей презентации. Внутри чаши в основном присутствует большое количество брокколи ярко-зеленого цвета, нарезанные красные свеклы, различные луковицы и множество других овощей, которые были нарезаны и перемешаны. Упоминается также металлический шпатель; скорее всего, он используется для перемешивания содержимого чаши. Общий вид чаши блестящий и слегка влажный, что предполагает, что она покрыта белым салатным соусом, который подчеркивает свежесть блюда. Второй транскрипт описывает аналогичный крупный план того же салата, подчеркивая край чаши и каменную столешницу под ней. Цвет бирюзовой чаши снова акцентируется, с её смешением голубых и зеленых оттенков и темно-синей полосой. Содержимое выделяется, показывая брокколи, различные смешанные овощи и белый соус, который покрывает салат. Упомянуто о столовом приборе, и хотя первоначально он предполагался как вилка, его не совсем ясно видно. Внутренность чаши в основном демонстрирует брокколи в центре изображения, а смесь овощей добавляет цветную и привлекательную презентацию. Финальный транскрипт дополнительно объясняет состав салата, упоминая его свежие ингредиенты, включая брокколи, лук и разнообразные топпинги. Чаша описывается как светло-зеленая, и она содержит не только брокколи, но и тонко нарезанные красные луковицы, орехи, а также то, что, кажется, является либо изюмом, либо красными финиками, разбросанными по всему, добавляя интересную текстуру и вкус. Кроме того, включены ломтики сельдерея для усиления свежести. Золотая вилка вставлена в салат, отражая блестящий вид, что добавляет нотку элегантности. Яркие, хорошо сбалансированные цвета салата способствуют его привлекательной презентации, делая его изысканным, полезным и чистым. Светлый цвет столешницы и гладкая текстура нежно подчеркивают видимость салата, создавая свежую и натуральную атмосферу, вызывающую ощущения здоровья и жизненной силы.
|
ru
| 12,752
|
|
['Korean']
|
['1iC8LUCI5j3q']
|
['The photo shows people praying at a temple. In the image, a large woman is positioned at the front, with other visitors gathered behind her. From the colors and shapes of the temple, it can be inferred that it is located in Thailand, and these people are paying their respects in a traditional Thai manner. The temple has a green and orange roof, and its white pillars are adorned with ornate gold decorations. The woman at the front has her black hair tied up and is wearing a white T-shirt.']
|
[False]
|
[nan]
|
The photo captures a serene scene of individuals engaged in prayer at a temple setting. In the foreground, a prominently sized woman is situated at the front, surrounded by a gathering of other visitors who have come to partake in this spiritual moment. The architectural details and vibrant colors of the temple suggest that it is situated in Thailand, known for its rich cultural heritage and stunning religious structures. The temple features a striking green and orange roof, which is characteristic of traditional Thai architecture, while its white pillars are artistically adorned with intricate gold embellishments, reflecting the opulence often found in such places of worship. The woman at the forefront of the image has her black hair neatly tied up, presenting a tidy appearance that is often associated with respectful behavior within such sacred spaces. She is dressed in a simple white T-shirt, which contrasts with the ornate surroundings, emphasizing her devotion and focus during the moment of prayer. Overall, the scene embodies the essence of traditional Thai customs as these individuals collectively pay their respects, illustrating the deep spiritual connection and reverence held within the cultural context of the region.
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ภาพถ่ายนี้จับภาพบรรยากาศที่สงบเรียบร้อยของผู้คนที่กำลังจัดเวรกรรมอยู่ในวัด ในด้านหน้า มีผู้หญิงที่มีขนาดตัวใหญ่เห็นได้ชัดตั้งอยู่ที่ด้านหน้า โดยมีผู้มาเยี่ยมชมรายอื่นล้อมรอบอยู่ ซึ่งได้มาร่วมในช่วงเวลาทางจิตวิญญาณนี้ รายละเอียดทางสถาปัตยกรรมและสีสันที่สดใสของวัดทำให้เชื่อว่าอยู่ในประเทศไทย ซึ่งมีชื่อเสียงในด้านมรดกวัฒนธรรมที่หลากหลายและโครงสร้างทางศาสนาที่สวยงาม วัดนี้มีหลังคาสีเขียวและสีส้มที่โดดเด่น ซึ่งเป็นลักษณะเฉพาะของสถาปัตยกรรมไทยแบบดั้งเดิม ขณะที่เสาหรือแนวเสาขาวมีการตกแต่งด้วยรายละเอียดทองที่ซับซ้อน สะท้อนถึงความหรูหราที่พบเห็นได้บ่อยในสถานที่ศักดิ์สิทธิ์เช่นนี้ ผู้หญิงที่อยู่ด้านหน้าของภาพมีผมดำที่จัดเรียบร้อย พกพาลักษณะที่สะอาดสะอ้านซึ่งมักเกี่ยวข้องกับพฤติกรรมที่แสดงความเคารพในสถานที่ศักดิ์สิทธิ์ เธอสวมเสื้อยืดสีขาวเรียบง่ายซึ่งตัดกับบรรยากาศที่ประดับประดาเน้นถึงความศรัทธาและการจดจ่อของเธอในช่วงเวลาของการสวดมนต์ โดยรวมแล้วฉากนี้แทนความเป็นเอกลักษณ์ของประเพณีไทยแบบดั้งเดิม ขณะที่บุคคลเหล่านี้ร่วมกันแสดงความเคารพ สะท้อนถึงความเชื่อมโยงทางจิตวิญญาณและความเคารพที่ถืออยู่ในบริบททางวัฒนธรรมของภูมิภาคนี้
|
th
| 27,793
|
|
['English', 'Chinese', 'Chinese', 'Chinese']
|
['11EJjI5iEESf', '1abVW5If0KrI', '14D5ocEPSaiF', '1ewLZzsYqjgn']
|
["In this image, there appears to be a woman in the foreground standing with a trophy. She is in a long blue dress with her head covered so none of her hair is showing, but her entire face is showing. And behind her in the background is another woman holding a microphone and on the other hand, a stack of paper. The woman in the foreground is holding a trophy that is clear and pretty tall and a little bit silver. In the background, there appears to be some poster for some sort of event. It says a lot of words in Asian language and also says 015 and something something. From what I can see, there's also on the bottom, it says at something in Chinese or another Asian language. And also, So potentially the name of the account that shared this image.", 'In the current image, there is a person standing in front of a large sign at an event, holding a trophy while posing for a photo. This person appears to be a Muslim woman, as she is wearing a blue headscarf and a blue long skirt. Over her dress, she has a brown short-sleeved outer garment. She is holding a trophy that has a star shape on it. Behind her is a wooden board that reads "Sound of Springs Music" and "Music Pioneer 2015 Annual Awards," suggesting it is a scene from an awards ceremony. There is also a woman behind her holding a microphone and something else, dressed in a black coat and a red top, with a work badge around her neck, wearing jeans and black shoes.', "This image features a female singer wearing a headscarf and traditional attire from Arab countries, holding a trophy. She is likely not a Chinese singer, but she participated in the 2015 Chinese music festival award ceremony. It's clear that she is very happy about winning the award. In the background, some staff members are holding microphones and helping to manage the event. The backdrop displays the name of the music festival, along with a musical note symbol. The main background is predominantly black, with colorful text showcasing the name of the music festival and the organizing unit.", 'In this picture, when I look down, there is a woman dressed in blue. The text indicates that there are two people in total. The background text reads “Sound of Spring Water, Music Pioneer, possibly for the 2015 annual awards.” There is also smaller text mentioning "Sound of Spring Water Music Mask" and "GRT Music Voice," suggesting this is a sponsored concert. In the image, there are indeed two women: one in the front and one in the back. The woman in the back is holding a bouquet of flowers, while the woman in the front is holding a trophy. A detail to note is that the woman in front is wearing a headscarf; she is a Muslim. In the bottom left corner of the image, there is...']
|
[False, False, True, False]
|
[nan, nan, 'Chinese Music Awardi', nan]
|
In this image, there is a prominent female figure situated in the foreground, who is standing proudly with a trophy. She is adorned in a long blue dress that flows elegantly to the floor, and her head is covered completely, ensuring that no strands of hair are visible. However, her facial features are fully on display, allowing for a glimpse of her expression, which conveys a sense of achievement and joy. In the backdrop, there is a second woman who appears to be closely engaged in the event, as she is holding a microphone with one hand and a stack of papers with the other. This woman is dressed in a stylish black coat paired with a vibrant red top, complete with a work badge around her neck. Her attire is complemented by jeans and black shoes, presenting a professional yet approachable appearance. The trophy being held by the woman in the foreground is notably clear, quite tall, and has silver accents, adding to the significance of the award. Meanwhile, the backdrop of the scene features an event poster, which is covered with text primarily in an Asian language. It includes a numeric reference "015," along with other textual elements that are somewhat obscured but suggest a connection to the event being celebrated. At the bottom of the poster, there appears to be additional text in Chinese or another Asian language, potentially indicating the name of the organization or account that sponsored or shared the image. The overall setting implies a celebratory atmosphere, likely related to an awards ceremony given the context of the trophy and the formal attire. Another detail highlighted in the description is the theme of music, as indicated by the references to a "Sound of Springs Music" and "Music Pioneer 2015 Annual Awards." This suggests that the event is part of a larger annual celebration recognizing musical talent and achievement. Furthermore, there is an emphasis on the cultural significance of the woman in blue, who is identified as a Muslim, which is marked by her headscarf. Her appearance connects to broader themes of diversity and inclusion within the realm of the music festival, hinting that while she may not be of Chinese descent, she has participated in this event, thereby enriching its diversity. Staff members in the background are also noted, as they contribute to the smooth management of the event, which is further emphasized by the colorful, dynamic backdrop that highlights the music festival's branding, presented in vivid texts of various colors on a predominantly dark background, complemented by a musical note symbol to signify the essence of the event.
|
En esta imagen, hay una figura femenina prominente situada en primer plano, quien se presenta orgullosamente con un trofeo. Ella lleva un largo vestido azul que fluye elegantemente hasta el suelo, y su cabeza está completamente cubierta, asegurando que no se vean mechones de cabello. Sin embargo, sus rasgos faciales están totalmente visibles, lo que permite vislumbrar su expresión, que transmite un sentido de logro y alegría. En el fondo, hay una segunda mujer que parece estar muy involucrada en el evento, ya que sostiene un micrófono con una mano y una pila de papeles con la otra. Esta mujer está vestida con un elegante abrigo negro combinado con una blusa roja vibrante, y lleva una tarjeta de identificación alrededor de su cuello. Su atuendo se complementa con jeans y zapatos negros, presentando una apariencia profesional pero accesible. El trofeo que sostiene la mujer en primer plano es notablemente claro, bastante alto y tiene detalles plateados, lo que añade importancia al premio. Mientras tanto, el fondo de la escena presenta un cartel del evento, que está cubierto de texto en su mayoría en un idioma asiático. Incluye una referencia numérica "015", junto con otros elementos textuales que están algo oscurecidos pero sugieren una conexión con el evento que se está celebrando. En la parte inferior del cartel, parece haber texto adicional en chino u otro idioma asiático, indicando potencialmente el nombre de la organización o cuenta que patrocinó o compartió la imagen. El entorno general implica una atmósfera de celebración, probablemente relacionada con una ceremonia de premios, dado el contexto del trofeo y la vestimenta formal. Otro detalle destacado en la descripción es el tema de la música, como se indica en las referencias a la "Música del Sonido de las Fuentes" y los "Premios Anuales a los Pioneros de la Música 2015". Esto sugiere que el evento es parte de una celebración anual más amplia que reconoce el talento musical y el logro. Además, hay un énfasis en la relevancia cultural de la mujer en azul, que es identificada como musulmana, lo que está marcado por su hijab. Su presencia se conecta con temas más amplios de diversidad e inclusión dentro del ámbito del festival de música, insinuando que, aunque ella puede no ser de ascendencia china, ha participado en este evento, enriqueciendo así su diversidad. También se mencionan miembros del personal en el fondo, ya que contribuyen a la buena gestión del evento, lo que se enfatiza aún más por el colorido y dinámico fondo que resalta la marca del festival de música, presentado en textos vívidos de varios colores sobre un fondo predominantemente oscuro, complementado por un símbolo de nota musical que significa la esencia del evento.
|
es
| 22,461
|
|
['English', 'Chinese']
|
['14jWb0ftu8CP', '1lXW9jeV6DH1']
|
[" In this image, I see four big Chinese letters in green. Behind that is a brick green color, or it's bricks in green color. And then there is a worker, cartoon worker, laying bricks as the wall is not finished. Also, on top of those big four green Chinese words, there is a bunch of white tiny Chinese words that are also on the brick wall. The worker is wearing a yellow hat, wearing a blue shirt, and he has blushed cheeks. There's a white background overall though, and on the bottom left there are black Chinese characters, and same on the bottom right. The big four green Chinese words has a black background. There's a green shadow overlaying the ground. And also the worker is smiling in the image. He's wearing a buttoned shirt that is blue.", 'It seems that there is a promotional slogan, which looks like a screenshot from a book. There is a cartoon male figure reminding us that he lives in such a green environment. The entire image predominantly features green, and the text says "food safety." It suggests that food should be greener and safer. Building this green wall represents the idea that we can improve food safety, like a wall separating us from unsafe items. It\'s clear that the intention is to promote the idea of making the food we eat increasingly safe, raising awareness among people about the importance of protecting food safety.']
|
[True, False]
|
[nan, nan]
|
In this image, I observe four large Chinese characters prominently displayed in green against a backdrop that resembles a brick wall painted in a similar green hue. Behind these characters is a brick wall that is currently unfinished, indicating ongoing construction. Beneath the green characters, a quaint cartoon worker is depicted laying bricks, suggesting that the wall symbolizes an ongoing effort or project. The worker is illustrated wearing a bright yellow hat, complemented by a blue buttoned shirt, which is consistent with the vibrant theme of the image. His cheeks are rendered with a rosy blush, adding a touch of whimsy to his appearance. The overall background of the image is white, which helps the colors stand out more vividly. In the bottom left and bottom right corners of the image, there are additional black Chinese characters, although their exact content is not specified. The bold green Chinese words rest atop a black background, creating a striking contrast that draws the viewer's attention. A green shadow lies on the ground beneath the worker, providing a sense of depth to the scene. Moreover, the worker has a friendly smile, which conveys positivity and engagement with the task at hand. The blue shirt he wears has buttons, an element that suggests a degree of neatness and professionalism in his presentation. Beyond the visual components, the image appears to serve as a promotional slogan, reminiscent of a screenshot from a publication. It includes the portrayal of a cartoon male figure, which emphasizes the theme of living in a green environment. The predominant color scheme is green, symbolizing health, freshness, and the essence of nature. The text accompanying the imagery centers around the concept of "food safety," signaling a campaign aimed at advocating for greener and safer food practices. The construction of the green wall metaphorically signifies the endeavor to enhance food safety, illustrating the idea of creating a boundary between safe and unsafe food items. The overarching message encourages a deeper awareness among the public regarding the importance of food safety, urging everyone to prioritize and protect the quality of what we consume.
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இந்த படத்தில், நான் கடினமாக உருவான நான்கு பெரிய சீன எழுத்துக்களை பச்சை நிறத்தில் பார்வையில் பெற்றுள்ளேன். இது பச்சை நிறத்தில் வரைவான ஒரு உலகத்து 벽처럼 காணப்படுகிறது. இந்த எழுத்துக்களுக்கு பின்னால் ஒரு砖墙 இப்போது未完成, அதாவது கட்டிடம் நடக்கிறது எனக் குறிக்கிறது. பச்சை எழுத்துக்களின் கீழ், ஒரு அழகான கார்டூன் வேலைக்காரன் குழாய்களை வைத்து இருக்கின்றான், இது அந்த சுவர் தொடர்ந்து நடைபெறும் முயற்சியை அல்லது திட்டத்தை குறிக்கிறது. வேலைக்காரன் வெளிச்ச மஞ்சள் தொப்பி அணிந்து, நீல பட்டன் கொண்ட சட்டை அணிந்திருக்கிறான், இது படத்தின் ஜிவப்படங்களுடன் ஒத்திருக்கிறது. அவரது ஊட்டங்கள் கம்பீரமான கவி காட்டுவதால், அவரது தோற்றத்தில் ஒரு வித்தியாசத்தை சேரிக்கிறது. படத்தின் மொத்த பின்னணி வெள்ளை நிறம், இது நிறங்களை மேலும் புகழும்படுத்துகிறது. படத்தின்க் கீழ் இடது மற்றும் கீழ் வலது மூலைகளில், கூடுதல் கறுப்பு சீன எழுத்துக்கள் உள்ளன, இருப்பினும் அவற்றின் காட்சியுடனான விபரங்கள் குறிப்பிடப்படவில்லை. திகைத்த நிறமான பச்சை சீன வார்த்தைகள் ஒரு கறுப்பு பின்னணியில் அமைந்துள்ளன, இது பார்வையாளரின் கவனத்தை ஈர்க்கும் ஒரு அடிக்கடி கான்ட்ராஸ்ட்டை உருவாக்குகிறது. வேலைக்காரனின் அடிக்கடியில் ஒரு பச்சை நிழல் திகைத்துள்ளது, இது காட்சிக்கும் ஆழம் அளிக்கிறது. மேலும், வேலைக்காரன் நட்பு பார்வையுடன் இருக்கிறான், இது திட்டத்தின் மீது நேர்மறை மற்றும் தொடர்பைக் குறிக்கிறது. அவர் அணிந்த நீல சட்டையில் பட்டன்கள் உள்ளன, இது அவரது பிரதிபலிப்பில் சீருடை மற்றும் சீரான தன்மையை மொத்தமாகக் குறிக்கிறது. காட்சி கூறுகளைக் கடந்த, படம் ஒரு விளம்பரக்குழுவாகவே விவரிக்கப்படுகிறது, இது ஒரு வெளியீட்டிலிருந்து ஸ்கிரீன் ஷாட்டைப் போன்றது. இது பச்சை சூழலில் வாழ்வது குறித்து கவனத்தைத் திருப்பும் கார்டூன் ஆண் உருவாக்கத்தை உள்ளடக்கியது. மேலோட்டமான நிறப்ப அசத்தியயானது, இது ஆரோக்கியம், புதுமை, மற்றும் இயற்கையின் அடிப்படையை குறிக்கிறது. படத்தின் பின்வட்டாரத்திற்கு இணையான உரை "உணவுப் பாதுகாப்பு" என்ற கருத்தினைக் மையமாகக் கொண்டுள்ளது, இது பச்சை மற்றும் பாதுகாப்பான உணவு நடைமுறைகளை மேம்படுத்தும் முயற்சியை வலியுறுத்துகிறது. பச்சை சுவாரஸ்யத்தை கட்டுவதற்கான முயற்ச்சி உணவுப் பாதுகாப்பை மேம்படுத்தும், பாதுகாப்பான மற்றும் பாதுகாப்பற்ற உணவுப் பொருட்களின் மத்தியில் ஓர் எல்லையை உருவாக்குவதை விளக்குகிறது. மிகப் பெரும் செய்திகள் உணவுப் பாதுகாப்பின் முக்கியத்துவத்தைப் பற்றிய மக்களிடையே ஆழ்ந்த விழிப்புணர்வை ஊட்டியும்போது, அனைவரும் நாங்கள் உட்கொள்ளும் பொருட்களின் தரத்தை முன்னணி மற்றும் பாதுகாக்குமாறு அழைக்கின்றன.
|
ta
| 21,470
|
|
['English', 'Chinese', 'Chinese']
|
['1nSiALNfI3qu', '1emtjvTQjXfB', '1227hwYDSU0I']
|
[" It looks like another book cover here with some sort of Asian lettering or iconography. The book is a light blue. There's one shade on the book. There's black lettering primarily in Asian iconography or lettering, but there is an image that appears to be a very traditional painting or drawing of three Asian individuals, two of them being male with long beards and then a woman. Starting from the left side of the book and moving right, the man appears to be kneeling or sitting on a carpet while holding a staff behind him. So to his right, to the right of the viewer, is the woman who appears to be the same height as the man kneeling while she's standing. And next to her is some sort of stone or some sort of background feature. And then lastly, to the far right, is another man who is kneeling. And that makes the cover of the book a rock. Interesting.", 'This image is quite interesting. It is the cover of a book whose title is "Cultural Currents and the Tang Empire." The entire cover is in a blue tone, and there are some small ink drawings in the middle. There is a character resembling an emperor sitting in the lower left corner, while on the right side, there is a child. In the center, it\'s hard to tell whether it\'s a tree or something else. It should be published by Peking University Press. The book is authored by Lu Yang, and it states so on the cover. The side of the book also features the title "Cultural Currents and the Tang Empire," which likely tells a story about the currents of the Tang dynasty, I think. At the top of the book\'s side, there is a logo in red and white. Of course, there is also some English text on the front of the book, but it\'s hard to read due to the low resolution of the image. This is more or less the situation.', 'This is a book titled "Clear Stream Culture and the Tang Empire." The author is Lu Yang, and it is published by Peking University Press. The cover of this book is blue, featuring two or three traditional Chinese figures. Behind the second figure from the middle, there seems to be an object resembling a rockery. On the left side, there should be some English, possibly the English translation of the book\'s title. It is possible that this book is written in both English and Chinese, or it could be intended for export overseas.']
|
[False, False, False]
|
[nan, nan, nan]
|
The first description references the cover of a book that presents a soft, light blue background. The design prominently features Asian lettering or iconography, primarily in black. An illustration adorns the cover, depicting a traditional scene with three Asian individuals. From left to right, the scene includes a man who appears to be kneeling or sitting on a carpet, holding a staff behind him, suggesting a sense of authority or wisdom. Next to him, to the viewer's right, stands a woman of similar height, which indicates equality in stature, and she is positioned next to an object that seems to be a stone or a feature of the background. Finally, to the far right is another man who is also kneeling. The artistic choices made in this cover give it a distinct traditional feel, which is reinforced by the depiction of the subjects’ heavy facial hair, traditional attire, and the reverent presentation of the figures. The second description focuses on a book titled "Cultural Currents and the Tang Empire." The cover exhibits an overall blue tone, with small ink drawings prominently displayed in the middle. One of the figures portrayed appears to resemble an emperor, sitting gracefully in the lower left corner of the cover, while on the right, there is a child, possibly symbolizing innocence or future hope in the context of culture. At the center of the design, it is difficult to decipher whether an illustration represents a tree or another form, leaving the viewer curious about its significance. The book claims an affiliation with Peking University Press and is authored by Lu Yang, as indicated on the cover. The vertical side of the book also announces the title "Cultural Currents and the Tang Empire," hinting at a narrative that explores the cultural dynamics of the Tang dynasty, which is notable for its golden age in terms of arts and culture. At the top edge of the cover's side, one can see a logo in red and white, adding to the visual appeal. English text appears on the front cover, but due to the image's low resolution, it remains quite difficult to read. In the third description, the book titled "Clear Stream Culture and the Tang Empire," written by Lu Yang and published by Peking University Press, is presented. The aesthetic of the cover follows the blue theme, showcasing two or three traditional Chinese figures, indicative of the cultural focus of the text. Behind one of these figures, there is an object that resembles rockery, which often represents harmony and nature in Chinese art, thereby reinforcing the cultural themes of the book. The left side of the cover appears to include some English, potentially serving as a translation of the title, suggesting that the book might be bilingual or aimed at an international audience. This possibility of the book being intended for export reflects the growing interest in Tang dynasty culture beyond China's borders.
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첫 번째 설명은 부드러운 연한 파란색 배경을 가진 책 표지를 언급합니다. 디자인은 주로 검은색으로 된 아시아 글자나 아이코그래피를 두드러지게 특징으로 하고 있습니다. 표지를 장식하는 일러스트레인은 세 명의 아시아 개인이 있는 전통적인 장면을 묘사하고 있습니다. 왼쪽에서 오른쪽으로, 장면에는 카펫 위에 무릎을 꿇거나 앉아 있는 남자가 있으며, 그 뒤에 지팡이를 들고 있어 권위나 지혜의 느낌을 줍니다. 그 옆에는 시청자의 오른쪽에 비슷한 키의 여자가 서 있는데, 이는 키의 대등함을 나타내며, 그녀는 돌이나 배경 특징으로 보이는 물체 옆에 위치하고 있습니다. 마지막으로, 가장 오른쪽에는 또 다른 남자가 무릎을 꿇고 있습니다. 이 표지에서 이루어진 예술적 선택은 전통적인 느낌을 주며, 이는 등장인물의 풍성한 얼굴 턱수염, 전통 의상, 그리고 인물들에 대한 경건한 묘사로 강화됩니다. 두 번째 설명은 "문화의 흐름과 당제국"이라는 제목의 책에 초점을 맞추고 있습니다. 표지는 전반적으로 파란색 톤을 띠며, 중앙에는 작은 잉크 그림들이 두드러지게 배치되어 있습니다. 묘사된 인물 중 한 명은 황제를 닮은 모습으로, 표지의 왼쪽 아래 모서리에 우아하게 앉아 있습니다. 오른쪽에는 어린이가 있어, 아마도 문화의 맥락에서 순수함이나 미래의 희망을 상징하는 것일 수 있습니다. 디자인의 중앙에는 그림이 나무인지 다른 형태인지를 알아보기가 어려워 관객의 호기심을 유발합니다. 이 책은 베이징대학교 출판사와의 연관성을 주장하며 루 양이 저자라는 것이 표지에 명시되어 있습니다. 책의 세로 면에도 "문화의 흐름과 당제국"이라는 제목이 적혀 있어, 당 시대의 문화 역학을 탐구하는 내러티브를 암시합니다. 이는 예술 및 문화의 황금기로 알려진 당 시대의 중요성을 강조합니다. 표지의 윗면 모서리에는 빨간색과 흰색 로고가 보여 시각적 매력을 더하고 있습니다. 앞 표지에는 영어 텍스트가 나타나지만, 이미지의 해상도가 낮아 읽기 어려운 상태입니다. 세 번째 설명에서는 "명료한 흐름 문화와 당제국"이라는 제목의 책이 소개됩니다. 이 책은 루 양이 저술하였고 베이징대학교 출판사에서 출판되었습니다. 표지의 미학은 푸른 색 테마를 따르며, 전통적인 중국 인물 2명 또는 3명이 포함되어 있어 텍스트의 문화적 초점을 나타냅니다. 이러한 인물 중 한 사람 뒤에는 암석을 닮은 물체가 있어, 이는 중국 예술에서 조화와 자연을 나타내며, 따라서 책의 문화적 주제를 강화합니다. 표지의 왼쪽 면에는 일부 영어로 된 내용이 포함되어 있는 것처럼 보이는데, 이는 제목의 번역이 될 가능성이 있어, 이 책이 이중 언어로 되어 있거나 국제 독자를 대상으로 하고 있을 수 있음을 시사합니다. 이 책이 수출을 염두에 두고 작성되었을 가능성은 당 시대 문화에 대한 관심이 중국의 경계를 넘어 커지고 있음을 반영합니다.
|
ko
| 22,636
|
|
['English', 'Chinese']
|
['1lyr1kjmzcXb', '1efwh6l6n9cG']
|
["This image seems to be what someone might post on Instagram in 2016 or around 10 years ago. In the background is some sort of design that is a white wall with the red butterflies on it. And there is a girl who's posing for this picture. Her eyes are closed and she's smiling and she's holding out cotton candy that's white. It takes up most of the image. She's wearing a blue jacket, it seems like. And she seems very happy in this image because of the cotton candy. She has black hair or brown hair. And she seems to be wearing some sort of light colored shirt or blouse. As well.", 'This picture is of a woman with black hair, her eyes closed, wearing a blue jacket with a white shirt underneath. She is holding a relatively large white cotton candy. Behind her is a white wooden backdrop or wall decorated with some butterflies or rounded patterns in red and dark red. The light source seems to be on her right side, creating some shadows in her left rear. This is just a half-body shot, and the woman appears to be closing her eyes, possibly posing for a photo or engaged in some related activity.']
|
[True, False]
|
[nan, nan]
|
The image captures a moment reminiscent of typical Instagram posts from around 2016, showcasing a young woman enjoying a whimsical treat. She stands against a background that features a white wooden wall embellished with decorative red butterflies and rounded patterns in varying shades of red, creating a visually striking backdrop. This intricate design adds an artistic flair to the composition. The woman in the photo is portrayed with her eyes gently closed, as a smile graces her face, exuding a sense of happiness and delight. She is engaging with the camera, possibly posing for the photograph or savoring a joyful moment. She holds out a large, fluffy piece of white cotton candy, which dominates the foreground of the image and serves as a symbol of carefree joy and childhood innocence. The cotton candy, being white, contrasts against the vibrant backdrop, drawing the viewer's eye. She is dressed in a blue jacket, which seems to be the outer layer over her light-colored shirt or blouse that subtly peeks out beneath. Her hair appears to be either black or dark brown, contributing to her overall youthful appearance. The photograph is captured from the waist up, offering a half-body view of her, and the lighting source comes from her right side. This creates gentle shadows on her left side, adding depth to her figure and enhancing the three-dimensional quality of the image. The woman’s expression and the whimsical nature of the cotton candy together evoke emotions related to joy and spontaneity, making the photograph a relatable slice of youthful exuberance.
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Изображение запечатлевает момент, напоминающий типичные посты в Instagram около 2016 года, на котором молодая женщина наслаждается причудливым угощением. Она стоит на фоне белой деревянной стены, украшенной декоративными красными бабочками и округлыми узорами разных оттенков красного, создавая визуально впечатляющий фон. Этот сложный дизайн добавляет художественный шарм композиции. На фото женщина изображена с нежно закрытыми глазами, на её лице играет улыбка, излучающая счастье и радость. Она взаимодействует с камерой, возможно, позируя для фотографии или наслаждаясь радостным моментом. В её руке большой, пушистый кусок белой сладкой ваты, который занимаетforeground изображения и служит символом беззаботной радости и детской невинности. Белая сахарная вата контрастирует с ярким фоном, привлекая внимание зрителя. Она одета в синюю куртку, которая, похоже, является верхним слоем поверх её светлой рубашки или блузки, которая тонко выглядывает снизу. Её волосы, вероятно, черные или темно-коричневые, что добавляет ей юношеского обаяния. Фотография сделана с пояса вверх, предлагая полуобзор её фигуры, а источник света находится справа от неё. Это создает мягкие тени с левой стороны, добавляя глубину её образу и подчеркивая трёхмерное качество изображения. Выражение женщины и причудливый характер сахарной ваты вместе вызывают эмоции, связанные с радостью и спонтанностью, что делает фотографию соразмерной юношеской жизнерадостности.
|
ru
| 20,942
|
|
['English', 'Korean', 'Vietnamese']
|
['12sXq6TCe4x9', '17mLXM3Y3gHj', '1crl3gf71Y9R']
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[' The image at first glance seems to be the sidewalk of some location with a very overfilled garbage can with an individual walking in the background as well as an advertisement for an airline. There is one garbage can with a few cups, a couple bags and cardboard boxes overflowing the trash. Behind that there is part of one lamp post, one individual walking and one airline advertisement. The text on the advertisement says, size should never outrank service. And there is also some writing on the trash can that says, keep New York City clean. The garbage can is front and center at the bottom of the image and to the back left is where the individual is walking and to the back right is the location of the airline advertisement. This is a black and white image and the individual is wearing shorts and a loose long sleeve shirt which seems to imply that the weather is warmer out.', 'This image is a black-and-white photograph centered around a trash can located in the middle of a city street. The trash can has the phrase "NYC Clean" written on it, indicating that the photo was taken on the streets of New York City. Various types of trash, including paper cups, plastic bottles, and food wrappers, are overflowing from the trash can, showcasing a common aspect of urban life. The trash can is positioned at the center of the image, while the background reveals a busy street and the legs of passing pedestrians. The trash can is situated in the middle of the road, creating a sense of ongoing activity around it. The background appears blurred, but it seems to convey messages related to public transportation or commercial activities, implying the unique bustling atmosphere of the city. The textures and forms of the various types of trash piled on the can are clearly visible, visually emphasizing environmental issues in modern cities. The blurred figures and street scene in the background serve to make the trash can, the main focal point, stand out even more. Captured in black-and-white, this image enhances strong contrasts and structural details by eliminating the influence of color. The style is documentary-like, presenting a realistic and blunt depiction of urban life. This photograph can be seen as a symbolic scene representing life in an urban environment, the environmental issues that arise within it, and the necessity for city management.', 'This image is a black and white photograph showing a trash can filled with garbage, overflowing to the top. On the trash can, there is a sign that reads "New York City." In the image, there is a bus stop, and at the bus stop, there is an advertisement for an airline. On the left side of the image, there is a person walking on the sidewalk. This pedestrian is wearing a black shoulder bag, a shirt, and shorts, and they are in shoes. In front of the pedestrian, there is a train car.']
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[False, False, False]
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[nan, nan, nan]
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The image presents a black-and-white photograph that vividly captures a significant aspect of urban life. At first glance, the viewer's attention is drawn to a trash can situated centrally within a bustling city street in New York City. This trash can is notably overflowing with various types of waste—such as paper cups, plastic bottles, and food wrappers—depicting a common scene of urban neglect and the challenges faced by metropolitan areas regarding waste management. Emblazoned on the side of the trash can is a clear message that reads "NYC Clean," which serves as a reminder of the city's initiatives to maintain cleanliness and promote civic responsibility among its residents and visitors. The trash can occupies a prominent position at the bottom of the image, and its overwhelming content starkly highlights the environmental issues that urban cities grapple with, such as litter and waste accumulation. In the background of the photograph, a bus stop is visible, accompanied by an advertisement for an airline. The advertisement conveys the slogan “Size should never outrank service,” suggesting a message about the quality of service offered irrespective of the airline's size. Behind the trash can, the street appears to be busy, with the blurred forms of pedestrians hinting at the lively nature of city life. Among these pedestrians, one can be seen walking on the sidewalk to the left of the image. This individual is dressed in a loose long-sleeve shirt and shorts, adorned with a black shoulder bag and shoes, implying that the weather is warm and likely conducive to lighter clothing. Additionally, a portion of a train car is prominently placed in front of the pedestrian, adding another layer of urban transport noise and activity to the scene. Overall, the black-and-white nature of the image enhances the dramatic contrasts and structural details, allowing for a focus on shapes, textures, and forms without the distraction of color. The documentary-like style serves to portray a starkly realistic view of city life, making the overflowing trash can the thematic centerpiece of the photograph, which metaphorically symbolizes the environmental and cleanliness challenges inherent to urban environments. The image encapsulates the essence of modern urban living, fraught with issues that require attention and action from both the public and city management.
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这幅图像呈现了一张黑白照片，生动地捕捉了城市生活的重要方面。乍一看，观众的目光被位于纽约城市繁忙街道中心的一个垃圾桶吸引。这个垃圾桶显然已 overflowing，里面装满了各种垃圾——例如纸杯、塑料瓶和食品包装——展示了城市忽视的常见场景以及大都市在垃圾管理方面所面临的挑战。垃圾桶侧面清晰地印着“NYC Clean”这一信息，提醒人们注意城市保持清洁的倡议，并促进居民和游客的公民责任。垃圾桶在图像底部的位置相当突出，其过量的内容鲜明地突出了城市所面临的环境问题，如垃圾和废物的积累。 照片的背景中可见一个公交车站，并附有一个航空公司的广告。广告传达的口号是“尺寸永远不能超越服务”，暗示了与航空公司规模无关的服务质量信息。在垃圾桶后面，街道看起来很繁忙，模糊的行人形状暗示了城市生活的生动本质。在这些行人中，有一个人走在图像左侧的人行道上。这个人穿着宽松的长袖衫和短裤，搭配一个黑色肩包和鞋子，暗示天气温暖，适合穿着较轻便的服装。此外，一个火车车厢的一部分在行人前方显眼地出现，为场景增添了城市交通的嘈杂和活动。 总体而言，这幅图像的黑白特性增强了戏剧性的对比和结构细节，使得人们能够专注于形状、纹理和形式，而不受颜色的干扰。纪录片般的风格展现了城市生活的真实面貌，使得溢出的垃圾桶成为这幅照片的主题中心，隐喻了城市环境固有的环境与清洁挑战。这幅图像浓缩了现代城市生活的精髓，充满了需要公众和城市管理层关注与行动的问题。
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zh-cn
| 13,064
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['1opi5o71UFXv', '1oObne21qvHZ', '14uzi6cQ3kxQ', '12NekzIelsD3', '1chW1mSdWJkE', '1bF0KC8mp11f']
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[" The image is of a white colored stone statue. The statue appears to be of a person that has a slim figure. It is sitting on top of a stone base that is the same color as the statue. The right arm of the statue is raised with its elbow at an angle. The left hand of the statue is in a circle shape with a space in between. The right hand and arm of the statue obscure the face so it's difficult to tell the exact style. The statue is in a standing position. It is oriented towards the left hand side of the image and the statue is facing towards the right. The statue looks like it's in a room and there are many people inside of the room. Based on this I can infer that it is most likely in a museum of some sort. A lot of the people are looking at a screen that shows a blue colored rendering of the statue. Most of the room is very black and dark. However, there are several overhead lights at the top.", " This image depicts an ancient bronze statue in a museum setting. The statue is tall, elongated, and appears to be a ritual or ceremonial figure possibly from an ancient civilization. There's an illuminated digital display in the background showing an outline of the statue. We see in the picture one large bronze statue, a digital projection, a crowd of people observing the exhibit, museum lighting, and display glass. The text in this picture isn't really clear. The bronze statue is centered in a well-lit display case. The digital projection is positioned slightly to the right in the background, and visitors are gathered around the exhibit observing from different angles. The statue has intricate detailing. The elongated figure suggests a specific cultural or cultural context. The artistic style in the projection in the background gives an interactive or educational display. In the background, we see the digital projection of the statue with some text and a crowd of people observing the exhibit. In regards to the color, the statue is bronze with an aged patina, and the museum setting is dark. In the modern projection, it creates a mix of old and new. The museum setting suggests that this is of cultural importance or an archaeological discovery. We can also infer from this image that this was a famous archaeological find, and the crowd suggests that this exhibit is of high interest and importance.", "In this photo at first glance we notice the prominent statue towards the left of the photo since it's pretty brightly lit up whereas the rest of the photo is fairly dark. We also notice a lot of people in the area either observing the statue or the screen further in back that shows a certain 3d rendering of the statue. So overall we notice at least a dozen more than a few dozen lights in the ceiling, probably at least 20 people in the room as well but it's difficult to make out the exact number. So yes you mostly notice the statue in this projector screen towards the back of the room in the background that shows the 3d rendering of the statue. In terms of subtle details I guess the 3d rendering of the statue in the background is rather interesting as a detail with some Chinese writing I believe. It describes what it is so yes and the color of the 3d rendering is some kind of green kind of like teal light color, which, I guess, stands out a bit and the statue itself is very bright compared to the rest of the room all kind of white or gray. And in terms of contextual information and location since there is some Chinese writing and it looks like some kind of Asian statue you might guess this is some kind of display of the statue. or museum in China that's showing a very old Chinese statue of which date I'm not sure. But you could probably say yes, it's some cultural distinctly Chinese kind of artifact or old statue that they're displaying in some kind of museum.", 'The next scene features a somewhat dark background with a figure resembling a person standing. Upon closer inspection, this is a sculpture of a person made of stone. We can see that on the right side of the image, there is some information about this sculpture. We know that it is possibly related to the legendary Sanxingdui shape from the Bronze Age. The figure has both hands raised, with a hollow space in between as if holding a cylindrical object, but this cylindrical object is now missing. Light shines on the sculpture of the person, and aside from this sculpture and the information displayed on the screen, the surrounding environment is quite dim, making it difficult to see that there are many visitors observing this location, as if it were inside a museum. In the far distance, there are some small, round inscriptions describing the figure and their situation.', "This image appears to be taken in an exhibition hall. It features an artwork located slightly to the left in the picture. The artwork is brown and resembles a person standing there. The person is holding a bowl in their left hand, while their right arm is raised. This is roughly what the exhibit looks like. There are no specific details like eyes or a nose; it's just the outline of a person. Below this figure, there is something standing on top of another object. From this image, we can see a crowd of people, but the lighting is very dim, making it difficult to see what the people look like. It seems they are listening to a lecture about the exhibit. We can see the silhouettes of the bodies, but because of the darkness, we can only make out that there is a group of people; only the exhibit itself is illuminated.", "This picture shows the recent excavation of an ancient burial site in Sichuan, which I can't quite remember the name of... it seems to be a decoration found in a recently unearthed burial group in that area. This sculpture is likely displayed in a museum, as we can see many people around it, presumably visitors to the museum. In the distance, there's a projector displaying possibly specific details about this sculpture, allowing everyone to gain a deeper understanding of this culture and more intricate knowledge about it."]
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[True, False, True, False, False, True]
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['Yes it has a distinct style like Mesoamerican', nan, 'Yes, some kind of old Chinese statue.', nan, nan, nan]
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The first image features a white-colored stone statue that depicts a person with a slim figure. The statue is seated atop a stone base that shares the same color as the statue itself. The right arm of the statue is raised, with the elbow bent at an angle, while the left hand is shaped in a circular form with a visible space in between the fingers. The positioning of the right hand and arm partly obscures the statue's face, making it challenging to discern the detailed style of the statue’s features. This sculptural piece is oriented to the left side of the image while facing towards the right, indicating a thoughtful placement within its environment. The statue is situated in what appears to be a museum, as many individuals surrounding it are gazing at a screen that displays a blue-colored rendering of the statue itself. The overall ambiance of the room is predominantly dark, illuminated by several overhead lights placed at the top, creating an atmosphere that draws visitors’ attention to the exhibit. The second image showcases an ancient bronze statue enclosed within a well-lit display case in a museum setting. This statue is tall and elongated, suggesting it may represent a ritual or ceremonial figure from an ancient civilization. Behind the statue, an illuminated digital display showcases an outline of the brass figure, enhancing the exhibit's technological aspect. The statue exhibits intricate detailing, which indicates its cultural significance and historical context. A crowd of museum visitors can be seen gathered around the exhibit, viewing the statue from various angles, illustrating the high interest surrounding this particular artifact. The bronze statue features an aged patina, indicative of its historical value. The dark museum setting contrasts with the modern digital projection, which integrates both the traditional and contemporary educational elements of the exhibit. This implies that the statue is of notable cultural importance and may represent a famous archaeological discovery, given the crowd's enthusiastic engagement. In another photograph, the prominent statue is positioned towards the left side and is brightly illuminated, contrasting sharply with the darker surroundings. Numerous individuals can be spotted either admiring the statue or engaged with a screen in the background that features a 3D rendering of the statue. The room appears to house at least 20 people, although the exact number is difficult to ascertain due to the dim lighting. The interesting detail of the 3D rendering includes some Chinese writing, presumably describing the statue, which tends to evoke questions about the cultural context of the exhibit. The color scheme of the 3D rendering utilizes a light teal hue, which adds a modern touch to the predominantly white and gray statue. Taking into account the cultural elements suggested by the Chinese writing, it can be inferred that this exhibit features a historically significant Chinese artifact or statue, likely displayed in a museum setting in China. The next scene depicts a darker background where a figure resembling a person stands. Upon close inspection, this figure reveals itself as a stone sculpture. Notably, on the right side of the image, there is informational text that suggests this sculpture may be related to the legendary Sanxingdui culture from the Bronze Age. The figure has both hands raised, with a hollow space in between, indicating it might have originally held a cylindrical object that is now absent. A light source highlights the sculpture, but the overall dim surroundings obscure the presence of numerous visitors who are presumably observing the exhibit within a museum context. In the distance, small, round inscriptions provide descriptions regarding the figure and its historical context, contributing to the informative aspect of the exhibit. In the final image, an artwork is displayed in an exhibition hall, situated slightly to the left. This artwork is presented in a brown color and resembles a figure of a person standing with their left hand holding a bowl while the right arm is raised. The outline of the figure lacks intricate details like facial features; it is merely a silhouette. There appears to be another object situated beneath this person-like figure. Despite a crowd being present, the lighting remains very dim, obscuring details of the individuals present, who seem to be engaged in listening to a lecture regarding the exhibit. Silhouettes of the crowd are visible, but due to the overall darkness, only the exhibit itself is brightly illuminated, allowing for a focused viewing experience despite the surroundings. Lastly, there is a photo taken at the excavation site of an ancient burial in Sichuan. This image reveals a decoration that was discovered in newly unearthed burial grounds, suggesting its potential display in a museum. A noticeable number of individuals surround the exhibit, indicating that it attracts significant interest. In the background, there is a projector providing additional information about the sculpture, which enriches visitors' understanding of the unique cultural and historical context surrounding the find.
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ภาพแรกแสดงให้เห็นรูปปั้นหินสีขาวที่บรรยายถึงบุคคลที่มีรูปร่างเรียว รูปปั้นนั่งอยู่บนฐานหินที่มีสีเดียวกับตัวรูปปั้นเอง แขนขวาของรูปปั้นยกขึ้น โดยมีข้อศอกงอเป็นมุม ขณะที่มือซ้ายมีรูปร่างเป็นวงกลมและมีช่องว่างระหว่างนิ้วมือ การตั้งแขนและมือขวาทำให้เห็นใบหน้าของรูปปั้นได้ไม่ชัดเจน ทำให้ยากที่จะเห็นรายละเอียดของคุณลักษณะ รูปปั้นชิ้นนี้หันไปทางซ้ายของภาพ ในขณะที่หันไปทางขวา แสดงถึงการจัดวางที่คำนึงถึงสภาพแวดล้อม รูปปั้นตั้งอยู่ในที่ที่ดูเหมือนพิพิธภัณฑ์ เนื่องจากมีคนหลายคนรอบๆ กำลังมองจอที่แสดงภาพของรูปปั้นในสีฟ้า สภาพแวดล้อมรวมของห้องส่วนใหญ่เป็นสีมืด สว่างด้วยไฟเหนือศีรษะหลายดวงที่ติดอยู่ด้านบน สร้างบรรยากาศที่ดึงดูดความสนใจของผู้เข้าชมไปที่นิทรรศการ ภาพที่สองแสดงรูปปั้นทองสัมฤทธิ์โบราณที่ถูกจัดเก็บอยู่ภายในกรอบแสดงที่มีแสงสว่างในสภาพพิพิธภัณฑ์ รูปปั้นนี้มีความสูงและยาว ซึ่งบ่งบอกว่าอาจเป็นตัวแทนของบุคคลในพิธีกรรมจากอารยธรรมโบราณ ด้านหลังรูปปั้นมีจอแสดงผลดิจิตอลที่สว่างซึ่งแสดงโครงร่างของรูปปั้นทองสัมฤทธิ์ เพื่อเพิ่มมิติทางเทคโนโลยีให้กับนิทรรศการ รูปปั้นมีรายละเอียดซับซ้อน ซึ่งบ่งบอกถึงความสำคัญทางวัฒนธรรมและบริบททางประวัติศาสตร์ มีผู้เข้าชมพิพิธภัณฑ์มีจำนวนมากอยู่รอบนิทรรศการ มองรูปปั้นจากมุมต่างๆ ซึ่งแสดงให้เห็นความสนใจสูงที่มีต่อวัตถุโบราณนี้ รูปปั้นทองสัมฤทธิ์มีพาทิน่าเก่า ซึ่งแสดงถึงคุณค่าทางประวัติศาสตร์ สภาพพิพิธภัณฑ์ที่มืดทำให้เกิดความแตกต่างกับการฉายดิจิตอลสมัยใหม่ ซึ่งรวมองค์ประกอบการศึกษาทั้งแบบดั้งเดิมและร่วมสมัยของนิทรรศการ ทำให้พิสูจน์ว่ารูปปั้นนี้มีความสำคัญทางวัฒนธรรมที่โดดเด่นและอาจแสดงให้เห็นการค้นพบทางโบราณคดีที่มีชื่อเสียง เนื่องจากมีผู้คนมากมายที่มีความสนใจอย่างตื่นเต้น ในภาพถ่ายอีกใบ รูปปั้นที่เด่นตั้งอยู่ทางด้านซ้ายและมีแสงสว่างส่องสว่างซึ่งทำให้แตกต่างจากสภาพแวดล้อมที่มืด มีผู้คนจำนวนมากมองรูปปั้นด้วยความชื่นชม หรือติดอยู่กับหน้าจอที่มีภาพเรนเดอร์ 3D ของรูปปั้น ภายในห้องดูเหมือนจะมีผู้คนอยู่ไม่น้อยกว่า 20 คน ถึงแม้ว่าจะยากที่จะประเมินจำนวนที่แน่นอนเนื่องจากการตั้งแสงที่มืด รายละเอียดที่น่าสนใจในเรนเดอร์ 3D รวมถึงการเขียนภาษาจีน ซึ่งอาจให้ข้อมูลเกี่ยวกับรูปปั้น ทำให้เกิดคำถามเกี่ยวกับบริบททางวัฒนธรรมของนิทรรศการ เกมสีในเรนเดอร์ 3D ใช้โทนสีเขียวเทาจาง ซึ่งเพิ่มสัมผัสร่วมสมัยให้กับรูปปั้นที่ส่วนใหญ่เป็นสีขาวและเทา เมื่อพิจารณาจากองค์ประกอบทางวัฒนธรรมที่แสดงโดยการเขียนภาษาจีน สามารถอนุมานได้ว่านิทรรศการนี้มีวัตถุหรือรูปปั้นประวัติศาสตร์ที่มีความสำคัญทางวัฒนธรรมของจีน อาจจัดแสดงในสภาพพิพิธภัณฑ์ในประเทศจีน ฉากถัดไปแสดงให้เห็นภาพพื้นหลังที่มืดซึ่งมีรูปร่างที่คล้ายมนุษย์ยืนอยู่ เมื่อสังเกตใกล้ๆ รูปร่างนี้จึงเผยให้เห็นว่าเป็นรูปปั้นหิน มีข้อความข้อมูลปรากฏอยู่ด้านขวาของภาพ ซึ่งบอกว่ารูปปั้นนี้อาจเกี่ยวข้องกับวัฒนธรรมซานซิงดุยในยุคทองสัมฤทธิ์ รูปร่างมีทั้งสองมือยกขึ้น โดยมีช่องว่างอยู่ระหว่าง เพื่อบ่งบอกว่ามันอาจเคยถือวัตถุทรงกระบอกซึ่งปัจจุบันหายไป แหล่งแสงเน้นที่รูปปั้น แต่สภาพโดยรวมที่มืดทำให้ยากแก่การมองเห็นว่ามีผู้เข้าชมจำนวนมากที่สังเกตนิทรรศการภายในพิพิธภัณฑ์อยู่ ในระยะไกลมีการเขียนอักษรกลมเล็กๆ ที่ให้รายละเอียดเกี่ยวกับรูปร่างและบริบททางประวัติศาสตร์ ซึ่งช่วยเสริมด้านข้อมูลของนิทรรศการ ในภาพสุดท้าย งานศิลปะถูกจัดแสดงในห้องนิทรรศการ ตั้งอยู่เล็กน้อยไปทางซ้าย งานศิลปะนี้มีสีสีน้ำตาลและคล้ายกับรูปทรงของบุคคลยืนอยู่ โดยมือซ้ายถือชาม ขณะที่แขนขวายกขึ้น เส้นขอบของรูปร่างไม่มีรายละเอียดซับซ้อนเช่นคุณลักษณะของใบหน้า มันเป็นเพียงแค่เงาของรูปร่างเท่านั้น ดูเหมือนว่าจะมีวัตถุอีกชิ้นหนึ่งตั้งอยู่ใต้รูปร่างของบุคคลนี้ ถึงแม้ว่าจะมีคนจำนวนมากอยู่ แต่แสงในห้องยังคงมืดมาก ปิดบังรายละเอียดของคนที่มีอยู่ซึ่งดูเหมือนจะอยู่ในระหว่างการฟังการบรรยายเกี่ยวกับนิทรรศการ เงาของฝูงชนสามารถมองเห็นได้ แต่เนื่องจากความมืดโดยรวมจึงทำให้เพียงแค่การจัดแสดงที่สว่างไสว ซึ่งช่วยให้ผู้ชมสามารถมองเห็นได้อย่างชัดเจนแม้จะมีสภาพแวดล้อมที่มืด สุดท้ายนี้ มีภาพที่ถ่ายที่สถานที่ขุดค้นหลุมศพโบราณในเสฉวน ภาพนี้เผยให้เห็นการตกแต่งที่ถูกค้นพบในหลุมศพที่เพิ่งถูกขุดค้น ซึ่งชี้ให้เห็นถึงโอกาสในการจัดแสดงที่พิพิธภัณฑ์ มีผู้คนจำนวนมากล้อมรอบนิทรรศการซึ่งบ่งบอกถึงความสนใจที่สูง ในพื้นหลังมีโปรเจคเตอร์ที่ให้ข้อมูลเพิ่มเติมเกี่ยวกับรูปปั้น ซึ่งช่วยเสริมความเข้าใจของผู้เข้าชมเกี่ยวกับบริบททางวัฒนธรรมและประวัติศาสตร์ที่มีเอกลักษณ์รอบการค้นพบนี้
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th
| 2,129
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['English', 'English', 'Korean', 'Chinese']
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['1bU16gqTsp2w', '1lS1jMTICx0h', '1bzxlZzurF8a', '14aY1sbMTLA1']
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[' This image seems to be depicting toy bears having a small picnic at a park bench. The bears are all very miniature although they take up a large majority of the image. Each of the bears are different colors. Starting from the left going up is brown, gray, and a lighter brown and then starting from the right and going up is the lighter brown, brown, and gray. On the park bench they seem to be enjoying some sort of burger and in the middle of the park bench there are three jars with I believe honey in it. And the background has a white wall and dark wooden floors. Note that all of the bears, all of the hamburgers that they are eating, as well as the honey in the park bench are sort of sonorous. All of the bears are also uncivilized but the park bench is bench are all toys and seem to be miniature versions. Right underneath the park bench seems to be a block of felt that seems to, a green felt that seems to imitate grass. The park bench itself is brown and all of the burgers have a sort of whitish bun. There are six burgers in total and six bears in total, so the burgers are matching and right in front of each bear.', " This is a bunch of stuffed teddy bears seemingly having some sort of picnic or tea party. On the table there are six teddy bears. On the left side, it's like a picnic table that they're sitting on, but it looks like a miniature one. On the left side there are three teddy bears. The first one is like a dark brown color. The second one's whitish gray. And the third one, furthest away from the front, is a lighter brown color. On the other side, the one closest to the camera is that same lighter brown color. The middle one is a darker brown color. And the far one is a gray color. Or whitish gray, similar to the middle one on the left. It seems to be some sort of mini picnic table. With attached benches on both sides. Each bear has a plate in front of it. I can't entirely tell what they're eating. But there is a plate in front of each of the bears with food. And in the middle there are three jars which seem to be some sort of honey or maybe some sort of dip. And on the bottom there is like a green felt that is underneath this picnic table. And then in the background it's kind of just like a white wall. And there's a hardwood floor it looks like. And yeah, that's about it.", "This image shows small teddy bears sitting at a table. On the table, there are several cups and drinks, and the bears are either holding cups or sitting towards the drinks placed on the table. There are a total of five teddy bears sitting at the table, with each bear arranged neatly in the same position. The bears are seated on both sides of the table, and in the center, there are drinks and small props. The background is treated in a blurry manner, focusing attention on the table and the teddy bears, which all have the unique cute shape of animals. Upon closer inspection, the table and drink cups are arranged intricately, and the small teddy bears appear to be dressed up and sitting like people. The background features a warm-toned wooden table, and the bears' outfits and expressions create an adorable atmosphere. The overall color scheme consists of warm browns and soft tones, highlighting the simple and charming feel of the toy bears. The image resembles a playful photo depicting the attire of little dolls.", "There are many small toys here, six little bears in total: two are light brown, two are dark brown, and two are gray. On the left, there are three bears arranged first as dark brown, then gray, and finally light brown. On the right, the order is light brown first, then dark brown, and then gray. They are all sitting at a wooden table, eating cake or hamburgers. It's hard to see clearly, and there are three small cups in the middle that might contain drinks or something else. Under the table is green grass. They are all seated at a brown wooden table, and the walls are white. There’s nothing notable in the background."]
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[False, False, True, False]
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[nan, nan, 'While the scene could be interpreted as universally relatable (as it depicts small figurines), the specific style, attention to detail, and cultural association with kawaii culture give it a distinct cultural flavor, especially within Japanese contexts. Therefore, this image can be considered culturally distinct in that regard.', nan]
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This image depicts a delightful scene featuring miniature teddy bears enjoying a picnic at a small, brown picnic table, which is reminiscent of a traditional park setting. The table is flanked by attached benches, creating a cozy atmosphere for the gathering of toy bears. There are six bears in total, each unique in color: starting from the left, a dark brown bear, followed by a gray bear, and then a lighter brown bear. On the right side of the table, the order is reversed, beginning with a lighter brown bear, followed by a brown bear, and concluding with a gray bear. Each bear is positioned in an organized manner, enhancing the sense of togetherness. In front of each bear, there is a plate holding food items, although the exact contents are not distinctly visible. However, it appears that the bears are enjoying a mix of hamburgers and cake. Three jars are centrally placed on the table; they likely contain honey or possibly a dip, adding an element of sweetness to their meal. The bears are depicted as uncivilized figures, associated with playful innocence as they engage in this whimsical tea party or picnic setting. Beneath the picnic table, a piece of green felt imitates grass, creating a naturalistic ground cover that emphasizes the outdoor theme of the gathering. The backdrop consists of a plain white wall and a dark wooden floor, which complement the warm color palette of the bears and their surroundings. The overall composition creates a charming and enchanting atmosphere, highlighting the cuteness and playfulness of the teddy bears as they indulge in their magical picnic. The warm, soft tones and the organized arrangement of the bears and food effectively convey a sense of joy and camaraderie, echoing the innocence found in childhood play. The scene resonates with viewers, evoking feelings of nostalgia associated with the innocence of youthful gatherings and imaginative play.
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Dette bildet viser en herlig scene med miniatyrteddybjørner som nyter en piknik ved et lite, brunt piknikbord, som minner om en tradisjonell parksituasjon. Bordet er flankert av festede benker, som skaper en koselig atmosfære for samlingen av lekebjørner. Det er totalt seks bjørner, hver med sin unike farge: fra venstre ser vi en mørkebrun bjørn, etterfulgt av en grå bjørn, og så en lysere brun bjørn. På høyre side av bordet er rekkefølgen omvendt, med en lysere brun bjørn først, deretter en brun bjørn, og til slutt en grå bjørn. Hver bjørn er plassert på en organisert måte, noe som forsterker følelsen av samhold. Foran hver bjørn er det en tallerken med matvarer, selv om de nøyaktige innholdene ikke er tydelig synlige. Det ser imidlertid ut til at bjørnene nyter en blanding av hamburgere og kake. Tre glass er plassert sentralt på bordet; de inneholder sannsynligvis honning eller kanskje en dipp, som tilfører et element av sødme til måltidet deres. Bjørnene fremstår som uforfinede figurer, assosiert med leken uskyld mens de deltar i denne fantasiske teselskap- eller pikniksettingen. Under piknikbordet imiterer et stykke grønt filt gress, og skaper et naturlig bakkedekke som understreker utendørs-tematikken for samlingen. Bakgrunnen består av en enkel hvit vegg og et mørkt tregulv, som komplementerer den varme fargepaletten til bjørnene og omgivelsene deres. Den totale komposisjonen skaper en sjarmerende og fortryllende atmosfære, som fremhever søtheten og lekenheten til teddybjørnene mens de unner seg sin magiske piknik. De varme, myke tonene og den organiserte oppstillingen av bjørnene og maten formidler effektivt en følelse av glede og kameratskap, som resonerer med uskylden man finner i barndommens lek. Scenen vekker nostalgi hos beskueren, og gir minner om uskylden knyttet til ungdommelige samlinger og fantasifull lek.
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no
| 19,525
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['Vietnamese', 'Chinese']
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['124xmNSBjg2a', '18wJ0rYxvHDS']
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['This man is a famous tennis player named Rafael Nadal. He is sitting on a white bench, looking bored. Next to this athlete is a tennis racket and bags containing tennis equipment. The athlete is wearing a white t-shirt, white shorts, and blue shoes. He is holding a green towel in his hand. To his left is another man speaking; this man is wearing a blue shirt and black pants, and he is wearing sunglasses. In the lower right corner of the picture is another man, and only his upper body is visible. He is wearing a white t-shirt and black pants.', 'Three football players are present, with two sitting and one standing. The standing player’s face is not visible. The two sitting football players appear to be communicating, and their expressions look quite serious. They are seated on a long bench, with one on the left side and the other in the middle. The player on the left is wearing a blue shirt and has his arms open in a conversational gesture, while the one in the middle looks more pensive and is listening, dressed in a white shirt with a Nike logo, holding a green jersey. In the background, you can see the stands of their stadium, and they are sitting on a bench within the field. Various pieces of sports equipment are scattered around, and there is water on the bench, suggesting that a match is currently ongoing.']
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[False, False]
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[nan, nan]
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This video captures a well-known tennis player, Rafael Nadal, who is seated on a pristine white bench. He appears somewhat disengaged or bored, with his expression reflecting a lack of interest in his surroundings. Beside him lies a tennis racket, along with bags filled with tennis equipment, indicating he is likely preparing for or has just completed a practice session or match. Nadal is dressed in a white t-shirt and matching white shorts that emphasize his athletic build, complemented by blue shoes. In his hand, he clutches a green towel, possibly to wipe off sweat or to keep himself relaxed between activities. Next to him, on his left side, there is another individual engaged in conversation. This man is attired in a blue shirt with black pants and sports a pair of sunglasses, which may suggest a bright, sunny day conducive for tennis. The environment appears casual yet charged with anticipation, potentially between rounds or discussions regarding gameplay strategy. In a separate scene viewed, there are three football players featured. Two of them are sitting on a long bench, while one player stands, though his face is obscured from view. The two sitting players seem to be deep in discussion, with their body language conveying a serious tone. The player on the left displays openness with his arms outstretched in a conversational gesture, perhaps making a point or sharing an observation. He is dressed in a blue shirt. The player in the middle, on the other hand, is dressed in a white shirt adorned with the Nike logo. His demeanor seems more contemplative as he listens closely to his teammate, holding a green jersey, which may hint at team strategy or preparation for gameplay. In the backdrop, the stadium stands are visible, illustrating that they are on the field, emphasizing the atmosphere of sportsmanship and competition. Surrounding them are various pieces of sports equipment, and a notable detail is that there is water on the bench. This detail suggests that a match is currently in progress or has just recently taken place, adding to the sense of urgency and activity within the scene.
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Este video captura a un conocido jugador de tenis, Rafael Nadal, que está sentado en un banco blanco impecable. Parece algo desconectado o aburrido, con una expresión que refleja una falta de interés en su entorno. A su lado reposa una raqueta de tenis, junto con bolsas llenas de equipo de tenis, lo que indica que probablemente está preparándose para o acaba de terminar una sesión de práctica o un partido. Nadal lleva puesta una camiseta blanca y shorts blancos a juego que acentúan su físico atlético, complementados con zapatos azules. En su mano, sostiene una toalla verde, posiblemente para secarse el sudor o para mantenerse relajado entre actividades. A su izquierda, hay otra persona involucrada en una conversación. Este hombre viste una camisa azul con pantalones negros y lleva unas gafas de sol, lo que podría sugerir un día brillante y soleado, propicio para el tenis. El ambiente parece casual pero cargado de anticipación, posiblemente entre rondas o discusiones sobre estrategias de juego. En una escena separada que se observa, aparecen tres futbolistas. Dos de ellos están sentados en un largo banco, mientras que un jugador está de pie, aunque su rostro está fuera de la vista. Los dos jugadores sentados parecen estar en una profunda discusión, con su lenguaje corporal transmitiendo un tono serio. El jugador a la izquierda muestra apertura con los brazos extendidos en un gesto conversacional, quizás haciendo un punto o compartiendo una observación. Lleva puesta una camisa azul. El jugador del medio, por otro lado, está vestido con una camiseta blanca adornada con el logo de Nike. Su actitud parece más contemplativa mientras escucha atentamente a su compañero, que sostiene una camiseta verde, lo que podría insinuar estrategia de equipo o preparación para el juego. De fondo, se pueden ver las gradas del estadio, lo que ilustra que están en el campo, enfatizando la atmósfera de deportividad y competencia. A su alrededor hay varias piezas de equipo deportivo, y un detalle notable es que hay agua en el banco. Este detalle sugiere que un partido está en progreso o que acaba de tener lugar, añadiendo una sensación de urgencia y actividad en la escena.
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es
| 16,013
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['German', 'English', 'Chinese']
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['1d1MafDMeLHM', '1mJs8YRlr0Iq', '1e7MOebYermP']
|
["This photo contains an image of a baseball game. The image was taken behind third base and mainly shows the infield and the pitcher's mound. We can see four individuals: the umpire, the pitcher, the first baseman, and a runner on third base. The runner has a name and the number 17 on the back of his jersey. The runner is located in the bottom left of the image, the pitcher in the center, and the umpire and first baseman are at the top. The pitcher is about to throw the ball, and the runner is ready to run. The large part of the background consists of grass, dirt, and water. The basepaths are marked with white lines in the infield. At the very top of the image, however, there is a small part of the crowd in the stands visible, although it is blurred.", "This image is of a ball game. There are a couple of people visible on the field. The first is a man who has his back facing the camera. He is wearing a black uniform with white pants. The pants are striped. He's also wearing black long socks and shoes. The black jersey has the number 17 on the back, which is in white. And he's also wearing a helmet. There is another person who looks like he is throwing a ball. He is wearing all white and is wearing a cap. There is a person in the background that is observing with his hands on his knees, also in a black outfit. And on the left side, there is another person wearing all white who is standing. The image shows that there are lots of people watching this game, and they're in the background.", 'This image shows a scene from a ball game where three to four people are competing. Among them, there should be one referee, and two of them belong to one team while the other two belong to another team. The two individuals from one team are wearing black sportswear, while the other two are in white sportswear. One person is facing away from the camera, and his sportswear indicates that he is number 17. The arrangement mainly features three people standing on the green sports field, and in the background, there are many spectators sitting. There are no special text elements in the image; the overall style is sporty, with a predominant green color tone.']
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[False, False, True]
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[nan, nan, nan]
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This transcription provides a detailed visual description of a baseball game captured in a photograph. The image is taken from behind third base and offers a clear view of the infield, particularly focusing on the pitcher's mound. In the scene, four key individuals are identifiable: the umpire, the pitcher, the first baseman, and a runner positioned on third base. The runner, who can be identified by the name and the number 17 displayed on the back of his jersey, is located in the lower left section of the image. The pitcher is situated centrally, while the umpire and first baseman appear towards the top of the frame. At this moment, the pitcher is poised to throw the ball, and the runner is in a position of readiness to sprint towards home plate. In terms of the environment, the background predominantly consists of grass and dirt typical of a baseball field, along with a presence of water, which may indicate recent rainfall or irrigation. The basepaths are distinguished by white lines marking the infield. At the very top of the image, a small section of the crowd in the stands is visible but appears blurred, suggesting a focus on the players and the action of the game rather than the spectators. In a separate description of another image from the same game, the scene is elaborated upon with additional details about the players. The first individual is a man with his back to the camera, dressed in a black uniform that includes white striped pants. He also wears black long socks and shoes, with his black jersey featuring the number 17 in white on the back. Additionally, he is equipped with a helmet, signifying his role as a player. There is another individual in the image who appears to be in the act of throwing a ball, dressed entirely in white, complete with a cap. In the background, another person is observed crouched with his hands on his knees, also attired in black. To the left side of the image, there stands yet another player in white. The composition of the image suggests a vibrant scene with many spectators watching the game, adding to the atmosphere of the event. Additionally, another observation confirms that the image depicts a competitive moment in the baseball game, characterized by three to four figures, including a referee. Two of the players belong to one team, identified by their black sportswear, while the others are dressed in white sportswear, establishing a clear contrast typical in sporting events to differentiate teams. The player wearing black with the number 17 is again noted, facing away from the camera. All three individuals are standing on the lush green field, where a multitude of spectators is seated in the background, emphasizing the dynamic and communal aspects of a live sports game. The overall aesthetic of the image is sporty, dominated by shades of green, highlighting the vividness of the baseball field and the excitement of the competition.
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Этот транскрипт дает подробное визуальное описание бейсбольной игры, запечатленной на фотографии. Изображение сделано сзади третьей базы и предлагает четкий вид на внутреннее поле, особенно сосредоточено на месте для питчера. На сцене можно выделить четырех ключевых персонажей: судью, питчера, первого baseman и бегуна, находящегося на третьей базе. Бегун, которого можно идентифицировать по имени и номеру 17, отображенному на спине его формы, расположен в нижнем левом углу изображения. Питчер находится в центре, в то время как судья и первый baseman появляются в верхней части кадра. В данный момент питчер готовится бросить мяч, а бегун находится в положении готовности к спринту к домашней базе. Что касается окружающей среды, фон в основном состоит из травы и земли, характерных для бейсбольного поля, с присутствием воды, что может указывать на недавний дождь или орошение. Дорожки для базы выделены белыми линиями, обозначающими внутреннее поле. В самом верхнем углу изображения видна небольшая часть толпы на трибунах, однако она размыта, что предполагает фокус на игроках и действиях игры, а не на зрителях. В отдельном описании другого изображения из той же игры сцена elaborated with дополнительными деталями о игроках. Первый персонаж – это мужчина спиной к камере, одетый в черную форму, включающую белые полосатые штаны. Он также носит черные длинные носки и обувь, а его черная майка имеет номер 17 белым цветом на спине. Кроме того, он оснащен шлемом, что указывает на его роль игрока. В изображении также присутствует другой человек, который, по-видимому, занимается броском мяча, одетый полностью в белое, включая кепку. На фоне наблюдается еще один человек, сидящий на корточках с руками на коленях, также одетый в черное. С левой стороны изображения стоит еще один игрок в белой форме. Композиция изображения создает яркую сцену с множеством зрителей, наблюдающих за игрой, что добавляет атмосферы мероприятию. Кроме того, другое наблюдение подтверждает, что изображение показывает конкурентный момент в бейсбольной игре, характеризующийся тремя-четырьмя фигурами, включая судью. Два игрока принадлежат одной команде, идентифицируемой по их черной спортивной одежде, в то время как остальные одеты в белую спортивную одежду, устанавливая четкий контраст, типичный для спортивных событий, чтобы отличать команды. Игрок в черном с номером 17 снова отмечен, стоящий спиной к камере. Все три человека стоят на зеленом поле, на котором в фоне можно увидеть множество зрителей, подчеркивая динамичные и общинные аспекты живого спортивного события. Общая эстетика изображения спортивная, с доминирующими оттенками зелени, подчеркивающими яркость бейсбольного поля и волнение соревнования.
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ru
| 17,582
|
|
['English']
|
['12mFT7wOzqct']
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[" All right, this image at first glance seems to be some kind of festive ornament that's hanging on a tree. There are two of them. There are two of these objects. They are both red with gold characters on them as well. They seem to be festive given the adornment. They both hang by red strings attached to a golden little piece at the top of both of these ornaments. And then below there are two additional strings, each with a green or one of them at least has a green bead. And some more festive red string below with gold attachments as well. So there is text on each of these in some characters, but it's unclear to me what that text is. So these ornaments are both hanging from what seems to be a tree on some sort of red background. It's not entirely clear what the background is. But the ornaments that are hanging on the tree are both red. And the ones that are hanging are hanging from if this is a tree and those are the branches and they're hanging from what looks to be some kind of cherry blossom type tree with pink flowers on it. Overall, this is definitely styled to be a sort of festive image."]
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[True]
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['This appears festive, and the right context might have more to say about what the objects represent.']
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The image in question appears to depict two festive ornaments that are hanging from what seems to be a tree. Upon initial observation, both ornaments are predominantly red in color and feature gold characters inscribed on their surfaces, suggesting a design that is festive in nature. Each ornament is suspended by a red string that is attached to a small golden piece at the top, providing an elegant touch to the overall aesthetic. Beneath each ornament, there are two additional strings, one of which features a green bead, adding an extra layer of visual interest, and there is also festive red string that incorporates gold attachments. This combination of colors and materials contributes to the decorative theme of the image. The ornaments themselves bear text in characters that are not readily identifiable, leaving ambiguity regarding their meaning. This further adds to the mystique and cultural richness of the ornaments, as they may represent specific traditions or celebrations. The background against which the ornaments are displayed consists of an unclear red backdrop that does not offer much clarity about its nature, yet this vibrant color enhances the festive feel of the scene. The ornaments appear to be dangling from a tree that bears a resemblance to a cherry blossom tree, characterized by its delicate pink flowers. This similarity suggests a connection to cultural motifs often associated with springtime celebrations, particularly in East Asian cultures where cherry blossoms are celebrated for their beauty and fleeting nature. In summary, the overall composition of this image is undeniably aimed at conveying a festive atmosphere, marked by the bright colors, intricate detailing, and the cultural significance that the ornaments and the tree may embody.
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На изображении, о котором идет речь, выставлены два праздничных украшения, которые висят, похоже, на дереве. При первом взгляде оба украшения в основном красного цвета и имеют золотые символы, нанесенные на их поверхности, что указывает на праздничный дизайн. Каждое украшение подвешено на красной нитке, которая прикреплена к небольшому золотому элементу в верхней части, придающему элегантный штрих общему эстетическому восприятию. Под каждым украшением находятся две дополнительные нитки, одна из которых содержит зеленый бисер, добавляющий дополнительный визуальный интерес, а также существует праздничная красная нитка с золотыми элементами. Это сочетание цветов и материалов дополняет декоративную тематику изображения. Сами украшения содержат текст с символами, которые не могут быть легко распознаны, что оставляет неясность в их значении. Это еще больше добавляет мистики и культурного богатства украшений, так как они могут представлять собой конкретные традиции или праздники. Фон, на котором выставлены украшения, представляет собой неясный красный задник, который не дает четкого представления о своей природе, но этот яркий цвет усиливает праздничное ощущение сцены. Украшения, кажется, висят на дереве, которое напоминает дерево цветущей вишни, характерное своими нежными розовыми цветами. Это сходство предполагает связь с культурными мотифами, часто ассоциируемыми с весенними праздниками, особенно в восточноазиатских культурах, где цветы вишни славятся своей красотой и мимолетностью. В заключение, общая композиция этого изображения безусловно направлена на передачу праздничной атмосферы, подчеркнутой яркими цветами, замысловатыми деталями и культурным значением, которое могут олицетворять украшения и дерево.
|
ru
| 25,907
|
|
['English', 'Chinese', 'Chinese']
|
['1kRRpTCRqKBd', '1oSLBjBVQZRA', '18gRwWpxh99z']
|
["This is a photo of what looks like an advertisement. There's Chinese characters, or what I believe to be Chinese characters, kind of littered throughout with 10% in the middle of the screen. There's a mannequin to the right with almost like black circles all over the mannequin. There's kind of a faded background. In the top left corner, there's what seems like Chinese characters, and then the website address, www.yc-tp.com. There's a phone number in the bottom right corner, 025588558. Of the Chinese characters, there's two in red kind of in the bottom left corner that are prominent, as well as two. As you can see, there's a lot of Chinese characters. There's a lot of Chinese characters. At the top of the kind of large lettering, there's three characters, an exclamation point, and a question mark. Yeah. Yeah.", 'The image contains some large text, and the words say: "Exclamation mark, question mark, the acceptance rate is less than 10%. All roads lead to Rome; why suffer after obtaining a bachelor\'s degree?" Below this, on the left side, there are large characters in a brushstroke font saying "中一" (Zhongyi), and on the right, it says "Master\'s and Doctoral in-service training class," followed by "Change your direction, study medicine, let life be different from now on." It also includes a consultation hotline: 02555885558. It looks like an advertisement for an in-service training class at Zhongyi. To the right of these large words, there is a human sculpture, and the different degrees of the person are highlighted. In the upper left corner, it says, "The journey to studying medicine will always be alongside you," along with the website wll.yc-tp.com. Overall, it appears to be in traditional Chinese characters.', 'At first glance, this image looks like an advertisement featuring a human model. The text above expresses astonishment that the acceptance rate for a master\'s in Traditional Chinese Medicine is very low, written in traditional Chinese characters. It includes a saying: "All roads lead to Rome, why cling to a bachelor\'s degree in Traditional Chinese Medicine?" This is likely written in a Taiwanese style. Additionally, there\'s a detail where the model\'s face may have many acupressure points drawn on it. The background isn\'t very clear, but the overall style is highly exaggerated, using bold colors like red and yellow to serve the purpose of an advertisement.']
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[True, False, False]
|
[nan, nan, nan]
|
This image appears to be an advertisement prominently displayed, featuring a combination of text and visuals aimed at promoting an educational program. Throughout the image, there are numerous Chinese characters, which indicate that the advertisement is directed towards a Chinese-speaking audience. One of the most notable elements is the prominently positioned figure displaying an apparent mannequin draped in what seems to be black circles, suggestive of acupressure points—an intriguing detail that adds an artistic flair while possibly indicating a connection to Traditional Chinese Medicine. In the center of the image, there’s a significant message indicating a ten percent acceptance rate, framed within the larger context of a call to action. The text reads, “The acceptance rate is less than 10%. All roads lead to Rome; why suffer after obtaining a bachelor’s degree?” This messaging evokes a sense of urgency and challenges the viewer's perception of success after completing undergraduate studies, particularly in the field of Traditional Chinese Medicine. The left side of the advertisement showcases large characters in a brushstroke font stating "中一" (Zhongyi), which refers to the educational institution or program. Next to this, on the right side, is the phrase "Master’s and Doctoral in-service training class," which addresses interested candidates directly and encourages them to consider a change in career direction towards studying medicine. The additional statement reads: "Change your direction, study medicine, let life be different from now on," showcasing the transformative experience offered by this educational initiative. In the upper left corner of the image, a reassuring slogan is present, stating, "The journey to studying medicine will always be alongside you," which conveys support for prospective students. Alongside the main text, there is a consultation hotline provided: 02555885558, reinforcing the accessibility of the program. The advertisement is complemented by a colored background, although it fades into the backdrop, which does not distract from the primary focus of the promotion. Overall, the advertisement employs a Taiwanese aesthetic with exaggerated, bold color choices, predominantly the vibrant reds and yellows. These choices serve to catch the eye and invite potential students into the world of Traditional Chinese Medicine training. The combination of imagery and textual elements creates an engaging and compelling advertisement that seeks to attract individuals to enroll in the specialized in-service training course.
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ఈ చిత్రం ఒక విద్యావంతమైన కార్యక్రమాన్ని ప్రమోట్ చేయడానికి రూపొందించిన బహిరంగ ప్రకటనగా కనిపిస్తోంది, ఇందులో పాఠ్యం మరియు విజువల్స్ యొక్క సమ్మిళిత భవిష్యత్తు ఉంది. చిత్రంలోని అనేక చెన్నులు ఉన్న ఆకారాలు ఈ ప్రకటన చైనీస్ మాట్లాడే ప్రేక్షకులను టార్గెట్ చేస్తుంది అని సూచిస్తాయి. విశేషంగా ప్రాముఖ్యత ఉన్న అంశం ఒక ప్రదర్శనగా కనిపించిన మానికను పంచగూడిన ముడ్డల లో కనిపిస్తుంది, ఇది ఆక్యూప్రెసర్ పాయింస్తో సంబంధాన్ని సూచిస్తుంది—ఒక కళాత్మక డిటైల్తో కూడిన ఆసక్తికరమైన విషయం, ఇది అస్తిత్వ చైనీస్ మెడిసిన్కు సంబంధించినదిగా ఉండవచ్చు. చిత్రమధ్యలో, ఒక ముఖ్యమైన సందేశం ఉంది, ఇది 10 శాతం అంగీకృత రేటును సూచించింది, ఇది చర్యకి పిలుపులో ఉండి ఉంది. పాఠ్యం ఇట్లాచే ఉంది, “అంగీకరణ రేటు 10% కన్నా తక్కువ ఉంది. అన్ని మార్గాలు రోమ్లోనే పోతాయి; బ్యాచిలర్ డిగ్రీ పొందిన తర్వాత ఎందుకు బాధపడాలా?” ఈ సందేశం అత్యవసరతను వ్యక్తం చేస్తుంది మరియు ప్రత్యేకంగా అస్తిత్వ చైనీస్ మెడిసిన్ చదువుకునే విద్యార్థుల పైన విజయ సూచనపై సవాల్ విసురుతుంది. ప్రకటన యొక్క ఎడమవైపున "中一" (Zhongyi) అని ఎనలవ్వగా ఉన్న పెద్ద అక్షరాలు ఉన్నాయని ప్రదర్శితం ఉంది, ఇది విద్యా సంస్థ లేదా కార్యక్రమాన్ని సూచిస్తుంది. దీని పార్శ్వం, కుడివైపు, "మాస్టర్స్ మరియు డాక్టరల్ ఇన్-సర్వీస్ శిక్షణ తరగతి" అనే వాక్యం ఉన్నది, ఇది ఆసక్తి ఉన్న అభ్యర్థులను నేరుగా ఉద్దేశిస్తూ మెడిసిన్ చదివేందుకు నడిపిస్తుంది. అదనపు ప్రకటన: "మీ దిశను మార్చండి, మెడిసిన్ చదవండి, మీ జీవితం ఇప్పుడు వేరుగా ఉండాలి," ఈ విద్యా కార్యక్రమం అందించే మార్పు అనుభవాన్ని ప్రదర్శిస్తుంది. చిత్రం యొక్క పై ఎడమ మూలలో, ఒక ఆందోళన చెందే దుఃఖం ఉండగా, "మెడిసిన్ చదవడం మీతో ఎప్పుడూ ఉంటుంది" అని తెలిపిస్తూ, భవిష్యత్తు విద్యార్థులకు మద్దతు అందిస్తుంది. ప్రాథమిక పాఠ్యంతో పాటు, 02555885558 రూపంలో ఒక సంప్రదింపు హాట్లైన్ అందించబడింది, ఇది కార్యక్రమం అందుబాటులో ఉందని బలపరుస్తుంది. ప్రకటనకు రంగు నేపథ్యం అనువర్తితమైంది, కానీ ఇది చూడబడే ప్రదాన దృష్టిని తప్పిస్తుందే కాదు. మొత్తానికి, ప్రకటన ఒక తైవాన్ కళా శైలిని ఉపయోగిస్తుంది, ఇది అతి పెద్ద, ధృవీకరించే రంగుల ఎంపికలతో కూడినది, ప్రత్యేకించి ప్రకాశవంతమైన ఎరుపు మరియు ముదురు పసుపు. ఈ ఎంపికలు కనువిందు చేస్తాయి మరియు భారతీయ విద్యార్థులను అస్తిత్వ చైనీస్ మెడిసిన్ శిక్షణలోకి ఆహ్వానిస్తాయి. చిత్రాలు మరియు పాఠ్య అంశాల సమ్మిళిత యోగం ఒక ఆకర్షణీయమైన మరియు ఆకర్షణీయ ప్రకటనను ఉత్పత్తి చేస్తుంది, ఇది ప్రత్యేక శిక్షణా కోర్సులో నమోదు చేసుకొనే వారి ప్రియతకి ఉల్లాసం చేస్తుంది.
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te
| 25,989
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['English', 'Chinese']
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['1hDpjHD8cxLo', '1btcpyCOe3Gp']
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[" We're looking at a street. The street has a yellow building on the right and then a white and yellow building and then an orange building, a tan building on the left. Each of these four buildings has a balcony on it except for the one in the back. The balconies have like a black fence around them and a door coming out of them. The street bends to the left around the edge that we can't see. The building on the right is orange and the steps coming out of it are made of concrete. The street is made of brick. There's a stop sign on the left. There's potted plants on the left balcony.", 'The entire image gives a strong sense of regional characteristics. The main subject of the photo features several buildings with cultural significance. The tallest of these buildings has a sloped design at the top, which resembles a bell tower. At the bottom of the image, the houses on the sides have different colors; the main building on the right is a shade of yellow, while the one on the left leans toward gray-white. The sky in the image appears to be a mix of blue and white, possibly with some clouds obstructing the view, which makes it look less bright. Overall, the image conveys a normal feeling, neither particularly vibrant nor overly dull.']
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[False, True]
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[nan, nan]
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We are observing a street scene characterized by a series of buildings that showcase a variety of colors and architectural styles. On the right side of the street, there stands a yellow building, notable for its prominent facade. Adjacent to it is a white and yellow building, followed by an orange building, creating a vibrant but harmonious color palette. On the left side of the street, there is a tan building, completing the view with a complementary hue. All of these buildings feature balconies, which are enclosed by black wrought-iron railings and provide access through doors that lead out from these spaces. However, the building situated at the back of the scene does not have a balcony. The street itself is paved with brick, adding an element of texture and historical charm to the environment. To the left of the scene, a stop sign is clearly visible, indicating a traffic regulation that contributes to the urban setting. Decorative potted plants on the left balcony enhance the aesthetic appeal and give life to the scene, presenting a touch of greenery against the architectural backdrop. The image as a whole conveys a strong sense of regional characteristics, indicative of the local culture and style of the area. Among the buildings, one stands out due to its taller stature and distinct sloped design at the top, resembling a bell tower, which is often associated with historical or civic architecture. The building color choices are diverse; the main building on the right features a warm yellow tone, while the building to the left adopts a gray-white appearance, further emphasizing the eclectic nature of the neighborhood. The sky above the street presents a blend of blue and white, likely reflecting the presence of a few clouds that diffuse the sunlight, resulting in a somewhat subdued brightness in the image. This contributes to an overall normalcy in the atmosphere, projecting neither vibrant intensity nor a dull mood, thus capturing a moment that feels familiar and relatable within the local context.
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మనం చూసే వీధి దృశ్యం, వివిధ రంగులు మరియు వాస్తుశిల్ప శైలులను చూపించే బిల్డింగ్ల సిరీతో ప్రత్యేకంగా ఉంది. వీధి కుడి వైపు, కాంతివంతమైన ముఖభాగం కలిగిన పసుపు గృహం ఉంది. దాని వెంట ఒక తెలుపు మరియు పసుపు గృహం, తర్వాత ఒక నర్ధన రంగు గృహం, వీటిని కలుపుతూ అనువైన రంగుల పటిష్టాన్ని సృష్టిస్తుంది. వీధి ఎడమ వైపు, ఒక పువ్వు రంగు గృహం ఉంది, ఈ దృశ్యాన్ని పూర్తివ్వడంలో సహాయపడుతుంది. ఈ అన్ని గృహాలు బల్కనీలను కలిగి ఉన్నాయి, ఇవి నలుపు కంచెలు ద్వారా తగిలించి ఉన్నాయి మరియు ఈ ప్రదేశాల నుండి వెళ్లే ఇళ్ల ద్వారా ప్రవేశాన్ని అందిస్తాయి. అయితే, దృశ్యంనే వెనుక భాగంలో ఉన్న గృహం బల్కనీ లేకుండా ఉంది. ఈ వీది ఎర్ర ఇసుకతో పావడు చేసి ఉంది, ఇది పరిసరానికి ఒక వాస్తవం మరియు చారిత్రక ఆకర్షణను జోడిస్తుంది. దృశ్యం ఎడమ వైపున, ఒక రోడ్డులో ఆగు సంకేతం స్పష్టంగా కనిపిస్తోంది, ఇది అటవీ నియమాలను గుర్తిస్తుంది మరియు పట్టణ పరిసరాన్ని పురస్కరించడానికి సహాయపడుతుంది. ఎడమ బల్కనీపై ఉండే అలంకరణ పుట్టగొడుగు పెరుగు చేసాయి, ఇది దృశ్యానికి ప్రభావాన్ని ఇచ్చి ఆకృతికి ఒక పూల అలంకరణను అందిస్తుంది. ఈ చిత్రంలో ప్రాంతీయ లక్షణాల ఘాటును స్పష్టంగా చాటుతుంది, ఇది ఈ ప్రాంతం యొక్క స్థానిక సంస్కృతి మరియు శైలిని సూచిస్తుంది. ఈ గృహాల మధ్య, ఒకటి ఎత్తైన ఆకారంతో మరియు పైకి ఒత్తుగా వంకర ఉన్న డిజైన్తో ప్రత్యేకంగా ఉంది, ఇది చీపురు గుడిసీకి అనునయించబడుతుంది, ఇది చారిత్రక లేదా పౌర వాస్తుశిల్పంతో తరచుగా సంబంధించి ఉంటుంది. గృహ రంగుల ఎంపికలు విభిన్నంగా ఉన్నాయి; కుడి వైపు ఉన్న ప్రధాన గృహం తాపన పసుపు శ్రేణిని కలిగి ఉండwhile, ఎడమ వైపు ఉన్న గృహం కొంత గ్రే-స్వైటుని అవతారం ఎత్తింది, తద్వారా ఈ సమీపం యొక్క విభిన్నతను మరింత వెల్లడిస్తుంది. మీదున్న ఆకాశం నీలం మరియు తెలుపు రంగుల మిశ్రమని ప్రదర్శిస్తుంది, ఇది కొంతమంది మేఘాల ఉనికిని ప్రతిబింబించవచ్చు, ఇవి సూర్యకాంతిని అంచనా వేస్తే, చిత్రంలో కొంత తగ్గిన ప్రకాశాన్ని చూపుతుంది. ఇది వాతావరణంలో సాధారణతను కలిగి ఉంచుతుంది, ఆనందాన్ని కూడా పుట్టించదు మరియు చిమ్ముతుంది, అందువల్ల స్థానిక సందర్భంలో అనుబంధితంగా మరియు పరిచయంగా భావించే ఒక క్షణాన్ని పట్టిస్తుంది.
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te
| 14,786
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['Spanish', 'English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['14owQY2Z716U', '1fE5gRNYudrf', '1m9EHFFBwPVH', '15TgVmXOmtMt', '16xYcUWFtqPR', '1aLOD3fj1gtP', '1fE3WkkYEZ6v']
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['This photo seems to be of a cake made... It’s hard to identify what kind. It looks like it could possibly be a tres leches cake. There’s a type of powder on top that makes it hard to see what it is. The border of the cake is brown. It seems that part of the cake can also be eaten. More towards the base of the cake appears to be a light brown. And it also seems to have some kind of... I mean... something a little yellow. But it could also be... like adobo. Or... it has a color like yellow-green. But... a cucumber. It looks like a cucumber. But I don’t know if it has... I don’t know of cakes that have cucumber.', " This image looks like it's some of an image of some sort of food like a dessert The image is taken from up top and so you can't really see the side of the food but It looks like you might be something with a bunch of sugar on it below is yellow that yellow could be custard It could be banana. It's not really clear and around it is some sort of darker crust like a brown crust And there's a bunch of sugar sprinkled on it, but that could also be coconut so it could be banana and coconut It could be custard and sugar And there's also some other stuff like some darker thing, but it's not can't really see what it is Looks like the shape of a peanut butter cup and the ridges on the end are like a peanut butter cup It could be some type of peanut butter cup with stuff on top of it And so the whole thing is on this like granite table and you can see light on the table like a streak of light and Looks like some sort of dessert of some sort of culture", " This is an image of a baked good. The baked good is circular and it is in some sort of sleeve, so it is likely a muffin. And the pastry is white with some sort of either brown or bluish ingredient mixed throughout the batter. So it could be some sort of blueberry muffin or chocolate chip muffin. There is a significant amount of either flour or powdered granulated sugar that is scattered on top of the pastry as well. And the pastry sleeve is just visible all around the circumference of the muffin. And that's the pastry sleeve. And then the pastry sleeve is the pastry sleeve. And then the pastry sleeve is the pastry sleeve. And then the pastry sleeve is the pastry sleeve is some sort of deep orange or brown color. And in the background of the image, you can see what looks to be a black stovetop, so likely where the muffin had just been baked in.", " this looks like a picture of a food the angle is from the top so it's hard to see the sides of the food i'm not really sure what it is but on the outside it looks like there's some sort of like crust or wrapper um that's brown and ridged so there's like little ridges maybe it looks like the top of a of a cupcake liner um but i'm not really sure if it's like some sort of crust just like some sort of paper holding the dish and then on the inside it looks like it's this yellowish batter type or yellowish type food like the yellow is kind of like the yellow of a batter like a cookie batter and then there's this white powder on top and then it looks like there's some sort of topping inside of it um you can't really tell what it is but it yeah you can definitely just see like the white powder on top it's all over but you can see the underneath the colors that are coming through. And it's a choppy, wavy sort of texture, it seems. And it's on a black table or a black surface. You don't really see much outside of this pastry or this food in the middle.", "In this picture, I see what appears to be a tower-like object against a black background. This tower-like object has many electric damages or things that look like a paste or something that should be edible, but it's hard to identify. There is a brown shell, but in the middle, it looks like a surface or some sticky substance sprinkled with cheese, displayed like that. I'm not sure what kind of food it is; it might need more context to identify it.", "The image appears to show a baking cake batter that's sprinkled with flour. There is only one cake, or possibly a pastry, that occupies the entire frame and looks like it's placed on a black table. On the table, the reflection of a light can be seen, suggesting that this black table is likely in a bright kitchen. The cake seems to be in an unbaked state because what is on top looks like flour or powdered sugar. Additionally, the cake likely contains nuts or cranberries. The overall size of the cake cannot be judged due to the lack of reference points. It's also noticeable that there's a small crack on the table, indicating that it might be an older table, not a new one. The cake is yellow, and the filling of nuts or cranberries cannot be clearly distinguished because of the layer of powdered sugar or flour, but it should be a brownish color. The flour or powdered sugar, of course, is white. Essentially, this image conveys all this information.", 'The image depicts a dish of food that appears to be a roasted item. You can see that on the edge of the food, it has a dark brown color, while the main body of the food has a yellowish tint. There are also some additional ingredients mixed in, which might include something like mushrooms. This is just my guess. On top, there is a layer of a white powdery substance, possibly grated coconut or powdered sugar. The entire dish is round in shape and seems to be quite large in size. The food is centered in the middle of the photo, and the background features a black table. To the right, there’s a shiny horizontal area that I’m unsure about, possibly created by the overhead lighting reflecting on the table. The angle of the shot is from above, looking down on the food.']
|
[False, False, False, False, False, False, False]
|
[nan, nan, nan, nan, nan, nan, nan]
|
This photo showcases a cake that is somewhat difficult to identify. The cake bears similarities to a tres leches cake, a popular Latin American dessert known for its moist texture, soaked in three types of milk. On top of the cake, there is a dusting of a powdery substance that obscures the detailed appearance of the cake, making it challenging to determine its exact nature. The edges of the cake are brown, which may suggest a baked crust. Towards the base, the cake exhibits a lighter brown hue, possibly hinting at a sponge or buttery layer. Additionally, there are hints of a yellowish component visible, which raises speculation. It might resemble adobo, a seasoning common in Latin cooking, or it could evoke the color of cucumbers, which adds to the confusion, as cakes typically do not feature cucumbers as an ingredient. The next image appears to depict an assorted dessert. Shot from a top-down perspective, the sides of the dish remain obscured. The dessert has a predominant layer that is sugared, possibly indicating it has a significant amount of sugar on its surface. Below this, there is a yellow layer which might consist of custard, banana, or possibly something different altogether. Surrounding this yellow layer is a darker brown crust, which could either be a buttery layer or a type of cookie crust. The sugar sprinkling on top could also be coconut, indicating a tropical influence, hinting that the dessert might be a combination of banana and coconut or custard with sugar. Intriguingly, there are additional textures reminiscent of a peanut butter cup, complete with ridges, suggesting an elaborate dessert or confection. The dessert is positioned on a granite table, with the interplay of light accentuating the surface and the dessert itself. In another photo, there is a baked good—likely a muffin—encased in a sleeve, indicative of its ready-to-eat status. The muffin is white, with a possibility of brown or bluish notes within the batter, raising prospects for it being blueberry or chocolate chip flavored. A generous sprinkling of flour or powdered sugar enhances its appearance, suggesting it may have just been baked. The muffin sleeve is visible encircling the pastry, which has a striking deep orange or brown shade. This image also features a black stovetop in the background, adding to the setting of either a freshly baked or still-warm muffin. A different image captures another food item, viewed from a top-down angle, with a brown ridged exterior that could resemble a cupcake liner or a crust designed to hold the dish. The inner filling presents a yellowish batter-like texture, potentially corresponding to cookie or cake batter. On the surface, a blanket of white powder covers the dessert, though additional toppings are somewhat indiscernible yet contribute to the textural appeal. The overall presentation is set against a black surface, emphasizing the focus on the pastry itself more than any background elements. The next visual representation features what seems to be a tower-like food structure set against a contrasting black backdrop. The details are somewhat obscured, as there are electric damage-like impressions or paste-like substances present, possibly intended for garnish or decoration. The brown shell encasing the item encapsulates a sticky surface that garners interest due to its sprinkling of cheese, yet its specific identity remains vague without further context. Additionally, there is an image showcasing what appears to be cake batter prepared for baking, topped with a light dusting of flour. This single cake fills the image space and is seemingly positioned on a black surface. Reflections of overhead light reveal the likelihood of being in a bright kitchen environment. The batter is likely in its unbaked state and consists of nuts or cranberries, though the layer of powdered sugar or flour obscures distinguishing features. The overall visual representation reveals a large cake, though without reference points, its size remains undetermined. A notable crack on the table indicates the age of the surface, which adds a layer of character to the scene. The cake exhibits a yellowish hue, while the toppings potentially leach brownish colors into the otherwise white powdery topping. Lastly, the image portrays a round dish of roasted food featuring a dark brown outer color encasing a yellowish body. Speculation arises regarding additional ingredients, such as mushrooms, indicating some culinary complexity. A layer of white powdery substance, possibly grated coconut or powdered sugar, serves as a topping to complement the dish. This sizable round food item is centered in the photograph, sitting on a black table, with an adjacent shiny area in the background that might be reflecting light, thus enriching the visual appeal of the overall presentation. The overhead angle provides a clear view of the food item, inviting curiosity about its contents and origins.
|
이 사진은 식별하기 어려운 케이크를 보여줍니다. 이 케이크는 세 가지 종류의 우유에 적셔져 있는 촉촉한 질감으로 유명한 라틴 아메리카 디저트인 트레스 레체스 케이크와 유사합니다. 케이크 위에는 자세한 외관을 가리는 가루 물질이 뿌려져 있어 정확한 성질을 결정하기 어렵게 만듭니다. 케이크의 가장자리는 갈색을 띠고 있어 구운 크러스트를 암시하는 것일 수 있습니다. 하단 쪽은 더 밝은 갈색을 띠고 있어 스폰지 또는 버터리 레이어일 가능성을 암시합니다. 또한, 약간의 노란색 성분이 보이는데, 이는 추측을 불러일으킵니다. 아도보와 같은 라틴 요리에 흔히 사용되는 조미료일 수도 있고, 오이의 색상을 연상시켜 혼란을 더합니다. 그러나 케이크에는 일반적으로 오이가 재료로 사용되지 않습니다. 다음 이미지는 다양한 디저트를 나타내는 것처럼 보입니다. 위에서 바라본 시점으로 촬영되어 접시의 측면은 가려져 있습니다. 디저트의 주된 층은 설탕으로 덮여 있어 표면에 상당한 양의 설탕이 있음을 나타낼 수 있습니다. 이 아래에는 커스터드, 바나나 또는 다른 무엇인지 모를 노란색 층이 있습니다. 이 노란색 층은 더 어두운 갈색의 크러스트로 둘러싸여 있으며, 이는 버터리 레이어 또는 쿠키 크러스트일 수 있습니다. 그 위의 설탕 뿌리기는 코코넛일 수도 있어 열대의 영향을 암시하며, 디저트가 바나나와 코코넛 또는 설탕이 들어간 커스터드 조합일 수 있음을 시사합니다. 흥미롭게도, 땅콩버터 컵을 연상시키는 추가적인 질감이 있으며, 주름이 있어 정교한 디저트 또는 과자를 암시합니다. 이 디저트는 화강암 테이블 위에 위치해 있으며, 빛의 상호 작용이 표면과 디저트를 강조합니다. 또 다른 사진에는 아마도 머핀인 구운 음식이 포장에 싸여 있어 즉시 먹을 수 있는 상태임을 나타냅니다. 머핀은 흰색이며, 반죽 안에 갈색 또는 푸른 색조가 있을 가능성이 있어 블루베리 또는 초코칩 맛일 가능성을 높입니다. 넉넉한 양의 밀가루 또는 파우더 슈가가 뿌려져 있어 갓 구워진 것임을 암시합니다. 머핀 포장이 페이스트리에 둘러싸여 있으며, 눈에 띄는 깊은 주황색 또는 갈색 음영을 띠고 있습니다. 이 이미지에는 배경에 검은색 레인지가 있어 갓 구워진 또는 여전히 따뜻한 머핀의 배경을 더합니다. 다른 이미지는 또 다른 음식 항목을 위에서 아래로 바라본 각도로 포착하고 있으며, 갈색 주름이 있는 외관이 컵케이크 라이너나 요리를 담기 위해 설계된 크러스트를 연상시킬 수 있습니다. 내부 속은 노란색 반죽 같은 질감을 가지고 있으며, 이는 쿠키 또는 케이크 반죽일 가능성이 있습니다. 표면에는 하얀 가루로 덮여 있으며 추가 토핑은 다소 식별하기 어렵지만 질감의 매력을 더합니다. 전반적인 프레젠테이션은 검은 표면을 배경으로 설정되어 있어 페이스트리 자체에 더 집중할 수 있게 합니다. 다음 시각적 표현은 대비되는 검은 배경에 세워진 탑처럼 보이는 음식 구조를 특징으로 합니다. 세부 사항은 약간 흐릿하며 전기 손상과 같은 자국이나 장식용으로 보이는 반죽 같은 물질이 존재합니다. 갈색 껍질로 둘러싸인 항목은 흥미로운 치즈 뿌리기를 참고할 수 있지만 특정 정체는 추가적인 맥락 없이 모호합니다. 또한, 구워질 준비가 된 케이크 반죽이 담긴 이미지를 보여줍니다. 표면에는 가벼운 밀가루가 뿌려져 있습니다. 이 단일 케이크는 이미지 공간을 채우며 검은 표면 위에 위치해 있는 것으로 보입니다. 위쪽의 빛 반사는 밝은 주방 환경에 있을 가능성을 보여줍니다. 반죽은 아마도 구워지지 않은 상태로, 견과류나 크랜베리를 포함하고 있지만 가루 설탕이나 밀가루 층이 식별 가능한 특징을 가립니다. 전체적으로 큰 케이크가 드러나지만, 기준점이 없기 때문에 크기는 불확실합니다. 테이블 위의 뚜렷한 균열은 표면의 나이를 나타내어 장면에 개성을 더합니다. 케이크는 노란색을 띠며, 토핑은 그렇지 않으면 흰색의 가루 토핑에 갈색을 스며들게 할 수 있습니다. 마지막으로, 사진은 어두운 갈색 외부 색상이 노란색 몸체를 감싸고 있는 구운 음식의 둥근 접시를 보여줍니다. 추가 재료에 대한 추측이 일어나고 있으며, 이는 요리의 복잡성을 나타내는 버섯 등의 포함을 시사합니다. 흰색 가루 같은 물질은 구운 음식의 토핑으로 제공됩니다. 이 대형 둥근 음식 항목은 사진 중앙에 위치하며, 검은 테이블 위에 놓여 있습니다. 배경에는 빛을 반사할 수 있는 광택이 나는 영역이 있어 전체 프레젠테이션의 시각적 매력을 풍부하게 합니다. 위에서 비추는 각도는 음식 항목을 명확히 보여 주며 그 내용물과 기원에 대한 호기심을 불러일으킵니다.
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ko
| 10,711
|
|
['English', 'Chinese']
|
['1lyr1kjmzcXb', '1efwh6l6n9cG']
|
["This image seems to be what someone might post on Instagram in 2016 or around 10 years ago. In the background is some sort of design that is a white wall with the red butterflies on it. And there is a girl who's posing for this picture. Her eyes are closed and she's smiling and she's holding out cotton candy that's white. It takes up most of the image. She's wearing a blue jacket, it seems like. And she seems very happy in this image because of the cotton candy. She has black hair or brown hair. And she seems to be wearing some sort of light colored shirt or blouse. As well.", 'This picture is of a woman with black hair, her eyes closed, wearing a blue jacket with a white shirt underneath. She is holding a relatively large white cotton candy. Behind her is a white wooden backdrop or wall decorated with some butterflies or rounded patterns in red and dark red. The light source seems to be on her right side, creating some shadows in her left rear. This is just a half-body shot, and the woman appears to be closing her eyes, possibly posing for a photo or engaged in some related activity.']
|
[True, False]
|
[nan, nan]
|
The image captures a moment reminiscent of typical Instagram posts from around 2016, showcasing a young woman enjoying a whimsical treat. She stands against a background that features a white wooden wall embellished with decorative red butterflies and rounded patterns in varying shades of red, creating a visually striking backdrop. This intricate design adds an artistic flair to the composition. The woman in the photo is portrayed with her eyes gently closed, as a smile graces her face, exuding a sense of happiness and delight. She is engaging with the camera, possibly posing for the photograph or savoring a joyful moment. She holds out a large, fluffy piece of white cotton candy, which dominates the foreground of the image and serves as a symbol of carefree joy and childhood innocence. The cotton candy, being white, contrasts against the vibrant backdrop, drawing the viewer's eye. She is dressed in a blue jacket, which seems to be the outer layer over her light-colored shirt or blouse that subtly peeks out beneath. Her hair appears to be either black or dark brown, contributing to her overall youthful appearance. The photograph is captured from the waist up, offering a half-body view of her, and the lighting source comes from her right side. This creates gentle shadows on her left side, adding depth to her figure and enhancing the three-dimensional quality of the image. The woman’s expression and the whimsical nature of the cotton candy together evoke emotions related to joy and spontaneity, making the photograph a relatable slice of youthful exuberance.
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이 이미지는 2016년경의 전형적인 인스타그램 게시물을 떠올리게 하는 순간을 포착하고 있으며, 한 젊은 여성이 기분 좋은 간식을 즐기고 있는 모습을 담고 있습니다. 그녀는 빨간색 나비와 다양한 붉은 색조의 둥글한 패턴으로 장식된 흰색 나무 벽을 배경으로 서 있는데, 이는 시각적으로 인상적인 배경을 만들어냅니다. 이 복잡한 디자인은 구성에 예술적인 매력을 더합니다. 사진 속 여성은 눈을 가볍게 감고 미소를 띤 모습으로, 행복과 즐거움을 발산하고 있습니다. 그녀는 카메라와 교감을 나누고 있으며, 사진을 포즈를 취하고 있거나 기쁜 순간을 만끽하고 있는 것으로 보입니다. 그녀는 큰 화이트 솜사탕을 들고 있는데, 이는 이미지의 전경을 차지하며 자유롭고 순수한 즐거움의 상징이 됩니다. 하얀 솜사탕은 생동감 넘치는 배경과 대조를 이루며 관객의 시선을 끌어당깁니다. 그녀는 파란색 재킷을 입고 있는데, 이는 옅은 색의 셔츠나 블라우스 위에 착용한 겉옷으로, 조금 보입니다. 그녀의 머리는 검정색이나 짙은 갈색으로 보여 젊은 인상을 더합니다. 사진은 허리 위쪽에서 촬영되어 반신 모습을 보여주며, 조명은 그녀의 오른쪽 쪽에서 비추어 부드러운 그림자를 왼쪽에 만들어내어 입체감을 더합니다. 여성이 지닌 표정과 솜사탕의 기발한 특성은 기쁨과 자발성과 관련된 감정을 불러일으키며, 이 사진은 젊은 활기찬 순간을 공감할 수 있는 한 조각으로 만들어 줍니다.
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ko
| 20,939
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['18J5Q3OI6WWE', '1gH8c87CzxIx', '1nLeAUqCbAG8', '1JdqiX8AeRyN', '1iJePrxya9cw', '1Yv7gyNeNa97']
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[" In this photo we see a pair, one pair of shoes. It's clearly of a shoe with a lot of pink in it, so that's the main object that we notice. So we see one shoe, one, yeah, a single shoe. And in terms of text we see the company logo on the bottom left of the image of the shoe, Li Ning. And also we see the possible website that this photo was taken from in the bottom right, and it says YW. And I can't make out the exact website written under that, but we see a dot com under it, so it gives the website of where the photo was perhaps taken from. So yes, we see a single shoe pretty much taking up most of the image, including the center. And in the background we don't really see anything. Okay. It's just white, mainly. We don't see too many details. I think mainly we would just notice that the shoe is pink, which is usually a bit of an perhaps an odd color to have on shoes, and also the purple on top of that. So yes, that also kind of answers what the style and colors are. In terms of contextual information, it's pretty clear that we're dealing with a shoe here, and perhaps we would assume that based on the name of the shoe, Li Ning, that it's a Chinese brand based on how it sounds. So that's probably the only thing we could also maybe infer from the image to possibly identify the company and location that made this shoe.", ' This is a photograph of a sneaker period. It appears to be a promotional photograph, possibly in a magazine or in a store period. The sneaker is made by a brand named Li Nin Five period. It has a pink sole and a gray and white top period. The background is gray, indicating that the photograph has been taken professionally for sales purposes period. There are the initials of YW in a stylized script at the right lower corner of the photograph that likely correspond to the brand for this footwear period.', " This is the picture of a shoe. It looks like an athletic shoe. The sole is pink and it has the words L-I-N-I-N-G. Leaning maybe? The very bottom of the shoe is a navy blue or maybe dark purple and it's got like little like rows on the very bottom probably for traction and the upper looks like some sort of shiny material so maybe a synthetic or a leather and there is a pink emblem on the side and the very top of the shoe is white colored above the gray shiny part and there's so there are four rows of four holes wide of like ventilation holes it looks like and in the bottom right corner we have two letters Y and W and the Y is in red.", 'This photo is a detailed shot of a pair of Li Ning sports shoes, showing only one shoe\'s side. The shoe looks like it is made of very good material. The main color is white on the front, with gray on the sides, and the gray has the Li Ning logo outlined in purple. The side of the shoe\'s sole is entirely pink, featuring the name of the brand, "Li Ning," written on it. The sole is deep purple, and there is also a white Li Ning logo in the middle of the sole. The shoe looks very warm and has several ventilation holes on the sides for breathability. The background of the photo is a light gray color, with some shadows beneath the shoe, making it appear to be a commercial photo specifically taken for this shoe.', 'This is a product photo of a pair of sports shoes, showcasing a grey, white, pink, purple, and black design. The upper part of the shoe is primarily grey, but near the middle, it features white. The white section is bordered with a purple trim. On the side of the shoe, there is a long pink design, which also has a purple border. The sole is pink and purple, with a touch of black. The background of the photo is grey, and you can see the reflection of the shoes on the grey surface. At the bottom of the shoes, the English letters "Li Ning" are written, indicating that these shoes are from the Li Ning brand. In the lower right corner on the left side, there are two English letters, "YW."', 'This is a pair of shoes, the sole is pink, with the Li Ning logo on it, and the upper part is gray with some white. This shoe is a sports shoe, and the Li Ning brand also has a number called YW inside it. The Li Ning brand has the number YW inside it. The Li Ning brand also has the number YW inside it.']
|
[False, False, False, False, False, False]
|
['No.', nan, nan, nan, nan, nan]
|
In this collection of photographs, we encounter an athletic shoe produced by the Li Ning brand, which is recognized as a prominent Chinese sportswear label. The focal point of each image is a single sneaker, characterized by a vibrant color palette that predominantly features pink. The shoe's sole stands out with its bold pink hue, while the upper part of the sneaker is designed in shades of gray and white, complemented by purple accents. The photographs suggest that the shoe is likely intended for promotional purposes, as evidenced by the professional quality and the subtle background that often appears in a light gray tone. This grey backdrop serves to enhance the shoe's colors and creates a clean, appealing aesthetic suitable for advertising, whether in magazines or retail settings. One notable detail is the Li Ning logo prominently displayed on the side and on the sole of the shoe, cleverly outlined in purple, which helps to establish the brand’s identity. The shoe features a shiny material that likely comprises synthetic fibers or leather, adding sophistication to its overall appearance. Additionally, several ventilation holes are integrated into the design, which boosts breathability and enhances comfort for athletic activities. In the bottom right corner of the images, there are initials "YW," presented in a stylized script. While the exact significance of "YW" isn't explicitly outlined in the captions, it seems closely associated with the sneaker, potentially representing a product line or a specific design attribute within the Li Ning brand. The utilitarian aspect of the shoe is further marked by a series of rows on the underside, designed to provide traction, an essential feature for sports shoes. One description notes a harmonious blend of colors including not only the highlighted pink but also gray, white, and dark purple, indicating careful consideration of visual appeal alongside functionality. Overall, the combination of these elements reflects Li Ning's commitment to producing quality athletic footwear that is both stylish and practical for sports enthusiasts.
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इस तस्वीरों के संग्रह में, हम एक एथलेटिक जूते का सामना करते हैं जिसे ली निंग ब्रांड द्वारा बनाया गया है, जो एक प्रमुख चीनी खेल परिधान लेबल के रूप में पहचाना जाता है। प्रत्येक छवि का केंद्र बिंदु एक अकेला स्नीकर्स है, जो एक जीवंत रंग योजना से विशेषता प्राप्त करता है, जिसमें मुख्य रूप से गुलाबी रंग शामिल है। जूते का तल Bold गुलाबी रंग में है, जबकि स्नीकर्स का ऊपरी भाग ग्रे और सफेद रंग के शेड में डिज़ाइन किया गया है, जिसमें बैंगनी रंग के एक्सेंट हैं। फोटोग्राफ सुझाव देते हैं कि जूता संभवतः प्रचारात्मक उद्देश्यों के लिए बनाया गया है, जैसा कि पेशेवर गुणवत्ता और हल्के ग्रे रंग की पृष्ठभूमि में दिखाई देता है। यह ग्रे बैकड्रॉप जूते के रंगों को बढ़ाने में मदद करता है और एक साफ, आकर्षक सौंदर्य बनाता है जो विज्ञापन के लिए उपयुक्त है, चाहे वह पत्रिकाओं में हो या खुदरा सेटिंग में। एक महत्वपूर्ण विवरण ली निंग का लोगो है जो जूते के साइड और तल पर प्रकट होता है, जिसे बैंगनी रंग में कुशलता से आउटलाइन किया गया है, जो ब्रांड की पहचान को स्थापित करने में मदद करता है। जूते में एक चमकदार सामग्री होती है जो संभवतः सिंथेटिक फाइबर या लेदर से बनी होती है, जिससे इसके समग्र स्वरूप में sophistication आती है। इसके अलावा, डिजाइन में कई वेंटिलेशन होल्स शामिल हैं, जो ऑक्सीजन को बढ़ाने और एथलेटिक गतिविधियों के लिए आराम बढ़ाने में सहायक हैं। तस्वीरों के निचले दाएं कोने में, "YW" के प्रारंभिक अक्षर एक शैलीबद्ध लिपि में प्रस्तुत किए गए हैं। जबकि "YW" का ठीक-ठीक अर्थ कैप्शनों में स्पष्ट रूप से नहीं बताया गया है, यह स्नीकर्स के साथ निकटता से जुड़ा लगता है, संभवतः एक उत्पाद लाइन या ली निंग ब्रांड के भीतर एक विशिष्ट डिज़ाइन विशेषता का प्रतिनिधित्व करता है। जूते का उपयोगिता पहलू इसके नीचे एक पंक्ति की श्रृंखला से और भी स्पष्ट होता है, जिसे ट्रैक्शन प्रदान करने के लिए डिज़ाइन किया गया है, जो खेल के जूतों के लिए एक आवश्यक फीचर है। एक विवरण रंगों के सामंजस्यपूर्ण मिश्रण को नोट करता है, जिसमें न केवल प्रमुख गुलाबी बल्कि ग्रे, सफेद और गहरे बैंगनी रंग भी शामिल हैं, जो दृश्य अपील के साथ-साथ कार्यक्षमता का ध्यानपूर्वक विचार दर्शाते हैं। कुल मिलाकर, इन तत्वों का संयोजन ली निंग की गुणवत्ता वाले एथलेटिक फुटवियर का उत्पादन करने की प्रतिबद्धता को दर्शाता है, जो खेल उत्साही लोगों के लिए स्टाइलिश और व्यावहारिक दोनों है।
|
hi
| 1,743
|
|
['English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['130fIBf29iXv', '186cL0PnsJI6', '17xiFj2xqVsQ', '13bDhQyGyqMi', '1cF7tgPgKL8C']
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[" So someone took a photo of, well I think this is like Vietnamese pho. Man, it looks really good. So there's this black tray, and in this black tray, to the left of the pho bowl is like a napkin with two forks, a soup spoon, and a pair of chopsticks still in the plastic wrapping. Next to the chopsticks, it seems to be that there's some chili oil, no doubt to be placed inside the pho. The pho bowl is white with sort of blue, with an intricate blue flower design around it. In the pho bowl, we can see that it's a brown broth with lots of green onions and cilantro and other types of greens. I can see some radish near the bottom of the bowl, and then thin slices of beef slash meat. You can kind of barely see the noodles poking out of the broth as well. Kind of coming out of the corner, you can see that there's like, a receipt, and that some of the broth from the pho has dripped onto the seat as well. Apart from the tray, you can see that the table that they're on is like brown, so it's probably made out of wood.", " So this image shows a bowl of soup containing sliced meat, vegetables, and broth, served on a tray with utensils and condiments. We see one large bowl of soup with sliced beef, chopped scallions, and parsley radish, one set of disposable utensils, a small sauce container, and a tray serving the meal. The bowl is centrally positioned on the tray. The spoons, chopsticks, and napkins are neatly placed to the left of the bowl. The small sauce container is positioned at the top left corner of the tray. The broth is clear, indicating a possibly slow-cooked stock, and the blue and white pattern both suggest that it's a traditional dish. The utensils are disposable, indicating that this could be from a casual dining place or food court. The tray holds the meals on the table, but the background is mostly cropped out. This setting appears to be a food court or casual dining area. We see in regards to the color, the blue and white are the ingredients for the meal. The bowl is a blue and white bowl, which has a traditional, analogous design. The food consists of natural colors, like brownish for the beef, green for the scallions, and clear for the broth. The tray and utensils are neutral colors as well, keeping focus on the dish. Given the disposable utensils, this is probably from a food court or casual eatery. The dish looks freshly prepared, likely from a restaurant specializing in beef soup or noodle dishes. The meal also looks like it's prepared.", 'In this image, we can see a bowl of beef rice noodles or beef noodles. First, it is served in a porcelain bowl with many beautiful floral patterns along the rim. Additionally, this beef noodle dish contains some radishes and plenty of chopped green onions. From the cutlery on the left, it can be seen that there are two plastic forks, a straw, and a pair of disposable chopsticks. On top, there is a very small dish of dipping sauce, which should be chili. Beneath this beef noodle dish, there is a plate, indicating that this setting is likely from a restaurant where one might be dining at a Vietnamese pho shop.', 'The transcription shows a bowl of beef soup, which could also be lamb soup. The meat is cooked very tenderly, and there are some chopped green onions sprinkled on top. The green onions are the small variety found in southern China. You can also see some half-moon shaped slices of white radish in the soup. This soup should be very delicious, possibly a radish and lamb soup. This bowl is meant for one person to eat. On the left, there is a spoon, two forks, a pair of disposable chopsticks, and a small dish for condiments. The two forks might be for foreign diners, suggesting this place is likely not in China, as forks are not typically provided there. The bowl is served on a black square plate that holds everything, and in the lower right corner, you can see a shopping receipt, indicating that this dish is served to a customer in a restaurant.', 'At first glance, this image appears to be related to food. Upon closer inspection, you will find that it features a plate with a bowl of noodles. The noodles are served in a ceramic bowl decorated with blue and white floral patterns, adorned with many floral designs. Inside this bowl, there is a serving of fried noodles, which my wife has mentioned, primarily consisting of blue table beef noodles. The noodles are topped with plenty of beef, along with many other ingredients like thin green onions, yellow noodles, and white radishes, accompanied by clear broth. Surrounding the bowl are disposable utensils: a white spoon, a white fork, and a napkin, along with chili oil and wooden chopsticks. There are no words present in the image.']
|
[True, False, False, True, False]
|
['This is a photo of pho', nan, nan, nan, nan]
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So, the image depicts a beautifully arranged meal centered around a bowl of Vietnamese pho, a popular noodle soup dish known for its rich flavors and fragrant broth. The pho bowl itself is porcelain, featuring an intricate design in blue and white which highlights traditional Asian aesthetics. To the left of the bowl, the arrangement includes a disposable napkin, two plastic forks, a soup spoon, and a set of wooden chopsticks, all still wrapped in plastic, suggesting the meal is designed for casual dining or takeout. The pho bowl is filled with a deep brown broth that has a glossy sheen, indicative of a slow-cooked stock. Within this warm broth, there are vibrant green onions, fresh cilantro, and other herbs that contribute color and freshness to the dish. Near the bottom of the bowl, there are pieces of white radish which add a subtle crunch, and thinly sliced pieces of beef that float delicately through the soup. The noodles, typically rice noodles in pho, are slightly visible from the edge of the bowl, adding layers of texture to the dish. Next to the bowl, there is a small container of chili oil, likely intended to introduce a spicy kick to the already flavorful pho, allowing diners to customize their experience. The meal is presented on a black square tray, which adds a modern touch to the overall presentation and contrasts nicely with the colorful food. Additionally, a receipt is partially visible, hinting that this dining experience took place at a casual eatery, possibly a food court, where Vietnamese cuisine is served. The dining table itself has a wood finish, creating a warm atmosphere reflecting everyday dining in such establishments. Overall, the combination of ingredients, design elements of the bowl, and the setting suggests that this meal is not only a culinary delight but also rich in cultural significance, representing the heart of Vietnamese cuisine in a setting that is accessible and inviting to diners from various backgrounds.
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这个图片描绘了一顿精美的餐点，中心是一碗越南牛肉河粉，这是一道因其丰富的风味和香气四溢的高汤而闻名的受欢迎的面条汤。河粉碗本身是瓷制的，上面有复杂的蓝白设计，突显出传统的亚洲美学。在碗的左侧，摆放着一张一次性餐巾、两个塑料叉、一把汤匙和一套餐具，上面的筷子仍然包裹在塑料里，暗示这顿饭是为休闲用餐或外卖而设计的。 河粉碗中盛着深棕色的高汤，表面有光泽，显示出经过长时间炖煮的汤底。在这温热的高汤中，有鲜绿的葱花、新鲜的香菜和其他草药，为这道菜增添了色彩和新鲜感。在碗的底部，有几块白萝卜，增加了微妙的脆感，薄片的牛肉轻轻漂浮在汤中。河粉通常是米粉，从碗的边缘稍微可见，为菜肴增加了层次感。 碗旁边有一个小瓶的辣椒油，可能是用来为已经风味丰富的河粉增加一丝辣味，让食客可以根据自己的口味进行调配。整顿餐食呈现在一个黑色方形托盘上，为整体呈现增添了现代感，与色彩丰富的食物形成了美丽的对比。 此外，一张收据部分可见，暗示这次用餐是在一家休闲餐馆进行的，可能是一个食品广场，供应越南美食。用餐桌本身是木质表面，营造了一种温暖的氛围，反映出这种餐馆日常用餐的特点。 总体而言，食材的组合、碗的设计元素以及用餐环境暗示这顿饭不仅是一种美食享受，还富有文化意义，代表了越南料理的精髓，营造出一个让来自不同背景的食客都能轻松享受的环境。
|
zh-cn
| 3,193
|
|
['Korean']
|
['19QdC925Ke2q']
|
['The next photo shows 10 dresses for women. It looks like 10 separate photos were taken and edited into one image. So, there are 5 photos on top and 5 photos on the bottom. They are all the same size. The first, second, fourth, fifth, sixth, seventh, eighth, and tenth outfits are on mannequins, while the third and ninth are worn by a female model. They all seem to be one-piece dresses. In some photos, the dresses with belts are the fourth, third, fifth, eighth, and ninth, while there are no others. Overall, they are quite fancy, and each style has distinctive features along with different backgrounds. Everything is different.']
|
[False]
|
[nan]
|
The next image presents a collage showcasing ten distinct women's dresses. It appears that ten individual photographs have been meticulously captured and then merged into a single composite image. The arrangement consists of two rows, with five photos positioned in the upper row and five in the lower row. All of these images are uniformly sized, creating a neat and organized presentation. Among these dresses, the majority—specifically the first, second, fourth, fifth, sixth, seventh, eighth, and tenth—are displayed on mannequins, which typically serve the purpose of exhibiting clothing in a visually appealing manner. This allows viewers to appreciate the garments as they would appear on a body. In contrast, the third and ninth dresses are modeled by a female model, providing a human element that helps to convey how the dresses fit and move. Each of the dresses is designed as a one-piece garment, which generally combines both the top and bottom into a single article of clothing, a popular choice in women’s fashion for ease and style. Notably, several of the dresses feature belts that accentuate the waist, specifically the fourth, third, fifth, eighth, and ninth outfits. This detail adds an element of sophistication and can help to enhance the overall silhouette. The dresses have a fancy aesthetic, which suggests they may be suitable for special occasions or upscale events. Each dress presents unique styles and characteristics, with distinct designs that highlight a variety of fashion influences. Additionally, the backgrounds behind each dress differ, enhancing the individuality of each presentation and providing context, which may include varied settings that complement the attire, thereby enriching the visual appeal of the entire image. Overall, the composition emphasizes diversity in fashion, showcasing a wide range of styles and features through the dresses depicted.
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اگلی تصویر ایک کولاژ پیش کرتی ہے جس میں دس مختلف عورتوں کے لباس دکھائے گئے ہیں۔ ایسا لگتا ہے کہ دس الگ الگ تصاویر کو بہت احتیاط سے پکڑا گیا ہے اور پھر ایک واحد مرکب تصویر میں ضم کیا گیا ہے۔ یہ ترتیب دو قطاروں پر مشتمل ہے، جس میں اوپر کی قطار میں پانچ تصاویر اور نیچے کی قطار میں پانچ تصاویر رکھی گئی ہیں۔ یہ تمام تصاویر یکساں سائز کی ہیں، جو ایک نفیس اور منظم پیشکش کرتی ہیں۔ ان لباسوں میں سے زیادہ تر—یعنی پہلی، دوسری، چوتھی، پانچویں، چھٹی، ساتویں، آٹھویں، اور دسویں—منکنوں پر دکھائی گئی ہیں، جو عام طور پر لباس کی بصری طور پر دلکش نمائش کے لیے استعمال ہوتے ہیں۔ یہ ناظرین کو لباسوں کو ایسے دیکھنے کی اجازت دیتا ہے جیسے وہ جسم پر ظاہر ہوں۔ اس کے برعکس، تیسری اور نویں لباس کی ماڈلنگ ایک خاتون ماڈل نے کی ہے، جو انسانی عنصر فراہم کرتی ہے جو یہ بتانے میں مدد کرتی ہے کہ لباس کیسے فٹ ہوتا ہے اور حرکت کرتا ہے۔ ہر لباس ایک مکمل لباس کے طور پر ڈیزائن کیا گیا ہے، جو عموماً اوپر اور نیچے کو ایک واحد کپڑے کے ٹکڑے میں ملا دیتا ہے، جو خواتین کی فیشن میں آسانی اور انداز کے لیے ایک مقبول انتخاب ہے۔ خاص طور پر چند لباسوں میں بیلٹس شامل ہیں جو کمر کو واضح کرتی ہیں، خاص طور پر چوتھا، تیسرا، پانچواں، آٹھواں، اور نویں لباس۔ یہ تفصیل نفاست کا عنصر شامل کرتی ہے اور مجموعی سیلوٹ کو بڑھانے میں مدد کرتی ہے۔ یہ لباس ایک خوبصورت جمالیاتی ہیں، جس سے یہ ظاہر ہوتا ہے کہ وہ خاص مواقع یا اعلیٰ سطح کے تقریبات کے لیے موزوں ہو سکتے ہیں۔ ہر لباس منفرد انداز اور خصوصیات پیش کرتا ہے، مختلف ڈیزائن کے ساتھ جو فیشن کے مختلف اثرات کو اجاگر کرتے ہیں۔ مزید برآں، ہر لباس کے پیچھے کے پس منظر مختلف ہیں، جو ہر پیشکش کی انفرادیت کو بڑھاتے ہیں اور سیاق و سباق فراہم کرتے ہیں، جو لباس کو مکمل کرنے کے لیے مختلف جگہوں پر مشتمل ہو سکتے ہیں، اس طرح پوری تصویر کی بصری کشش کو بڑھاتے ہیں۔ مجموعی طور پر، یہ ترکیب فیشن میں تنوع پر زور دیتی ہے، جس میں دکھائے گئے لباسوں کے ذریعے بہت سے اسٹائل اور خصوصیات کی نمائش کی گئی ہے۔
|
ur
| 27,360
|
|
['Hindi', 'Hindi', 'Chinese', 'Chinese', 'Chinese']
|
['1l2fPEHndjeS', '1hrUmxKzH0rh', '1mNegGJbuVIV', '10syXJlDb6RQ', '1fiGW3rNSPG7']
|
["This picture is a symbol of India's independence. In this image, there is a statue of Goddess Durga in the temple, and the priest is performing the aarti. The person referred to as the priest is the one doing the aarti for the Mother Goddess. In the picture, Goddess Durga is sitting atop a demon, with two other goddesses on her right and left sides. One person in the image is holding a mobile phone, capturing the photo of the temple's aarti, and there are other people present in the pandal as well. This Durga Puja takes place in India, specifically in a place called Kolkata. The background of the pandal in this picture has a brown color, and one could also describe it as dark brown. There are images of other deities above, such as Lord Shiva. The rear of the pandal is intricately decorated with motifs in henna colors. Behind the goddesses in the pandal, there is a yellow decorative trim or some artwork, and the background of the image has a lot of carvings. This picture is a representation of the Indian tradition of Durga Puja.", "This picture shows the idol of Mother Durga, and it appears to be during the special festival celebrated by Bengali people in India, known as Durga Puja. In the center is the idol of Mother Durga, which has eight to ten arms—five on one side and five on the other—holding various weapons that she used to vanquish a demon. Below, there is also an idol of that demon. During this festival, Mother Durga's idol is beautifully decorated, and the priests are seen in front, performing rituals. The backdrop is very beautiful, with intricate artwork and creative designs that add to its splendor.", 'This looks like a sculpture of two hands holding each other. The background is a building with a brown wall and a circular, gold-topped roof that has some intricate cut-out decorations on the upper half. In front, there are three statues of goddesses. The one in the middle has many hands, each holding different objects; the top hand on her left is holding a tool resembling a sickle, while the top hand on her right is holding a circular object with a patterned cake on it. The women on both sides also wear crowns and elegant black capes. In front of them is a male statue. There are also people taking pictures with their phones, along with a man in an orange robe, draped with a red sash, pointing towards the male figure within the sculpture.', 'This photo likely depicts a Buddhist worship activity. In the image, there are three Buddha statues, with the central statue representing the Bodhisattva Guanyin, who is portrayed with a total of ten hands holding various religious implements. On the left and right sides of the central Guanyin statue, there are two other Buddha statues, but at this moment, both of them only have two hands extended. Below the statues, a monk, dressed in a robe, is facing the statues and may be engaged in prayer. Behind the monk, there are also some devotees or tourists, one of whom is currently raising a smartphone to capture the scene.', "This is an indoor image featuring many depictions of the Guanyin holding hands. Among them, there are three statues, and the one in the center is a Guanyin holding hands. It has five hands on its left side and five on its right side. It wears black clothing and has a very large crown that looks quite luxurious. Each of its hands holds a tool, such as an axe, scissors, or weapons of that kind; every hand is holding one. It is dressed very elaborately and also wears a large gold necklace. The central figure is the largest, flanked by two female statues on the left and right. These statues do not have many hands, but their appearance and attire are similar to that of the central Guanyin; they also wear crowns and ornate decorations around their necks, adorned with gold and jewels. In front of them, there are many people taking pictures and visiting. We can see in the center a person dressed in a monk's robe, draped in a kasaya, who seems to be performing some ritual, while behind them, some tourists are taking photos."]
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[True, True, False, False, True]
|
['Yes', 'Yes, it is during an important Indian and regional festival.', nan, nan, 'The statue in the picture is the Thousand-Hand Guanyin, a Buddhist figure worshipped by Asians, which is not commonly found in other countries.']
|
This picture serves as a prominent symbol of India's independence, capturing a moment during the sacred festival of Durga Puja, especially significant in Kolkata, India. In the image, a statue of Goddess Durga is showcased within a temple setting where a priest is actively engaged in performing the aarti ritual, an important devotional practice involving the waving of lighted lamps in front of the deity. The priest can be identified by his traditional attire and the role he plays in honoring the Mother Goddess. Goddess Durga is depicted in a powerful pose, seated atop a demon, which symbolizes her conquest over evil. Accompanying her are two other goddesses positioned on either side, both of whom represent various aspects of femininity and power in Hindu mythology. The scene is vivid with cultural elements; one person in the foreground holds a mobile phone, capturing the sacred moment, while additional devotees in the pandal, or temporary structure, share in the experience, reflecting the communal nature of the celebration. The pandal itself is richly decorated; the background features a dark brown color, possibly enhancing the elegance of the scene. Above Durga, images of other deities, including Lord Shiva, signify the broader Hindu pantheon and the interconnectedness of their mythologies. The decoration is further enhanced with motifs in henna colors, along with intricate carvings that adorn the background, illustrating the artistic devotion prevalent in Indian religious practices. Additionally, behind the goddesses, a yellow decorative trim frames the structure, contributing to the overall visual appeal of this rich cultural event. The next image presents the idol of Mother Durga during the festival, emphasizing the unique aspects of Bengali culture. Here, Mother Durga is portrayed with eight to ten arms—five on one side and five on the other—each arm holding various formidable weapons that signify her strength and readiness to combat evil. Below her is depicted the demon, further intensifying the narrative of triumph over malevolence sacred to the festival. The priests are visibly engaged in performing rituals in front of this magnificent idol, underscoring the spiritual atmosphere of the occasion. The backdrop is beautifully adorned with intricate artwork and imaginative designs, enhancing the visual splendor of the scene. Another image illustrates a sculpture comprising two hands clasping each other, set against a building characterized by its brown walls and a circular roof embellished with gold and intricate cut-out decorations. In front of this structure, three statues of goddesses are displayed. The central figure is particularly noteworthy, featuring numerous hands each bearing distinct objects symbolic of her divine attributes. For instance, one hand conveys a sickle, while another holds a circular object that bears a patterned cake, possibly symbolizing fertility or abundance. The accompanying statues on either side present similar themes, adorned with elegant crowns and stylish black capes. A male statue appears in front of the central figures while individuals around the scene, including a man garbed in an orange robe draped with a contrasting red sash, are engaged in taking pictures, capturing the reverence of the moment. The following image captures what appears to be a Buddhist worship activity. The backdrop includes three Buddha statues, with the central figure representing the Bodhisattva Guanyin, recognized for her compassion, depicted here with an impressive ten hands, each holding various religious implements, signifying her power to assist sentient beings. Flanking her are two additional Buddha statues, each with two hands extended. In the foreground, a monk clad in traditional robes seems to be either in prayer or a ritual, facing the statues in deep reverence. Behind the monk, a gathering of devotees or tourists can be seen, with one individual raising their smartphone to capture this solemn moment. Finally, an indoor setting is showcased featuring multiple depictions of Guanyin, notably highlighted by a central statue holding hands with a remarkable display of five hands on each side. This Guanyin figure is adorned in black garments and a lavishly designed crown, embodying the essence of grandeur. Each hand holds a different tool, such as an axe or scissors, embodying the myriad skills Guanyin possesses. The central figure is flanked by two female statues that share similar design elements but possess fewer hands, maintaining a cohesive aesthetic. These figures are dressed in ornate attire, complete with decorative crowns and chains embellished with gold and jewels, showcasing the artistic expression within the culture. The atmosphere appears to be bustling with visitors and worshippers, with individuals—some dressed as monks performing rituals, and others seen capturing this cultural experience through photography—highlighting the blend of devotion and modern engagement within these spiritual practices.
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Dette bildet fungerer som et fremtredende symbol på Indias uavhengighet, og fanger et øyeblikk under den hellige festivalen Durga Puja, spesielt betydningsfull i Kolkata, India. I bildet vises en statue av Gudinne Durga innenfor en tempeer setting, hvor en prest aktivt deltar i å utføre aarti-ritualet, en viktig og hengiven praksis som involverer svinging av belyste lamper foran guddommen. Presten kan identifiseres på sin tradisjonelle klesdrakt og den rollen han spiller i å hedre Mor Gudinne. Gudinne Durga er avbildet i en kraftfull positur, sittende på toppen av en demon, som symboliserer hennes seier over det onde. Ved hennes side står to andre gudinner, som representerer ulike aspekter av femininitet og makt i hinduistisk mytologi. Scenen er livlig med kulturelle elementer; en person i forgrunnen holder en mobiltelefon, og fanger det hellige øyeblikket, mens andre hengivne i pandalen, eller midlertidige struktur, deler opplevelsen, noe som gjenspeiler den felles karakteren av feiringen. Pandalet er rikt dekorert; bakgrunnen har en mørk brun farge, noe som muligens fremhever elegansen i scenen. Over Durga finnes bilder av andre guddommer, inkludert Gud Shiva, som signaliserer det bredere hinduistiske pantheon og sammenhengen mellom deres mytologier. Dekorasjonen er videre forbedret med hennafargede motiver, sammen med intrikate utskjæringer som pryder bakgrunnen, og illustrerer den kunstneriske hengivenheten som er utbredt i indiske religiøse praksiser. I tillegg, bak gudinnene, rammer en gul dekorativ trim strukturen, og bidrar til den samlede visuelle appellen til dette rike kulturelle arrangementet. Det neste bildet viser gudebildet av Mor Durga under festivalen, og fremhever de unike aspektene ved bengalsk kultur. Her er Mor Durga avbildet med åtte til ti armer—fem på den ene siden og fem på den andre—hver arm holder forskjellige formidable våpen som symboliserer hennes styrke og beredskap til å kjempe mot det onde. Under henne er demonens avbildning, som ytterligere intensiverer fortellingen om triumf over ondskap, som er hellig for festivalen. Prestene er synlig engasjert i å utføre ritualer foran denne storslåtte statuen, noe som understreker den åndelige atmosfæren ved anledningen. Bakgrunnen er vakkert pyntet med intrikat kunstverk og fantasifulle design, som forbedrer den visuelle prakten av scenen. Et annet bilde illustrerer en skulptur som består av to hender som holder hverandre, satt mot en bygning preget av sine brune vegger og et sirkulært tak utsmykket med gull og intrikate utskårne dekorasjoner. Foran denne strukturen vises tre statuer av gudinner. Den sentrale figuren er spesielt bemerkelsesverdig, med mange hender som hver bærer distinkte gjenstander som symboliserer hennes guddommelige egenskaper. For eksempel holder en hånd en sigd, mens en annen har et sirkulært objekt som bærer en mønstret kake, muligens som symbol på fruktbarhet eller overflod. De medfølgende statuene på begge sider presenterer lignende temaer, prydet med elegante kroner og stilige svarte kapper. En mannlig statue vises foran de sentrale figurene, mens personer rundt scenen, inkludert en mann kledd i en oransje kappe dekket med et kontrasterende rødt bånd, er engasjert i å ta bilder, og fanger ærbødigheten i øyeblikket. Det følgende bildet fanger det som ser ut til å være en buddhistisk tilbedelsesaktivitet. Bakgrunnen inkluderer tre Buddha-statuer, med den sentrale figuren som representerer Bodhisattva Guanyin, anerkjent for sin medfølelse, avbildet her med imponerende ti hender, hver holdende ulike religiøse verktøy, som symboliserer hennes makt til å hjelpe bevisste vesener. På hver side står to tilleggs Buddha-statuer, hver med to hender utstrakt. I forgrunnen ser en munk i tradisjonelle klær ut til å være i bønn eller ritual, vendt mot statuer med dyp ærbødighet. Bak munken kan man se en samling av hengivne eller turister, med en person som hever smarttelefonen sin for å fange dette alvorlige øyeblikket. Til slutt vises et innendørs miljø som viser flere fremstillinger av Guanyin, spesielt fremhevet av en sentral statue som holder hender med en bemerkelsesverdig visning av fem hender på hver side. Denne Guanyin-figuren er kledd i svarte plagg og en overdådig designet krone, som legemliggjør storheten. Hver hånd holder et forskjellig verktøy, som en øks eller saks, som representerer de mange ferdighetene Guanyin besitter. Den sentrale figuren flankeres av to kvinnelige statuer som deler lignende designelementer, men har færre hender, og opprettholder en sammenhengende estetikk. Disse figurene er kledd i utsmykkede antrekk, komplett med dekorative kroner og kjeder prydet med gull og edelstener, som viser den kunstneriske uttrykksevnen innen kulturen. Atmosfæren ser ut til å være livlig med besøkende og tilbedere, hvor individer—noen kledd som munke som utfører ritualer, og andre sett som fanger denne kulturelle opplevelsen gjennom fotografering—fremhever blandingen av hengivenhet og moderne engasjement innen disse åndelige praksisene.
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no
| 6,565
|
|
['English', 'Hindi', 'Hindi', 'Chinese']
|
['18KjAjBfbCsp', '12ttbknZpMya', '19E484Jcn1YG', '16AwbUmBXlza']
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[" This is an image of several boats of large gondola-style boats that are kind of like a shoehorn. It's very flat at the bottom, and then it rises up a lot in the back. And each of these boats has probably two dozen people on it, at least, all rowing on the boat. The boats are black, but they have some kind of carpet or pattern on the rise back end of it. They're in some kind of lake or river, and there are a lot of trees in the background surrounding this body of water. There might be some kind of a beach or a pier, some other more typical boats in the background as well. Each boat has a light on it that looks like a lampshade almost, like it's yellow or orange. The one on the left side is more red. All the people are not wearing shirts. They're wearing some kind of white bottom garment as they row. They're all looking towards the camera for the most part, and the sky is very gloomy and gray as well.", 'In this picture, a boat race is taking place in Kerala, South India. There are about four boats visible, and several men are seated to steer them. These men are wearing white lungis, and they are holding paddles in their hands. In the first boat, the people standing in the middle are holding a yellow umbrella, and at the back of that boat, there is a type of flag visible. Similarly, in the second boat, the people standing in the middle are holding a red umbrella. The third boat also has an umbrella, which is yellow. Across the river, there is a ground with grass growing and several trees, all of which are green. There are clouds in the sky, and this picture was taken during the daytime.', 'This image appears to depict a boat race in Kerala, which is held there every year. People from numerous villages and towns participate in this event, where many individuals row their boats quickly to see whose boat comes out on top. It is very famous and also well-known for its celebratory atmosphere, and it takes place only once a year. It seems that there are about 50-60 people in each boat, primarily men, as women do not participate. They decorate their boats in various ways so that people on the shore can identify them. This occurs during a special festival time. Kerala is a place that receives a lot of rain, so there are many rivers there, and as you can see in the background, there is a lot of greenery. It appears to be during the rainy season, as the sky is quite overcast.', "This photo appears to show a dragon boat racing scene, with 1, 2, 3, 4, 5—there seem to be five boats, two in the front and three in the back. Each of the boats in the front has around twenty to thirty people, who look like they are Black. In the distance, there are green trees and dark clouds, suggesting it was taken during the day, but the weather isn't very good. Each boat's stern has its own identifying flag with writing on it, though it's too small to clearly see what the words are. At the very front of the image, three people are seen at the bow of the boat."]
|
[True, True, True, False]
|
['unique styled boats', 'Yes', 'This is boat race from Kerala.', nan]
|
This series of transcriptions provides a vivid and detailed description of boat races taking place in Kerala, a state in South India known for its extensive network of waterways and rich cultural traditions. The first transcription describes an image showcasing several large gondola-style boats, which resemble shoehorns with their flat bottoms that rise up significantly at the back. Each of these boats appears to carry at least two dozen individuals who are actively rowing. The boats are primarily black with decorative patterns or carpets on their sterns. These vessels are situated in a body of water—likely a lake or river—surrounded by lush greenery, characterized by numerous trees in the background. There are elements of a beach or pier visible, alongside other conventional boats. Each gondola is equipped with lamps that have shades in hues of yellow and orange, with the one on the left exhibiting a more reddish tone. The individuals in the boats are predominantly without shirts, donning white bottom garments as they row. Their gazes are mostly directed toward the camera, and the ambiance is marked by a gloomy, gray sky. The second transcription specifies that this image captures a boat race in Kerala. About four boats can be seen, each manned by several men dressed in white lungis, traditional wrap-around garments worn by men in South India. These men are holding paddles and are engaged in the race. Notably, the first boat has individuals positioned in the middle holding a yellow umbrella, and a flag can be spotted at the rear. Similarly, the second boat features people with a red umbrella, while the third boat also includes a yellow umbrella. The scenery across the river is adorned with green grass and trees, suggesting a vibrant but possibly damp environment due to cloudy skies during daylight hours. The third transcription elaborates on the cultural significance of the boat race depicted in the images. This annual event draws participants from various villages and towns in Kerala, where competitors row their boats in a spirited contest for supremacy. The race is renowned for its celebratory atmosphere and happens only once a year, coinciding with a special festival period. Each participating boat is crewed predominantly by men, as women typically do not take part in this tradition. The boats are adorned with unique decorations to help spectators identify them from the shore, reinforcing local pride and community spirit. The transcription highlights the lush greenery characteristic of Kerala, especially evident during the rainy season, as the skies are described as being overcast. The final transcription portrays what appears to be a dragon boat racing scene, featuring five boats, two positioned at the forefront and three behind them. Each of the front boats accommodates approximately twenty to thirty individuals, who are predominantly identified as Black. The backdrop includes green trees set against dark clouds, implying an overcast daytime environment. Each boat's stern displays a distinct identifying flag, although the inscriptions are too small to decipher. At the forefront of the image, three individuals are prominently visible at the bow of one of the boats, likely pivotal to the racing dynamics. Together, these transcriptions evoke a rich imagery of the boat races in Kerala, highlighting cultural practices, traditional attire, and the vibrant community spirit surrounding this celebrated event.
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这组转录提供了对印度南部喀拉拉邦船赛的生动详细描述，喀拉拉以其广泛的水道网络和丰富的文化传统而著称。第一段转录描述了一幅图像，展示了几艘大型的贡多拉式船只，这些船的平底在后部明显上升，形状类似鞋拔子。这些船似乎至少载有两打正在划桨的人员。船体主要为黑色，船尾装饰有图案或地毯。这些船只停在一片水域中，可能是湖泊或河流，四周环绕着茂密的绿树，背景中树木繁多。图中还能看到沙滩或码头的元素，以及其他传统船只。每艘贡多拉都配备了黄色和橙色的灯罩，左侧的灯具显得更加红润。船上的人们大多没有上衣，穿着白色的下装，划桨时的目光主要朝向摄像机，整个场景笼罩在阴沉的灰色天空下。 第二段转录说明这张图像捕捉到了喀拉拉的船赛。可以看到约四艘船，每艘船上都有几名穿着白色凉裙的男子，凉裙是南印度男士的传统包裹式服装。这些男子手握桨，积极参与比赛。第一艘船的中间有一位手持黄色雨伞的人，船尾可见一面旗帜。第二艘船上有人手握红色雨伞，而第三艘船上也有一把黄色雨伞。河对岸的景色被绿草和树木装点，暗示着在白天的阴云下，环境既活泼又可能湿润。 第三段转录详细阐述了图中船赛的文化意义。这项年度活动吸引了来自喀拉拉各个村庄和城镇的参与者，竞争者在比赛中奋力划船，争夺霸主地位。比赛因其庆祝氛围而闻名，每年仅举行一次，正值一个特殊的节日时期。每艘参赛船只主要由男性组成，女性通常不参与这个传统。船只装饰独特的图案，以帮助观众从岸上识别，增强了当地的自豪感和社区精神。该段转录突出了喀拉拉典型的丰厚绿意，尤其在雨季期间更为明显，天空常被描述为阴沉。 最后一段转录描绘了一幅龙舟竞赛的场景，包含了五艘船，其中两艘位于前方，三艘在后。每艘前方的船大约容纳二十到三十名以黑人为主的个体。背景是绿树与阴云交织，暗示着白天的阴云密布。每艘船的船尾都有独特的标识旗帜，尽管字体太小难以辨认。在图像前方，三位个体在一艘船的船头显得尤为突出，可能对比赛的动态至关重要。 这些转录共同营造了喀拉拉船赛的丰富意象，突显了文化习俗、传统服装以及围绕这一备受庆祝活动的生动社区精神。
|
zh-cn
| 6,914
|
|
['English', 'English', 'Chinese']
|
['1ncfguhGsX3f', '1fdWBoVTwcmI', '17Eld2WBUyGm']
|
[' Shown here is a spread of different kinds of fruit. In the foreground, we have a sliced mango, sliced into sort of a hash or a square shape. We then have some, what looks like more mangoes, still whole and in their original packaging. We then have what looks like cut strawberries and a bushel of bananas, as well as some sort of chopped up or basically a mixture of fruit. In addition, beside the mango on the cutting board is a knife, as well as some electronic object that is partially off screen. The scene is well lit. With a couple of shadows, but mostly lit. It looks like a normal photo. No normal levels of exposure.', " So I see a lot of fruit. I see a lot of mangoes and maybe some banana and also a lot of strawberry. So this looks like someone's just about to have breakfast or some type of fruit salad maybe. Yeah, so on the top left, I see it looks like a mango puree type of thing. Looks like there could be some banana in there too. And then the bowl next to that is full of red strawberries. I see some crushed pineapples. That's kind of a discernible feature you can notice in the background. And yeah, a couple of bananas. What seems to be potentially mangoes as well as the mangoes that have been cut up. And the middle mango looks like it's being eaten. So yeah, it's being cut up on a chopping board and looks like it's eaten. And it looks like there's like three more what seem to be mangoes. But they haven't been opened yet.", 'The image shows food on a table, including chopped mangoes and strawberries. It seems to capture a moment in the process of food preparation in the kitchen. At the bottom, there is a cutting board with a knife and a mango cut in half, with a cross pattern on the cut surface. On either side are two halves of the mango, and in the middle is a mango that has been scooped out. Additionally, there are three whole mangoes wrapped in a plastic bag on a black tray. At the top of the image, there is a large glass bowl containing finely chopped mango and some paste-like substance, with a white spoon placed inside. To the right, there is a slightly smaller glass bowl filled with cut red strawberries. At the very top, four bananas and some canned goods are visible.']
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[False, False, False]
|
[nan, nan, nan]
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The image presents an assortment of various fruits displayed on a kitchen table, highlighting a moment captured during food preparation. In the foreground, there is a cutting board featuring a beautifully sliced mango, which is cut into a hash or square shape. This mango has been halved, and the cut surface reveals a distinct cross pattern. Beside it, a knife rests, indicating that additional cutting may be in process. Positioned on either side of the cut mango are two halves of the same mango, while the middle piece appears to have been scooped out, showcasing the luscious yellow-orange flesh. In addition to the sliced mango, there is a collection of whole mangoes wrapped in a plastic bag, resting atop a black tray. This suggests that the mangoes are fresh and ready for further preparation or consumption. Moving towards the top of the image, a large glass bowl stands out, holding finely chopped mango along with some paste-like substance, likely representing a mango puree or a mixture of fruits. A white spoon is placed inside this bowl, signifying that it may be intended for serving or mixing. To the right, a slightly smaller glass bowl contains an array of cut red strawberries, adding a vibrant splash of color to the scene. The bright red of the strawberries contrasts beautifully with the yellow of the mangoes. At the very top of the image, the setting is completed by the presence of four bananas and a few canned goods, which are not the main focus but contribute to the overall atmosphere of bustling kitchen activity. The lighting in the image is well-balanced, casting soft shadows yet remaining predominantly bright, which enhances the freshness of the fruits depicted. The photo has an inviting quality, reminiscent of a morning preparation for breakfast or a fruit salad, emphasizing the abundance of healthy food options available. Overall, the scene encapsulates a lively kitchen environment where fruit preparation is being crafted, reflecting a theme of nourishment and the joy of cooking with fresh ingredients.
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Das Bild zeigt eine Auswahl verschiedener Früchte, die auf einem Küchentisch präsentiert werden und einen Moment während der Essensvorbereitung festhalten. Im Vordergrund befindet sich ein Schneidebrett, auf dem eine wunderschön geschnittene Mango in Quadrate oder kleine Stücke geschnitten ist. Diese Mango wurde halbiert, und die Schnittfläche zeigt ein deutliches Kreuzmuster. Daneben liegt ein Messer, was darauf hindeutet, dass weiteres Schneiden im Gange sein könnte. Auf beiden Seiten der geschnittenen Mango befinden sich zwei Hälften derselben Mango, während das mittlere Stück ausgeholt wurde, sodass das saftige gelb-orange Fleisch zur Schau gestellt wird. Zusätzlich zur geschnittenen Mango gibt es eine Sammlung ganzer Mangos, die in einer Plastiktüte verpackt sind und auf einem schwarzen Tablett liegen. Dies deutet darauf hin, dass die Mangos frisch und bereit für die weitere Zubereitung oder den Verzehr sind. Weiter oben im Bild sticht eine große Glasschüssel hervor, die feingehackte Mango zusammen mit einer paste ähnlichen Substanz enthält, wahrscheinlich ein Mango-Püree oder eine Mischung aus Früchten. Ein weißer Löffel ist in dieser Schüssel platziert, was darauf hindeutet, dass er möglicherweise zum Servieren oder Mischen gedacht ist. Rechts davon enthält eine etwas kleinere Glasschüssel eine Vielzahl geschnittener roter Erdbeeren, die einen lebendigen Farbklecks in die Szene bringen. Das leuchtende Rot der Erdbeeren kontrastiert wunderbar mit dem Gelb der Mangos. Ganz oben im Bild wird die Szenerie durch die Präsenz von vier Bananen und einigen Konservendosen ergänzt, die nicht im Mittelpunkt stehen, aber zur insgesamt geschäftigen Atmosphäre der Küchentätigkeit beitragen. Die Beleuchtung im Bild ist gut ausgewogen und wirft sanfte Schatten, bleibt jedoch überwiegend hell, was die Frische der abgebildeten Früchte unterstreicht. Das Foto hat eine einladende Qualität, die an die morgendliche Vorbereitung für ein Frühstück oder einen Obstsalat erinnert und die Fülle gesunder Lebensmitteloptionen betont. Insgesamt fasst die Szene eine lebhafte Küchenumgebung zusammen, in der die Obstzubereitung aktiv ist, und spiegelt ein Thema der Ernährung sowie die Freude am Kochen mit frischen Zutaten wider.
|
de
| 13,435
|
|
['English']
|
['18MQ28Jf4zcO']
|
[" This is an image of an Asian man looking towards the camera and smiling with a white woman in the foreground blocking his view. The walls are blue, the table is blue. They're in a lunch setting. There is a Coke bottle in the middle, a coffee cup, and various coffee plates. There is a hand in front of the foreground, and then there's a man in the background with gray hair, the Asian man in a blue shirt and a pink tie with a tie clip."]
|
[False]
|
[nan]
|
The image features an Asian man who is looking directly at the camera with a warm smile. He is situated in a lunch setting, which includes various elements that contribute to the atmosphere. In the foreground, there is a white woman who is partially blocking the man's view; her presence adds a social dynamic to the image, suggesting that they may be engaged in conversation or enjoying a moment together. The color scheme of the setting is predominantly blue, with both the walls and the table exhibiting this hue, creating a cohesive and calming visual environment. Centrally placed on the table are significant items that signify a casual dining experience: a Coke bottle, a coffee cup, and various plates that are typically used for serving coffee. These elements indicate a relaxed and informal lunch gathering. In the foreground, there is a hand positioned, although the identity of the person it belongs to is not specified, adding a layer of anonymity and intrigue to the scene. In the background, there is another man who has gray hair, which suggests he may be older than the Asian man in the foreground. The Asian man is dressed in a blue shirt paired with a pink tie, which features a tie clip, indicating a level of formality in his attire that contrasts with the casual setting. This combination of elements provides insight into the social context of the image, characterized by casual interactions, diverse backgrounds, and a relaxed lunch atmosphere.
|
L'image présente un homme asiatique regardant directement l'appareil photo avec un sourire chaleureux. Il se trouve dans un cadre de déjeuner, qui inclut divers éléments contribuant à l'atmosphère. Au premier plan, une femme blanche bloque partiellement la vue de l'homme ; sa présence ajoute une dynamique sociale à l'image, suggérant qu'ils pourraient être engagés dans une conversation ou profiter d'un moment ensemble. La palette de couleurs du cadre est principalement bleue, avec des murs et une table exhibant cette teinte, créant un environnement visuel cohérent et apaisant. Au centre de la table se trouvent des objets significatifs qui évoquent une expérience de restauration décontractée : une bouteille de Coca, une tasse de café et divers assiettes généralement utilisées pour servir le café. Ces éléments indiquent un rassemblement décontracté pour le déjeuner. Au premier plan, une main est positionnée, bien que l'identité de la personne à laquelle elle appartient ne soit pas précisée, ajoutant une couche d'anonymat et d'intrigue à la scène. En arrière-plan, se trouve un autre homme aux cheveux gris, ce qui suggère qu'il est peut-être plus âgé que l'homme asiatique au premier plan. L'homme asiatique est vêtu d'une chemise bleue assortie d'une cravate rose, qui comporte une pince à cravate, indiquant un certain niveau de formalité dans sa tenue qui contraste avec le cadre décontracté. Cette combinaison d'éléments offre un aperçu du contexte social de l'image, caractérisé par des interactions décontractées, des origines variées et une atmosphère de déjeuner relaxée.
|
fr
| 14,337
|
|
['English', 'Chinese', 'Chinese']
|
['1ixByvQ9wmlD', '1hMxEza2ODHS', '1e7LKeT0ksfo']
|
[" The image seems to be some type of Chinese language music menu maybe? On the top left it shows sort of an icon wearing headphones and the rest of the pamphlet is in Chinese. It's a very vertical pamphlet and I imagine what it is is that it's listing out songs and their artists and maybe a display of what a certain cafe offers as karaoke or maybe what a certain application offers as a music selection for free. Of the Chinese words there are 《The Chinese Word》 and 《The Chinese Word》. A couple English words particularly 《See》, 《All Star》, 《Jude》, 《Rubberband》, 《Supper Moment》, 《Dear Jane》, 《Robin and Kennedy》. So these might be song titles or artists.", 'This image should depict the list of winners of the Top Ten Chinese Songs in Hong Kong. The first award is the Top Ten Chinese Songs Award, followed by the Most Promising New Artist Award, the Outstanding Mandarin Pop Song Award, the Popular Singer Award, the Best Pop Song Award, the Best Creative Artist Award, the Most Improved Award of the Year, the Best Group of the Year, the Best Chinese Song in the Nation Award, the Best Singer in the Nation Award, the Global Chinese Supreme Gold Song Award, the Sales Singer Award, the Golden Needle Award, and the Hall of Fame. This is mainly a list of winners from an award ceremony for the Top Ten Chinese Songs in Hong Kong, and there is a lot of Chinese text in it, written in traditional Chinese characters, as they are from the Hong Kong region.', 'This very, very small text has strained my eyes, and I can\'t see it very clearly. The list of winners for the Top Ten Golden Songs includes "Rashomon" by Eason Chan and "Unconditional" by Hacken Lee. "A Hundred Years of No Harmony" by Jackson Wang and "A Glance Back" — wow, this is from Hong Kong, right? Jackson Wang at the Golden Song Awards, and Eason Chan as one of the top ten singers. Eason Chan has won so many awards! I really like Eason Chan. This is a list for the 38th Top Ten Golden Songs Awards, and these two are some very famous Chinese pop stars. Eason Chan appears particularly often, and he is definitely a star from Hong Kong. Jackson Wang is also quite popular among young people.']
|
[False, True, True]
|
[nan, nan, 'chinese singer list']
|
The image appears to feature a music menu that is likely related to Chinese-language music, possibly indicating its use in a karaoke setting or as part of an application offering music selections. In the top left corner of the pamphlet, there is an icon adorned with headphones, suggesting a musical theme. The pamphlet itself has a vertical orientation and is filled entirely with Chinese text, indicating that it primarily targets a Mandarin-speaking audience. Among the text, two titles represented in Chinese characters are present, indicating the prominence of artistry and song selection in the content. A few English words stand out, including "See," "All Star," "Jude," "Rubberband," "Supper Moment," "Dear Jane," and "Robin and Kennedy." These words are likely to be song titles or artists featured in this music selection. The subsequent image depicts a detailed list of winners from the Top Ten Chinese Songs in Hong Kong, as part of a prestigious award ceremony. The first award on the list is the Top Ten Chinese Songs Award, followed closely by other significant accolades such as the Most Promising New Artist Award, the Outstanding Mandarin Pop Song Award, the Popular Singer Award, the Best Pop Song Award, the Best Creative Artist Award, the Most Improved Award of the Year, the Best Group of the Year, the Best Chinese Song in the Nation Award, the Best Singer in the Nation Award, the Global Chinese Supreme Gold Song Award, the Sales Singer Award, the Golden Needle Award, and the Hall of Fame. This extensive list showcases a variety of artists and their accomplishments, and the text is written in traditional Chinese characters, reflecting the cultural significance and locale tied to Hong Kong. Further analysis reveals that, due to the very small size of the text within this document, it presents a challenge to read clearly. Among the winners of the Top Ten Golden Songs, notable listings include "Rashomon" by Eason Chan and "Unconditional" by Hacken Lee. Additionally, "A Hundred Years of No Harmony" by Jackson Wang, along with "A Glance Back," highlights the prominence of artists from Hong Kong participating in this recognized event. The mention of Jackson Wang at the Golden Song Awards indicates his rise to fame, alongside Eason Chan, who has a long-standing reputation for achieving numerous awards and accolades. Eason Chan, in particular, is cherished by fans for his musical contributions and frequent wins in major awards, while Jackson Wang continues to capture the attention of younger audiences with his engaging style and popular music.
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ภาพนี้ดูเหมือนจะเป็นเมนูเพลงที่น่าจะเกี่ยวข้องกับเพลงภาษาจีน อาจชี้ให้เห็นถึงการใช้งานในบริบทของคาราโอเกะ หรือเป็นส่วนหนึ่งของแอปพลิเคชันที่เสนอการเลือกเพลง ในมุมซ้ายบนของแผ่นพับมีไอคอนที่ประดับด้วยหูฟัง ซึ่งบ่งบอกถึงธีมเกี่ยวกับดนตรี แผ่นพับเองมีการจัดวางแนวตั้งและเต็มไปด้วยข้อความภาษาจีน แสดงให้เห็นว่าเป้าหมายหลักคือผู้พูดภาษาต้านดิน (แมนดาริน) ในนั้นมีชื่อสองชื่อที่แสดงในอักษรจีน ซึ่งบ่งบอกถึงความโดดเด่นของศิลปะและการเลือกเพลงในเนื้อหา ยังมีคำภาษาอังกฤษบางคำที่โดดเด่น รวมถึง "See," "All Star," "Jude," "Rubberband," "Supper Moment," "Dear Jane," และ "Robin and Kennedy" คำเหล่านี้น่าจะเป็นชื่อเพลงหรือนักศิลปินที่ปรากฏในการเลือกเพลงนี้ ภาพถัดไปแสดงรายการผู้ชนะจากเพลงจีนยอดนิยมสิบอันดับในฮ่องกง ซึ่งเป็นส่วนหนึ่งของพิธีมอบรางวัลที่มีชื่อเสียง รางวัลแรกในรายการคือ รางวัลเพลงจีนยอดนิยมสิบอันดับ รองลงมาคือรางวัลอื่นๆ ที่สำคัญ เช่น รางวัลศิลปินหน้าใหม่ที่มีแนวโน้มมากที่สุด รางวัลเพลงป๊อปภาษาจีนที่โดดเด่น รางวัลนักร้องที่เป็นที่นิยม รางวัลเพลงป๊อปที่ดีที่สุด รางวัลศิลปินสร้างสรรค์ที่ดีที่สุด รางวัลที่พัฒนาให้ดีขึ้นที่สุดในปี รางวัลกลุ่มที่ดีที่สุดในปี รางวัลเพลงจีนที่ดีที่สุดในประเทศ รางวัลนักร้องที่ดีที่สุดในประเทศ รางวัลเพลงทองคำจีนทั่วโลก รางวัลนักร้องขายดี รางวัลเข็มทอง และห้องเกียรติยศ รายการนี้ยกย่องศิลปินและความสำเร็จของพวกเขา โดยข้อความเขียนด้วยอักษรจีนแบบดั้งเดิม แสดงถึงความสำคัญทางวัฒนธรรมและสถานที่ที่เกี่ยวข้องกับฮ่องกง การวิเคราะห์เพิ่มเติมเผยให้เห็นว่า เนื่องจากขนาดของข้อความในเอกสารนี้เล็กมาก จึงทำให้การอ่านชัดเจนเป็นเรื่องท้าทาย ในหมู่ผู้ชนะเพลงทองคำยอดนิยมสิบอันดับ รายการที่น่าสังเกตมี "Rashomon" โดย Eason Chan และ "Unconditional" โดย Hacken Lee นอกจากนี้ "A Hundred Years of No Harmony" โดย Jackson Wang พร้อมกับ "A Glance Back" เน้นความโดดเด่นของศิลปินจากฮ่องกงที่เข้าร่วมในเหตุการณ์ที่ได้รับการยอมรับนี้ การกล่าวถึง Jackson Wang ในรางวัลเพลงทองคำชี้ให้เห็นถึงการเติบโตในชื่อเสียงของเขา alongside Eason Chan ซึ่งมีชื่อเสียงมายาวนานในการชนะรางวัลและเกียรติยศมากมาย Eason Chan โดยเฉพาะได้รับความรักจากแฟนๆ สำหรับผลงานดนตรีของเขาและการชนะรางวัลใหญ่บ่อยครั้ง ในขณะที่ Jackson Wang ยังคงดึงดูดความสนใจจากผู้ชมรุ่นใหม่ด้วยสไตล์ที่มีเสน่ห์และเพลงที่เป็นที่นิยม
|
th
| 26,262
|
|
['Korean']
|
['11oqDHJMxG0Y']
|
['This image captures a scene of several people dancing. There are many individuals of various ethnicities in the photo, and they are all dancing. There is no text in the image. The dancers are on a stage with a purple background. The people are wearing brightly colored clothes. Additionally, all of them are dancing barefoot. The two people in the front are both women; the person on the left is wearing a red dress, and the person on the right is wearing a blue dress. All these individuals are dancing barefoot.']
|
[False]
|
[nan]
|
This image captures a vibrant scene featuring several individuals engaging in dance. The photograph showcases a diverse group of people representing various ethnic backgrounds, all immersed in the joy of dancing. It is important to note that there is no accompanying text in the image, allowing the visuals to convey the energy of the moment. The dancers are performing on a stage that is adorned with a striking purple backdrop, which adds to the overall colorful aesthetic of the scene. The attire of the dancers is noticeably bright and lively, reflecting a festive spirit. Furthermore, it is significant to mention that all of the individuals are dancing barefoot, which could suggest a connection to the ground and an expression of freedom and authenticity in their movements. In the foreground, two women are prominently featured. The woman on the left stands out in a vibrant red dress, while the woman on the right complements her in a bold blue dress. Both appear to be fully engaged in the dance, showcasing their joy and enthusiasm. The overall composition of the image emphasizes the celebration of culture, rhythm, and diversity through dance.
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ภาพนี้บันทึกฉากที่มีชีวิตชีวาซึ่งมีผู้คนหลายคนเข้าร่วมในการเต้นรำ โพสต์ท่าถ่ายภาพนี้แสดงให้เห็นกลุ่มคนที่หลากหลาย ซึ่งแทนที่เชื้อชาติและภูมิหลังที่แตกต่างกัน ทั้งหมดอยู่ในความสุขของการเต้นรำ เป็นที่น่าสังเกตว่าภาพนี้ไม่มีข้อความแนบ มันทำให้ภาพสามารถสื่อถึงพลังของช่วงเวลาได้อย่างเต็มที่ นักเต้นกำลังแสดงอยู่บนเวทีที่ประดับด้วยพื้นหลังสีม่วงที่โดดเด่น เพิ่มความมีชีวิตชีวาให้กับภาพโดยรวม เสื้อผ้าของนักเต้นมีสีสันสดใสและมีชีวิตชีวา แสดงถึงบรรยากาศของการเฉลิมฉลอง ยิ่งไปกว่านั้น ยังมีความหมายว่า ผู้คนทั้งหมดเต้นรำโดยไม่สวมรองเท้า ซึ่งอาจบ่งบอกถึงการเชื่อมโยงกับพื้นดินและการแสดงออกถึงอิสรภาพและความจริงใจในท่าทางของพวกเขา ในส่วนหน้า มีผู้หญิงสองคนที่เด่นชัด ผู้หญิงทางด้านซ้ายสวมชุดสีแดงสดใส ขณะที่ผู้หญิงทางด้านขวามีชุดสีน้ำเงินที่กล้าหาญ ทั้งสองดูเหมือนจะมีส่วนร่วมในเต้นรำอย่างเต็มที่ แสดงให้เห็นถึงความสุขและความกระตือรือร้นของพวกเขา โดยรวมแล้ว การจัดองค์ประกอบของภาพเน้นย้ำถึงการเฉลิมฉลองวัฒนธรรม จังหวะ และความหลากหลายผ่านการเต้นรำ
|
th
| 27,282
|
|
['Spanish', 'English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['104bXMZWcvN0', '1jHE0TkqnP6z', '1iKjG1lAciUF', '1a4buBnLsQbU', '1mQXOwPkHoD4', '17ola43rrKbg', '1kn7tjAm4UhK']
|
["This photo shows, I believe, two people on horses in a sandy area. On the sand, there are also men on the ground in gentleman's attire or equestrian clothing. They are wearing horse caps. This photo also has an audience. There are people sitting, watching those on their horses. Further back from them, there is not quite a mountain, but a higher area with a bit of grass. And it is rising upwards.", ' It seems to be a picture of some sort of sport or performance or event. We see someone wearing a long dress sitting on a horse, and there is many people lying on the ground as well. All the people laying on the ground, around three of the people are laying on the ground, are wearing these brown reddish hats. I can see a horse in the background, and even behind that in the farther background, I see a large audience of people. Behind that, we can see a hill with some nature and some buildings as well. There seems to be a specific clothing for this event, including the hats as well. The clothing seems to be specific. We can see that the horse, which is a white horse, has some silver embellishments or jewelry of sorts. There are a few other horses in the background. Around two other horses in the background. There are some other men standing in this rink. The rink seems to be full of some sort of sand or mud. I also see a rope in the foreground of the picture as well.', " This picture shows a woman on a horse. Her dress is kind of like really long and it's extended to the back of the horse. The horse is located in the ground. And it seems to be walking on a path with several, like three people, actually several people lying down. And a lot of spectators, which makes me think that this is a performance. The people, the performers are wearing. Cowboy hats and. Yeah, it looks like the lady on the horse has a barn across the shoulder that suggests that she's this is some kind of page and show. Yeah.", "In this image, we see a person on a horse. The horse is basically stepping over somebody. The person on the horse, I'm not sure if they're male or female, but they're wearing a dress. The dress is a very interesting pattern of reds and greens. It has black stripes near the bottom that go around the dress. The horse itself is white and wearing a pretty ornate saddle that looks to be made of black leather and maybe silver or some sort of other metallic like that. There are a large number of people in the background in the stands. This is like a rodeo, I guess. There are a handful of people on the ground that are wearing cowboy hats. The woman also in the front, I missed it earlier, but is wearing a cowboy hat. Everybody else is largely in jeans and some sort of button-up shirt. There are two people on the ground on the left. There's a person in the middle foreground on the ground. The ground itself is gray dirt. The people in the crowds, there's a fence around them, a metal fence. There are all sorts of different colors. There's maybe 100 to 200 people in the background. Behind that in the far right, we can see some houses, some apartment building type of things. Then in the left, there's a hill that's covered in brush. Some of the brush is dead. Some of the trees are still there. There's some green, tans, brown.", 'The main character in the scene is a lady in a long dress riding a white horse on a muddy dirt arena. In the background, two more people can be seen riding horses, suggesting it is some kind of traditional activity. We can see three people lying on the ground wearing cowboy hats, looking like cowboys. The lady riding the horse also wears a cowboy hat, and her long dress drapes over half of the horse. There is a fence enclosing the whole area, and many spectators can be seen sitting behind the fence watching the activity. The buildings in the background appear quite dilapidated and old, not very new or modern, and on the other side of the buildings is a rugged mountain. The entire event seems to be taking place in a more rural area, rather than in a city.', 'This picture seems to be outdoors, where a group of people is racing horses, surrounded by many others sitting and watching the competition. In the center of the image, we can see a very stylish woman wearing a long dress and a cowboy hat, confidently seated on a white racehorse, looking really cool. Behind her, there are some people riding brown horses, as well as some staff walking around. The venue is made of sandy soil. I also spotted two individuals lying on the sand; one of them is wearing a cowboy hat, a plaid shirt, and dark denim jeans, while the other is in blue jeans. They are lying on the ground for unknown reasons. In the background, there are probably hundreds of people seated watching the race, and the scene takes place in a mountainous area. I can see a few houses in the distance, and there is also a feeling that the economic situation here is not very good because the houses appear to be quite old and run-down.', 'This is a photo taken during a traditional festival in the daytime. You can see a person riding a white horse, while three people are lying on the ground. The rider is dressed in a long skirt. In the audience stand densely packed spectators, and there are also other people riding horses nearby. This might be a traditional cultural festival, but it is unclear what the relationship is between the people lying on the ground and the rider. From the picture, it seems that such traditions can carry some risks.']
|
[False, True, False, True, False, False, False]
|
[nan, 'Clothing and activity of the picture seem to be from a specific culture.', nan, nan, nan, nan, nan]
|
This photo captures a vibrant outdoor scene, likely from a cultural or equestrian event, featuring two individuals mounted on horses amidst a sandy arena. Scattered across the ground are several men dressed in gentleman's attire or traditional equestrian clothing, complete with horse caps. A sizable audience is present, observing the activity with enthusiasm. In the background, a gently sloping area is visible, characterized by a patch of grass, suggesting perhaps a hill rather than a conventional mountain. The setting conveys a sense of performance or sport, as indicated by the presence of a woman attired in a long, flowing dress while riding a horse. Lying on the ground are several individuals, with three notably wearing brown or reddish hats, strikingly contributing to the traditional atmosphere. A beautiful white horse adorned with silver embellishments adds to the elegance of the scene, while two additional horses can be spotted further back, enhancing the dynamic nature of this event. The ground beneath appears to be a mixture of sand and mud, and a section of rope is observable in the foreground, adding to the visual context. In another angle of this unfolding spectacle, a single rider on a white horse appears to be stepping over one of the individuals on the ground. The rider's dress is adorned with an intriguing pattern of reds and greens, accentuated by black stripes near the hem, while the horse carries an ornate saddle crafted from black leather and possibly silver accents. A crowd of spectators fills the stands, indicative of a rodeo or similar gathering, with attendees largely donned in cowboy hats along with casual attire of jeans and button-up shirts. The surrounding area features a metal fence enclosing the participants and spectators, creating a semi-formal atmosphere of safety and observation. The central figure, a lady in her elegant long dress, conveys grace as she rides her white horse through a muddy dirt arena, flanked by two other horse riders that suggest the event is steeped in tradition. Close by, three individuals in cowboy hats appear to be lying on the ground, resembling traditional cowboys. The vigilant audiences, seated behind the enclosing fence, contribute to an atmosphere charged with anticipation and excitement. Background structures reveal signs of age and neglect, hinting at an economically challenged environment, with visible rugged hills beyond them, creating a picturesque yet poignant backdrop for this communal event. This scene illustrates a traditional festival that boasts both thrilling displays of horsemanship and a rich tapestry of cultural elements, albeit imbued with the complexity of social and economic conditions present in this rural setting.
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この写真は、文化的または馬術イベントからのものであると思われる、活気に満ちた屋外のシーンを捉えています。砂のアリーナの中で、2人の個人が馬に乗っています。地面には、紳士の服装や伝統的な馬術の服を着た数人の男性が散らばっており、馬のキャップも身に着けています。かなりの観衆が集まり、活動を楽しそうに観察しています。背景には、草の生えた緩やかな斜面が見え、通常の山よりも丘のように見えます。この設定はパフォーマンスやスポーツの雰囲気を伝えており、長く流れるようなドレスを着た女性が馬に乗っているのがその一例です。地面には数人の個人が横たわっており、そのうちの3人は特に茶色または赤い帽子をかぶっており、伝統的な雰囲気を際立たせています。銀の装飾が施された美しい白馬がシーンの優雅さを加え、さらに奥には2頭の馬が見え、このイベントの動的な性質を強調しています。地面は砂と泥の混合物のようで、前景にはロープの一部が見え、視覚的な文脈を増しています。 この展開する光景の別の角度では、白馬に乗った一人のライダーが地面に横たわっている人の上を超えているように見えます。ライダーの服は赤と緑の興味深い模様で飾られており、裾の近くには黒いストライプが施されています。一方、馬は黒い革製でおそらく銀のアクセントが付いた華やかな鞍を乗せています。観客の群れが観覧席を埋め尽くしており、ロデオや類似の集まりを示唆しています。出席者は主にカウボーイハットをかぶり、ジーンズやボタンアップシャツというカジュアルな服装をしています。周囲には、参加者や観客を囲む金属製のフェンスがあり、安全で観察するためのセミフォーマルな雰囲気を醸し出しています。 中心には、エレガントな長いドレスを着た女性が白馬に乗って泥だらけのアリーナを駆け抜ける姿があり、伝統に根付いたイベントを示唆する2人のライダーが彼女の側にいます。その近くでは、カウボーイハットをかぶった3人が地面に横たわっており、伝統的なカウボーイに似ています。囲いのフェンスの後ろに座っている観衆は、期待と興奮に満ちた雰囲気を作り出しています。背景の構造物は年齢と放置の兆候を示し、経済的に困難な環境をほのめかします。その向こうには、目に見える険しい丘があり、このコミュニティイベントのための絵のように美しいが切なくもある背景を作り出しています。このシーンは、馬術のスリリングな展示と豊かな文化的要素の織り成す伝統的な祭りを描写しており、同時にこの田舎の環境に存在する社会的および経済的条件の複雑さをも含んでいます。
|
ja
| 10,774
|
|
['English', 'English', 'Chinese', 'Chinese']
|
['18HqGjEvBNOe', '16quNoCh3IIq', '1iGnZKG6tBNV', '1gY6uxisVhWp']
|
[" We have a small photo of a whole bunch of people. Faces are blurred out and people are standing, a whole bunch of people in the foreground standing with their backs turned to me. These people are men or perhaps boys. Most of them are wearing white formal shirts. Some of them are not. Those shirts are untucked. They have black pants and black shoes. There's a young boy who's wearing a yellow shirt but also black pants and black shoes. In the background there looks to be a bunch of women around maybe a flagpole, some sort of a pole. Those women are wearing orange and white. Faces are blurred. I think I also see a bunch of young girls in the deep background. There's a wall and a building, a window and a flag.", "The picture shows more than 10 people standing together. It looks like there is a white pole in the middle of the picture and the people are all standing around it. There are women, children, and men. It looks like there is some sort of a flag. The flag has green, white, and orange. I'm not sure which country that is. It could be Indian flag. It looks like the people are also waving little flags. Maybe it's a celebration of some sort. In the background, there is a wall and the wall has a bunch of that same flag. It's probably not in America because I don't see American flags. Definitely in Asia. It looks like some of the women are wearing sari.", 'In the scene, we can see what appears to be a flag-raising ceremony. There are some individuals wearing white school uniforms and blue trousers, as well as others in traditional attire dressed in orange, surrounding a flagpole at the center. A man in orange clothing, serving as the flag bearer, is preparing for the flag-raising ceremony. From the flags they are holding and the color combinations, this likely represents a small flag-raising event in India. Everyone is focused on the flagpole, and the Indian national flag, made up of orange, white, and green, features an emblem in the middle. The background of the ceremony consists of a building with a brick wall, which is adorned with many small Indian flags as decoration. This looks like an important national festival in India, similar to Independence Day, suggesting that the flag-raising ceremony is being conducted in celebration of this national holiday.', 'This is at an outdoor ceremony with many people. In the middle of the photo, there is a person surrounded by a few circles; the outermost circle is made up of someone wearing white clothing, while the people inside are wearing orange tops. They are gathered in front of a pole and standing outside a building. They are conducting some kind of ceremony where everyone has their hands clasped together and are appearing to clap. The photo is taken at the base of a large tree.']
|
[False, False, True, False]
|
[nan, nan, 'Indian national flags.', nan]
|
In this collection of photographs, we see a vibrant and detailed scene filled with a large group of people gathered together for what appears to be a ceremonial event. The first image depicts a significant number of individuals, primarily men and perhaps young boys, who are mostly dressed in white formal shirts that are untucked, paired with black pants and black shoes. Among the group, there is a young boy distinctively wearing a yellow shirt, while still adhering to the black pants and shoes attire. The setting suggests a festive or formal atmosphere as they stand with their backs turned to the camera, showcasing them as a united group. In the background, there are women, who appear to be grouped around a tall flagpole. These women are adorned in clothing that features a striking orange and white color scheme. Additionally, hints of young girls can be discerned deeper in the background, contributing to the lively composition. A wall with a building behind it and a window can also be seen, along with the flag that signifies the nationality of the gathering. In the second photo, we observe a similar gathering involving more than ten individuals. Central to this scene is a white pole, around which the people congregate. This diverse group includes men, women, and children, suggesting a community event, possibly a celebration. They are seen with their hands raised, possibly waving small flags, featuring a color palette of green, white, and orange. Notably, this flag resembles the national flag of India, and the presence of several women in saris—traditional attire—reinforces this idea. It is suggested that this might not take place in America, given the absence of American flags and the cultural indications pointing toward an Asian setting. In the background, the wall presents a display of numerous small Indian flags, enhancing the likelihood that this scene is part of an important festive occasion. The third transcription describes a flag-raising ceremony, where individuals donning white school uniforms alongside blue trousers are present. Along with them, participants dressed in traditional orange attire surround a flagpole, with one man specifically identified as the flag bearer, poised to announce the raising of the flag. The focus of the group is evidently directed towards the flagpole where the Indian national flag, characterized by its orange, white, and green sections adorned with an emblem, is to be raised. This event is taking place against a backdrop of a brick wall building, decorated with multiple small Indian flags, indicating a celebratory atmosphere. The event bears resemblance to national festivities in India, such as Independence Day, underscoring the significance of the flag-raising as a part of the observed holiday. Lastly, an outdoor ceremony is visible, where numerous attendees have gathered. In the center of this particular photograph is a person encircled by others, creating concentric circles of participants. The outermost circle consists of individuals dressed in white clothing, while the inner circle contains those in orange tops. They gather in front of the pole, indicating the communal nature and collective spirit of the ceremony, where individuals are seen clasping their hands—possibly in a moment of respect or reverence—as they appear to be clapping. This photo is notably taken underneath a large tree, symbolizing grounding and nature's presence at this significant gathering. The combination of all these elements suggests a heartfelt celebration infused with cultural significance, likely honoring a national or community-based event.
|
Dans cette collection de photographies, nous voyons une scène vibrante et détaillée remplie d'un grand groupe de personnes rassemblées pour ce qui semble être un événement cérémoniel. La première image montre un nombre significatif d'individus, principalement des hommes et peut-être de jeunes garçons, qui sont pour la plupart vêtus de chemises blanches formelles non rentrées, accompagnées de pantalons noirs et de chaussures noires. Parmi le groupe, il y a un jeune garçon portant distinctement une chemise jaune, tout en respectant la tenue de pantalons et de chaussures noires. L'environnement suggère une atmosphère festive ou formelle alors qu'ils se tiennent de dos à la caméra, montrant ainsi qu'ils forment un groupe uni. En arrière-plan, il y a des femmes, qui semblent être regroupées autour d'un grand mât de drapeau. Ces femmes sont vêtues de vêtements arborant un schéma de couleur orange et blanc frappant. De plus, on peut distinguer des jeunes filles plus loin dans l'arrière-plan, contribuant à la composition animée. Un mur avec un bâtiment derrière lui et une fenêtre sont également visibles, ainsi que le drapeau qui signale la nationalité du rassemblement. Dans la deuxième photo, nous observons un rassemblement similaire impliquant plus de dix individus. Au centre de cette scène se trouve un mât blanc, autour duquel les gens se regroupent. Ce groupe diversifié comprend des hommes, des femmes et des enfants, suggérant un événement communautaire, peut-être une célébration. Ils sont vus avec les mains levées, probablement en agitant de petits drapeaux, présentant une palette de couleurs verte, blanche et orange. Notamment, ce drapeau ressemble au drapeau national de l'Inde, et la présence de plusieurs femmes en saris — une tenue traditionnelle — renforce cette idée. On suggère que cet événement pourrait ne pas avoir lieu en Amérique, étant donné l'absence de drapeaux américains et les indications culturelles pointant vers un cadre asiatique. En arrière-plan, le mur présente une exposition de nombreux petits drapeaux indiens, augmentant la probabilité que cette scène fasse partie d'une occasion festive importante. La troisième transcription décrit une cérémonie de lever de drapeau, où des individus portant des uniformes scolaires blancs avec des pantalons bleus sont présents. Avec eux, des participants vêtus de vêtements traditionnels orange entourent un mât de drapeau, un homme étant spécifiquement identifié comme le porteur du drapeau, prêt à annoncer le lever du drapeau. Le groupe semble manifestement focalisé sur le mât où le drapeau national indien, caractérisé par ses sections orange, blanche et verte ornées d'un emblème, doit être hissé. Cet événement se déroule sur fond d'un bâtiment en briques, décoré de plusieurs petits drapeaux indiens, indiquant une atmosphère festive. L'événement ressemble aux festivités nationales en Inde, telles que le Jour de l'Indépendance, soulignant l'importance du lever du drapeau en tant que partie de la fête observée. Enfin, une cérémonie en plein air est visible, où de nombreux participants se sont rassemblés. Au centre de cette photographie particulière se trouve une personne entourée d'autres, créant des cercles concentriques de participants. Le cercle extérieur est composé d'individus vêtus de vêtements blancs, tandis que le cercle intérieur contient ceux en hauts orange. Ils se rassemblent devant le mât, indiquant la nature communautaire et l'esprit collectif de la cérémonie, où les individus sont vus joignant les mains — peut-être dans un moment de respect ou de révérence — alors qu'ils semblent applaudir. Cette photo est notablement prise sous un grand arbre, symbolisant le ancrage et la présence de la nature lors de ce rassemblement significatif. La combinaison de tous ces éléments suggère une célébration sincère empreinte de signification culturelle, probablement en l'honneur d'un événement national ou communautaire.
|
fr
| 360
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['1BBADvMbM6C1', '1nZIB4pW0xgg', '1bCefoBIuDXh', '1fWgKHwswfkI', '1i2pLmfljwCu', '1e7JFhHVjjc5']
|
[' In the picture, it is an Asian cultured supermarket. It is full of different kinds of food and commodities. On the ceiling, it was decorated by a pine apple ladder. In the middle, there is a demonstration table. You can see there is a lot of commodities on it. Maybe it was instant noodles or some seasoning stuff. Also, you can see a huge shelf, promotion shelf. There is a poster. The poster indicates that this food or commodity is under promotion or discounted. On the right side, there is a four-level shelf full of food and commodities. This means this supermarket is a high-end supermarket. The storage is really good. On the left side, there is a checkout counter. We can see more than five people in this picture. Some of them were the supermarket personnel. On the right side, there are three people who came here for food and stuff. We can see a person who was here. He was in a black shirt and green pants. He was right-handed and carried a green bag. He definitely came here for a lot of stuff.', ' So this image depicts the inside of a supermarket or grocery store, possibly one that specializes in Asian food or festive food, given the decorations and products. In the image, there are many food products, which include containers stacked on display tables. You can see a few shoppers. You see decorations like hanging pineapple shaped ornaments and other festive decorations. You see fully stocked shelves. You see a signage that says self-checkout, indicating that the store is functional. In the image, you also see a large decorative display showcasing packaged goods. Shelves on both the left and the right are filled with various grocery items, and customers are positioned toward the back, moving through the aisles. The arrangement of food items is red and gold, which aligns with traditional festive themes. The store appears to be well stocked and organized, indicating a high traffic shopping area. You also can notice the aisles and shelves filled with groceries and more festive decorations hanging from the ceiling. The style and colors include red, gold, and yellow, which is significant in Chinese culture. The store is likely preparing for a festival like Chinese New Year or Mid-Autumn Festival. The busy and well-stocked environment indicates that it is a high demand shopping period, which is where one could assume that it is leading up to a holiday. The store is also a great place to shop. You can see the store is open all day long. You can see the store is open all day long. You can see the store is open all day long.', "This photo is what seems to be of like a supermarket, like an Asian supermarket. There are these lanterns hanging from the ceiling that are designed like pineapples with sort of red tassels hanging underneath them as well. There's three people or there's five people I can see in the store. Two of the people appear to be wearing black masks and they're all just shopping. Uh, and these are, or I can see sort of like the, um, I can make out sort of some signs. Like I see a sign that says self-checkout towards the left of the photo, a sign that says exit towards the left of the photo. Um, in the foreground, the sort of products that they're selling, I'm not 100% sure exactly what they are, but they seem to have, or there's a lot of like red design in the packaging and whatnot. Um, and. You can see there's like lots of it as well. Um, yeah, it's just like of a, of like a China of like, kind of like a, like a 99 ranch market or like an H Mart or something like that. Um, yeah, you can see like two of the people are sort of like haggling over like the price of something near the back. And then there's another person that's like walking by them with a green bag, like looking at what they're talking about. Um, and then the two people towards the left that are wearing the masks, um, I'm not so sure if they're together. But they're sort of just, again, just like shopping around, like minding their own business.", 'The scene is an indoor environment filled with a variety of items, and we can see several people shopping for products, indicating that this is an indoor supermarket. There are a few ceiling decorations resembling pineapples made of yellow foam hanging above. Below, there are various items packaged in red, suggesting that this photo was taken during a festive time. Among these items, we can see they are all beautifully packaged. In the background, there is some text, including the English phrase "self checkout," indicating that this is the self-checkout area, along with some Chinese characters that say "celebrating the Spring Festival," suggesting that the photo was taken during the Chinese New Year. Additionally, we can see different products in the far end of the supermarket, like freezers and their contents, including some beverages. We can also see some people preparing to check out with the items they have picked up.', 'This photo shows what appears to be a Chinese supermarket in the United States or another Western country. Some of the text reads "A prosperous welcome to the Year of the Dragon" and "Reunion and celebration for the Spring Festival." This is likely from the Year of the Dragon, specifically the Spring Festival of 2024. There are some people in the image, all of whom are Caucasians wearing masks; I guess this might be due to the pandemic or cooler weather, as they are not wearing short sleeves. The products on display are mostly red-themed, with items priced at three dollars. There are signs for "self checkout" and "exit" at some of the exits. Hanging above are yellow pineapple lanterns, possibly because they didn’t have ready-made Chinese lanterns, so they decorated with pineapples featuring the character for "blessing" attached. There are also some designs with traditional Chinese elements. The people appear to be shopping around the time of the Spring Festival.', 'This is an Asian supermarket with a lot of red-packaged foods in the lower left corner of the picture. On the left, there is a self-checkout counter, and next to the counter, there are some drinks. In the middle of the image, there are some people who seem to be customers, as well as some standing individuals who appear to be staff. In the center, there is something resembling a door that represents Asian culture, adorned with some yellow lanterns that look a bit like pineapples, possibly indicating a seasonal food. On the right side of the image, there are rows and rows of snacks.']
|
[False, True, True, False, True, True]
|
[nan, 'This is most likely a picture of a Chinese supermarket', 'Asian supermarket', nan, 'Chinese supermarket in US', "I think it's an asian grocery store"]
|
In the picture, we see a vibrant and bustling Asian-themed supermarket characterized by its extensive variety of food items and other commodities. The ceiling is adorned with decorations that resemble pineapple-shaped lanterns, which feature bright colors and red tassels hanging beneath them, adding a festive touch to the environment. Central to the store is a demonstration table displaying an array of products, possibly including instant noodles and various seasonings, enticing shoppers to sample or purchase them. On the right side of the image, there is a well-organized four-level shelf brimming with food items, showcasing the supermarket's high-end status and excellent stock management. Prominently displayed is a promotional shelf with a poster indicating that certain items are available at discounted prices, typical of supermarkets aiming to attract customers. The arrangement of products exhibits a festive color palette dominated by red and gold, which reflects traditional Chinese cultural motifs and suggests preparations for an important celebration like the Chinese New Year or the Mid-Autumn Festival. Moving through the store, one can observe several shoppers engaged in their buying experience. Over five individuals are visible, with some identified as supermarket personnel. Among the customers, there is a male shopper dressed in a black shirt and green pants, identifying as right-handed while carrying a green bag, hinting at his intent to purchase a large quantity of goods. As we scan the interior, we also notice clear signage indicating the presence of self-checkout stations, which promotes convenience for shoppers, and exit signs guiding people out of the store. The festive decorations and carefully organized aisles suggest that this supermarket is a popular spot among shoppers, particularly during peak seasons surrounding holidays. In particular, as we further analyze the environment, we see a beautifully designed display filled with packaged goods that not only caters to everyday grocery needs but also reflects the cultural festivities at play. The colors and elements suggest that the supermarket is well-prepared for shoppers seeking traditional food items that are popular during celebratory occasions, driven by a high demand, as indicated by the busy atmosphere throughout the store. The indoor environment captures a blend of local Western influences while maintaining distinct Asian cultural references, such as the food packaging dominated by a color theme resonating with celebrations. The festive decorations, including the yellow lanterns that resemble pineapples—possibly a creative alternative due to unavailability of traditional lanterns—showcase the store's effort to create an inviting and culturally rich experience for shoppers during important events like the Spring Festival.
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在这幅图片中，我们看到一个充满活力和热闹的亚洲主题超市，以其丰富多样的食品和其他商品为特点。天花板上装饰着类似菠萝形状的灯笼，色彩鲜艳，并挂着红色流苏，给环境增添了一抹节日气息。超市中央是一张展示台，展示着一系列产品，可能包括方便面和各种调味品，吸引顾客品尝或购买。 图片右侧有一个井然有序的四层货架，上面摆满了食品，显示出超市的高端地位和出色的库存管理。一个显眼的促销货架上贴着海报，表明某些商品正在打折，典型的吸引顾客的超市策略。产品的排列展示了以红色和金色为主的节日色调，反映了传统中国文化的主题，暗示着正在为如春节或中秋节等重要庆祝活动做准备。 在商店中移动时，可以观察到几位顾客正在进行购物体验。超过五个人出现在画面中，其中一些被识别为超市人员。在顾客中，有一位身穿黑色衬衫和绿色裤子的男性购物者，他是右撇子，手里提着一个绿色的袋子，暗示他打算购买大量商品。 当我们扫视内部时，还注意到明显的标识，指示自助结账台的存在，为顾客提供便利，以及指引人们出店的出口标志。节日装饰和精心组织的过道表明，这家超市在顾客中非常受欢迎，尤其是在假日的高峰季节。 进一步分析环境时，我们看到一个设计精美的展示区，里面满是包装好的商品，不仅满足日常采购需求，还反映出其中的文化节庆气息。色彩和元素表明，这家超市已为寻求传统食品的顾客做好了充分准备，这些传统食品在庆祝活动期间非常受欢迎，而商店忙碌的氛围也进一步印证了这一点。 室内环境交融了当地西方影响，同时保持了鲜明的亚洲文化特点，比如食品包装以庆祝为主题的色彩。节日装饰，包括那些类似菠萝的黄色灯笼——可能是由于传统灯笼缺乏而创造的替代品——展示了商店在重要活动如春节期间为顾客提供一个温馨而富有文化内涵体验的努力。
|
zh-cn
| 4,767
|
|
['English', 'Spanish']
|
['12iffcdDZAHY', '1ogyyWoEWfFG']
|
[" This image appears to be some sort of old clay kettle that's located in the front that's sitting on a pile of bricks outdoors. Looks like it's a sunny day with clouds. And next to this kettle, it looks like there's bags of rocks. There's a number of these bags layered on top of each other. And it looks like this is in between, inside of an alleyway, which is located between two houses. The bricks themselves have holes, plenty of holes. And the bags of rocks seem to be very gray and dark. The pot itself looks old and it has a circular top, probably a handle where someone can grab and pour from. And the lid can, like, can... It looks like the lid is sealed on. Not sure if someone can take that off and on.", 'This photo contains a base. It is not known what liquid is inside, but it can be held from the top. It is on top of some, not stones, but bricks of a typical brick color. And behind that, there are some bags, all made of the same material inside. They seem to be rocks. So, it looks like there are about 15 bags of rocks, all stacked on top of each other. Further back, there is a track. And some structures of slightly tall buildings. And it appears to be a yellow base. Yes.']
|
[False, False]
|
[nan, nan]
|
The scene depicted in the image features an old clay kettle prominently positioned in the foreground, resting upon a stack of bricks situated outdoors. The setting is illuminated by sunlight with a few scattered clouds in the sky, suggesting a pleasant day. Adjacent to the kettle, there are multiple bags filled with rocks, which appear to be arranged in layers on top of one another. This entire scene is located within an alleyway that runs between two houses, giving it a somewhat secluded atmosphere. The bricks on which the kettle rests are notably pockmarked, showcasing a variety of holes that add character to the structure. The bags of rocks are dark gray in color, contributing to the rough and rustic aesthetic of the environment. The kettle itself exhibits signs of age, characterized by a circular top which seems designed for a handle, allowing for ease of gripping and pouring. However, it is unclear whether the lid of the kettle is removable, as it appears to be tightly sealed. In the background of the scene, the image reveals a broader context that includes additional elements such as a track and several slightly taller buildings, which contribute to the urban feel of the alleyway. The kettle seems to have a yellow undertone, creating a contrast with the more neutral colors of the surrounding materials. Overall, this portrayal offers a glimpse into an everyday urban setting, rich with physical textures and colors that evoke a sense of history and function.
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Cảnh tượng được mô tả trong hình ảnh là một cái ấm đất cũ đặt nổi bật ở phía trước, resting trên một chồng gạch nằm ngoài trời. Bối cảnh được chiếu sáng bởi ánh nắng mặt trời với một vài đám mây lơ lửng trên bầu trời, gợi ý về một ngày dễ chịu. Bên cạnh cái ấm, có nhiều túi chứa đá, được sắp xếp thành các lớp chồng lên nhau. Toàn bộ cảnh tượng này nằm trong một con hẻm giữa hai ngôi nhà, mang lại không khí khá tách biệt. Những viên gạch mà cái ấm đặt lên có nhiều vết lõm, cho thấy một loạt các lỗ tạo nên đặc trưng cho cấu trúc. Các túi đá có màu xám đậm, góp phần tạo nên vẻ thô ráp và mộc mạc cho môi trường. Cái ấm thể hiện dấu hiệu của tuổi tác, với phần trên hình tròn dường như được thiết kế để cầm nắm, giúp dễ dàng trong việc rót. Tuy nhiên, không rõ nắp của cái ấm có thể tháo rời hay không, vì nó có vẻ được đậy chặt. Ở phía nền của cảnh, hình ảnh tiết lộ một bối cảnh rộng hơn bao gồm các yếu tố bổ sung như một con đường và một vài tòa nhà hơi cao hơn, góp phần tạo nên cảm giác đô thị của con hẻm. Cái ấm dường như có sắc thái màu vàng, tạo ra sự tương phản với các màu sắc trung tính của các vật liệu xung quanh. Tổng thể, mô tả này đưa ra cái nhìn về một bối cảnh đô thị hàng ngày, phong phú với các kết cấu vật lý và màu sắc gợi lên cảm giác về lịch sử và công năng.
|
vi
| 10,834
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['14iZD4pXg8Yv', '112cNQa2QAUw', '1fMlN3fCCubo', '1cyAbN3TCIyI', '1a3xPs0YrnqP', '1aadFJ6fXWau']
|
[" So this seems to be either a screenshot or like a film or like a photo during the shot of maybe a drama series of traditional Chinese drama series. So they are wearing traditional Chinese customers. There are two female characters. The background seems to be a cliff with a yellow stone. And both of them are wearing some white long dresses, which is a traditional Chinese custom. And they have black hair, very long hair, have some decorations. And also the yellow stone. And the female character, that lady on the left side, has a band on her waist. And she seems to wear a blue skirt or dress. And she's also holding a pile of blue flowers.", " The image appears to be of two East Asian women based on their hair and skin color and clothing. One of them in the foreground has her back turned. She has long black hair and she's wearing a white top and a bluish bottom. And in her left hand she's holding a bouquet of blue flowers, lots of blue, small blue flowers. The other woman is in the background at an angle looking forward. And she has a full white dress, traditional style it seems. And in the background there appears to be a brownish... reddish... rock or wall or rock face. So this is likely outside taking during the day. It's a photorealistic image, there's no text. Uh... This might be for a wedding or another ceremony. Because of the flowers and the formal traditional wear.", " This is a photo of two females. The female in the foreground has her back to us. She is wearing a white dress with some blue colored accents. She's carrying a bouquet of blue and white flowers. The female on the left is in the background. She too is wearing a white dress of some sort. Both subjects appear to be Asian. And there is what appears to be a rock formation in the background. There appears to also be a... There appears to also be a shrub or a small tree of some sort on the lower left-hand side of the image. Otherwise, there are no other details to speak of in this image, except other than the fact that the female on the right-hand side appears to have some sort of clip in her hair. And there also appears to be perhaps maybe a veil. And there also appears to be perhaps maybe a veil that she's wearing that's white in color.", 'In the frame, there are two women dressed in a style that is currently quite common for ancient costumes in China, which is more akin to those seen in certain television dramas. Both of them are wearing white clothing and sporting long hair styled with wigs, along with some white hair accessories. The woman closer to the camera is holding a bouquet of blue flowers. The background of their scene features a bare hillside, where exposed stones are visible with a light earth tone and some patterns, along with noticeable ravines. In the distance, the other woman is holding a rabbit prop.', 'This image depicts two girls wearing traditional Chinese clothing, which we now refer to as Hanfu. The image does not contain any text. One character is seen from the back and the other from the front. The back view appears on the right side of the image, while the girl in front is on the left side, standing in front of a mountain. The girl on the right is holding a bouquet of flowers, and the item the girl on the left is holding is unclear due to pixelation. The background is daytime in a park. Notably, both their attire and the decorative items in their hair indicate that this is traditional Chinese Hanfu. However, it is clear that this photo is set in modern times, taken by modern people imitating ancient Chinese clothing as part of a themed landscape photo. There are not many other noteworthy details.', 'In this picture, there are two Chinese women dressed in traditional Hanfu, taking a photo. The woman on the left is facing down to the right; she has bangs and her hair is styled in a traditional way, with two strands falling over her chest. She is wearing a white outfit. The woman on the right has long hair, also with two strands draping over her chest. She has hairpins and some traditional ornaments in her hair, and she wears a black belt positioned higher on her waist, along with a white outfit. She is holding a bouquet of blue flowers, which have tightly packed petals. They appear to be standing in front of a mountain, which has a brownish-yellow color.']
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[False, True, True, True, True, True]
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[nan, 'Yes, because of the clothing.', nan, 'These outfits are more like Han Chinese clothing that has been aesthetically enhanced for film and television. People from other ethnic groups may not be able to distinguish this.', 'Chinese cloth', nan]
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The image presents two East Asian women, both elegantly dressed in traditional Hanfu, a style that is deeply rooted in Chinese cultural heritage. The attire consists of long flowing white dresses, embellished with subtle blue accents that embody the classic beauty of ancient Chinese fashion. The woman on the right is depicted from the back, showcasing her long, black hair arranged in a traditional style, with distinct bangs framing her face. Her hair is adorned with decorative hairpins that enhance the overall aesthetic of her outfit. She gracefully holds a bouquet of small blue flowers, the color suggesting serenity and harmony, which is often a motif in ceremonial and formal occasions. The woman in the foreground is positioned at an angle, gazing away, which adds a sense of mystery to the composition. She, too, possesses long, dark hair styled similarly, with strands cascading over her chest. In contrast to the woman on the left, she has her outfit supplemented with a black belt that sits higher on her waist, adding an element of sophistication and structure to her otherwise flowing garment. The background of the photograph is a stunning natural landscape, portraying a bare hillside characterized by its rocky formations with earthy tones of brown and yellow. This rocky backdrop lends an air of authenticity to the scene, reminiscent of the landscapes often depicted in traditional Chinese dramas. The exposure of the stones and the light ravines indicates that the setting is outdoors, likely captured during daylight, which enhances the vividness of the traditional attire. Noteworthy is the detail that this imagery, while reflective of ancient customs, seems to have a modern context, as indicated by the photo being taken as part of a themed event or a landscape photo shoot, where the subjects are imitating the styles of the past. Both women exude elegance and poise in this moment, which suggests they could be participating in a cultural event or a ceremonial gathering, further emphasized by the floral bouquet that could signify celebration or festivity. The presence of a shrub or small tree to the lower left of the image adds a touch of natural beauty, framing the subjects in an organic setting while highlighting the harmony between traditional attire and the picturesque landscape.
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Bildet viser to østasiatiske kvinner, begge elegant kledd i tradisjonell Hanfu, en stil som er dypt forankret i kinesisk kulturarv. Bekledningen består av lange, flytende hvite kjoler, utsmykket med subtile blå detaljer som legemliggjør den klassiske skjønnheten til gammel kinesisk mote. Kvinnen til høyre er avbildet bakfra, noe som fremhever hennes lange, svarte hår - stylet på en tradisjonell måte, med markante pannelugger som rammer inn ansiktet hennes. Håret hennes er pyntet med dekorative hårnåler som forbedrer den totale estetikken i antrekket. Hun holder grasiøst en bukett små blå blomster, fargen antyder ro og harmoni, noe som ofte er et motiv i seremonielle og formelle anledninger. Kvinnen i forgrunnen er plassert i en vinkel, med blikket vendt bort fra kameraet, noe som gir en følelse av mystikk til komposisjonen. Også hun har langt, mørkt hår stylet på lignende måte, med lokker som kaskaderer over brystet hennes. I kontrast til kvinnen til venstre, har hun antrekket supplert med et svart belte som sitter høyere på livet, noe som tilfører et element av sofistikert og struktur til det ellers flytende plagget. Bakgrunnen i fotografiet er et fantastisk naturlandskap, som viser en naken bakke preget av steinete formasjoner med jordfarger av brunt og gult. Denne steinete bakgrunnen gir en autentisk følelse til scenen, som minner om landskapene ofte avbildet i tradisjonelle kinesiske dramaer. Utsatte steiner og lyse raviner indikerer at settingen er utendørs, sannsynligvis fanget i dagslys, noe som forbedrer livligheten i den tradisjonelle bekledningen. Det er verdt å merke seg at dette bildet, mens det reflekterer gamle skikker, tilsynelatende har en moderne kontekst, slik det fremgår av at fotografiet ble tatt som en del av et temabasert arrangement eller en landskapsfotografering, hvor motivene imiterer stilene fra fortiden. Begge kvinnene utstråler eleganse og verdighet i dette øyeblikket, noe som antyder at de kan delta i et kulturelt arrangement eller en seremonell samling, ytterligere understreket av blomsterbuketten som kan signalisere feiring eller festligheter. Tilstedeværelsen av en busk eller lite tre nederst til venstre i bildet tilfører et preg av naturlig skjønnhet, og rammer inn motivene i en organisk setting mens den fremhever harmonien mellom tradisjonell bekledning og det pittoreske landskapet.
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no
| 2,500
|
|
['English', 'Chinese', 'Chinese']
|
['1v56ELWhl7a8', '15JhiAWTgk3y', '1oaRd7Z6Bosy']
|
[' The image is of what appears to be some type of Chinese game show or award show they are setting up. It appears that there are journalists in front of the show talking about what will happen. The seats are still relatively empty and there is a large crowd of people gathered on stage right now. This image is from a site called weibo.com and it is at a link slash rthkc Chinese gold songs. The stage itself is a white stage with a large arch but underneath the arch is a screen that has a large LED display. On both sides of the arch are additional LED back lights. The background has a current blue and red lighting pattern.', 'In the photo, it initially looks like a performance, perhaps a show. We can see that there are some words in the background, which gives the impression of a television channel or a recorded program. There are many people on stage, and some audience members below, but I can\'t clearly see the text. However, in the bottom right corner, we can see that it says "Top Ten Chinese Gold Songs," and it has the Weibo stamp, which means this program is likely related to music.', 'This image features many people in a live broadcasting studio or similar venue. The photo appears to be taken from a somewhat distant location, possibly by an audience member. The stage is crowded with numerous individuals, and there are several words displayed prominently above the stage, flanked by large lights. In the lower right corner of the image, there is a Weibo logo, and below "Top Ten Chinese Golden Songs" is a string of a URL, likely directing to this Weibo account. The top of the image is illuminated with many lights shining down on the stage, making the scene look very bright. The background has a curved design, possibly representing an arch or something similar, and behind it, there is a red and blue polygonal pattern.']
|
[False, False, False]
|
[nan, nan, nan]
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The image depicts what appears to be a Chinese game or award show in the process of being set up. A group of journalists is positioned in front of the stage, discussing the forthcoming events. The seating area is largely unoccupied, indicating that the audience has not yet filled the venue, while a large assembly of individuals is gathered on stage. This particular image is sourced from the website weibo.com, specifically from a link related to "rthkc Chinese gold songs." The stage is predominantly white and features a large arch, beneath which there is an expansive LED display screen. Flanking both sides of this arch are additional LED backlights that enhance the visual appeal. The ambiance of the background is enriched with a modern blend of blue and red lighting patterns, contributing to an energetic atmosphere. Further examination of the photo reveals that it initially gives the impression of a live performance or showcase. Words can be discerned in the background, suggesting a television channel or a pre-recorded program setup. There are numerous performers and crew members on stage, as well as some audience members visible below, although the text is somewhat unclear. However, in the bottom right corner, "Top Ten Chinese Gold Songs" is clearly displayed, accompanied by the Weibo logo, indicating that this program is likely music-related and celebrates notable works in the Chinese music industry. In this live broadcasting venue, the image captures a bustling scene filled with activity. The perspective suggests that the photograph may have been taken from a distance, possibly by an audience member. The stage area is crowded with individuals working on the production, and several words are prominently visible above the stage, framed by significant lighting fixtures that illuminate the setting intensely. The lower right corner features the Weibo logo alongside the phrase “Top Ten Chinese Golden Songs,” which seems to contain a URL likely directing to this Weibo account. The upper portion of the image is vibrant with lights aimed at the stage, enhancing the overall brightness of the scene. The background design includes a curved shape, possibly an artistic arch, with a striking red and blue polygonal pattern that adds depth and a contemporary look to the overall aesthetic of the event.
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تصویر میں ایک چینی کھیل یا ایوارڈ شو کی تیاری کا منظر دکھایا گیا ہے۔ ایک گروپ صحافیوں کا اسٹیج کے سامنے موجود ہے، جو پیش آنے والے واقعات پر گفتگو کر رہے ہیں۔ بیٹھنے کا علاقہ زیادہ تر خالی ہے، جو یہ ظاہر کرتا ہے کہ ناظرین نے ابھی تک جگہ نہیں بھری ہے، جبکہ اسٹیج پر ایک بڑی تعداد میں افراد جمع ہیں۔ یہ خاص تصویر ویب سائٹ weibo.com سے لی گئی ہے، خصوصاً "rthkc چینی گولڈ گانز" کے متعلق ایک لنک سے۔ اسٹیج کی زیادہ تر سطح سفید ہے اور اس میں ایک بڑا آرک شامل ہے، جس کے نیچے ایک وسیع LED ڈسپلے اسکرین موجود ہے۔ اس آرک کے دونوں جانب اضافی LED بیک لائٹس ہیں جو بصری کشش کو بڑھاتی ہیں۔ پس منظر کی فضا جدید نیلے اور سرخ روشنی کے پیٹرن کے ساتھ بھری ہوئی ہے، جو ایک توانائی بخش ماحول میں اضافہ کرتی ہے۔ تصویر کا مزید تجزیہ کرنے پر یہ پہلی نظر میں ایک زندہ پرفارمنس یا شوکیس کا تاثر دیتی ہے۔ پس منظر میں الفاظ پڑھنے میں آتے ہیں، جو کسی ٹیلی ویژن چینل یا پہلے سے ریکارڈ کردہ پروگرام کے سیٹ اپ کی طرف اشارہ کرتے ہیں۔ اسٹیج پر کئی پرفارمرز اور عملے کے افراد ہیں، اور نیچے کچھ ناظرین بھی نظر آتے ہیں، حالانکہ متن کچھ واضح نہیں ہے۔ تاہم، دائیں نیچے کونے میں "ٹاپ ٹین چینی گولڈ گانز" واضح طور پر دکھائی دیتا ہے، جس کے ساتھ Weibo کا لوگو ہے، جو یہ ظاہر کرتا ہے کہ یہ پروگرام ممکنہ طور پر موسیقی سے متعلق ہے اور چینی موسیقی کی صنعت میں قابل ذکر کاموں کو مناتا ہے۔ اس زندہ نشریاتی مقام میں، تصویر میں سرگرمی سے بھرا ہوا منظر نمایاں ہے۔ نقطہ نظر یہ تجویز کرتا ہے کہ یہ تصویر ممکنہ طور پر دور سے لی گئی ہے، شاید کسی ناظرین کی طرف سے۔ اسٹیج کا علاقہ ان افراد سے بھرا ہوا ہے جو پروڈکشن پر کام کر رہے ہیں، اور اسٹیج کے اوپر کئی الفاظ نمایاں طور پر نظر آ رہے ہیں، جنہیں اہم روشنی کے آلات روشن کرتے ہیں۔ دائیں نیچے کونے میں Weibo کا لوگو "ٹاپ ٹین چینی گولڈن گانز" کے ساتھ موجود ہے، جس میں ایک URL شامل ہے جو ممکنہ طور پر اس Weibo اکاؤنٹ کی طرف اشارہ کرتا ہے۔ تصویر کا اوپر کا حصہ اسٹیج کی طرف مڑنے والی روشنی سے بھرا ہوا ہے، جو منظر کی مجموعی چمک کو بڑھاتا ہے۔ پس منظر کا ڈیزائن ایک مڑتے ہوئے شکل میں ہے، ممکنہ طور پر ایک فنکارانہ آرک، جس میں ایک دلکش سرخ اور نیلے پولیگن پیٹرن ہے جو ایونٹ کی مجموعی جمالیات میں گہرائی اور جدید نظر ڈالنے کا اضافہ کرتی ہے۔
|
ur
| 24,809
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['1ap3MTK1Zfm1', '1gUmTsS7iq74', '14mvxAoZZwOe', '19teMt1DciZu', '1cvWgtKWvs4z', '1kkpD0DWlJk4']
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[' In this picture, immediately we can see fish and soup and there is spun spices on top, cilantro and chilli and also probably a sour soup, fermented vegetables, sour vegetables In a yellow soup, the fish is white fish and red chilli and green cilantro sprinkled on top. Most likely some sauerkraut fish that is more famous in Chinese culture. And sour sauerkraut fish soup that is spicy. The soup is on a pan or metal bowl. The soup is on a pan or metal bowl.', " So this is a traditional Chinese or Sichuan dish called the Sun Cai Yu, so it's like a pickled fish. The color is very vibrant thanks to the pickles inside the dish, which is like a little bit dark green or black color surrounding the image. In the center is the fish meat, which is white and also filled with red peppers to increase the spicy level of the dish. And the image at first glance is a dish. There is no text, mainly just inside the bowl. And then the colors are very vibrant because of the soup that appears to be yellow or dark green color. A person can infer this is in the soup. This is in a restaurant or could be at home too, because the image is shot from the container. And this is culturally distinct because of the origin of the food. But this could exist in any country.", " So this seems to be a picture of just a singular dish. There's some white stuff in this. It seems like it's some sort of soup. There's a broth, which is kind of yellowish. There's this whitish, maybe like octopus or something like that in it. There's also kind of these pepper, cut up, sliced up chili pepper. And there's like these green, maybe onion flakes. But yeah, it's just a single kind of zoomed in photo of this soup dish. There are also like these maybe seaweeds, like black seaweeds. Not as much as the white meat or white ingredient. There are a lot of... And yeah, it just seems like it's just an image of a soup dish. So yeah, that's it.", "This picture should depict a traditional Chinese dish. If I'm not mistaken, it is likely sour fish or golden fish slices, which are traditional delicacies. The color of the soup base is yellow, and there are some green bits that look like leaves, which should be sauerkraut. The middle part of the image features fish slices that have been cooked in hot water, and on top of the fish slices, there are some dried chili flakes and chopped green onions. This dish, a very traditional Chinese recipe, likely has a bit of spiciness to it.", "This is a dish that contains a lot of fish and sauerkraut, so it should be sour fish with sauerkraut. It occupies the center of the entire screen, and the background is a bowl. It is a Sichuan dish, and its color features white fish, a golden soup base, and red and green accents—red from the chili peppers and green from the scallions, along with the dark-colored sauerkraut. This is a very famous dish called sour fish with sauerkraut, and many people really enjoy eating it. It has a strong fan base in China. Its flavor is primarily sour and spicy, with the sourness from the sauerkraut and the spiciness from the chili peppers. The fish is also particularly tender; the slices are very thin. Especially if it's fresh fish, there is no fishy smell, and some fish even have no bones, making it a complete delight for the taste buds.", 'This is a dish that contains fish slices, topped with chili. The background is a yellow soup, with some green onions on top. Inside the soup, there’s some pickled cabbage; it should be a pickled cabbage fish soup. It’s fish meat, it’s fish meat. It’s fish meat.']
|
[True, True, False, True, True, False]
|
[nan, nan, nan, 'Chinese dish', 'Chinese food', nan]
|
In this collection of images, we encounter a highly appetizing traditional Chinese dish known as "Suan Cai Yu," which translates to sour fish with pickled vegetables. This hearty meal is characterized by its vibrant colors and rich textures as captured in the photographs. The first image showcases a dish filled with a yellow, soupy broth that appears to be made from a base of fermented vegetables, contributing to its sour flavor profile. Within this dish, we can clearly see pieces of white fish swimming in the broth, topped with a sprinkling of bright red chili and fresh green cilantro that adds both color and flavor. The presentation is likely in a metal bowl, further enhancing the rustic feel of the dish, which is popular within Chinese cuisine and particularly recognized in Sichuan culture. The second description emphasizes the visual appeal of the dish, where the rich broth is a striking yellow, possibly from spices or pickling agents. The center of the dish prominently features tender fish, which contrasts beautifully against the dark green or black pickles. The use of red peppers not only adds to the aesthetic but also increases the spice level typical of Sichuan style cooking. The image suggests that this dish could be prepared in a traditional restaurant setting or in a home, reflecting its cultural significance and adaptability across different environments. In another perspective, the photo reveals a singular focus on the soup dish itself, indicating details such as a yellowish broth that may contain elements like octopus intermingled with sliced chili peppers and green onion flakes for garnishing. It also hints at the addition of black seaweed, which may contribute further complexity to the dish’s overall flavor profile. This highlights the attention to detail often seen in Asian soups and the nuanced combination of ingredients that goes into a traditional meal. A further description elaborates on the dish’s characteristics, confirming its identity as sour fish or golden fish slices, underscored by its yellow soup base. The visual slice of fish, complemented by dried chili flakes and chopped green onions, reveals a deep-seated culinary tradition within Chinese cuisine that values both flavor and presentation. Lastly, the overall conclusion reinforces the culinary heritage of this dish, recognizing its popularity not just in China but potentially in various other countries where authentic Sichuan cuisine may thrive. The description points out key ingredients, including tender fish and the vibrant sourness imparted by the sauerkraut, making it a favorite among those who enjoy complex and multi-layered flavors. It is important to note that dishes like these typically feature fresh fish, which is prized for its lack of a fishy smell and for being boneless, presenting an appealing dining experience. The combination of sourness and spice creates a delightful palate experience that leaves a lasting impression.
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In dieser Sammlung von Bildern begegnen wir einem äußerst schmackhaften traditionellen chinesischen Gericht, das als "Suan Cai Yu" bekannt ist, was übersetzt "saurer Fisch mit eingelegtem Gemüse" bedeutet. Diese herzhafte Mahlzeit zeichnet sich durch ihre lebendigen Farben und reichen Texturen aus, wie in den Fotografien festgehalten. Das erste Bild zeigt einen Teller mit einer gelben, suppigen Brühe, die anscheinend aus einer Basis fermentierter Gemüse hergestellt wird und zu ihrem sauren Geschmacksprofil beiträgt. Innerhalb dieses Gerichts sehen wir deutlich Stücke von weißem Fisch, die in der Brühe schwimmen, garniert mit einer Prise leuchtend rotem Chili und frischem grünem Koriander, der sowohl Farbe als auch Geschmack hinzufügt. Die Präsentation erfolgt wahrscheinlich in einer Schüssel aus Metall, was das rustikale Gefühl des Gerichts weiter unterstreicht, das in der chinesischen Küche beliebt ist und besonders in der Sichuan-Kultur anerkannt wird. Die zweite Beschreibung hebt die visuelle Anziehungskraft des Gerichts hervor, wo die reichhaltige Brühe ein auffälliges Gelb hat, möglicherweise durch Gewürze oder Pökelmittel. In der Mitte des Gerichts sind zarte Fischstücke prominent platziert, die einen schönen Kontrast zu den dunkelgrünen oder schwarzen eingelegten Gemüsen bilden. Der Einsatz von roten Paprika trägt nicht nur zur Ästhetik bei, sondern erhöht auch das für die Sichuan-Küche typische Spiceniveau. Das Bild lässt vermuten, dass dieses Gericht in einem traditionellen Restaurant oder zu Hause zubereitet werden könnte, was seine kulturelle Bedeutung und Anpassungsfähigkeit in verschiedenen Umgebungen widerspiegelt. Aus einer anderen Perspektive zeigt das Foto einen singulären Fokus auf das Suppengericht selbst und weist auf Details wie eine gelbliche Brühe hin, die Elemente wie Tintenfisch enthält, vermischt mit geschnittenen Chilischoten und grünen Zwiebel-Flocken zur Garnierung. Es wird auch auf die Zugabe von schwarzem Seetang hingewiesen, der zur weiteren Komplexität des Gesamtgeschmacks des Gerichts beitragen könnte. Dies hebt die Detailgenauigkeit hervor, die oft in asiatischen Suppen zu sehen ist, sowie die nuancierte Kombination von Zutaten, die in ein traditionelles Gericht eingehen. Eine weitere Beschreibung erläutert die Merkmale des Gerichts und bestätigt seine Identität als sauren Fisch oder goldene Fischscheiben, unterstrichen durch die gelbe Suppenbasis. Der visuelle Schnitt des Fisches, ergänzt durch getrocknete Chiliflocken und gehackte grüne Zwiebeln, offenbart eine tief verwurzelte kulinarische Tradition in der chinesischen Küche, die sowohl Wert auf Geschmack als auch auf Präsentation legt. Abschließend verstärkt die Gesamterschlussfolgerung das kulinarische Erbe dieses Gerichts und erkennt seine Beliebtheit nicht nur in China, sondern möglicherweise auch in verschiedenen anderen Ländern an, in denen authentische Sichuan-Küche gedeihen kann. Die Beschreibung weist auf wichtige Zutaten hin, darunter zarter Fisch und die lebendige Säure, die durch das Sauerkraut vermittelt wird, was es zu einem Favoriten unter denen macht, die komplexe und mehrschichtige Aromen schätzen. Es ist wichtig zu beachten, dass Gerichte wie dieses typischerweise frischen Fisch enthalten, der für seinen fehlenden fischigen Geruch und für die Tatsache, dass er grätenfrei ist, geschätzt wird und ein ansprechendes Esserlebnis bietet. Die Kombination aus Säure und Würze erzeugt ein wunderbares Geschmackserlebnis, das einen bleibenden Eindruck hinterlässt.
|
de
| 2,381
|
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['English', 'Chinese']
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['14x9F7AjNQho', '1gMPguF7CAO9']
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[" This is an image of a beach. There are many umbrellas on this beach. There's blue, yellow, green, multicolored umbrellas. There's a green trash can on the left. There are many people under the umbrellas, as well as in the distance. The image is a sailing out towards the sea. You can see people, many people in the ocean, flying. In the background, off to the right, there's a large mountain. It's a small mountain, because there's a sky. There are no clouds in this sky. It's blue, blue, and a beautiful sea. In the middle of the day, very, very pretty. The overall image is pretty, pretty, pretty good. The umbrellas have been indicated in the photos as well. This image is a dolphin skating in front of a monitor and umbrella, as well.", "At first glance, this is a picture of a beach with yellow sand and a blue sky. On the right side of the scene, there is half a mountain and a corner of a blue beach umbrella. The beach has many umbrellas in total, arranged in a complete row of six or seven, in green, yellow, and blue. On the left side, there’s also half of a yellow umbrella. Additionally, on the left side of the picture, there’s a dark green trash can. Beneath the umbrellas, some people are sunbathing along with their flip-flops and personal items. It can also be seen that there are a few people standing by the sea, possibly playing in the water. Overall, it looks like a resort-style beach, and these people should all be tourists, though some may be local residents. The only text present is on the umbrella, which seems to be in English letters, but it's not very clear."]
|
[False, False]
|
[nan, nan]
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This is an image depicting a vibrant beach scene characterized by golden-yellow sand and a cerulean blue sky. The ambiance is lively, filled with an array of colorful umbrellas, including shades of blue, green, yellow, and multicolored designs. Notably, there are six or seven umbrellas arranged in a neat row, creating an inviting space for relaxation. The umbrellas serve not only as sun protection but also contribute to the cheerful atmosphere of the beach. On the left side of the image is a dark green trash can, which is a common sight on beaches, aimed at encouraging cleanliness and environmental responsibility among beachgoers. Beneath the umbrellas, several people can be seen enjoying the sun, lounging on towels, and placing their flip-flops and personal belongings nearby, indicating a relaxed day at the beach. The scene also features a few individuals standing at the water's edge, likely playing in the gentle waves, adding to the overall sense of enjoyment and leisure. To the right of the image, a small mountain can be seen rising in the background. Its presence adds a natural backdrop to the coastal setting, complementing the picturesque environment. The sky above is clear with no clouds, allowing the sunlight to shine brilliantly upon the beach, emphasizing the beauty of the scene during the middle of the day. Additionally, there is a fascinating element presented in the description: a dolphin is depicted in a playful manner, skating in front of a monitor, which adds a whimsical touch to the overall image, though this detail may be interpreted metaphorically or stylistically rather than as a literal element of the beach scene. Overall, this photograph encapsulates the essence of a resort-style beach, teeming with life and activity, likely populated by tourists enjoying their seaside getaway, while also hinting at the presence of local residents who embrace the coastal lifestyle. The image captures the harmony between nature and recreation, showcasing a perfect day spent by the sea.
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यह एक छवि है जो एक जीवंत समुद्र तट के दृश्य को दर्शाती है, जिसमें सुनहरे-पीले बालू और नीले आकाश का वर्णन है। वातावरण जीवंत है, जिसमें विभिन्न रंगों की छतरियाँ हैं, जिनमें नीला, हरा, पीला और बहुरंगी डिज़ाइन शामिल हैं। विशेष रूप से, छह या सात छतरी एक सुंदर पंक्ति में व्यवस्थित हैं, जो विश्राम के लिए एक आमंत्रित स्थान बनाती हैं। ये छतरियाँ न केवल धूप से सुरक्षा प्रदान करती हैं, बल्कि समुद्र तट के खुशी भरे माहौल में भी योगदान देती हैं। छवि के बाईं ओर एक गहरे हरे रंग का कूड़ेदान है, जो समुद्र तटों पर एक सामान्य दृश्य है, जिसका उद्देश्य समुद्र तट पर आने वालों के बीच स्वच्छता और पर्यावरणीय जिम्मेदारी को बढ़ावा देना है। छतरियों के नीचे, कई लोग धूप का आनंद लेते हुए दिखाई दे रहे हैं, तौलियों पर बैठे हैं और अपनी चप्पलें और व्यक्तिगत सामान आसपास रखे हुए हैं, जो समुद्र तट पर आरामदायक दिन का संकेत देता है। दृश्य में कुछ व्यक्ति पानी के किनारे खड़े हैं, जो शायद हल्की लहरों में खेल रहे हैं, जिससे आनंद और आराम का सामान्य अनुभव बढ़ता है। छवि के दाईं ओर, एक छोटी पहाड़ी पृष्ठभूमि में उभरती हुई दिखाई देती है। इसकी उपस्थिति तटीय सेटिंग को एक प्राकृतिक पृष्ठभूमि देती है, जो इस रमणीय वातावरण को और बढ़ाती है। ऊपर का आकाश साफ है, बिना बादलों के, जो धूप को समुद्र तट पर शानदार ढंग से चमकने की अनुमति देता है, दिन के मध्य में दृश्य की सुंदरता को उजागर करता है। इसके अतिरिक्त, वर्णन में एक आकर्षक तत्व प्रस्तुत किया गया है: एक डॉल्फिन को एक मजेदार तरीके से, एक मॉनिटर के सामने स्केट करते हुए दर्शाया गया है, जो संपूर्ण छवि में एक मनमोहक स्पर्श जोड़ता है, हालांकि यह विवरण समुद्र तट के दृश्य का एकliteral तत्व के रूप में अधिक प्रतीकात्मक या शैलिक रूप में व्याख्यायित किया जा सकता है। कुल मिलाकर, यह तस्वीर एक रिसॉर्ट-शैली के समुद्र तट की आत्मा को संजोती है, जो जीवन और गतिविधि से भरा हुआ है, संभवतः उन पर्यटकों द्वारा आबाद जो अपना समुद्र तट की छुट्टी का आनंद ले रहे हैं, जबकि स्थानीय निवासियों की उपस्थिति का भी संकेत करती है जो तटीय जीवनशैली को अपनाते हैं। छवि प्रकृति और मनोरंजन के बीच की समरसता को पकड़ती है, समुद्र किनारे बिताए Perfect दिन को प्रदर्शित करती है।
|
hi
| 17,929
|
|
['English', 'Chinese']
|
['13PtgP6yDv2i', '13yBLaTWIWz8']
|
[" This is a photo of a woman on either a talk show or a singing competition. She's standing in the middle of the photo with a microphone. In the background is a sort of black background with yellow stripes. The woman is Asian, and there's Asian lettering in the top right corner and top left corner. The woman is holding what seems like two sheets of paper. She's holding the microphone in her right arm, and she has brown hair. There's text on the microphone. She's wearing a brown and yellow and white dress, mostly brown. She's looking off to the left, and she seems to be either mid-speaking or mid-speaking. She's singing in this photo.", 'It seems to be a program from Hong Kong, possibly a meeting shown in a picture, but it lacks context, so it shouldn\'t be interpreted as a meeting for leaders. "Create T4 Card" appears to be a live program for a meeting, with a female host who is likely a member of the Hong Kong Radio Asia team, then making an announcement about the "Create T3 Card." This image isn\'t very visually appealing; it looks like the actors are expressing something, and then they mention "T4 Card" or something that resembles the plot, which seems to be already playing. They say they are just recording, presumably after watching it, and during the live broadcast, it feels like it’s just starting to touch emotions; I think that should be the case.']
|
[True, True]
|
['Asian talk show or singing competition', '香港电视台']
|
This is a photograph depicting a woman, likely on a talk show or a singing competition platform, who is positioned at the center of the image, confidently holding a microphone. She is of Asian descent and has brown hair, dressed in a visually engaging outfit that features predominantly brown shades accentuated with yellow and white hues. The background is composed of a dramatic black canvas interspersed with striking yellow stripes, which may be intentionally designed to draw attention to the subject in the foreground. In her right arm, she clasps the microphone, while her left hand holds what appears to be two sheets of paper, possibly containing lyrics or notes pertinent to her performance. The woman has a focused expression as she gazes towards the left side of the frame, suggesting that she is either mid-speech or in the act of singing, adding a dynamic element to the photo. In the top left and right corners, there are Asian characters that could represent the name of the show or further identification relevant to the content being presented. While the overall aesthetic of the image is somewhat lacking in visual appeal, it captures a moment of emotional expression from the host, who is likely affiliated with the Hong Kong Radio Asia team. The setting potentially refers to a program titled "Create T4 Card," which seems to be part of a live broadcast event where the host makes an announcement related to an initiative called "Create T3 Card." The context hints at a gathering—though the details remain vague—suggesting that the broadcast may not entail a formal meeting among leaders, but rather a creative or community-focused discussion. Observers note that while the image captures a candid moment, there is a palpable sense that emotional themes are beginning to emerge, as the broadcast unfolds. The participants in the scene, including the woman at the center, seem to be engaged in a process where feelings are beginning to surface, reflecting the intricate dynamics often found in live performance settings.
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Đây là một bức ảnh mô tả một người phụ nữ, có thể đang tham gia một chương trình trò chuyện hoặc một đấu trường ca hát, đứng ở trung tâm của bức ảnh, tự tin cầm một chiếc micro. Cô ấy có nguồn gốc châu Á và có mái tóc nâu, mặc một bộ trang phục nhìn rất thu hút với các sắc thái chủ yếu là màu nâu được làm nổi bật bằng những tông màu vàng và trắng. Phông nền là một bức canvas đen kịch tính, lẫn lộn những sọc vàng nổi bật, có thể được thiết kế một cách có chủ đích để thu hút sự chú ý vào nhân vật chính phía trước. Cô ấy đang giữ micro bằng tay phải, trong khi tay trái cầm hai tờ giấy, có thể chứa lời bài hát hoặc ghi chú liên quan đến phần trình diễn của cô. Gương mặt của người phụ nữ thể hiện sự tập trung khi cô nhìn về phía bên trái của khung hình, gợi ý rằng cô đang giữa bài phát biểu hoặc đang hát, thêm vào đó một yếu tố động cho bức ảnh. Ở góc trên bên trái và bên phải, có các ký tự châu Á có thể đại diện cho tên của chương trình hoặc thêm thông tin nhận dạng liên quan đến nội dung đang được trình bày. Mặc dù tổng thể thẩm mỹ của hình ảnh có phần thiếu sức hấp dẫn, nhưng nó ghi lại một khoảnh khắc bày tỏ cảm xúc từ người dẫn chương trình, người có thể liên quan đến đội ngũ của Đài Phát Thanh Châu Á Hồng Kông. Bối cảnh có thể ám chỉ đến một chương trình mang tên "Tạo Thẻ T4," có vẻ như là một phần của một sự kiện phát sóng trực tiếp nơi người dẫn chương trình đưa ra thông báo liên quan đến một sáng kiến gọi là "Tạo Thẻ T3." Nội dung gợi ý về một buổi gặp gỡ—mặc dù các chi tiết vẫn còn mơ hồ—gợi ý rằng buổi phát sóng có thể không bao gồm một cuộc họp chính thức giữa các nhà lãnh đạo, mà thay vào đó là một cuộc thảo luận mang tính sáng tạo hoặc cộng đồng. Các quan sát viên nhận thấy rằng mặc dù bức ảnh ghi lại một khoảnh khắc tự nhiên, có một cảm giác rõ ràng rằng các chủ đề cảm xúc đang bắt đầu xuất hiện, khi buổi phát sóng diễn ra. Các thành viên tham gia trong cảnh vật, bao gồm người phụ nữ ở trung tâm, dường như đang tham gia vào một quá trình mà cảm xúc đang bắt đầu nổi lên, phản ánh sự động thái phức tạp thường thấy trong các thiết lập biểu diễn trực tiếp.
|
vi
| 24,697
|
|
['English', 'Chinese', 'Chinese']
|
['17YraU1eGiCn', '1ih1tS6LvVqr', '17TBJv5VnGcK']
|
[" At first glance, the image appears to be a sports stadium. In the stadium, we have a variety of seats that are of different color. Right in the middle, there appears to be a wrestling match and a seat for most likely the judges. The text in the image is not visible. Right in the middle of the stadium, we have a wrestling match. Subtle details is we have individuals scattered around the stadium. And on the judges seat, we have about three judges sitting there. The background of the stadium is just the different colored seats. We have red seats, orange seats. The base of the stadium floor is blue. And there is a boundary that's red.", 'At first glance, I saw a sports venue. Surrounding the venue are spectator seats, some red and some yellow, but there isn’t a single person in the seats. In the center of the picture is a sports platform. Upon closer inspection, it looks like there’s a square boxing ring in the middle, and the ring has barriers on all four sides. Next to the barriers, there are two rows of tables and chairs that look like where judges or some staff might sit. On the left side of the boxing ring in the very center of the venue, I see two rows of people sitting there, possibly preparing for something. Inside the venue, there are also several people in red clothing who appear to be staff, likely preparing for the match or cleaning up afterwards.', 'This photo appears to be taken in a stadium with an area in the middle that looks like where the players play during a match. Above it, the word "Beijing" is written in red, and there are other words that are not very clear, possibly referring to a brand or clothing. In the top right corner, there is a label. In the background, many of the seats are red, the left side is orange, and there are some blue sections on the right. Below, the field has a section that seems to be for referees, with players in the middle and referees on either side. The seats are arranged in a large circle around the entire field, which is currently empty with no people, no players, and no spectators—just a few referees, so it is mostly vacant.']
|
[False, False, False]
|
[nan, nan, nan]
|
At first glance, the image initially presents itself as a sports stadium, characterized by a variety of colorful spectator seats. The stadium features a wrestling match occurring prominently in the center, with a designated area for judges positioned nearby. Although the text within the image is not clearly visible, the scene is filled with subtle details, including individuals scattered throughout the stadium. Specifically, there are three judges seated in the judge's area, adding a sense of authority and oversight to the match. The background of the stadium is marked by a contrasting palette of seat colors, with prominent hues of red and orange. The base of the stadium floor is distinguished by a striking blue color, creating a vibrant setting. Surrounding the main wrestling area is a bright red boundary that likely serves to define the competition space. Diving deeper into the details, another observation reveals that the venue also resembles a sports platform where a match could be taking place. The seating arrangement around the venue consists of chairs and tables, which appear to be designated for judges or staff. Notably, the ringside area includes barriers on each side, indicating it is a square boxing ring, implying that the action is not limited to wrestling but could also encompass various combat sports. In terms of personnel, there seems to be a notable absence of audience members in the seats. However, there are two rows of individuals seated centrally in proximity to the boxing ring, potentially as competitors or team members awaiting their turn. Additionally, several individuals clad in red uniforms—likely staff members—are visible, indicating preparations for the upcoming match or management duties following the event. The scene is further enriched by textual elements overhead, with the word "Beijing" prominently displayed in red, suggesting a geographical significance or branding element. Other less legible text may correlate with sponsorship or promotional branding, emphasizing the commercial aspect of the event. Overall, the stadium's circular seating arrangement is massive, enveloping the vacant field that lacks players or spectators at this time, leaving just a handful of referees supervising the area. The combination of empty seats, vibrant colors, and the noteworthy presence of staff paints a vivid picture of a stage set for sporting events, awaiting action.
|
Nhìn thoáng qua, hình ảnh ban đầu hiện lên như một sân vận động thể thao, được đặc trưng bởi nhiều ghế ngồi đầy màu sắc cho khán giả. Sân vận động có một trận đấu vật diễn ra nổi bật ở trung tâm, với một khu vực dành cho các trọng tài được đặt gần đó. Mặc dù văn bản trong hình ảnh không rõ ràng, nhưng cảnh vật tràn đầy những chi tiết tinh tế, bao gồm những cá nhân xuất hiện rải rác trong sân vận động. Cụ thể, có ba trọng tài ngồi trong khu vực trọng tài, tạo thêm cảm giác quyền lực và giám sát cho trận đấu. Nền của sân vận động được đánh dấu bởi bảng màu ghế tương phản, với những gam màu đỏ và cam nổi bật. Mặt sàn của sân vận động được phân biệt bằng một màu xanh nổi bật, tạo ra một khung cảnh sống động. Xung quanh khu vực đấu vật chính là một ranh giới màu đỏ sáng, có lẽ dùng để xác định không gian thi đấu. Khi đi sâu hơn vào các chi tiết, một quan sát khác cho thấy rằng địa điểm này cũng giống như một nền tảng thể thao, nơi có thể diễn ra một trận đấu. Sự sắp xếp chỗ ngồi xung quanh địa điểm bao gồm ghế và bàn, có vẻ như dành cho các trọng tài hoặc nhân viên. Đặc biệt, khu vực bên ngoài dây đeo bao gồm các rào chắn ở mỗi bên, cho thấy đây là một sàn đấu quyền Anh hình vuông, ngụ ý rằng hành động không chỉ giới hạn trong môn vật mà còn có thể bao trùm nhiều môn thể thao chiến đấu khác. Về mặt nhân sự, dường như có sự vắng mặt đáng chú ý của khán giả trong các chỗ ngồi. Tuy nhiên, có hai hàng cá nhân ngồi ở trung tâm gần sàn đấu quyền Anh, có thể là các đối thủ hoặc thành viên đội ngũ đang chờ đến lượt. Thêm vào đó, một số cá nhân mặc đồng phục đỏ—có lẽ là nhân viên—cũng hiện diện, cho thấy sự chuẩn bị cho trận đấu sắp tới hoặc các nhiệm vụ quản lý sau sự kiện. Cảnh vật còn được làm phong phú thêm bởi những yếu tố văn bản phía trên, với từ "Bắc Kinh" được hiển thị nổi bật bằng màu đỏ, gợi ý về một ý nghĩa địa lý hoặc yếu tố thương hiệu. Các văn bản khác ít rõ ràng hơn có thể liên quan đến việc tài trợ hoặc thương hiệu quảng cáo, nhấn mạnh khía cạnh thương mại của sự kiện. Tổng thể, sự sắp xếp chỗ ngồi hình tròn của sân vận động rất lớn, bao quanh một sân đấu trống vắng không có người chơi hay khán giả nào lúc này, chỉ còn lại một vài trọng tài giám sát khu vực. Sự kết hợp giữa những chỗ ngồi trống, màu sắc sống động, và sự hiện diện đáng chú ý của nhân viên tạo nên một bức tranh sinh động về một sân khấu đã chuẩn bị cho các sự kiện thể thao, đang chờ đợi hành động.
|
vi
| 25,536
|
|
['English', 'English', 'Tamil', 'Chinese', 'Chinese']
|
['1fzo0yVo5MuZ', '1hwLPlgIpePD', '1fyhhdohWI7U', '127nZkQDITpd', '1ma6uzrgc5wy']
|
[" So this image has a flag in it. It's a tall flagpole and then there's an orange flag on top. And behind that flag there's a statue of a guy riding a horse and he's got his sword out and he's charging. It looks like he's about to go into battle. And there's a blue background. The blue sky is a background and there's trees on either side. And all the trees have a bunch of green leaves on them and the floor is a brick. It's a brick floor. And there's a yellow and red curb. And there's all that stuff and then behind it there's all these trees and green and greenery and shrubs and all that. And also there's white stuff and there's a white page. There's a white thing under the statue. There's a long white marble looking thing. And it looks like this is part of something. It's a memorial for some war or something like that. It's hard to tell exactly from which.", " The picture shows a park. There is one orange flag in the center of the picture. It shows a pathway towards a flag. There are also a bunch of trees in the pictures. There is a statue of some sort of a figure riding a horse and holding a sword towards the sky. The statue is dark gray color. I don't see any legible text. This is probably some sort of a memorial statue in a park. Hard to tell what country it is. Because there are no signifying text or location signs. I do see a trash can in the picture, so it must be at a place where they care about disposing garbage properly. The background has blue sky, sunny day, with strong sun during the day.", "There is a cell and next to it, there's a flag that has been put up. A flag has come up, and behind it, there’s a kind of yellow flag beside the saree. Someone has been resting on something, raising their hand, with a bowl of milk in their hand. There are plenty of trees; for those who look, it seems like there’s something light in the distance. This tree is leading to a place where many people go, and they have nicely arranged the pathways to the statue. On that side, there’s a tent that looks like a dustbin, painted in red. It’s named after an actor, and it looks like something to see. There are two trees, and they have placed something resembling a board near the statue. After that, there are many more trees, about four of them, all in green. Further along, there's a flag that has a nice yellow color, and an orange flag as well; there’s a black line in that orange flag.", 'This should be a park or a site commemorating a great person. In the center of the picture, there is a large red flag, next to a sculpture that appears to be of a general or something similar, riding a horse. Surrounding it are some trees and other things, and it feels like the sculpture is inside a castle. There seems to be some writing that looks like Thai characters, but I’m not very sure about that. However, it should be Thai writing on it. So, I guess it is a park in Thailand.', "This is a horizontally composed image featuring a large number of trees, including big trees and shrubs, suggesting it is set in a park. In the center of the image, there is a national flag, and behind the flag, there is a pedestal with a monument. According to this image, the monument depicts a person on horseback waving their arm. It can be inferred that this may be a commemoration of a significant figure who made outstanding contributions to the nation. The monument is likely dedicated to honoring this individual, possibly located in a park where nearby citizens come to pay their respects or pray. The park's pathways are paved with yellow, and its edges and stairs are painted in striking red and white colors. The monument's pedestal is also in a bright orange hue, creating a vivid overall appearance, while the monument itself is gray, forming a sharp contrast."]
|
[False, False, False, True, True]
|
[nan, nan, nan, nan, nan]
|
In the first caption, it is described that the image features a tall flagpole topped with an orange flag. Behind this flag stands a statue of a man on horseback, brandishing a sword as if preparing for battle. This statue is set against a backdrop of a clear blue sky, with trees flanking either side; these trees are full of lush green leaves. The ground is comprised of brick, complemented by a yellow and red curb that outlines a pathway. Additionally, the image hints at the presence of white elements, including a long, white marble structure located beneath the statue, suggesting it may be part of a memorial dedicated to a particular war, although the specific context of the memorial remains ambiguous. The second caption presents the image as depicting a park scene where an orange flag is prominently positioned in the center, drawing the viewer’s attention along a pathway that leads to the flag. The landscape is dotted with numerous trees, and in the foreground, there is a statue of an equestrian figure holding a sword aloft. This statue is described as being a dark gray color, and it is suggested that it is likely a memorial statue located within the park. There appears to be no visible inscription or text that identifies the site, making it challenging to determine the specific country depicted. However, a trash can is noted in the scene, indicating that waste management and cleanliness are values upheld in this area. The background features a bright blue sky, indicative of sunny weather, bathed in the strong light of midday. The third caption brings attention to a different scene that includes a cell next to which a flag has been erected, characterized by its yellow hue alongside a saree. A person is depicted resting while raising their hand, holding a bowl of milk. Surrounding trees create a natural environment that leads towards a monument, with pathways laid out for visitors to navigate. A tent, described as resembling a dustbin and painted red, bears the name of an actor, adding a cultural reference to the environment. Near the statue, there is a board placed, and the greenery includes several trees in view, along with flags in both yellow and orange colors, the latter featuring a distinctive black line. The fourth caption speculates that the site may be a park or memorial dedicated to an esteemed individual. A large red flag is positioned centrally near a sculpture that appears to represent a general or similarly authoritative figure on horseback. The lush surroundings include various trees and structures that give the feel of a castle-like setting. Notably, there seems to be writing present that resembles Thai characters, suggesting that the image is likely set in Thailand. This inference adds a distinct cultural element to the scene, reinforcing the historical significance of the memorial. Lastly, the fifth caption describes a horizontally composed image, emphasizing a multitude of trees and shrubs, indicative of a park environment. Central to the composition is a national flag alongside a monument on a pedestal, which portrays a figure on horseback waving. This may signify a commemoration of a historically relevant individual who significantly contributed to the nation. The park, likely a gathering place for local citizens to pay their respects or engage in reflection, features pathways that are paved in yellow, while the edges and steps are vibrantly painted in red and white. The monument's pedestal is also bright orange, creating a striking visual contrast with the gray statue itself, highlighting the colors and textures of the memorial site.
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I den første teksten beskrives det at bildet viser en høy flaggstang med et oransje flagg på toppen. Bak dette flagget står en statue av en mann til hest som hever et sverd som om han forbereder seg på kamp. Denne statuen er satt mot en bakgrunn av en klar blå himmel, med trær som flankerer på begge sider; disse trærne er fulle av frodige grønne blader. Bakken består av murstein, komplementert av en gul og rød kant som avgrenser en gangvei. I tillegg antyder bildet tilstedeværelsen av hvite elementer, inkludert en lang, hvit marmorstruktur som ligger under statuen, noe som tyder på at det kan være en del av et minnesmerke dedikert til en bestemt krig, selv om den spesifikke konteksten for minnesmerket forblir uklar. Den andre teksten presenterer bildet som skildrende en park scene hvor et oransje flagg er plassert sentralt, noe som trekker betrakterens oppmerksomhet langs en sti som fører til flagget. Landskapet er prydet med tallrike trær, og i forgrunnen er det en statue av en rytterfigur som holder et sverd hevet. Denne statuen beskrives som værende mørkegrå, og det antydes at det sannsynligvis er en minnesmerke statue plassert i parken. Det ser ikke ut til å være noen synlig innskrift eller tekst som identifiserer stedet, noe som gjør det utfordrende å fastslå hvilket spesifikt land som avbildes. Imidlertid observeres en søppelbøtte i scenen, noe som indikerer at avfallshåndtering og renhold er verdier som opprettholdes i dette området. Bakgrunnen har en lys blå himmel, som indikerer solfylt vær, badet i sterkt lys fra middagstid. Den tredje teksten fokuserer på en annen scene som inkluderer en celle ved siden av hvilken et flagg er reist, preget av sin gule nyanse sammen med en saree. En person er avbildet hvilende mens han hever hånden, holder en bolle med melk. Omgivende trær skaper et naturlig miljø som fører mot et monument, med stier lagt ut for besøkende å navigere. Et telt, beskrevet som lignende en søppelbøtte og malt rødt, bærer navnet til en skuespiller, noe som gir en kulturell referanse til miljøet. Nær statuen er det plassert et skilt, og grøntarealet inkluderer flere trær i utsikt, sammen med flagg i både gule og oransje farger, der sistnevnte har en karakteristisk svart linje. Den fjerde teksten spekulerer i at stedet kan være en park eller et minnesmerke dedikert til en ansett person. Et stort rødt flagg er plassert sentralt nær en skulptur som ser ut til å representere en general eller en tilsvarende autoritativ figur til hest. De frodige omgivelsene inkluderer ulike trær og strukturer som gir følelsen av en slottslignende setting. Det ser ut til å være skrift til stede som ligner på thailandske tegn, noe som antyder at bildet sannsynligvis er satt i Thailand. Denne tolkningen tilfører et distinkt kulturelt element til scenen, og forsterker den historiske betydningen av minnesmerket. Til slutt beskriver den femte teksten et horisontalt komponert bilde, som fremhever et mangfold av trær og busker, noe som er karakteristisk for et parkmiljø. Sentrum for komposisjonen er et nasjonalt flagg sammen med et monument på en sokkel, som avbilder en figur til hest som vinker. Dette kan signalisere en kommemorasjon av en historisk relevant person som betydelig bidro til nasjonen. Parken, trolig et samlingspunkt for lokale borgere for å hedre eller delta i refleksjon, har stier som er belagt i gult, mens kantene og trinnene er livlig malt i rødt og hvitt. Monumentets sokkel er også lys oransje, som skaper en slående visuell kontrast med den grå statuen selv, og fremhever fargene og teksturene på minnesmerket.
|
no
| 12,040
|
|
['Korean']
|
['16XekTEUulrF']
|
['This appears to be a photo capturing a scene from a monk\'s lecture. The monk is seen holding a microphone and giving a lecture in front of the classroom. Judging by the banner behind him, which reads "Creating a Hopeful World with Ven. Beopryun," it can be inferred that this is a lecture by Ven. Beopryun. In front of him, several people are seated in chairs, attentively listening to the monk\'s words. Additionally, on the left, a broadcast camera is set up, suggesting that this lecture is being transmitted live, potentially on the internet or news channels. The attendees\' age range also appears to be diverse, with individuals from young adults to elderly people present.']
|
[False]
|
[nan]
|
The image depicts a scene from a lecture being conducted by a monk, prominently showcasing the speaker at the forefront. The monk, whose name is inferred to be Ven. Beopryun based on the banner displayed behind him, is actively engaged with his audience while holding a microphone. This suggests that he is communicating important concepts or teachings, likely related to the theme implied by the banner, which reads "Creating a Hopeful World with Ven. Beopryun." In the setting, a group of attendees is seated in chairs, clearly absorbed in the monk's lecture. The audience consists of a diverse age range, indicating inclusivity and potentially a broad appeal of the topic being discussed, as there are both young adults and elderly individuals present. Additionally, to the left of the monk, a broadcast camera is positioned, implying that this lecture is being transmitted live to a wider audience, possibly via the internet or through broadcast news channels. This setup suggests an intention to reach people beyond those physically present, emphasizing the importance of the teachings being shared by Ven. Beopryun and the desire to cultivate a hopeful mindset in a broader context.
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Das Bild zeigt eine Szene aus einer Vorlesung, die von einem Mönch gehalten wird, und hebt den Redner im Vordergrund hervor. Der Mönch, dessen Name sich aus dem Banner hinter ihm ableiten lässt und Ven. Beopryun zu sein scheint, ist aktiv im Austausch mit seinem Publikum, während er ein Mikrofon hält. Dies deutet darauf hin, dass er wichtige Konzepte oder Lehren vermittelt, die wahrscheinlich mit dem Thema des Banners zusammenhängen, das die Aufschrift "Eine hoffnungsvolle Welt mit Ven. Beopryun schaffen" trägt. In der Umgebung sitzt eine Gruppe von Teilnehmern auf Stühlen, die offensichtlich in die Vorlesung des Mönchs vertieft sind. Das Publikum besteht aus einer vielfältigen Altersgruppe, was auf Inklusivität hinweist und möglicherweise zeigt, dass das diskutierte Thema eine breite Anziehungskraft hat, da sowohl junge Erwachsene als auch ältere Personen anwesend sind. Zusätzlich ist links vom Mönch eine Übertragungskamera positioniert, was darauf hindeutet, dass diese Vorlesung live an ein breiteres Publikum übertragen wird, möglicherweise über das Internet oder durch Rundfunknachrichtensender. Diese Anordnung deutet darauf hin, dass das Ziel darin besteht, Menschen über die physisch Anwesenden hinaus zu erreichen, und hebt die Bedeutung der Lehren hervor, die von Ven. Beopryun geteilt werden, sowie den Wunsch, in einem breiteren Kontext eine hoffnungsvolle Denkweise zu fördern.
|
de
| 28,480
|
|
['English']
|
['18jkxktX9AnF']
|
[' The image is an Asian man sitting on a very Asian style of sofa. The sofa is blue with an array of yellow or gold flowers adorning the cushions. The man has very short hair and is wearing a computer bag over his shoulder. He has a white dress shirt, some light brown gray khaki pants, and some sneakers. This looks like he might be in his living room or some type of sitting room. The couch itself also has two circular cushions which match the pattern of the couch. The outside frame of the couch is made out of wood. The couch is carved to be very detailed and ornamented.']
|
[False]
|
[nan]
|
The image presents an Asian man seated comfortably on a distinctly Asian-style sofa, characterized by its vibrant blue color embellished with a rich assortment of yellow or gold floral patterns that grace the cushions. The man, displaying very short hair, carries a computer bag draped over one shoulder, suggesting a blend of functionality and style. He is dressed in a crisp white dress shirt paired with light brown or gray khaki pants, complemented by a casual pair of sneakers, contributing to an overall relaxed yet polished appearance. The setting appears to be either his living room or a cozy sitting area, offering a warm and inviting atmosphere. The sofa itself is adorned with two circular cushions that echo the floral design of the couch, enhancing its aesthetic appeal. The frame of the sofa is crafted from wood, showcasing intricate carvings that reflect a high level of artisanship and attention to detail, indicative of traditional Asian furniture design. This design not only adds to the visual richness of the piece but also speaks to cultural values of craftsmanship and the beauty of natural materials.
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L'image présente un homme asiatique assis confortablement sur un canapé d'un style typiquement asiatique, caractérisé par sa couleur bleue vibrante embellie d'une riche variété de motifs floraux jaunes ou dorés qui ornent les coussins. L'homme, affichant des cheveux très courts, porte un sac pour ordinateur en bandoulière, suggérant un mélange de fonctionnalité et de style. Il est habillé d'une chemise blanche impeccable associée à un pantalon khaki beige clair ou gris, complété par une paire de baskets décontractées, contribuant à une apparence globale à la fois détendue et soignée. L'environnement semble être soit son salon, soit un coin salon confortable, offrant une atmosphère chaleureuse et accueillante. Le canapé lui-même est orné de deux coussins circulaires qui rappellent le design floral du canapé, renforçant son attrait esthétique. La structure du canapé est fabriquée en bois, présentant des sculpturesintriquées qui reflètent un haut niveau d'artisanat et d'attention aux détails, caractéristiques du design de mobilier asiatique traditionnel. Ce design n'ajoute pas seulement à la richesse visuelle de la pièce, mais témoigne également des valeurs culturelles du savoir-faire et de la beauté des matériaux naturels.
|
fr
| 26,819
|
|
['Korean', 'Korean', 'Korean', 'Chinese', 'Chinese']
|
['15xNBFsgw3Lb', '1lU1LEaozOZC', '15vqdvn191gV', '1ih2icyj1DA2', '14c13zvlDFX3']
|
["The photo shows a white passenger car parked on the roadside. The side of the vehicle features a design that combines orange and white, along with a Kakao T logo, indicating that it is a Kakao T taxi from South Korea. The car model is estimated to be a Hyundai Sonata, a mid-sized sedan, and the front license plate follows the typical taxi format with black letters on a yellow background. On top of the vehicle, there is a taxi sign, and inside the front windshield on the driver's side, it appears there may be a taxi meter or card payment device. The road has lane markings, and there is a sidewalk beside it, with some surrounding buildings and facilities also visible. Overall, it is a clean and modern urban environment, suggesting that the taxi has temporarily stopped to pick up or drop off a passenger. Kakao T is a mobility taxi-hailing service brand operating in South Korea, and this vehicle seems to be a taxi operating through that platform. The white body and orange logo are designed to catch attention and easily distinguish it from other cars in the city.", 'This photo shows a Kakao T taxi, commonly seen in urban areas of South Korea. The vehicle appears to be a sedan model from Hyundai, characterized by a distinctive combination of white and yellow colors. The Kakao T logo is prominently displayed on the side of the car, indicating that it is operated by Kakao T, a leading mobility platform in South Korea. Beside it is the representation of Ryan, one of Kakao’s iconic characters. The top of the vehicle has taxi signs attached, and the front windshield displays an empty car sign, indicating that there are currently no passengers. The road where the taxi is parked is situated in a neatly maintained urban environment, surrounded by modern buildings and traffic facilities. This scene effectively illustrates the development of urban transportation culture in South Korea and the evolution of mobile-based taxi hailing services. This is what was recommended. Good job, it’s amazing!', "The transcription describes a scene involving a Kakao taxi from Hyundai. When looking at the photo, it seems like the driver is waiting outside to pick up a passenger. It appears to be a location with many taxis gathered, indicated by the presence of several vehicles. The car mentioned is a white Hyundai, and from the image, it gives the impression that it's waiting to head out somewhere. The inside of the car looks empty, and this emptiness is noted multiple times. The driver appears to be sitting and waiting, probably until a call comes in. There seem to be several similar cars nearby, suggesting that this could be a place where cars are congregating.", 'The whole scene mainly features a car that looks like a taxi; it is a white Hyundai sedan. On the side of its body, there is a sign with Korean writing topped with a yellow taxi sign. The license plate at the front is also yellow. The rear door section has some yellow patterns painted on it. Behind it, there is a similar Hyundai sedan, but the two cars do not seem to be the same model, although both have different yellow taxi signs on their roofs. Based on the writing and the Hyundai logo, this is likely a taxi from a certain place in South Korea. The background appears to be a large building resembling a sports stadium, and there is a painted lane nearby. These two taxis seem to be parked here waiting for passengers, perhaps because there is an ongoing event in the stadium, and they are waiting for the crowd to disperse so they can pick up some customers.', "From this image, we can see that the main object is a modern car. This car is primarily white, and on the back door, there are some orange book-like stripes, as well as a cartoonish logo that appears to be a reddish-orange color. Above this white car, there is a yellow sign that resembles a taxi. Additionally, on the front passenger door, there are four black Korean characters, suggesting that this car might be a taxi from South Korea. The entire taxi is modern. On the front hood, there is also a string of black text, and the car's license plate is yellow with black characters, which appears to have been blurred. In this image, there is a yellow sign, and behind this car, there are several other vehicles. The closest one is identical to it, another modern car, followed by a white car that is not clearly identifiable. This car is currently parked on the road, as we can see green areas and the yellow lines painted on the road along with written text. Further away, there is another car that seems to be entering or exiting a parking lot, as we can see a white car behind it along with a parking barrier and a payment machine. Even further back, there is a building with a lot of glass, giving the impression that the whole scene is at an airport or train station, or at a similar location where vehicles can park to await passenger pickup."]
|
[False, True, True, True, False]
|
[nan, 'It features a Kakao T taxi, a widely used taxi service in South Korea.', 'korean taxi', 'Korean characters and Hyundai car.', 'No']
|
The first image features a white passenger car parked on the roadside. This vehicle showcases a distinctive design that combines orange and white colors and carries a prominent Kakao T logo, indicating that it operates as a Kakao T taxi in South Korea. The car model is identified as a Hyundai Sonata, which is a popular mid-sized sedan. Notably, the front license plate follows the standard taxi format, featuring black letters on a bright yellow background. Atop the vehicle, a taxi sign is visible, and an observation made through the front windshield on the driver's side suggests the presence of a taxi meter or a card payment device. The surrounding environment is organized, with lane markings visible on the road and a sidewalk adjacent to it. Throughout the scene, modern buildings and facilities add to the clean urban atmosphere, indicating that the taxi has likely stopped temporarily to either pick up or drop off a passenger. Kakao T serves as a mobility taxi-hailing service brand in South Korea, and the vehicle's striking white body and eye-catching orange logo are specifically designed to stand out among other cars in the bustling city. In the second image, we observe another Kakao T taxi, which is frequently encountered in the urban landscapes of South Korea. This vehicle, another sedan model from Hyundai, is characterized by an eye-catching combination of white and yellow colors. The Kakao T logo is prominently displayed on the side, clearly marking it as part of the Kakao T service, a leading mobility platform in South Korea. Accompanying the taxi is a representation of Ryan, one of Kakao’s beloved characters, which adds a culturally familiar touch. The roof of the vehicle is mounted with taxi signs, while the front windshield indicates an empty car sign, signaling that there are currently no passengers within. The taxi is parked within a well-maintained urban area, surrounded by contemporary buildings and traffic infrastructure. This scene brilliantly encapsulates the advancement of urban transportation culture within South Korea, highlighting the evolution of mobile-based taxi-hailing services. The third transcription describes a scenario where a Kakao taxi, which is a white Hyundai, is depicted waiting for potential passengers. The image suggests an area where several taxis are assembled, evidenced by multiple vehicle positions. While the taxi's interior appears empty, this point is reiterated several times, conveying a sense of stillness as the driver remains inside, likely waiting for a job call. The presence of multiple similar cars implies this location might be a popular taxi gathering point. In the fourth transcription, the focus is once again on a white Hyundai taxi, recognized for its distinctive taxi attributes. It showcases a sign featuring Korean writing on the side, topped with a yellow taxi sign that is typical for such vehicles in the region. The front license plate mirrors this yellow color scheme. Furthermore, the rear door of the taxi features yellow patterns. In the background, a second Hyundai sedan is seen parked; although they are not identical models, both have distinct yellow taxi signs mounted on their roofs. The setting appears to be near a significant building that resembles a sports stadium, signifying that taxis might be waiting to collect passengers after an event concludes, reflecting typical urban transport dynamics during large gatherings. Finally, the fifth transcription presents an overview of a modern car, which is primarily white and features a back door adorned with orange book-like stripes and a cartoonish logo in a reddish-orange hue. Above the car is a yellow taxi sign. The presence of four black Korean characters on the front passenger door further indicates its taxi status in South Korea. This imagery continues by displaying a blurred yellow license plate with black characters. Additionally, multiple vehicles, another identical modern car, alongside other white cars, are parked on the road characterized by green areas and painted traffic markings, indicating a bustling urban environment. In the distance, one vehicle appears to be entering or exiting a parking lot, highlighting a scene possibly situated at an airport or train station. This suggests a location intended for passenger pickups, reinforcing the daily operations of taxis within such dynamic transport hubs.
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La primera imagen presenta un automóvil de pasajeros blanco estacionado al costado de la carretera. Este vehículo exhibe un diseño distintivo que combina colores naranja y blanco y lleva un prominente logo de Kakao T, indicando que opera como un taxi de Kakao T en Corea del Sur. El modelo del automóvil está identificado como un Hyundai Sonata, que es un sedán de tamaño mediano muy popular. Notablemente, la placa delantera sigue el formato estándar de taxi, con letras negras sobre un fondo amarillo brillante. En la parte superior del vehículo, se puede ver un letrero de taxi, y una observación a través del parabrisas delantero del lado del conductor sugiere la presencia de un taxímetro o un dispositivo de pago con tarjeta. El entorno que rodea el taxi está organizado, con marcas de carril visibles en la carretera y una acera adyacente. A lo largo de la escena, edificios y instalaciones modernos contribuyen a la atmósfera urbana limpia, indicando que el taxi probablemente ha detenido temporalmente para recoger o dejar a un pasajero. Kakao T sirve como una marca de servicio de taxi de movilidad en Corea del Sur, y el cuerpo blanco llamativo del vehículo junto con su logo naranja están diseñados para destacar entre otros automóviles en la bulliciosa ciudad. En la segunda imagen, observamos otro taxi de Kakao T, que es frecuentemente encontrado en los paisajes urbanos de Corea del Sur. Este vehículo, otro modelo de sedán de Hyundai, se caracteriza por una combinación llamativa de colores blanco y amarillo. El logo de Kakao T se exhibe de manera prominente en el costado, marcando claramente que forma parte del servicio de Kakao T, una plataforma de movilidad líder en Corea del Sur. Acompañando al taxi hay una representación de Ryan, uno de los personajes queridos de Kakao, lo que agrega un toque culturalmente familiar. El techo del vehículo está montado con letreros de taxi, mientras que el parabrisas delantero indica un letrero de coche vacío, señalando que actualmente no hay pasajeros dentro. El taxi está estacionado en un área urbana bien mantenida, rodeada de edificios contemporáneos e infraestructura de tráfico. Esta escena encapsula brillantemente el avance de la cultura del transporte urbano en Corea del Sur, destacando la evolución de los servicios de taxi basados en móviles. La tercera transcripción describe un escenario donde un taxi de Kakao, que es un Hyundai blanco, se representa esperando a posibles pasajeros. La imagen sugiere un área donde varios taxis están ensamblados, evidenciado por las múltiples posiciones de los vehículos. Aunque el interior del taxi parece vacío, este punto se repite varias veces, transmitiendo una sensación de quietud mientras el conductor permanece dentro, probablemente esperando una llamada de trabajo. La presencia de múltiples vehículos similares implica que esta ubicación podría ser un punto de encuentro popular para taxis. En la cuarta transcripción, el enfoque vuelve a un taxi Hyundai blanco, reconocido por sus distintivas características de taxi. Presenta un letrero con escritura coreana a un lado, coronado con un letrero de taxi amarillo típico de estos vehículos en la región. La placa delantera refleja este esquema de color amarillo. Además, la puerta trasera del taxi presenta patrones amarillos. En el fondo, se ve un segundo sedán Hyundai estacionado; aunque no son modelos idénticos, ambos tienen distintos letreros amarillos de taxi montados en sus techos. El entorno parece estar cerca de un edificio significativo que se asemeja a un estadio deportivo, lo que significa que los taxis podrían estar esperando recoger pasajeros después de que concluye un evento, reflejando las dinámicas típicas del transporte urbano durante grandes reuniones. Finalmente, la quinta transcripción presenta un resumen de un automóvil moderno, que es principalmente blanco y cuenta con una puerta trasera adornada con franjas naranjas similares a libros y un logo caricaturesco en un tono rojizo-naranja. Sobre el automóvil hay un letrero de taxi amarillo. La presencia de cuatro caracteres coreanos negros en la puerta del pasajero delantero indica aún más su estatus de taxi en Corea del Sur. Esta imagen se continúa mostrando con una placa de matrícula amarilla borrosa con caracteres negros. Además, múltiples vehículos, otro automóvil moderno idéntico, junto con otros automóviles blancos, están estacionados en la carretera caracterizada por áreas verdes y marcas de tráfico pintadas, indicando un entorno urbano bullicioso. A lo lejos, un vehículo parece estar entrando o saliendo de un estacionamiento, destacando una escena posiblemente situada en un aeropuerto o estación de tren. Esto sugiere una ubicación destinada a la recogida de pasajeros, reforzando las operaciones diarias de los taxis dentro de tales dinámicos centros de transporte.
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es
| 9,007
|
|
['English', 'Chinese']
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['1aZHu1iPNpe8', '11mzQYMdPq03']
|
[" This is a picture of a lady walking. She's walking, it looks like, away from something that says Canada Square. We can't see the whole thing. And then it says subway, top right. The lady is wearing white shoes that they're flat, but then they kind of go to the top of her foot. They're basically like flip-flops, but more materially around the heel. Then she's wearing a short black skirt with silver chains coming from around it. She's very skinny. She's wearing a pink and black shirt. It's somewhat flannel, but it's like a t-shirt. It looks like a warm day out. There's a guy in the background. There's a black and gray cars in the background. The guy in the background is also wearing a kind of a checkered shirt that's blue and red. There's an orange glow on the whole photo. The whole photo looks a little bit orangey and a little bit goldish, and it looks like there's sunlight being cast down. You can see also that there's a shadow in the photo. Coming to the left of the woman. So clearly she's standing in the sun. You can see the reflection of the building. You can see the two cars. You can see a traffic light, and you can see the sky, that there's no clouds in the sky.", 'The image captures a close-up of a woman on the street. She is talking on her phone and has yellow hair, wearing sunglasses and a pink plaid short-sleeve T-shirt, along with black shorts. Her skin appears quite dark, and she has a crossbody bag. On her feet, she is wearing white shoes. Behind her, there are two cars; a white car is closer to the camera, while a black car is further away. Additionally, there seems to be a tall building behind her, possibly a skyscraper or a shopping mall. The lighting in the scene suggests that the photo was taken during the day, and the overall style conveys a fashionable and vibrant atmosphere.']
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[False, False]
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[nan, nan]
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This description consists of two detailed observations of separate photos featuring women in urban settings, both reflecting elements of fashion and environment. In the first image, there is a lady walking away from a sign that says "Canada Square." The full sign is not visible, but "subway" is noted in the top right corner of the photo, indicating proximity to a subway station. The woman is wearing flat white shoes that resemble flip-flops but have added material around the heel for support. Her outfit includes a short black skirt adorned with silver chains, and she has a very slim physique. She sports a pink and black shirt that has a flannel appearance yet is designed like a t-shirt, suggesting comfort in warm weather. The scene implies a sunny day, as indicated by the warm orange and golden glow across the photo, which seems to suggest the sunlight filtering through, creating a vibrant atmosphere. The photograph also captures a man in the background dressed in a blue and red checkered shirt and features black and gray cars parked nearby. The presence of shadows on the left of the woman adds depth to the scene, while various urban elements such as a traffic light and reflections of nearby buildings can also be seen. The sky overhead appears clear, devoid of clouds, enhancing the feeling of brightness in the urban landscape. The second image is a close-up portrait of a woman on a city street engaged in a phone conversation. She has striking yellow hair, complemented by fashionable sunglasses and a pink plaid short-sleeve t-shirt paired with black shorts. Her skin tone is noticeably dark, and she carries a crossbody bag, suggesting a practical yet stylish choice for urban outings. On her feet, she wears white shoes that match her casual yet trendy appearance. In the background, two vehicles are visible, with a white car situated closer to the camera, while a black car is seen further back. The backdrop features a towering building that could be a skyscraper or a shopping mall, contributing to the urban ambiance of the scene. The lighting indicates it is daytime, and overall, the photo conveys a lively and fashionable atmosphere, accentuated by the woman's confident stance and attire.
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Denne beskrivelsen består av to detaljerte observasjoner av separate bilder med kvinner i urbane omgivelser, begge som gjenspeiler elementer av mote og miljø. I det første bildet går en dame bort fra et skilt som sier "Canada Square." Hele skiltet er ikke synlig, men "t-bane" er notert i øverste høyre hjørne av bildet, noe som indikerer nærhet til en t-banestasjon. Kvinnen har på seg flate hvite sko som ligner på flip-flops, men har ekstra materiale rundt hælen for støtte. Hennes antrekk inkluderer et kort svart skjørt prydet med sølvkjeder, og hun har en veldig slank fysikk. Hun har på seg en rosa og svart skjorte som ser ut som flanell, men er designet som en T-skjorte, noe som tyder på komfort i varmt vær. Scenen antyder en solfylt dag, som indikert av det varme oransje og gyldne lyset som sprer seg over bildet, og som ser ut til å antyde sollys som filtreres gjennom, noe som skaper en livlig atmosfære. Fotografiet fanger også en mann i bakgrunnen kledd i en blå og rød rutete skjorte, og viser svarte og grå biler parkerte i nærheten. Tilstedeværelsen av skygger til venstre for kvinnen gir dybde til scenen, mens ulike urbane elementer som et trafikklys og refleksjoner av nærliggende bygninger også kan sees. Himmelen over ser klar ut, fri for skyer, noe som forsterker følelsen av lys i det urbane landskapet. Det andre bildet er et nærbildeportrett av en kvinne på en gate i byen som er engasjert i en telefonsamtale. Hun har slående gult hår, komplementert med stilige solbriller og en rosa rutete kortermet T-skjorte i kombinasjon med svarte shorts. Huden hennes har en merkbar mørk tone, og hun bærer en crossover-veske, noe som tyder på et praktisk, men likevel stilig valg for urbane utflukter. På føttene har hun hvite sko som passer til hennes avslappede, men trendy utseende. I bakgrunnen er to kjøretøy synlige, med en hvit bil plassert nærmere kameraet, mens en svart bil ses lenger bak. Bakrunnen har en høy bygning som kan være en skyskraper eller et kjøpesenter, og bidrar til den urbane atmosfæren i scenen. Lyset indikerer at det er dagtid, og samlet formidler bildet en livlig og moteriktig atmosfære, forsterket av kvinnens selvsikre ståsted og antrekk.
|
no
| 14,739
|
|
['Japanese']
|
['1nBIIBtWycDK']
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['This is a picture of peanuts. It features three peanuts arranged with one in the back and two in the front. Inside one of the peanuts, there are two smaller peanuts within the shell. The background is bright blue, suggesting it might have been intentionally created by a photo studio. Furthermore, the glossy appearance of the peanut shells indicates that lighting was likely used in the shot. The surface of the peanut shells is very uneven and not smooth. Additionally, the peanut in the lower left is slightly cracked, showing some evidence of being nibbled, which could suggest the possibility of insect damage.']
|
[False]
|
[nan]
|
This image showcases a collection of peanuts meticulously arranged for visual appeal. There are three distinct peanuts positioned strategically, with one larger peanut placed at the back and two smaller ones in the foreground. Notably, one of the peanuts in the arrangement contains two smaller peanuts nestled within its shell, highlighting the natural form of the legume. The background of the photograph is a bright blue, which suggests that the setting has been crafted intentionally, likely in a photo studio environment to create a vibrant contrast with the earthy tones of the peanuts. The glossy finish on the peanut shells indicates that professional lighting techniques were employed during the photography process to enhance their appearance and texture. Upon closer examination, the surface of the peanut shells reveals an uneven and rugged texture, typical of peanuts, which adds character and authenticity to the image. Furthermore, the peanut located in the lower left corner exhibits a slight crack, alongside some apparent nibbles, which may imply the peanut has suffered from insect activity or damage. This small detail adds an intriguing element to the composition, potentially sparking curiosity about the lifecycle and treatment of the peanuts beyond their visual representation.
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이 이미지는 시각적 매력을 위해 세심하게 배열된 땅콩 컬렉션을 보여줍니다. 세 개의 땅콩이 전략적으로 배치되어 있으며, 그 중 하나는 뒤쪽에 위치한 큰 땅콩이고, 두 개는 전경에 있는 작은 땅콩입니다. 특히, 배열된 땅콩 중 하나는 껍질 안에 두 개의 작은 땅콩이 들어 있어 이 콩의 자연스러운 형태를 강조합니다. 사진의 배경은 밝은 파란색으로, 설정이 의도적으로 제작되었음을 나타내며, 땅콩의 자연적인 색조와 생동감 있는 대비를 이루기 위해 사진 스튜디오 환경에서 촬영된 것으로 보입니다. 땅콩 껍질의 광택 있는 마감은 촬영 과정 중 전문 조명 기법이 사용되었음을 나타내며, 그들의 외관과 질감을 향상시킵니다. 더 자세히 살펴보면, 땅콩 껍질의 표면은 고르지 않고 울퉁불퉁한 질감을 드러내며, 이는 땅콩 특유의 특징으로 이미지에 개성과 진정성을 더합니다. 또한, 왼쪽 아래 코너에 있는 땅콩은 약간의 균열과 눈에 띄는 물어본 자국을 보여주는데, 이는 땅콩이 해충의 활동 또는 손상을 입었을 가능성을 시사합니다. 이 작은 디테일은 구성을 더욱 흥미롭게 만들어, 땅콩의 생애 주기와 시각적 표현 이상의 취급에 대한 호기심을 유발할 수 있습니다.
|
ko
| 7,381
|
|
['English', 'Chinese', 'Chinese']
|
['1nX5di1bYFpR', '16XhXPIfGn5C', '14YT7q3nCkVx']
|
[" This image is of the view of a stage with people standing in front of it. It might be for a concert or other show. The stage has two black column or structures on either side and the center of it is lit up with blue lights. There are several people in the photo but most of them are standing closer to the stage and from their perspective this photo there are not that many people in the audience. There is a man who is taking picture of the stage. I do not see anybody. I see one person on the stage and maybe a setup of a some instruments on the stage. The ceiling has beams that are running away from us parallel. The ground is gray with lines running across it. There is a guy who is on the right who looks like he's walking to the left. Most of these people look like their adults and it does not look like the show is currently going on", "This picture is obviously taken in a place where people are dancing, likely at a nightclub. The entire lighting is in a blue tone, and all the people seem to be dancing, about several dozen of them. There are no words in the image, and everyone is gathered towards the front of the stage. Apart from the blue lights on the stage, the overall lighting is quite dim. People are wearing clothes more suited for the autumn or winter seasons, so I estimate it's around that time. They’re dressed quite warmly, and it should be late at night; otherwise, such an event wouldn’t happen during the day. That's about it.", "This image seems to be taken at a venue where some event is happening, with a stage in the front, but it's difficult to see the stage clearly. There are some spotlights shining on it, and beneath the stage, there are a few people. The main focus is on the stage, which is located in the center, along with dozens of people, also positioned in the middle of the image. The stage is centrally placed, yet many details aren't very clear. The background primarily consists of the blue stage lights, while the ground appears to be a gray color. The overall style feels somewhat oppressive and surreal. There isn't much information in the image, nor is there any text, so it gives the impression of being backstage at a performance or in the audience watching a show."]
|
[False, False, False]
|
[nan, nan, nan]
|
This image captures a view of a stage that is likely set up for a concert or performance, featuring individuals standing in front of it. On either side of the stage, there are two black columns or structures, while the central part of the stage is illuminated with vibrant blue lights, drawing attention. Several individuals are present in the photo, predominantly congregating closer to the stage. From their vantage point, it appears that the audience is not particularly large. Within the scene, a man is seen taking pictures of the stage, documenting the moment. There is one individual on the stage, possibly a performer or speaker, along with what seems to be a setup of some musical instruments, hinting at a live performance. The ceiling above features beams that extend parallel to the viewpoint, creating a sense of depth. The ground, colored gray with lines running across it, adds to the overall aesthetic. A man positioned on the right side of the image appears to be walking towards the left, while most of the individuals present are adults, suggesting the event is designed for a mature audience. Notably, it seems that the show has not yet started, or it may have concluded, as there is no active performance occurring in this moment. In another scene captured in a different image, the atmosphere suggests a lively dance environment, likely within a nightclub setting. The lighting is dominated by a moody blue hue, creating an energetic vibe as several dozen people are seen dancing enthusiastically near the front of the stage. There is no text present within the image, emphasizing the focus on the gathering. The ambiance is quite dim overall, except for the bright blue lights illuminating the stage area. The attendees are dressed warmly, reflecting the autumn or winter seasons, which suggests that the event is taking place at a late hour, as nightlife typically occurs after dark. The visual encapsulates the spirit of late-night revelry and social connection among the participants. Finally, there is another image taken at an event venue, with a stage positioned prominently at the forefront. Despite the central focus on the stage, details are somewhat obscured, making it hard to discern the scene clearly. Spotlights cast their glow on the stage, while beneath it, a few individuals are visible, perhaps waiting for the performance to commence or enjoying the ambiance. The area surrounding the stage is populated with dozens of people who appear to be immersed in the experience. The overall color palette leans towards blue, dominated by stage lighting, with the floor appearing gray. The surreal and somewhat oppressive ambiance may evoke mixed feelings, possibly reflecting the tension and excitement of a live event. There is a lack of textual elements in the image, further enhancing the uneasy feeling, as if the viewer is either backstage observing preparations or seated in the audience, caught up in the anticipation of the show.
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ఈ చిత్రంలో ఒక స్టేజ్ యొక్క దృశ్యం ఉంది, ఇది మీకు కాన్సర్ట్ లేదా ప్రదర్శన కోసం సిద్ధం చేసినదిగా అనిపిస్తుంది, ఇది దానికి ముందు నిలుచున్న వ్యక్తులతో కూడి ఉంది. స్టేజ్ యొక్క రెండు వైపుల, రెండు నలుపు కొలముకలు లేదా నిర్మాణాలు ఉన్నాయి, మరియు స్టేజ్ యొక్క కేంద్ర భాగం ప్రబలమైన నీలం బత్తీలు ద్వారా వెలిగించబడింది, ఇది శ్రోతలను ఆకర్షిస్తుంది. ఈ చిత్రంలో అనేక వ్యక్తులు ఉన్నాయి, వీరంతా స్టేజ్ దగ్గరకు చేరుకుంటున్నారు. వీరి దృక్షణంలో, ప్రత్యేకంగా పెద్ద శ్రోతలు లేవని అనిపిస్తుంది. దృశ్యంలో, ఒక వ్యక్తి స్టేజ్ యొక్క చిత్రాలను తీసుకుంటున్నాడు, ఆ క్షణాన్ని నిక్షిప్తం చేస్తుంటాడు. స్టేజ్పై ఒక వ్యక్తి ఉన్నాడులు, అవును అది ప్రదర్శనకోసం లేదా ప్రసంగించడానికి ఉండవచ్చు, అలాగే ఒక కొంత సంగీత పరికరముల వ్యవస్థాపన కూడా కనిపిస్తుంది, ఇది ప్రత్యక్ష ప్రదర్శనకు సంకేతం ఇస్తుంది. పై భాగంలో, వీక్షణకు సమాంతరంగా విస్తరించిన కాంతుల పరపతి ఉంది, ఇది లోతు భావనను కలుగజేస్తుంది. నేల, గ్రే రంగులో ఉన్నది మరియు దాని మీదకు పునాదులు ప్రదర్శించబడింది, ఇది మొత్తపు అందం కలుగజేస్తోంది. చిత్రంలోని కుడి భుజంలో ఉన్న ఒక వ్యక్తి ఎడమ వైపుకి నడుస్తున్నట్లు కనిపిస్తాడు, కాగా, అక్కడ ఉన్న మోస్ట్ వ్యక్తులు పెద్దలను సూచించడంతో ఈతలు ప్రౌడులు ఉత్పత్తి చేయడం వల్ల మార్చబడింది. ప్రదర్శన ఇంకా ప్రారంభం కాలేదా లేదా ముగిసిందో అనిపిస్తుంది, ఎందుకంటే ఈ క్షణంలో క్రియాశీల ప్రదర్శన లేదు. ఇంకొక దృశ్యంలో, భ్రమణ సాధనా క్యాన్సయాలకు ఆసక్తి కలిగిన నృత్య వాతావరణం కనిపిస్తున్నారు, ఇంకా ప్రాయంగా, అది ఒక నైట్క్లబ్ సరస్సులో ఉంటుంది. కాంతులు నలుపు నీలం రంగులో ఆధిక్యం చూస్తున్నాయి మరియు ఈ ప్రాంతంలో స్టేజ్ ముందు ఉత్కృష్టంగా నృత్యం చేస్తున్న దాదాపు సమీపంలో అనేకే మంది ఉన్నారు. ఈ చిత్రంలో వ్రాత పొడుగు లేదు, అందువల్ల సంస్థపై కేంద్రీకృతం ఎలా ఉంది అనే దానిపై దృష్టి పెడుతుంది. ఈ వాతావరణం క్షీణంగా, కానీ స్టేజ్ ప్రాంతాన్ని వెలిగించే ప్రకాశవంతమైన నీలం కాంతుల మానవతను కలదు. పాల్గొనేవారు వేడి గా వస్త్రధారణ ధరించినట్లుగా కనిపిస్తూ, ఇది శరదృతువు లేదా శీతాకాలం ప్రస్తుతానికి సరిపోయినట్లు చూపిస్తూ, రాత్రి వేళలు సాధారణంగా అంధకారం తర్వాత జరుగుతాయి. విజువల్ ఈ రాత్రి వేళ ఉత్సవం మరియు భాగస్వామ్యాన్ని సన్నిహితంగా పటిస్తున్నాయ. చిత్త యొక్క చివరగా, ఇతర చిత్రంలో ఈతలు ప్రదర్శన వేదిక వద్ద ఉధృతంగా ఉన్న జాగ్రత్తలు, స్టేజ్ ముందు కీలకంగా ఉంది. కేంద్రీకృత విషయం స్టేజ్పై ఉంది, కానీ వివరణలు కొంతమేర మసకబారినది, ఇది దృశ్యం స్పష్టంగా చూడటం కష్టతరం చేసేలా ఉంది. స్పాట్లైట్స్ స్టేజ్ పై ప్రకాశాన్ని తొలగిస్తాయి, మరియు వీటికి కింది, కొంతమంది వ్యక్తులు కనిపిస్తున్నారు, కావచ్చు ప్రదర్శన ప్రారంభం కావాలని వేచి లేదా వాతావరణాన్ని ఆస్వాదిస్తున్నారు. స్టేజ్ చుట్టూ అనేక వ్యక్తులు ఉన్నారు అనుకుంటున్నారు, వారు అనుభవంలో మునిగిపోతున్నారు. మొత్తం రంగు ప్యాలెట్ నీలం వైపు వకం, స్టేజ్ కాంతుల ఆధిక్యం ఆధారంగా, నేల గ్రే గా కనిపిస్తుంది. ప్రజ్ఞాపూరితమైన మరియు కొంతమేర అధిక మానవత్వం అనిపిస్తున్నది, ఇది ప్రత్యక్ష సంఘటన యొక్క ఉత్కంఠ మరియు ఆందోళనను ప్రతిబింబిస్తుంది. చిత్రంలో వ్రాత అంశాలు ఏవీ లేవు, ఇది అసంకల్పిత భావనను మరింత మరింత పెంచుతుంది, చేయి వెనుక హాజరైన వ్యూయర్ లేదా ప్రేక్షకులలో కూర్చొనటం అని అని మరియు ప్రదర్శన కోసం ఉత్సాహంగా ఉంది.
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te
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['English', 'Russian', 'Chinese']
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['197sHzww5A1e', '1b1SijiGGpjz', '1bhmJ9qk7MLa']
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[" This is a group image of six different people with the camera focused on four of them. One of them is primarily in the background and blocked for the most part, and there's one of them at the very right in front of everyone that is also very blurry. The girl on the left is dirty blonde and holding a glass of wine and smiling very largely. The man next to her is much older with white-gray hair, and he's also smiling. He's wearing a tux with a tie and glasses hanging from his neck. The guy next to him is much younger and much shorter. Even shorter than the girl I mentioned earlier. He's not smiling as much. He has very short hair and is wearing a zip-up jacket. And the last girl that the camera is focused on is smiling a little bit. She's looking over her shoulder and is a brunette. The background is yellow and has a picture frame.", 'Here we are looking at a photograph of five people who are supposed to be looking at the camera, at the lens. There is also one person in the back who is partially covered. They are all looking in the same direction. The girl on the left has her eyes almost completely closed. She is holding a glass, likely with wine. The next man on the left is wearing a black tie and a black suit. His glasses are also attached with a string around his head. He has gray hair, white hair. The next man in the center is much shorter than everyone else. He has short hair and is wearing some kind of sweater. He is not holding anything. Next, there is a girl next to the boy, next to the man on the left. She has long hair. I think she is holding a glass of wine and is smiling a bit. Finally, the man on the right is also in a suit. He has a blue shirt and a white tie. He is not very well visible in this photograph.', 'The image shows a group photo of six people holding wine glasses. Five of them are facing the camera directly, while the sixth person is blocked by the person on the far left. To the left of the first five people is a blonde woman, who is smiling and holding a glass wine cup with her right hand. The second person from the left is a man with grayish-white hair, also smiling, wearing a black suit, a white shirt, and a black tie, with glasses hanging from his neck. The man in the middle is shorter than the others, having light brown short hair, looking at the camera while wearing a white hoodie. The fourth person from the left is a woman smiling and dressed in dark clothing. She is raising her wine glass, but we can only see half of it; the other half is not captured in the photo. On the far right is an older man, smiling and wearing glasses, looking at the camera while dressed in a suit, a dark blue shirt, and a gray and white checked tie, although he is somewhat out of focus and appears a bit blurry. The background shows an indoor setting, with the man on the left and a warm yellow light source on the right. There is also a piece of wall art in the background. The overall background tone is warm yellow, but the subjects seem to be backlit, making the entire picture appear somewhat darker.']
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[False, False, False]
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[nan, nan, nan]
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This image presents a group photograph featuring six individuals, with the camera mainly focused on four of them. In the foreground, we see a lively scene characterized by warm lighting and a cheerful atmosphere. On the far left, there is a young woman with dirty blonde hair. She is holding a glass of wine in her right hand and is radiating joy with a broad smile, indicating a celebratory mood. Beside her, a man of advanced age stands out due to his gray-white hair, which further marks him as distinguished. He is dressed in formal attire, specifically a tuxedo, complemented by a black tie. Notably, he has glasses that hang from a string around his neck, suggesting a practical choice to ensure he is able to see comfortably while socializing. To the right of this older gentleman, the third individual is significantly shorter and much younger. He has very short hair and is dressed casually in a zip-up jacket. Although he is part of the gathering, he appears less engaged, not smiling as widely as the others. The fourth person, who is also in the foreground, is a brunette female. She presents a subtle smile while gracefully looking over her shoulder, adding to the relaxed feel of the image. In the background, the overall scene is layered with warmth due to the yellow tones that envelop it. There is a piece of wall art that can be seen adding character to the environment. It's also worth noting that one individual is positioned in the background, partially obscured, contributing an element of curiosity to the composition. Overall, the photograph captures a moment of togetherness and happiness among friends, highlighted by their cheerful expressions and the casual yet elegant setting. The details of their attire and the choice of wine glasses emphasize the social occasion, likely a celebration or gathering among acquaintances.
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இந்த படம் ஆறு தனிநபர்களோடு கூடிய குழு புகைப்படத்தை காட்சிப்படுத்துகிறது, கமரா நான்கு பேரில் முதன்மையாக கவனம் செலுத்துகிறது. முன்னணி பகுதியில், நுட்ப ஒளி மற்றும் மகிழ்ச்சியான சூழல் மூலம் உருவான ஒரு ஜீவந்தமான காட்சி உள்ளது. இடம் வலம், ஒன்றிரு பெண்கள் மற்றும் ஆண்கள் கொண்ட பள்ளியில் இருக்கும் ஒரு இளம் பெண்ணால் காணப்படுகிறது. அவர் மறைந்த தங்க முடியை உடையவர் மற்றும் வலது கைகளில் ஒரு மது கண்ணாடி பிடித்து, பெரிதான புன்னகையோடு மகிழ்ச்சி காட்டுகிறார், கொண்டாட்ட உள்குழப்பம் உள்ளதைக் குறிக்கிறது. அவருக்கு பக்கம், வயதான ஒரு ஆண் தனது வெள்ளை மீசையால் வெளிப்படையாக இருஅந்துக்கின்றா, மேலும் அவர் சிறந்தவராகக் காட்டமாகி இருக்கிறார். அவர் சான்றிதழ் உடையில் இருக்கிறார், குறிப்பாக ஒரு டக்சிடோ, கறுப்பு மித்செலுத்தும் கட்டுப்பாட்டுடன். குறிப்பிடத்தக்கது, அவர் மற்றுமொரு கண்ணாடிகளை அணிந்துள்ளார், அது தனது கழுத்தில் ஒரு கயிறு மூலம் தொங்குகிறது, அதுவே சமூக தொடர்பில் வசதியான பார்வைக்கு ஒரு நடைமுறைத் தேர்வு என்பதை காட்டுகிறது. இந்த வயதான ஆளின் வலது பக்கம், மூன்றாவது நபர் மிகவும் குறுகிய மற்றும் இளம் ஆண் எதிர்கொள்கிறார். அவர் மிகவும் குறுகிய முடியை கொண்டவர் மற்றும் மூடப்பட்ட ஜாக்கெட் உடையில் சற்று அலங்காரமற்ற முறையில் உள்ளார். அவர் கூட்டத்தில் இருப்பினும், மற்றவர்களைப் போலவே பெரிதாகப் புன்னகிக்காமல் குறைவான முறையில் ஈடுபாட்டில் இருக்கிறார். விழுக்காட்டின் மறு பக்கம், அதிக ஈடுபாட்டுடன், நான்காவது நபர் ஒரு மஞ்சள் முடி அவரைற்று மூடிக்கொள்ளும் ஒரு பெண் உள்ளது. அவர் பார்வையை வாங்கிக்கொண்டுள்ள பகுதி உணர்வை நிரப்புகிறார். பின்புறத்தில், மண் குளிர்ச்சிப்புன் வீட்டு வணிகங்களைச் சுழன் முதலிலோடு, அந்த காட்சிக்கு இணையாக வருகின்ற மஞ்சள் நிறங்களால் சூழப்பட்டு இருக்கும். ஒரு சுவரின் கலை, சூழலை எழுத்துப் படுத்துகிறது. மேலும், ஒரு நபர் பின்னணி பகுதியில் இருப்பதாகவும், جزئاً கறுகூரப்படும் பகுதியாக இருப்பதையும், உருவாக்கத்தில் சில ஆர்வங்களைச் சேர்க்கக்கூடியதாகக் குறிப்பிடப்படுகிறது. முழுதுமாக, இந்த புகைப்படம் நண்பர்களுக்குள் ஒன்றிணைப்பையும் மகிழ்ச்சியையும் ஒருநிமிடம் பதிவு செய்கிறது, அவர்கள் மகிழ்ச்சியான முகங்களை மற்றும் கீதமளிக்கும், ஆனால் அலங்காரமற்ற சூழலின் மூலம் முன்னிலை பெற்ற போது. அவர்களின் உடைகள் மற்றும் மது கண்ணாடிகள் ஆகியவற்றின் விவரங்கள் சமூக நிகழ்வை அடிக்கோல் வைத்துள்ளன, இது ஒருவேளை கொண்டாட்டமாக அல்லது நண்பர்களின் கூட்டமாக இருக்கலாம்.
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ta
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['English', 'English', 'Hindi', 'Chinese', 'Chinese']
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['1hhkmwilJLVA', '13Q4kIUO6owi', '19DlxbquvVRU', '1juhOgYXbXvP', '1cbsQOVJZrMS']
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["It's a picture of people holding a bunch of berries or fruit. And the berries and fruits were grapes. And they're the size of the grapes. There are about 12 of them. The pictures really zoom in so I can only see the people's hands with a bunch of fruits in the center. And the background is really bird, but they are green. So I imagine that people just harvest the fruit from the plants and then try to show it to someone or maybe just take a picture of it. I've never seen this fruit before. If people know the fruits, they probably can guess what the purpose is. And where the location of the pictures were taken. The fruit seems like it's for... Doesn't look like... Those are fresh fruit. Those are not dry fruit. There's no text in the pictures.", 'This image is a very high quality, high resolution image of a hand holding a handful of berries. There are about 10, maybe 12 berries in the hand. The background is blurred because the focus is mostly on the hand in the center of the image. But the background is a greenish color. The berries are dark red, varying in different shades and having lighter red spots on them. The berries also have some blemishes and imperfections on them as well. And each berry has a hole at one side of the berry. One or two sides of the berry. Thank you for watching.', "In this picture, there are jamun fruits on someone's palm. These are red and black colored fruits that are green when unripe, and when they ripen, they turn a shade of black and red. There are 13 jamun fruits visible in this image, resting on someone's palm. The fingers of that hand appear very small and chunky. The jamun fruit is very delicious and sweet, and it comes in the summer season. When it is in season, many jamun fruits fall from the trees to the ground, and eating them is a lot of fun. There is a seed inside the fruit, which is the jamun seed, and that seed is not eaten; instead, it is used to make medicinal preparations. I really love jamun; it is one of my favorite fruits, and it is very sweet.", "This picture is of a person holding a bunch of something that looks like grapes in his left hand. The hand appears quite plump, suggesting the person might be overweight. There are about fifteen objects resembling grapes, but they might not actually be grapes since they look a bit flat and don't seem very juicy. From the way the sunlight is hitting them, it's possible to see some that appear blue, some that look black, and a few that seem purple. However, I guess they might all be the same color—it's just that different angles or lighting make them look different.", 'In this picture, there is a hand holding some fruit. These fruits seem to be a type of berry that looks somewhat like blueberries or raspberries, but their skin is smoother than both. Blueberries are usually round, but this fruit is oval-shaped and resembles smaller grapes. The hand in the photo seems to be showcasing these fruits to someone; it could have been taken in an orchard or forest. It’s also possible that a farmer is presenting the fruit to customers, or perhaps someone discovered these berries while hiking in the wild, thinking they were cute or being curious about what they are, which prompted them to take this photo.']
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[False, False, False, False, False]
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[nan, nan, 'It is a kind of fruit I have seen in India, but possibly can be found in other places too.', nan, nan]
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The first transcription describes a close-up image featuring individuals holding a collection of fruit. The fruits in question are various shades of grapes, and the number of grapes totals approximately twelve. The focus of the image is tightly zoomed in, which allows for a detailed view of the hands holding the grapes, while the surrounding background remains blurred. The background displays a greenish hue, suggesting a natural environment, possibly indicative of the vicinity where these fruits were harvested directly from plants. The transcription notes the ambiguity in identifying the fruit, as the speaker mentions having never seen such fruits before. There is an implication that the viewer may have some contextual knowledge to infer the purpose of the fruit and the location where the pictures were captured. The fruits appear fresh and were picked recently rather than being dried, and there is an absence of any text in the image. The second transcription presents a high-resolution and clear image that zooms in on a hand holding a handful of berries. The number of berries is estimated to be between ten and twelve, showcasing a visually appealing focus primarily on the hand with a blurred background that complements the overall aesthetic with a greenish tone. The berries are described as being dark red, displaying a range of different shades and interspersed with lighter red spots. Some of the berries exhibit blemishes and imperfections that add to their natural appearance, and each berry is noted to possess a small hole on one or two sides. The transcription concludes with a thank you message directed to the audience, indicating engagement with viewers. The third transcription describes another image, this time featuring jamun fruits resting in the palm of a person's hand. Jamun fruits are distinctive in their appearance, transitioning from green when unripe to shades of black and red upon ripening. In total, there are thirteen jamun fruits visible, and the description includes a focus on the hand, which appears small and chunky compared to the fruit. Jamun is recognized as a delightful and sweet fruit, typically available during the summer season. During its peak, many jamun fruits fall to the ground, making it an enjoyable experience to pick and eat them. Each jamun contains a seed, which is not consumed but is used in medicinal preparations. The speaker expresses a personal fondness for jamun, declaring it as one of their favorite fruits due to its sweetness. The fourth transcription highlights an image of an individual holding what resembles a bunch of grapes in their left hand. The hand is described as plump, suggesting that the person may be overweight. There are around fifteen objects that appear to resemble grapes, but the transcription includes a note of caution that they might not be actual grapes since their appearance is somewhat flat and lacks the juicy quality typically associated with grapes. The description of the lighting conditions indicates that the sunlight shines upon the fruits, revealing various colors, including shades of blue, black, and purple. However, the speaker suspects that the differing colors may be an optical illusion caused by various angles and lighting, suggesting all the fruits may be the same color when viewed more closely. The final transcription portrays a hand that is prominently featured in the image, holding fruit that resembles a type of berry akin to blueberries or raspberries, yet with a distinctly smoother skin. Unlike the round shape of blueberries, this fruit has an oval shape and is generally smaller than grapes. The action of the hand signifies that the fruits are either being showcased, possibly within an orchard or forest, or presented by a farmer to customers. Alternatively, it hints at the possibility that the fruit was discovered during a hike, with the individual taking a photo out of curiosity regarding the fruits they encountered in nature. The image conveys a sense of wonder, encapsulating the joy of discovering unique elements of the natural world.
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முதல் உரைச்சொல்லில், விருப்பப்படமாக பழங்களை பிடித்து உள்ள மக்களை காட்டும் நிஜமான படம் விவரிக்கப்படுகிறது. இதில் உள்ள பழங்கள் பலவகை ரச மிளகாய் என்று அழைக்கப்படும், மற்றும் மிளகாய்களின் எண்ணிக்கை சுமார் பன்னிரண்டு. படத்தின் மையமாக உள்ள பகுதியில் கை மிகவும் நெருங்கியது, எதை விளக்கமாக பதிவேற்றுகிறது, மேலும் அதன் சுற்றியுள்ள பின்னணி மிகக்குறைந்தது. பின்னணி பச்சை நிறமுடையதாகக் காணப்படுகிறது, இது இயற்கைச் சூழலை குறிக்கிறது, இந்த பழங்கள் நேரடியாகத் தோட்டங்களில் சேர்க்கப்பட்டிருப்பதைக் குறிக்கக்கூடும். உரைச்சொல்லில், பழங்களை அடையாளம் காண்பதில் சிக்கல் ஏற்படுகிறது, ஏனெனில் பேச்சாளர் இதற்கு முன்பு இவ்வாறு பழங்களைக் காணவில்லை என்று குறிப்பிடுகிறார். பார்வையாளருக்குப் பழத்தின் நோக்கம் மற்றும் படங்கள் எங்கு பிடிக்கப்பட்டன என்பதற்கான சில அமைப்புத் தகவல்களை நினைவூட்டுவதற்கு அனுமதிக்கும் ஒரு குறிப்பு உள்ளதாகவும் உள்ளது. பழங்கள் புதியதாகத் தோற்றமளிக்கிறன, அது உலர்வதற்கு பதிலாக, பிக்பாரமாகவும், படத்தில் எந்தவொரு எழுத்தும் இல்லா நிலமை உண்டு. இரண்டாவது உரைச்சொல் ஒரு தெளிவான, உயர் தீர்மானத்தோடு கூடிய படத்தை உள்ளடக்கியது, அதன் மூலம் கை ஒரு கைபிடிக்க கூடிய பழங்களை பிடித்து கொண்டிருக்கும். பழங்களின் எண்ணிக்கை சுமார் பத்து முதல் பன்னிரண்டு ஆக மதிக்கப்படுகிறது, இது கைவிரல் மீது மையமாக இருக்கிறது, பின்னணி மற்றும் பாலத்தை அழகுபடுத்துகிறது, பச்சை நிறத்தில் இருக்கும். பழங்கள் இரு நிறங்களைக் கொண்டதாகவும், அதிலும் சில இடங்களில் மஞ்சள் நிறப்புள்ளிகளுடன் இருப்பதாகவும் விவரித்துள்ளன. சில பாணி உள்ள பழங்கள் துருப்பிடிப்புகள் மற்றும் குறைபாடுகளை காட்டுகின்றன, மற்றும் ஒவ்வொரு பழமும் ஒருவருக்குள் அல்லது இரண்டு பக்கங்களில் சிறிய ஓட்டத்தை கொண்டதாகக் குறிப்பிடப்படுகிறது. உரைச்சொல், பார்வையாளர்களுக்கென நன்றி சொல்லும் செய்தியுடன் முடிகிறது, இது பார்வையாளர்களை ஈர்க்கும்போது குறிக்கிறது. மூன்றாவது உரைச்சொல் மற்றொரு படத்தை விவரிக்கிறது, அப்போது ஒரு நபரின் கை உட்பட்ட ஜம்முன் பழங்கள் இருக்கின்றன. ஜம்முன் பழங்கள் விசேஷமான தோற்றத்தைக் கொண்டுள்ளன, இவை பச்சை நிறத்தில் இருக்கும்போது பட்டு நிற மற்றும் சிவப்பு நிறங்களை மாறும். மொத்தத்தில், எனிமை பழங்கள் visible உள்ளன, மற்றும் இதற்கான வர்ணனை, பழங்களுக்கு ஒப்பிடும்போது கை என்னை சிறிய மற்றும் தடித்ததாகக் காட்டுகிறது. ஜம்மு ஒரு இனிமையான மற்றும் இனிப்பு பழமாகவும், பொதுவாக கோடை பருவத்தில் கிடைக்கவில்லையெனவும் அறிவுறுத்தப்படுகிறது. இதற்குப் பின்னர், மிகவும் டிக் ஜம்மு பழங்கள் தரைக்கு விழுகிறது, இதனால் அவற்றைப் பிடித்துவிட்டு உண்பது ஒரு சுகாதார அனுபவமாக மாறுகிறது. ஒவ்வொரு ஜம்முவிலும் ஒரு விதை இருப்பது, அதை உண்பதற்கு அல்ல, மருத்துவ தயாரிப்புகளில் பயன்படுத்தப்படுகிறது. பேச்சாளர் ஜம்முவுக்கான தனது தனிப்பட்ட விருப்பத்தை வெளிப்படுத்துகிறார், அதற்கான இனிப்பினால் இதை தனித்துவமாகக் கருதுகிறார். நான்காவது உரைச்சொல், ஒருவர் இடது கையிலும் உள்ள ஒரு புகைப்படத்தை விளக்குகிறது, இது ஒரு மிளகாய்க்கு மாறுபட்டதாகவும் இருக்கிறது. கைவும் விகிதாசாரமாக மிகப்பெரியதாக உள்ளது, இதற்காக அந்த நபர் எதுவும் பெரியதாக இருக்கலாம். சுமார் பதினைந்து பொருட்கள் இருக்கும், அவை மிளகாயைப் போலவே காணப்படுகின்றன, ஆனால் அவற்றின் தோற்றம் பயனுள்ள தண்ணீரற்றது என்றும், பொதுவாக называются உள்ளதாகக் கருத்து முன்வைக்கப்படுகிறது. ஒளி வர்ணம் சந்தியின் மீது விழுகிறது, இது பல்வேறு நிறங்களை வெளிப்படுத்துகிறது, பச்சை, கறுப்பு மற்றும் மீன்க் குருக்கள் ஆகியவற்றையும் உள்ளடக்கியது. இருப்பினும், பேச்சாளர் இந்த நிறங்கள் வேறுபாட்டாக இருக்கலாம் என்று நினைக்கின்றனர், பரந்த அலங்காரங்களால் மற்றும் ஒளிபடங்களில், அனைத்து பழங்களும் ஒருபோதும் ஒரே நிறம் இருக்கலாம். கடைசி உரைச்சொல், படம் படத்தில் முன்பே விட்டுகொடுக்கப்பட்டுள்ளது, இது blueberry அல்லது raspberry போன்ற பழங்களை பிடித்து உள்ள கை காட்டுகிறது, ஆனால் வேறுபட்ட வடிவ வகை கொண்டதாகவே காணப்படுகிறது. blueberry கைகளில் கோம்பான் போல இருக்கின்றன, இந்த பழம் முக்கோண வடிவிலுள்ளு மற்றும் பொதுவாக மிளகாய்க்கு அளவிலும் சிறியது. இந்த கை இயக்கம், பழங்கள் மிகப் பிரபலமாகக் காட்டப்படுகின்றன எனப் பொருள் படுத்துகிறது, அல்லது விவசாயிகள் வாடிக்கையாளர்களுக்கு வழங்கப்பட்டால் அல்லது அதில் சுமார் இடத்தில் விழுந்ததால் அந்த குழுவில் உள்ளூர் மக்களிடம் புகைப்படம் பிடிக்கத் தெரிவித்தனர். படம், இயற்கை உலகின் தனிப்பட்ட உருப்படிகளை கண்டுபிடிக்கும் மகிழ்ச்சியில் உள்ள மன நிலையை வெளிப்படுத்துகிறது.
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ta
| 6,034
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['Hindi']
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['18VAJQuWe7my']
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['Steel, steel, steel, how good are these utensils? These are eight items in which you can cook something in four pots. These four pots have four lids; combined, they make a total of eight. Steel is widely available in India, it is also inexpensive, and it looks good. We eat food in steel utensils, we cook in them, and we also display them. These share a bond, and we have qualities that remain together. Hello!']
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[False]
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[nan]
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Steel, steel, steel, how excellent are these utensils? Today, I will be discussing eight items that one can use to cook using four pots. Each of these four pots is equipped with its own lid; when you combine them, you end up with a total of eight pieces. Steel is a material that is widely accessible in India; it is not only affordable but also aesthetically pleasing. In Indian culture, it is common to eat food from steel utensils; we use them for cooking as well as for presenting our meals. There is a unique connection associated with these utensils, symbolizing the qualities of togetherness and durability that they embody. Hello!
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Acero, acero, acero, ¿qué excelentes son estos utensilios? Hoy hablaré de ocho elementos que se pueden usar para cocinar con cuatro ollas. Cada una de estas cuatro ollas está equipada con su propia tapa; al combinarlas, terminas con un total de ocho piezas. El acero es un material que es ampliamente accesible en India; no solo es asequible, sino que también es estéticamente agradable. En la cultura india, es común comer de utensilios de acero; los usamos tanto para cocinar como para presentar nuestras comidas. Hay una conexión única asociada con estos utensilios, simbolizando las cualidades de unión y durabilidad que ellos representan. ¡Hola!
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es
| 27,156
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['English', 'English', 'Chinese']
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['13j6su1Ee4c3', '177rx06K7bX9', '1ggLcMAoKKaZ']
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[" This photo, we see a baseball game and oh very importantly I think this photo was taken from just some some website that uh where they use where the owner of this photo put www.gloverbryant.com as a kind of like an overlay over the image so we can kind of see that text in the photo. It looks like this yeah this is a baseball game at night because we can tell it's at night because you know in the background it's very very dark. You can barely make out that car in the car park behind the fence in the photo. What we do see there's two teams one team looks like they're wearing they're an orange and white kind of like color team the other one is this blue stripes on a white shirt team. We see there's an umpire in the photo he's wearing dark blue dark blue cap dark blue vest and very gray formal pants looks like a man's stealing base the guy in the orange is stealing base but the guy in the white has got him so he's trapped him.", "This is an image of baseball players and a referee on a baseball pitch. One player is, the player right in the middle, there are two players in the middle. One is sitting on the floor using his hand to support himself. He has on a helmet, a shirt with the number 15, which is orange in color and white pants. The person above him is in a crouch-like motion. He has on white shirt and white trousers with a blue or black short sleeve. Then you have a referee with gray pants and a face cap with a shirt, a blue shirt with a red shirt. He has on a shirt with a red and white stripe. You can also see a player in the far right of the image who has on an orange shirt, white trousers, and he's holding a baseball bat. He also has his helmet on. In the far left of the picture, there's like a building, and there seems to be some baseball bats as well in front of the building. The players are surrounded by a net-like structure.", "At first glance, this picture depicts a baseball game or hockey match. In the center, three players are embracing each other; the player on the far left, dressed in red, is lying on the ground, while the players in white and blue appear to be entangled. On the far right of the image, there's part of another player in red and a person in blue, possibly a referee, observing the scene. Altogether, there are five people in the image. Additionally, outside the play area, there seem to be some spectators; faintly visible on the left side of the picture is a small white building, also outside the playing area. It appears that various sports equipment is set up along the sidelines. This moment seems to have been captured as dust is kicking up from the ground, and the background has a dark, somewhat nighttime feel."]
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[False, False, False]
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[nan, 'No', nan]
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This photo captures a thrilling moment during a baseball game, which is noticeably taking place at night. The atmosphere is defined by the darkness in the background, where one can barely identify a vehicle parked behind the fence. Prominently featured in the image is the noticeable overlay text that reads "www.gloverbryant.com," indicating the source or ownership of the photo. In the center of the action, two opposing teams are depicted. One team is resplendent in orange and white uniforms, while the other team sports blue stripes on white shirts. An umpire is visible in the foreground, donning a dark blue cap, a matching dark blue vest, and formal gray pants, embodying the authoritative figure on the field. A palpable moment unfolds as a player dressed in orange attempts to steal a base, while his opponent, clad in white, seems to trap him, adding intensity to the play. Another angle captures the dynamic on a baseball pitch with multiple players and a referee actively engaged. Centrally located, a player is seen sitting on the ground, supporting himself with one hand. He wears a helmet, an orange shirt adorned with the number “15,” and white pants. Above him, another player crouches, dressed in white trousers and a white shirt with possibly a blue or black short sleeve shirt underneath. The referee overseeing the game is clad in gray pants, a blue shirt, and a shirt with red and white stripes, epitomizing the officiating presence on the field. To the far right, another player in an orange shirt and white trousers grips a baseball bat, prepared for action. In the far left of the photo, a structure hints at a building, where several baseball bats can be seen lying in front of it, further enriching the baseball scene. The players are encircled by a protective net-like structure, likely intended to shield spectators from stray balls. In a vigorous moment, another picture depicts either a baseball game or potentially a hockey match, characterized by the interplay between the players. In the image, three athletes are seen embracing one another. A player in red is positioned on the ground, while others in white and blue seem to be entangled with one another. The far right reveals the edge of another player in red and a person in blue, likely a referee, observing the fray with a watchful eye. This composition features five individuals in total, suggesting a culmination of effort and competition. In the background, a small white building is faintly visible outside the play area, with various sports equipment stationed along the sidelines, vividly capturing the essence of a sporting event. The image has the added element of dust settling from the ground, enhancing the dynamic feel of the moment, while the nighttime ambiance contributes to the overall intriguing atmosphere of the sports scene.
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இந்த புகைப்படம் ஒரு பேஸ்பால் போட்டியின் பரபரப்பான நிறுவனத்தைப் பதிவு செய்கிறது, இது ரத்து நேரத்தில் நிகழத்தொடங்குகிறது. பின்னணி கறுப்பு மற்றும் இருள் காட்சியுடன் உருவான காற்றில், சுற்றியிருக்கும் fenceக்கு பின்னால் ஒரு வாகனம் நிறுத்தியிருப்பது கஷ்டமாகவே அடையாளமாகிறது. புகைப்படத்தின் மையத்தில் தெளிவாக இருக்கும் உரை "www.gloverbryant.com" என்று வாசிக்கப்படுகிறது, இது புகைப்படத்தின் ஆதாரம் அல்லது உரிமையை குறிக்கிறது. விளையாட்டின் மையத்தில், இரண்டு எதிர்ப்பாளர்களான அணிகள் வைக்கப்பட்டுள்ளன. ஒரு அணி கிளர்ச்சியூட்டும் ஆரஞ்சு மற்றும் வெள்ளை உடைகளை அணிந்துள்ளது, மற்ற அணி வெள்ளை சட்டைகளில் நீல தடவுகளை கொண்டுள்ளது. முன்னணி பகுதியில் ஒரு நீதிமன்ற அதிகாரி கறுப்பு நீல தலையணியில், அந்த வகை நீல வெஸ்டில், மற்றும் சீரிய கிரே சில்புட்கள் உடையில் காணப்படுகிறார், இது அவரை மையத்தில் அதிகாரப் பூர்வமாக உத்தியோகபூர்வமாகக் காட்டுகிறது. ஒரு உரிய தருணம் உருவாகிறது, ஓர் ஆரஞ்சு உடைய வீரர் ஒரு பேஸ் காப்பாற்ற முயற்சிக்கிறார், மாறாக, அவர் எதிரி வெள்ளை திரையில் உள்ளவரானவர் தடுக்க முயற்சிக்கிறார், இது விளையாட்டிற்கு தீவிரமாகக் கூட்டுகிறது. மற்றொரு கோணத்தில், பல வீரர்கள் மற்றும் ஒரு அதிகாரி செயல்களில் ஈடுபட்டுள்ள பேஸ்பால் மைதானத்தின் இயக்கத்தை படம் பிடிக்கப்படுகிறது. மையத்தில், ஒரு வீரன் தரையில் உட்கார்ந்துள்ளார், ஒரு கைகளால் தன்னைக் காக்கிறார். அவர் தலைக்கவசம், "15" என்ற எண் கொண்ட ஆரஞ்சு சட்டை மற்றும் வெள்ளை பன்ச் அணிந்துள்ளார். அவரது மேலே, மற்றொரு வீரர் குறுகிய உடையில், வெள்ளை பீண்கள் மற்றும் வெள்ளை சட்டை அணிந்துள்ளார், கூடுதலாக நீல அல்லது கறுப்பான மிகச்சிறிய சட்டை உள்ளதாகவும் இருக்கலாம். விளையாட்டை கவனித்து வரும் அதிகாரி கிரே சில்புட்கள், நீல சட்டை மற்றும் சிவப்பு மற்றும் வெள்ளை தடவுகளுடன் கூடிய சட்டையில் இருக்கும், இது துறையில் உத்தியோகத்துவத்தை பிரதிநிதித்துவம் செய்கிறது. எமக்கு அருகில், ஆரஞ்சு சட்டையில் வெள்ளை பீண்கள் அணிந்த மற்றொரு வீரர், நடவடிக்கைக்கு தயாராக ஒரு பேஸ்பால் பட்டையை பிடித்திருக்கிறார். புகைப்படத்தின் இடது புறத்தில், ஒரு கட்டிடம் உள்ளதாக சுட்டிக்காட்டும் ஒரு கட்டமைப்பு, அதன் முன் பல பேஸ்பால் பட்டைகள் கிடக்கும் என்பதுடன், பேஸ்பால் காட்சியை மேலும் பொறுத்தமாக்குகிறது. வீரர்கள் ஒரு பாதுகாப்பு நெட் போன்ற கட்டமைப்பால் சுற்றப்பட்டுள்ளது, இது பார்வையாளர்களைக் stray பந்துக்களிலிருந்து காக்கும் நோக்கத்தில் இருக்கலாம். உத்திசையில், மற்றொரு படம் பேஸ்பால் அல்லது என்னவோ சோக்கிய போட்டியின் நிரலுக்கு வருகிற சிறப்பு தருணத்தைப் பதிவு செய்கிறது, வீரர்களுக்கு இடையே நிகழும் முரண்பாடு தெரிவிக்கிறது. இப்படத்தில், மூன்று விளையாட்டு வீரர்கள் ஒன்றுக்கொண்டு ஒன்று கொண்டுள்ளனர். ஒரு சிவப்பு உடை அணியுடையவன் தரையில் உள்ளார், மற்றோர் வெள்ளை மற்றும் நீல உடைகள் அணிந்தவர்கள் ஒன்றுக்கொண்டு ஒன்று தொற்றி நின்றுள்ளனர். மிக அருகில், சிவப்பு உடையில் மற்றொரு வீரன் மற்றும் நூல்கள் மாதிரியான நீல உடை அணியுடையவர்களை கவனித்துக் கொண்டுள்ளனர். இந்த அமைப்பு அனைத்திலும் மொத்தம் ஐந்து நபர்கள் உள்ளனர், இது முயற்சி மற்றும் போட்டியின் மிசையே கிடைக்கும் என்பதைக் குறிப்பது. பின்னணியில், ஒரு சிறு வெள்ளை கட்டிடம் விளையாட்டு செயல்பாட்டுத் தளத்தின் வெளியே மெதுவாகத் தெரிகிறது, பக்கங்களில் பல்வேறு விளையாட்டு உபகரணங்கள் கொண்டுள்ளன, இது ஒரு விளையாட்டு நிகழ்வின் உண்மையான தன்மையைச் செலுத்துகிறது. இந்த படம் நிலத்திலிருந்து தூசி தென்படுவதும், அந்தக் காரியத்தின் இயக்கத்தை அதிகரிக்கும் போது, இரவு பகழ்ச்சி விளையாட்டு நிகழ்வின் ஆர்வத்தைப் பெருமளவு கூட்டுகிறது.
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ta
| 16,234
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['10KNN9G7WCoJ', '151RzE45EGlu', '180p0ihjz2PK', '1bPf2ISPl9bZ', '12n4Zb9oZAws', '1lvcjzAWKOyY']
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[" Okay, so this is a photo of a statue of what looks to be sort of an Asian scholar from an ancient historic time period looking to the left. So they have a sword wrapped around their waist, and they're holding it with their left hand, and then they have a right hand that's sort of reached forward as if he's about to pet someone, almost. They're wearing one of those Asian scholar caps, and again, they're looking over to the left. This photo is taken outdoors, and the cloud looks really cloudy. In the background, you can see that there's this wall with some types of pictures on that wall. The picture that I can make out is a horse pulling a carriage with two people on it. This statue seems to have signs of weathering because there are some... The stone seems to sort of be gradually weathering. It's kind of wearing down a bit. Like, you can't really make out specific features as well as it was when it was first made, probably.", " The image appears to be of a stone statue of a man in traditional East Asian clothing. And there's a gray overcast sky with lots of clouds and no blue. And the man has one of his arms outstretched and his palm opened facing down. He also has a hat that is quite big. And he also has what might be flowing robes kind of behind him. And there appears to be some Asian text in the front on some sort of wall or inscription. So this might be some historical site or some monument in East Asia.", " Well, this picture shows a stone-made statue of one of the Chinese most famous empire, Qin Shi Huang. He is the first emperor of the unified China. He standardized the writing, currency, and measurements, laying the foundation for China's empire system. He is best known for commissioning the Great Wall of China and his illiterate Terracotta Army, a vast collection of life-sized clay soldiers buried with him to protect his afterlife. While his achievements in governance and infrastructure were monumental, his rule was also marked by strict legalism. Forced labor and the infamous burning of books to surprise dissent. Qin Shi Huang's legacy is a complex blend of innovation and tyranny, shaping China's history of centuries to come.", "The statue of an ancient Chinese emperor looks to me like Qin Shi Huang, who was China's first unified emperor. This is primarily because it closely resembles the typical cinematic image of Qin Shi Huang. It appears to be a stone carving, likely a stone sculpture, and it was photographed outdoors. The statue looks quite large, overall in a pine gray color. You can see that the statue features the emperor's crown, a beard, and traditional imperial clothing, including a historic cap. He is also holding a sword and has a cape behind him. Overall, it is a rather vivid statue, clearly depicting a very Chinese image from ancient history, and it unmistakably represents a military scene from that period. To the left bottom corner, there seems to be something resembling a top shape or perhaps a wall, with some relief sculptures of chariots above it, but I'm not entirely sure what it is. The photo appears to have been taken by a tourist at a scenic area where this statue is located.", 'This is a stone statue that seems to symbolize an ancient Chinese emperor. Behind it is a gray sky, and the emperor is pointing forward.', "This is a statue of an ancient emperor, depicted in a splendid dragon robe and wearing a royal crown. The right arm is extended, creating an overall imposing and majestic image. The background features a gray sky, possibly symbolizing important emperors in Chinese history. The statue stands on a pedestal, with the background gray and lacking clear information, but there may be inscriptions on the pedestal or surrounding area. The statue occupies the main focal point, with the emperor's gestures and flowing sleeves conveying a sense of movement, symbolizing authority and power. The background is relatively tidy, with no distracting elements, highlighting the statue's grandeur. The patterns and carvings on the statue's attire may feature royal dragon designs or cloud motifs. The sleeves evoke a sense of elegance, enhancing the figure's presence and historical significance. The gestures suggest a commanding or authoritative pose, possibly implying the expansion of territory or the issuance of edicts. The emperor's face is dignified, with a determined gaze, fitting the images of prominent rulers such as Qin Shi Huang and Han Wu Di."]
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[True, True, True, True, False, False]
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['Statue has Asian styled robes and sword.', 'Yes, because of the text and clothing.', 'history', 'This is a statue of an ancient Chinese emperor who looks like Qin Shi Huang.', nan, nan]
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The transcription provides a detailed description of a statue representing an ancient East Asian scholar or emperor, presumably Qin Shi Huang, the first emperor of a unified China. The statue is depicted as prominently stone-made, set against a gray and cloudy sky devoid of blue, emphasizing a somber atmosphere. The figure is portrayed looking to the left, with a sword wrapped around the waist, held in the left hand, while the right hand is extended forward, creating a gesture reminiscent of reaching out to pet someone, which may convey a semblance of benevolence. This statue features traditional East Asian attire, including a large, distinctive hat and flowing robes that add a dramatic flair to the figure. The intricate details of the clothing, possibly adorned with royal dragon designs or cloud motifs, signify the emperor’s elevated status. The emperor is depicted with notable features, including a beard and an ornate crown, contributing to his regal and imposing presence. His outstretched arm and the gesture of the palm facing downwards suggest an authoritative stance, indicative of his power and command, potentially implying a call for order or decree. In the background of the scene, there are indications of a wall that showcases some form of Asian text or inscriptions, hinting that this statue may be part of a historical site or monument dedicated to honoring significant figures in Chinese history. One observer notes an image depicting a horse-drawn carriage with two people, further enhancing the historical context of the surroundings. The statue exhibits signs of weathering, with the stone having gradually eroded over time, resulting in a loss of the fine details that would have characterized it when freshly crafted. The photograph appears to have been taken outdoors by a visitor at a scenic location, emphasizing a blend of natural and anthropogenic elements in the landscape, thereby highlighting the artistic representation and historical importance of this figure. The portrayal of Qin Shi Huang in this statue represents a complex legacy, noted for significant achievements such as the standardization of writing, currency, and the construction of the Great Wall of China, alongside a reign marked by oppressive governance practices, reflected in the harsh legalism and forced labor conditions of the time. This duality captures the essence of his historical impact, marrying innovation with tyranny, and cementing his role as a pivotal figure in shaping the trajectory of Chinese civilization for centuries to come.
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Die Transkription bietet eine detaillierte Beschreibung einer Statue, die einen antiken ostasiatischen Gelehrten oder Kaiser darstellt, vermutlich Qin Shi Huang, den ersten Kaiser eines vereinigten China. Die Statue ist deutlich aus Stein gemacht und gegen einen grauen, wolkigen Himmel ohne Blau gesetzt, was eine düstere Atmosphäre betont. Die Figur blickt nach links, mit einem Schwert um die Taille gewickelt, das in der linken Hand gehalten wird, während die rechte Hand nach vorne ausgestreckt ist und eine Geste erzeugt, die an das Streicheln einer Person erinnert und möglicherweise einen Anschein von Wohlwollen vermittelt. Diese Statue zeigt traditionelle ostasiatische Kleidung, darunter einen großen, markanten Hut und fließende Roben, die der Figur einen dramatischen Flair verleihen. Die filigranen Details der Kleidung, möglicherweise geschmückt mit königlichen Drachenmotiven oder Wolkenmotiven, signalisieren den erhöhten Status des Kaisers. Der Kaiser ist mit auffälligen Merkmalen dargestellt, darunter einem Bart und einer kunstvollen Krone, was zu seiner königlichen und imposanten Präsenz beiträgt. Sein ausgestreckter Arm und die Geste mit der nach unten gerichteten Handfläche deuten auf eine autoritative Haltung hin, die seine Macht und Kontrolle verdeutlicht, möglicherweise einen Aufruf zur Ordnung oder einen Erlass implizierend. Im Hintergrund der Szene gibt es Hinweise auf eine Mauer, die eine Form asiatischen Textes oder Inschriften zeigt, was andeutet, dass diese Statue Teil eines historischen Ortes oder Denkmals sein könnte, das gewidmet ist, bedeutende Figuren der chinesischen Geschichte zu ehren. Ein Beobachter bemerkt ein Bild, das eine von Pferden gezogene Kutsche mit zwei Personen zeigt, und verstärkt damit den historischen Kontext der Umgebung. Die Statue zeigt Anzeichen von Verwitterung, da der Stein im Laufe der Zeit allmählich erodiert ist, was zu einem Verlust der feinen Details geführt hat, die sie bei frischer Herstellung ausgezeichnet hätten. Das Foto scheint von einem Besucher an einem malerischen Ort im Freien aufgenommen worden zu sein, was eine Mischung aus natürlichen und anthropogenen Elementen in der Landschaft betont und die künstlerische Darstellung sowie die historische Bedeutung dieser Figur hervorhebt. Die Darstellung von Qin Shi Huang in dieser Statue repräsentiert ein komplexes Erbe, das für bedeutende Errungenschaften wie die Standardisierung der Schrift, der Währung und den Bau der Großen Mauer von China bekannt ist, sowie eine Herrschaft, die durch oppressive Regierungspraktiken gekennzeichnet ist, die sich in härtester Legalität und Zwangsarbeitsbedingungen jener Zeit widerspiegelt. Diese Dualität erfasst das Wesen seines historischen Einflusses und vereint Innovation mit Tyrannei, wodurch seine Rolle als zentrale Figur zur Gestaltung des Verlaufs der chinesischen Zivilisation für die kommenden Jahrhunderte gefestigt wird.
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de
| 1,258
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['Korean']
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['1hzrFdzwIxDe']
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['The next photo looks like a marriage registration form, and when viewed, it only has text with no pictures. It seems like it was just copied. Since "Marriage Registration" is written very large at the top left, it looks like something that people would fill out before getting married. Below that, there are only the texts in the overall template, and there are no signs of anyone having used it. So it seems like it shows how it is supposed to be filled out as a template. Additionally, there are spaces at the bottom to write the date, year, month, and day, along with name, clarity, and fields for where the residence is. It seems to be a paper asking for more additional information. It also shows that there is more on the back, and it appears to display what else is written. The text is in old writing style, and everything is in black and white.']
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[False]
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[nan]
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The next photograph features a marriage registration form, which upon inspection is purely textual and lacks any visual imagery. The phrase "Marriage Registration" is prominently displayed in large font on the top left corner, suggesting that this document is meant to be completed by individuals prior to their marriage. The body of the form contains only text formatted within a standardized template, indicating that it has not been filled out or utilized by any prospective couple. This presentation implies that the document serves as a sample or guideline for how similar forms should be completed. Within the layout of the form, there are designated sections at the bottom for writing the date, with specific fields for the year, month, and day. Additionally, there are spaces provided for the names of the individuals involved, as well as their residence information. These sections suggest that the form is designed to collect essential details required for the marriage registration process. Notably, the reverse side of the form is referenced, hinting at further information or instructions that may be contained there. The text throughout the form is presented in a traditional writing style, contributing to a sense of formality and historical context, and the entire document is rendered in a monochromatic black and white color scheme, enhancing its classic appearance.
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La prochaine photographie présente un formulaire d'enregistrement de mariage, qui, à première vue, est uniquement textuel et ne contient aucune image visuelle. L'expression "Enregistrement de Mariage" est affichée en gros caractères dans le coin supérieur gauche, laissant entendre que ce document est destiné à être rempli par les individus avant leur mariage. Le corps du formulaire ne contient que du texte formaté dans un modèle standardisé, indiquant qu'il n'a pas été rempli ou utilisé par un couple potentiel. Cette présentation implique que le document sert d'exemple ou de guide pour la manière dont des formulaires similaires doivent être complétés. Dans la mise en page du formulaire, il y a des sections désignées en bas pour indiquer la date, avec des champs spécifiques pour l'année, le mois et le jour. De plus, des espaces sont prévus pour les noms des personnes concernées et leurs informations de résidence. Ces sections suggèrent que le formulaire est conçu pour collecter les détails essentiels nécessaires au processus d'enregistrement de mariage. Il est à noter que le verso du formulaire est mentionné, laissant entendre qu'il pourrait contenir des informations supplémentaires ou des instructions. Le texte dans tout le formulaire est présenté dans un style d'écriture traditionnel, contribuant à un sentiment de formalité et de contexte historique, et l'ensemble du document est rendu dans une palette de couleurs monochrome en noir et blanc, renforçant son apparence classique.
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fr
| 28,544
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['English', 'Chinese']
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['1o7RBCiaPiMN', '1cgb8aSiRGuT']
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[" This is an image of a road and we're standing on some concrete on the side of the road, but after a certain point it's all greenery. There are a lot of green, light green, yellow, orange, and red trees, so it appears to be the fall time. There is one man on a motorcycle, driving through the streets. On the left we see a lot more shade and dark colors on the trees and on the grass. On the right side we see a lot more yellow and dying grass. In the back there appears to be a lot more people, probably similarly on motorcycles, but it is not too clear or identifiable.", 'This is a scene of a quiet country road where a person is riding a motorcycle. In the distance, there are a few individuals who might be cycling or walking. The motorcyclist is wearing a helmet and riding on the right side of the road; he is about to turn right. The cyclists or pedestrians, approximately five or six, are located on the left side of the frame. The road is surrounded by a vast amount of trees and vegetation. There is no prominent text in the image. The motorcycle is positioned on the left side of the frame, and the road stretches across the image from the foreground to the distance. Trees are distributed on both sides of the road, particularly on the right side, forming a dense forest backdrop. The road is wide and very clean. The motorcyclist is dressed in dark clothing and a helmet, riding steadily. The cyclists and pedestrians on the left indicate that this is a multipurpose country road suitable for both vehicles and pedestrians. Among the vegetation, there are some changing leaves, such as red and orange ones, suggesting it is autumn. The dominant colors are green, red, orange, and gray, with the road accentuating the overall color tone quite distinctly.']
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[False, False]
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[nan, nan]
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This scene captures a picturesque country road lined with abundant greenery, indicative of the autumn season. The image depicts a concrete area adjacent to the roadway, which transitions into a vibrant tapestry of nature featuring trees in various shades, including deep green, light green, yellow, orange, and red. The colors suggest that the leaves are changing as autumn progresses. In the foreground, a man is seen riding a motorcycle. He is dressed in dark clothing and is wearing a helmet for safety. He is positioned on the right side of the road and appears to be preparing to make a right turn. The motorcyclist’s steady pace adds a sense of tranquility to the scene. A little further back, several individuals, approximately five or six, can be spotted on the left side of the frame. They may be cycling or walking, contributing to the lively yet peaceful ambiance of the country road. The road itself is wide and meticulously clean, suggesting that it is well-maintained for both motor vehicles and non-motorized users. On both sides of the road, trees create a dense forest backdrop, predominantly on the right side, while the left side offers a bit more shade and darker hues in its foliage. The visual contrast is accentuated by the dying, yellow grass on the right compared to the more vibrant vegetation on the left. Amidst the greenery, hints of autumn are evident with the presence of trees showcasing red and orange leaves, which further emphasizes the seasonal transition. The dominant colors of the scene—green, red, orange, and gray—paint a warm and inviting picture of the countryside, establishing a clear and aesthetically pleasing representation of this beautiful time of year.
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Эта сцена запечатлевает живописную загородную дорогу, окружённую обилием зелени, что указывает на осенний сезон. Изображение показывает бетонную площадку рядом с проезжей частью, которая переходит в яркое полотно природы с деревьями различных оттенков, включая тёмно-зелёный, светло-зелёный, жёлтый, оранжевый и красный. Эти цвета предполагают, что листья меняются по мере продвижения осени. На переднем плане видно, как мужчина ездит на мотоцикле. Он одет в тёмную одежду и носит шлем для безопасности. Он находится с правой стороны дороги и, кажется, собирается повернуть направо. Устойчивый темп мотоциклиста добавляет спокойствия в сцену. Немного дальше, с левой стороны кадра можно заметить несколько человек, приблизительно пятеро или шестеро. Они могут ехать на велосипедах или просто гулять, что вносит живую, но при этом спокойную атмосферу в загородную дорогу. Сама дорога широкая и аккуратно убранная, что говорит о том, что за ней хорошо ухаживают как для моторизованных, так и для немоторизованных пользователей. С обеих сторон дороги деревья создают плотный лесной фон, преимущественно справа, в то время как слева немного больше теней и темных оттенков в листве. Визуальный контраст подчеркивается умирающей, жёлтой травой справа по сравнению с более яркой растительностью слева. Среди зелени очевидны намёки на осень с деревьями, показывающими красные и оранжевые листья, что дополнительно подчеркивает сезонный переход. Доминирующие цвета сцены — зелёный, красный, оранжевый и серый — создают тёплую и привлекательную картину сельской местности, представляя ясное и эстетически приятное отображение этого прекрасного времени года.
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ru
| 12,407
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['1cpLzfJrm6im', '1nTsZPDvPK3U', '11knEogkrXUs', '18bQRRZzVj8E', '19Pxvkj629Kv', '133XOfrYJ5LL']
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[" In the picture, there's a pack of the food on a pink table. The food is made of white rice, cucumber, banana, fried shrimp, beef. And also there's some seasoning on the banana or cucumber and also some sauce on the beef. And the food was actually on a pack of oil paper, which indicates the food was taken out from a restaurant outside. And the spoon, it looks like it is at home. So the person who took this picture was taken out to the food from the restaurant and take it home and have this great meal at home. And then we can see the food is not so much, which maybe indicates the person who had this meal is a girl with not huge appetite.", ' This picture presents a very delicious looking dish with rice, eggs and also some sambal, probably eggplant and some fried stuff on the left hand side. It is contained in a paper with a spoon on the bottom of the picture. At first glance, this is actually rather reminiscent of a food that I eat day to day in Singapore, something known as nasi lemak. It is actually made of coconut rice and contains all the items on the picture itself. The style and colour is generally rather colourful with the contrast of the white egg contrasted against the backdrop of the black brinja, I suppose. There is no contextual information such as location that might help me to understand the image. But in any case, if I were not a Singaporean, I would probably be able to say that this is a... a dish, a rice dish that I have not seen before and therefore it probably looks pretty yummy.', " This picture shows the plate of food served on brown wax paper, which includes rice, fried egg, a fried food item, grilled eggplant, cucumber slices, spoon and fork. There is no picture in this image. The rice is centered on the plate. The fried egg is placed on top of the rice. The grilled eggplant is on the right side. The fried food is on the left side. The cucumber slices are near the bottom left, and the spoon and fork are positioned on the right. The food is served on brown wax paper, indicating a casual setting. The egg is slightly overcooked. The grilled eggplant looks like it has some chili paste on it. And we see that this is taking place on a light pink table, which means that this could possibly be from a food court. The colors are earthy and natural tones. The white rice contrasts with the darker food items. And the bright green cucumber slices. The freshness. The wax paper in this image serves as a common way to serve food in Southeast Asia. So this possibly could have taken place in Southeast Asia. This dish looks like it comes from an affordable eatery. Or it could also be from a food court. And including the grilled eggplant shows that it's probably a local or traditional dish. Or even smoked eggs.", 'What we see is a very traditional dish that is filled with rice; in the upper right corner of the picture, there is some braised eggplant, and on the left, there are items resembling fried squid rings or fried chicken pieces, accompanied by a fried egg on the left side. This is a very simple Chinese bento. In this bento, we can see a stainless steel spoon underneath the plate along with a pink spoon-shaped pancake. We also notice that there is a slice of cucumber beneath the fried egg. So this is a very traditional Asian-style dish, consisting of stir-fried vegetables served with rice. Its taste should be quite good, but it is more suitable for vegetarians. From the picture, we can see several vegetables, and the only significant source of meat or protein is the egg.', "This photo is a close-up of food with a light pink background. The food is all laid out on a piece of wax paper, and there is a stainless steel utensil, specifically a spoon, on the side. The main staple is white rice, accompanied by a sliced cucumber that has been peeled, and there is a fried egg that has been cooked on both sides. There seem to be two fried shrimp nearby, looking like shrimp that have been coated in flour and fried. On the other side, the main dish appears to be eggplant that has been well-seasoned, either stewed or cooked. Overall, this dish doesn't seem to contain much meat, suggesting that it is a simple meal specifically prepared for vegetarians.", 'This is a photo of food, with the food placed on a piece of khaki paper. In the center, there is a mound of rice, which is elongated in shape, possibly Thai or Chinese rice. On top of the rice is a fried egg, and to the left of the egg is a slice of cucumber. Above the cucumber are two fried items that are unclear whether they are meat or other products. Above and to the right of the rice, there are some seasoned eggplants, which have some red chili peppers on them. The eggplants also have a layer of oil sheen. In the lower right corner of the image is a spoon with a pink handle. The background behind this oil paper is pink, although it is unclear whether it is a table or a floor. Overall, the focus of this photo is the food, which is evident as the food has not yet been eaten.']
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[False, False, True, True, False, False]
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[nan, nan, 'This is most likely from an Asian food court', 'Chinese dish', nan, nan]
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In the first image, we see a pack of food situated on a pink table. The contents of the pack feature a mix of white rice, cucumber, banana, fried shrimp, and beef, with some seasoning on the banana and cucumber. Additionally, there is sauce present on the beef. The food is resting on a piece of oil paper, indicating that it has been acquired from a restaurant for takeout. A spoon, which seems to belong to a home setting, accompanies the meal. This suggests that the individual who captured this photograph enjoyed a takeout meal at home. The portion size appears modest, which might imply that the person indulging in this meal is female and has a comparatively smaller appetite. In the second image, we have a delectable dish featuring rice, eggs, sambal, likely containing eggplant, and various fried items on the left side of the presentation. This dish is enclosed in paper and paired with a spoon positioned at the bottom of the frame. At first glance, this meal closely resembles a dish commonly consumed in Singapore known as nasi lemak, which is prepared using coconut rice and showcases all the ingredients visible in the photograph. The vibrant colors of the dish are striking, with the brilliant white of the egg forming a contrast against the darker shade of the grilled eggplant. Unfortunately, there is no additional contextual information such as a location to provide further understanding of the image. However, it can be deduced that for someone unfamiliar with Singaporean cuisine, this might appear to be an unfamiliar yet appetizing rice dish. The third image presents a plate of food served on brown wax paper, showcasing a configuration of rice, a fried egg, a fried food item, grilled eggplant, and cucumber slices, along with a spoon and fork. The composition of the food is such that the rice is centrally placed on the plate, while the fried egg rests atop the rice. The grilled eggplant occupies the right side of the plate, the fried food is positioned on the left, and the cucumber slices are near the bottom left. A spoon and fork are arranged on the right side, signifying readiness for consumption. The fact that the food is served on brown wax paper suggests a casual dining atmosphere, potentially indicative of a food court setting. The egg appears slightly overcooked, and the grilled eggplant is complimented by what seems to be chili paste, adding a layer of flavor. The scene unfolds on a light pink table, enhancing the earthy and natural tones of the food, with the white rice standing in contrast to the darker items, along with the freshness represented by the green cucumber slices. The wax paper is a common serving method in Southeast Asia, hinting that this meal likely originates from this region and may represent a traditional or local dish, possibly featuring smoked eggs. The fourth image illustrates a traditional bento box filled with rice and various accompaniments. In the upper right corner, one can find braised eggplant, while the left side showcases items that resemble fried squid rings or fried chicken pieces, accompanied by a fried egg situated on the left. This particular bento is quite simplistic in its presentation. A stainless steel spoon lies beneath the plate, alongside a pink spoon-shaped pancake. Notably, a slice of cucumber can also be seen positioned under the fried egg. This dish typifies a traditional Asian-style meal, featuring rice paired with stir-fried vegetables, suggesting it may cater to vegetarian preferences. The visual elements of the photo display an array of vegetables, leading to the conclusion that the primary source of protein in this meal is the egg, while the overall composition hints at a wholesome and nourishing option. In the final image, the focus is on a close-up of food laid out against a light pink backdrop. The meal is arranged on a piece of wax paper, with a stainless steel spoon placed alongside it. The central component is white rice, accompanied by sliced cucumber that has been peeled, a fried egg that has been cooked thoroughly on both sides, and two fried shrimp that appear to have been breaded and deep-fried. Across from the shrimp, there is a main dish that consists of well-seasoned eggplant, either stewed or sautéed. The overall impression from this dish suggests minimal meat inclusion, pointing towards it being a straightforward vegetarian meal, created with simplicity in mind. In conclusion, the last image features a representation of Asian cuisine, potentially Thai or Chinese, presented on khaki paper. The centerpiece consists of an elongated mound of rice, topped with a fried egg and accompanied by a slice of cucumber. Adjacent to the egg, there appear to be two unidentified fried items, and above the cucumber is seasoned eggplant adorned with red chili peppers, indicating a robust flavor profile. A spoon with a pink handle rests in the lower right corner of the image. The pink background, though its exact nature—whether it is a table or flooring—is unclear, serves as a subtle backdrop, allowing the presented food to take precedence in this culinary snapshot. The food appears untouched, emphasizing the attractiveness and appeal of the meal, which depicts a vibrancy in its presentation.
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पहली छवि में, हम एक गुलाबी टेबल पर रखे भोजन के पैकेट को देखते हैं। पैकेट के अंदर सफेद चावल, खीरा, केला, तले हुए झींगे, और गोमांस का मिश्रण है, जिसमें केले और खीरे पर कुछ मसाला है। इसके अतिरिक्त, गोमांस पर सॉस भी है। भोजन एक तेल के पेपर पर रखा है, जो संकेत करता है कि इसे टेकआउट के लिए एक रेस्तरां से लिया गया है। एक चम्मच, जो घर के माहौल से संबंधित लगता है, इस भोजन के साथ है। यह सुझाव देता है कि जिसने यह फोटो खींची, उसने घर पर टेकआउट का भोजन किया। पोर्शन का आकार मध्यम है, जो यह दर्शा सकता है कि इस भोजन का आनंद लेने वाला व्यक्ति महिला है और उसकी भूख अपेक्षाकृत कम है। दूसरी छवि में, हमें चावल, अंडे, संभवतः बैगन वाले सांबल और प्रस्तुति के बाईं ओर विभिन्न तले हुए आइटम के साथ एक स्वादिष्ट पकवान दिखाया गया है। यह पकवान कागज में लिपटा हुआ है और नीचे एक चम्मच के साथ है। पहली नजर में, यह भोजन सिंगापुर में आम तौर पर खाया जाने वाला नसी लेमक जैसा दिखता है, जिसे नारियल के चावल से तैयार किया जाता है और इसमें सभी अवयव फोटो में स्पष्ट रूप से दिखाई देते हैं। पकवान के जीवंत रंग बेहद आकर्षक हैं, जिसमें तले हुए अंडे का उज्ज्वल सफेद रंग ग्रिल किए गए बैगन के गहरे रंग के खिलाफ एक конт्रास्ट बनाता है। हालांकि, छवि की आगे की समझ के लिए कोई अतिरिक्त संदर्भ जानकारी जैसे स्थान नहीं है। फिर भी, यह अनुमान लगाया जा सकता है कि जो व्यक्ति सिंगापुर के व्यंजनों से अपरिचित है, उसके लिए यह एक अपरिचित फिर भी लजीज चावल का पकवान हो सकता है। तीसरी छवि में, भूरे मोमयुक्त कागज़ पर परोसे गए भोजन की एक प्लेट है, जिसमें चावल, तला हुआ अंडा, एक तला हुआ खाद्य आइटम, ग्रिल किया हुआ बैगन और खीरे के स्लाइस के साथ एक चम्मच और कांटा है। भोजन की रचना इस तरह है कि चावल प्लेट के केंद्र में रखा गया है, जबकि तला हुआ अंडा चावल के ऊपर है। ग्रिल किया हुआ बैगन प्लेट के दाएं तरफ है, तला हुआ खाद्य वस्तु बाईं ओर है, और खीरे के स्लाइस नीचे बाईं ओर हैं। चम्मच और कांटा दाईं ओर व्यवस्थित हैं, जो खाने की तत्परता को दर्शाते हैं। भोजन के भूरे मोमयुक्त कागज पर परोसे जाने का अर्थ है कि यह एक आकस्मिक खाने का माहौल है, जो संभवतः एक फूड कोर्ट सेटिंग को दर्शाता है। अंडा थोड़ा अधिक पकाया हुआ लगता है, और ग्रिल किया हुआ बैगन लाल मिर्च के पेस्ट के साथ बहुत अच्छा लगता है, जो स्वाद की एक परत जोड़ता है। दृश्य एक हल्की गुलाबी टेबल पर फैलता है, अधिदेय और प्राकृतिक रंगों को बढ़ाने के साथ, सफेद चावल गहरे वस्तुओं के किनारे है, और हरे खीरे के स्लाइस द्वारा दर्शित ताजगी भी दिखाई देती है। मोम का कागज दक्षिण पूर्व एशिया में एक सामान्य परोसी जाने वाली विधि है, यह संकेत देते हुए कि यह भोजन संभवतः इस क्षेत्र से उत्पन्न होता है और पारंपरिक या स्थानीय पकवान का प्रतिनिधित्व कर सकता है, जिसमें संभवतः स्मोक्ड अंडे शामिल हैं। चौथी छवि में एक पारंपरिक बेंटो बॉक्स दिखाया गया है, जिसमें चावल और विभिन्न संगतें भरी गई हैं। ऊपरी दाएं कोने में, एक ब्रेज़ेड बैगन है, जबकि बाईं ओर तले हुए कलमा के घेरे या तले हुए चिकन के टुकड़ों जैसे आइटम हैं, जिनके साथ बाईं ओर एक तला हुआ अंडा है। यह विशेष बेंटो अपने प्रस्तुति में काफी साधारण है। प्लेट के नीचे एक स्टेनलेस स्टील का चम्मच है, साथ ही एक गुलाबी चम्मच के आकार का पैनकेक है। ध्यान देने योग्य है कि एक खीरे का टुकड़ा भी तले हुए अंडे के नीचे रखा हुआ है। यह डिश एक पारंपरिक एशियाई शैली के भोजन का प्रतिनिधित्व करती है, जिसमें चावल को तले हुए सब्जियों के साथ जोड़ा गया है, यह सुझाव देते हुए कि यह शाकाहारी पूर्वाग्रहों का पालन कर सकती है। फोटो के दृश्यात्मक तत्व सब्जियों की एक श्रृंखला को प्रदर्शित करते हैं, जिससे यह निष्कर्ष निकलता है कि इस भोजन में प्रोटीन का प्रमुख स्रोत अंडा है, जबकि समग्र रचना एक स्वस्थ और पोषक विकल्प का संकेत देती है। अंतिम छवि में, भोजन का एक निकटवर्ती दृश्य हल्की गुलाबी पृष्ठभूमि के खिलाफ प्रस्तुत किया गया है। भोजन को एक मोम के पेपर पर व्यवस्थित किया गया है, जिसमें एक स्टेनलेस स्टील का चम्मच उसके साथ रखा गया है। केंद्रीय घटक सफेद चावल है, जिसके साथ छिले हुए खीरे के स्लाइस, दोनों पक्षों पर अच्छी तरह से पका हुआ एक तला हुआ अंडा और दो तले हुए झींगे हैं, जो शायद ब्रेडेड और डीप-फ्राइड हैं। झींगों के विपरीत, एक मुख्य पकवान है जिसमें अच्छी तरह से मसालेदार बैगन है, जो या तो स्ट्यूड या सॉटे किया गया है। इस पकवान से प्राप्त समग्र छवि में कम मांस की मात्रा का संकेत है, जो इसे एक सरल शाकाहारी भोजन की तरह दर्शाता है, जिसे सहजता से बनाया गया है। निष्कर्षतः, अंतिम छवि में एशियाई व्यंजनों की एक प्रस्तुति है, संभवतः थाई या चीनी, जो खाकी पेपर पर प्रस्तुत की गई है। केंद्र में एक लंबी चावल की ढेर है, जिसे एक तले हुए अंडे से ढका गया है और एक खीरे के स्लाइस के साथ प्रस्तुत किया गया है। अंडे के निकट, दो अनजान तले हुए आइटम हैं, और खीरे के ऊपर मसालेदार बैगन है जो लाल मिर्च के साथ सजाया गया है, जो एक मजबूत स्वाद प्रोफ़ाइल का संकेत देता है। एक गुलाबी हैंडल वाला चम्मच चित्र के नीचे दाईं ओर रखा हुआ है। गुलाबी पृष्ठभूमि, चाहे वह एक मेज हो या फर्श, स्पष्ट नहीं है, एक सूक्ष्म पृष्ठभूमि के रूप में काम करती है, जिससे प्रस्तुत भोजन इस कुकिंग स्नैपशॉट में प्रमुखता से प्रस्तुत होता है। भोजन अप्रयुक्त प्रतीत होता है, जिससे इसका आकर्षण और अपील बढ़ जाती है, जो इसकी प्रस्तुति में जीवंतता को दर्शाता है।
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hi
| 5,598
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['English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['1fZtlEjZi4Mu', '1ePxz0pJnPyo', '1hWt4TRWSTaY', '1bww3uLu07UE', '13OzPm5On8sD']
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[" For this new picture, I see that we are in some sort of park outside. I see a statue in the middle of the picture that appears to be a mixture between a lion and a fish. And it has the head of a lion, but however it has the scales and the fins of a fish. And the tail of a fish as well. This statue is on top of a mountain that's surrounded by bushes and leaves. There are a lot of people outside walking around. Lots of different trees. I do see some sort of lake or river on the background with the buildings. I see people walking around. Looking at the lion statue. The lion statue is white with black eyes. It sits atop of a blue stand that appears to be some sort of stone that sits atop of the water. There's a lot of little things. There's a lot of little pots. And there's a lot of people just walking around in the park. Yeah, this picture does not tell me where this is at. But I would assume just from the people walking around all being Asian. I would assume that this is somewhere in Asia.", ' This image is for sure in Singapore because of the symbols in the image. Not necessarily to pick any text, but first in the center of the image there is the lion mermaid, which is the symbol of Singapore. And it is like a small fountain in the garden across the famous Marina Sand Hotel, which is also the symbol for Singapore. There are a lot of people walking in the park or in the pavement in the area and there are a lot of greens as well. The colors are very vibrant green, there are flowers everywhere. There are signs inside the garden as well, which is hard to read. And there are people, some potentially could be tourists as well. So this concludes the description. Thank you. Thank you.', "Jiangbi is a location in Singapore, and the focal point in the middle of the image is a statue of a lion's head with a fish body, carved from stone. This statue is situated in a small pond, surrounded by flowerpots with some trees in them. Behind, there are many tourists wearing short sleeves, indicating it might be summer, or perhaps we are in a tropical region. There is a foreigner standing on the rightmost side, wearing a blue T-shirt, and behind him are some trees. This is a square, specifically a lakeside square, with gray paving stones. On the opposite side of the lake, at the far end of the image, there are three modern skyscrapers made of glass and wood, with some connected structures that are unclear. This landmark is likely a very famous place in Singapore.", "This image shows a Merlion statue with the Marina Bay Sands hotel in the background, featuring three very tall buildings that are quite iconic. Above these structures is a flat platform that resembles a boat. This particular Merlion is not the largest one by the waterfront in Singapore; rather, it is a mosaic Merlion located a bit further inside a park. However, it remains a very typical symbol of Singapore. So, when you see this Merlion, you immediately know it must be in Singapore. Coupled with the iconic Singaporean buildings in the background, one can be fairly certain that it is indeed in Singapore. The location where this photo was taken is also a very famous tourist attraction, so I'm sure most people would have a strong impression of this photo.", 'This should be a photo taken in Singapore. In the front, there is a student-teacher interaction at Boat Quay, and in the background, there is a large building and three high-rise towers. There is a platform on top that connects them, and in the middle, there are some tourists and a few trees. Wes, please feel free to like, subscribe, share, and support Mirror and Diandian programs.']
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[False, True, True, True, False]
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[nan, nan, 'Singapore', nan, nan]
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For this new image, we find ourselves in an outdoor park setting. Central to the image is a captivating statue that combines features of both a lion and a fish. The statue has the majestic head of a lion, yet its body is covered in scales and fins characteristic of a fish, complete with a fish tail. This unique sculpture is positioned atop a stone base on a small mountain surrounded by lush bushes and foliage. The scene is bustling with activity as numerous people stroll through the park, exploring the environment. Various types of trees add to the natural beauty, and in the background, there is a glimpse of a lake or river with buildings lining the horizon. Visitors can be seen admiring the lion statue, which is notable for its white coloration and striking black eyes. The base of the statue is a blue stone that appears to rest over the water. Scattered throughout the scene are small flowerpots, suggesting a well-kept garden atmosphere. While the image does not provide a definitive location, the ethnic appearance of the people suggests that it is somewhere in Asia. The description continues with a more definite identification of the location, asserting that this image is indeed in Singapore, as indicated by certain symbols present in the image. Notably, the lion mermaid statue, which serves as a prominent symbol of Singapore, is visible. This statue resembles a small fountain and is strategically located in a garden area across from the renowned Marina Bay Sands Hotel, another iconic symbol associated with Singapore. The park is filled with vibrant greenery and colorful flowers, enhancing the aesthetic appeal of the surroundings. There are also signs scattered throughout the garden, although the text is not clearly legible. Encounters with tourists are evident, indicating the site is a popular one, further affirming the assumption that this is a well-known location in Singapore. Jiangbi, a locality in Singapore, is highlighted next. The focal point of the image is once again a statue depicting a lion's head fused with a fish's body, intricately carved from stone. This statue is set in a serene pond, bordered by flowerpots and occasional trees. The scene features many tourists dressed in short sleeves, suggesting that it is either summer or that we are in a tropical region. On the right side of the image, a foreigner is dressed in a blue T-shirt, with trees serving as a backdrop. The area shown is a lakeside square with gray paving stones, adding a modern touch to the natural surroundings. In the far distance, three modern skyscrapers made of glass and wood can be observed, connected by additional structures that are not clearly defined. This location is likely a significant landmark in Singapore, renowned for its architectural beauty. The next image captures a view of the Merlion statue, with the Marina Bay Sands hotel prominently situated in the backdrop. The hotel is notable for its unique design that features three towering structures connected by a flat platform that resembles a boat. The specific Merlion depicted in this image is smaller and is a mosaic version situated further within a park, rather than the larger one located directly by the waterfront in Singapore. However, it remains a quintessential symbol of the city-state. The combination of the Merlion and the distinctive buildings in the background reinforces the conclusion that this scene is undeniably linked to Singapore. Given that this location is a popular tourist destination, many individuals would likely recognize this iconic image. Finally, the context shifts to an interaction observed between a student and teacher at Boat Quay in Singapore. In the background are large buildings and three high-rise towers that dominate the skyline. Connecting the towers is a flat platform above, while tourists and a few trees populate the space in the middle of the image. The scene conveys a sense of vibrancy and community within this well-trafficked area. As an invitation to engage with content, a request is made for viewers to like, subscribe, share, and support Mirror and Diandian programs, encouraging interaction and community involvement.
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Transcripción: Para esta nueva imagen, nos encontramos en un parque al aire libre. Central a la imagen hay una cautivadora estatua que combina características de un león y un pez. La estatua tiene la majestuosa cabeza de un león, pero su cuerpo está cubierto de escamas y aletas características de un pez, completado con una cola de pez. Esta escultura única está posicionada sobre una base de piedra en una pequeña montaña rodeada de densos arbustos y follaje. La escena está llena de actividad, ya que numerosas personas pasean por el parque, explorando el entorno. Varios tipos de árboles añaden a la belleza natural, y en el fondo se vislumbra un lago o río con edificios alineando el horizonte. Se puede ver a los visitantes admirando la estatua del león, que es notable por su color blanco y sus impactantes ojos negros. La base de la estatua es de una piedra azul que parece descansar sobre el agua. Dispersos por toda la escena hay pequeños maceteros, lo que sugiere una atmósfera de jardín bien cuidado. Aunque la imagen no proporciona una ubicación definitiva, la apariencia étnica de las personas sugiere que está en algún lugar de Asia. La descripción continúa con una identificación más definitiva de la ubicación, afirmando que esta imagen está, de hecho, en Singapur, como indican ciertos símbolos presentes en la imagen. Notablemente, la estatua de la sirena leona, que sirve como un símbolo prominente de Singapur, es visible. Esta estatua se asemeja a una pequeña fuente y está estratégicamente ubicada en un área de jardín frente al famoso Hotel Marina Bay Sands, otro símbolo icónico asociado con Singapur. El parque está lleno de vibrante vegetación y coloridas flores, realzando el atractivo estético del entorno. También hay señales esparcidas por todo el jardín, aunque el texto no es claramente legible. Los encuentros con turistas son evidentes, lo que indica que el sitio es popular, reafirmando aún más la suposición de que es una ubicación bien conocida en Singapur. Jiangbi, una localidad en Singapur, se destaca a continuación. El punto focal de la imagen es nuevamente una estatua que representa la cabeza de un león fusionada con el cuerpo de un pez, tallada intrincadamente en piedra. Esta estatua se encuentra en un sereno estanque, bordeado por maceteros y algunos árboles ocasionales. La escena presenta a muchos turistas vestidos de manga corta, sugiriendo que es verano o que nos encontramos en una región tropical. En el lado derecho de la imagen, un extranjero lleva una camiseta azul, con árboles de fondo. El área mostrada es una plaza a la orilla del lago con pavimento de piedra gris, añadiendo un toque moderno a los alrededores naturales. A lo lejos, se pueden observar tres rascacielos modernos de vidrio y madera, conectados por estructuras adicionales que no están claramente definidas. Esta ubicación es probablemente un hito significativo en Singapur, reconocido por su belleza arquitectónica. La próxima imagen captura una vista de la estatua del Merlion, con el hotel Marina Bay Sands situado de manera prominente en el fondo. El hotel es notable por su diseño único que presenta tres estructuras imponentes conectadas por una plataforma plana que se asemeja a un barco. El Merlion específico que se muestra en esta imagen es más pequeño y es una versión mosaico situada más adentro de un parque, en lugar de ser el más grande ubicado directamente frente al agua en Singapur. Sin embargo, sigue siendo un símbolo esencial de la ciudad-estado. La combinación del Merlion y los edificios distintivos en el fondo refuerza la conclusión de que esta escena está indudablemente vinculada a Singapur. Dado que esta ubicación es un destino turístico popular, muchas personas probablemente reconocerán esta imagen icónica. Finalmente, el contexto cambia a una interacción observada entre un estudiante y un profesor en Boat Quay en Singapur. Al fondo hay grandes edificios y tres torres de gran altura que dominan el horizonte. Conectando las torres hay una plataforma plana arriba, mientras que turistas y algunos árboles pueblan el espacio en el medio de la imagen. La escena transmite una sensación de dinamismo y comunidad dentro de esta área muy concurrida. Como invitación a interactuar con el contenido, se hace un llamado a los espectadores para que le den "me gusta", se suscriban, compartan y apoyen los programas de Mirror y Diandian, fomentando la interacción y la participación comunitaria.
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es
| 4,133
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['English', 'Chinese', 'Chinese']
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['1kZU6Cj9N5xI', '1l9SE9OwqbXo', '1mkEAf5EQ7fx']
|
["For a show perhaps, maybe some kind of music show or an acting show, we see a steering wheel off to the left, maybe it's a racing show perhaps. There is text on the screen, but I cannot make out what the text is actually saying because it's written in a different language compared to the language I read. It's seen that this text is for some kind of event back in 2011 on November 18th at 7.30. All these details are provided in the poster. In the bottom, this image also has a bunch of smaller circular images of a bunch of faces, possibly the performers of the actual show. Some of these faces actually being groups of people, groups of four, groups of three, which could depict bands performing compared to individual singers or musical talents. The background is very vibrant and you see a bunch of different colors ranging from blue on the right to yellow on the left. And a bunch of different colors. And a bunch of different colors. Bright pink, inpd the middle. And I made paint, this is my, I found this in QuickerPaint over here, this will fill up thecht alter, lightness and contrast, and use Ray, comedy tone, tone over here, and I can't especially control how light and eye-catching it is. Right now, the standard light difference is open, and then on the screen, you have a half- Chad tape, so it just gives me a sense of it in the meantime.", 'The first page features a large text reading "Annual Global Chinese Music Awards" followed by numbers 1 to 20, with individual avatars depicted. The text states "Building the First Chart of Chinese Pop Music - CNTN\'s 8th Jin Ge Wang Golden Melody Chart - Annual Music Gala for Global Chinese Musicians," scheduled for November 18, 2011, at 7:30 PM in Guangzhou\'s Haixing Mountain. The arrangement of the text is at the forefront, with twenty individual avatar silhouettes above it. In terms of details, some avatars contain three individuals, others have four, while the majority feature a single person. The layout includes a background: on the left, there is a yellow section with a trumpet; the center is pink, and the right is blue. The style resembles that of a poster and promotional material, with colors including yellow, pink, blue, as well as black and gray.', 'This image is a promotional poster for the annual music gala of the global Chinese music scene, held in 2011. It specifies the location as Guangzhou. The poster features many pictures of singers, with the most famous ones placed in the center, while some newer artists appear on the sides. It is clear that the intention is to inform people about the date of the music gala and which singers will be participating. At the same time, it aims to attract audiences to attend the event on that day and support their favorite artists. This promotional poster appears to be quite appealing, with yellow on the left and blue on the right, giving it a lively aesthetic.']
|
[True, False, False]
|
[nan, nan, nan]
|
For what seems to be a promotional image for a music or acting show, there is a steering wheel positioned off to the left side of the graphic, suggesting a possible theme related to racing. The image contains text that is unfortunately illegible to me, as it is written in a language that I do not understand. However, it is indicated that the text pertains to an event that took place on November 18, 2011, at 7:30 PM. This information is prominently displayed on the poster. Additionally, there is a collection of smaller circular images located at the bottom of the poster, which feature several faces of individuals. Many of these faces represent performers in the upcoming show, with some images showing groups of people—such as bands made up of three or four individuals—while others depict solo musical acts. The backdrop of the poster is exceedingly vibrant, showcasing a spectrum of colors ranging from blue on the right side to yellow on the left, as well as a striking bright pink in the center. The bright color scheme is both eye-catching and energetic. The creator mentions using a program, QuickerPaint, to manipulate aspects such as lightness and contrast, suggesting that adjustments were made to enhance the visual appeal of the poster. There is also a reference to a half-toned pattern on the screen, contributing to the overall aesthetic experience of the image. Furthermore, the first page of an additional promotional item prominently displays the phrase "Annual Global Chinese Music Awards," followed by a numbered list from 1 to 20 alongside individual avatar illustrations. The text highlights the event, which is described as "Building the First Chart of Chinese Pop Music - CNTN's 8th Jin Ge Wang Golden Melody Chart - Annual Music Gala for Global Chinese Musicians," also scheduled for November 18, 2011, at 7:30 PM in Haixing Mountain, Guangzhou. The text is not only central and clear but is accentuated with twenty unique avatar silhouettes positioned above it. Among these avatars, some represent trios or quartets while most portray single figures, alluding to various artists who participated in the event. The layout presents a divided background: on the left, a bright yellow section adorned with a trumpet motif; the center section painted pink; and the right side in blue. This design bears characteristics of conventional posters and promotional material, using a vivid palette that includes yellow, pink, blue, black, and gray. The overall image serves as a promotional poster for an annual music gala focused on the global Chinese music scene, organized for the year 2011 in Guangzhou. It specifically features multiple images of singers, with the most renowned individuals positioned at the center of the design, while newer or lesser-known artists are situated on the margins. The intended purpose of this promotional material is evidently to inform the audience about the date of the music gala and the performers slated to appear, aiming to encourage attendance and foster support for their favorite artists on the specified date. The aesthetic of this promotional poster is notably inviting, employing a colorful scheme with yellow predominating on the left and blue dominating the right, resulting in a lively and dynamic visual presentation.
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Es scheint sich um ein Werbebild für eine Musik- oder Schauspielshow zu handeln. Ein Lenkrad ist auf der linken Seite der Grafik positioniert, was auf ein mögliches Thema im Zusammenhang mit Rennsport hindeutet. Der Text, der im Bild enthalten ist, ist leider für mich unleserlich, da er in einer Sprache verfasst ist, die ich nicht verstehe. Es wird jedoch angezeigt, dass sich der Text auf eine Veranstaltung bezieht, die am 18. November 2011 um 19:30 Uhr stattfand. Diese Information ist auf dem Poster deutlich sichtbar. Zusätzlich gibt es eine Sammlung kleinerer runder Bilder am unteren Rand des Posters, die mehrere Gesichter von Personen zeigen. Viele dieser Gesichter repräsentieren Darsteller in der bevorstehenden Show, wobei einige Bilder Gruppen von Menschen zeigen—wie Bands, die aus drei oder vier Personen bestehen—während andere Solo-Musikacts darstellen. Der Hintergrund des Posters ist äußerst lebhaft und zeigt ein Farbenspektrum, das von Blau auf der rechten Seite bis Gelb auf der linken reicht, sowie ein auffälliges Hellpink in der Mitte. Das helle Farbschema ist sowohl auffällig als auch energiegeladen. Der Ersteller erwähnt, ein Programm namens QuickerPaint benutzt zu haben, um Aspekte wie Helligkeit und Kontrast zu manipulieren, was darauf hindeutet, dass Anpassungen vorgenommen wurden, um die visuelle Anziehungskraft des Posters zu verbessern. Es gibt auch einen Hinweis auf ein halbtöniges Muster auf dem Bildschirm, das zum gesamten ästhetischen Erlebnis des Bildes beiträgt. Darüber hinaus zeigt die erste Seite eines weiteren Werbeartikels prominent die Phrase "Jährliche Globale Chinesische Musikpreisverleihung", gefolgt von einer nummerierten Liste von 1 bis 20 zusammen mit individuellen Avatar-Illustrationen. Der Text hebt die Veranstaltung hervor, die als "Erstellung der ersten Charts für Chinesische Popmusik - CNTNs 8. Jin Ge Wang Goldene Melodie Charts - Jährliches Musikgala für Globale Chinesische Musiker" beschrieben wird, ebenfalls für den 18. November 2011 um 19:30 Uhr in Haixing Mountain, Guangzhou, angesetzt. Der Text ist nicht nur zentral und klar, sondern wird auch durch zwanzig einzigartige Avatar-Silhouetten hervorgehoben, die darüber positioniert sind. Unter diesen Avataren repräsentieren einige Trios oder Quartette, während die meisten Einzelpersonen darstellen, die auf verschiedene Künstler hinweisen, die an der Veranstaltung teilnahmen. Das Layout präsentiert einen geteilten Hintergrund: auf der linken Seite ein hellgelber Abschnitt mit einem Trompetenmuster; der mittlere Abschnitt ist pink gestrichen; und die rechte Seite ist blau. Dieses Design weist Merkmale typischer Poster und Werbematerialien auf, die eine lebendige Palette verwenden, die Gelb, Pink, Blau, Schwarz und Grau umfasst. Das Gesamtbild dient als Werbeposter für eine jährliche Musikgala, die sich auf die globale chinesische Musikszene konzentriert und für das Jahr 2011 in Guangzhou organisiert wurde. Es zeigt speziell mehrere Bilder von Sängern, wobei die renommiertesten Personen in der Mitte des Designs positioniert sind, während neuere oder weniger bekannte Künstler am Rand platziert sind. Der beabsichtigte Zweck dieses Werbematerials ist offensichtlich, das Publikum über das Datum der Musikgala und die anstehenden Darsteller zu informieren, mit dem Ziel, die Teilnahme zu fördern und Unterstützung für ihre Lieblingskünstler am angegebenen Datum zu mobilisieren. Die Ästhetik dieses Werbeposters ist auffallend einladend und verwendet ein farbenfrohes Schema mit Gelb, das links dominiert, und Blau, das rechts dominiert, was zu einer lebhaften und dynamischen visuellen Präsentation führt.
|
de
| 25,195
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['1bQTMOx8p5QI', '137rHS6jVBWi', '1gprVdEhoN7R', '1mWuMFwssBcZ', '19hjz63X9jyZ', '1m5uFWsjx8Qn']
|
[" In this image there is a shadowy tree. There's sunlight in the background but the sun is facing the opposite direction of the... facing towards the photographer and the tree is like dark enough that you can't really see brown in the trunk and the stem or I mean the branches they all kind of look black and there are some branches looks like a an evergreen tree and in the background there are like rock features probably mountains or hills and the air looks a bit hazy. There's some cloud cover in the back and this appears to be taken higher up on the tree so you can't really see it. You can't really see the bottom of the tree and its roots.", " In this image we have a branch of a tree. In the background there are several mountains, each very heavily adorned with various greenery, trees, bushes. There are also clouds in the background. This particular tree up front is just kind of like, it's like the main focus of the image. A lot of branches, a lot of different leaves sticking out of the branches. The backdrop is pretty sunny, but still there's a decent amount of clouds. So in terms of any contextual information that I can get from the image, there seems to be nothing cultural, but it's just a generic landscape. background image", ' The picture presents a mountain area at first glance. The objects and its counts are as follows. There is a tree on the left side of the image and probably two mountains at the background of the picture. There is no text and the positions of the objects are as follows. The mountain is in the background of the picture while the tree is in the foreground of the picture. The subtle details that are noticeable would be that the leaves appear to be rather fine and this is contrasted against the rocky dark hue of the mountain itself. The cloud and colour is beautiful. The green hue of the tree is contrasted against the dark backdrop of the mountain. And although there is no contextual information such as words that may help me to understand the image, I do think that this location, given the fact that it is in a mountainous area, might seem to suggest that this might be in China or perhaps something... at least in the countryside, definitely not in the city itself. Otherwise, I do not think that there is anything else that I could infer from the image.', 'Well, this picture is still quite difficult to describe. Although it is a photograph, it is a landscape photo with mountains in the background, it should focus primarily on this tree, which is likely a pine tree. It has many branches and buds, and it appears to have a deep artistic sentiment. At the bottom of the picture, there are also two small pine trees, and the mountain peaks in the background are very majestic. However, the air quality is not very good. This tree is located on the far left side of the image, and it has a small branch with bamboo leaves, splitting into two trunks. That should be about it; it is likely a pine tree.', 'This image features a pine tree in front of a very tall mountain, serving as the foreground. The background consists of the sky and the towering mountain, while the foreground prominently displays this majestic and upright pine tree. Given the shape of the mountain and the appearance of the pine tree, I recall a very famous mountain in China called Huangshan, which is home to a renowned pine tree known as Yinkesong. As a Chinese person familiar with this, I instinctively feel that this image represents something significant; it should be a picture from China. Based on the shape of the mountain, I can infer that it is unlikely to be a mountain from countries like Japan or South Korea. Therefore, I can boldly surmise that it must be in mainland China.', 'In this picture, we can see a tree at the front; it has many needle leaves. In the distance, there are many mountain peaks and a blue sky with white clouds. The tree is located on the left side of the photo, with a thick trunk from which several branches extend. The branches bear needle leaves, which have a beautiful shape and design. In the background, there are four or five continuous mountain peaks. The color of the tree appears black due to the backlight, while the distant trees are also grayish-black. The sky is blue with some white clouds and a few black trees. From this photo, we can infer that it was taken on a mountain peak, allowing us to capture the distant mountains, clouds, nearby trees, branches, and sunlight.']
|
[False, False, False, False, True, False]
|
[nan, nan, nan, 'no', nan, nan]
|
In this collection of images, several intricate details are captured, each portraying a unique landscape dominated by trees and mountains. One image presents a shadowy tree, framed by sunlight that shines in the background. The sun, positioned facing towards the photographer, casts the tree in darkness, obscuring the natural brown hues of its trunk and branches. The branches appear nearly black, and among them, some resemble an evergreen tree. In the backdrop, rocky features emerge, possibly indicating the presence of mountains or hills, and the air carries a slight haze, complemented by cloud cover. The perspective of the photograph is elevated, leaving the bottom of the tree and its roots out of view. Another image focuses on a single branch of a tree, again leading our gaze toward a backdrop filled with mountains, richly adorned with diverse greenery, including trees and bushes. The scene includes clouds adding depth to the sky. This particular tree stands as the primary subject of the photograph, showcasing numerous branches with an array of leaves. Although the backdrop enjoys a sunny disposition, it is accompanied by a fair share of clouds. Notably, there are no cultural elements to draw upon, resulting in a predominately generic landscape setting. In another photograph, the focus again shifts to a mountainous region. The left side features a tree, while two mountains form a backdrop. The leaves on the tree appear delicate, providing a stark contrast against the dark, rocky surface of the mountain. The interplay of colors between the green of the tree and the dark hue of the mountain creates a visually arresting scene, although there are no textual elements to offer deeper context. Based on the mountainous characteristics, one might speculate that the location is rural, potentially in China, distancing itself from urban settings. A subsequent description reiterates the challenge of succinctly describing the image, which showcases a landscape photo highlighting mountains in the background and a likely pine tree in focus. This pine tree possesses an artistic quality, filled with many branches and buds, underscoring its prominence in the image. Two smaller pine trees populate the bottom of the photograph, featuring majestic mountain peaks behind them, all under less than optimal air quality. Located to the far left, the pine tree branches display bamboo leaves, splitting into two trunks. The next image explicitly illustrates a prominent pine tree against a towering mountain. The forest background merges sky and mountain, with the pine tree standing majestically in the foreground. Notably, there is a personal connection expressed, as the viewer recognizes a resemblance to Huangshan, a famous mountain in China celebrated for its Yinkesong pine tree. This cultural reference adds significance to the image, leading to a confident assertion that it is indeed situated within mainland China, rather than regions like Japan or South Korea. Lastly, an image captures a tree adorned with needle-like leaves positioned prominently at the front, against a backdrop of several mountain peaks and a blue sky spattered with white clouds. The tree sits to the left, showcasing its thick trunk and multiple branches. The black backlighting casts the trunk in shadow, causing it to appear dark, while the distant mountains blend into grayish-black silhouettes. The blue sky, dotted with white clouds, merges beautifully with the scene. The composition of the mountains, trees, and sunlight suggests that this photograph was taken from a peak, offering a comprehensive view of the varied landscapes within the frame.
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In dieser Bildersammlung werden mehrere komplexe Details festgehalten, die jeweils eine einzigartige Landschaft zeigen, die von Bäumen und Bergen dominiert wird. Ein Bild zeigt einen schattigen Baum, umrahmt von Sonnenlicht, das im Hintergrund strahlt. Die Sonne, die sich dem Fotografen zuwendet, lässt den Baum im Dunkeln erscheinen und verdeckt die natürlichen braunen Töne des Stammes und der Äste. Die Äste wirken nahezu schwarz, und unter ihnen finden sich einige, die einem immergrünen Baum ähneln. Im Hintergrund tauchen felsige Merkmale auf, die möglicherweise auf die Anwesenheit von Bergen oder Hügeln hinweisen, und die Luft trägt einen leichten Dunst, der von einer Wolkendecke ergänzt wird. Die Perspektive des Fotos ist erhöht, sodass der Boden des Baumes und seine Wurzeln aus dem Blickfeld verschwinden. Ein weiteres Bild konzentriert sich auf einen einzelnen Ast eines Baumes, der erneut unseren Blick auf einen Hintergrund lenkt, der von Bergen geprägt ist und reich an unterschiedlicher Vegetation, einschließlich Bäume und Büsche, ist. Die Szene enthält Wolken, die dem Himmel Tiefe verleihen. Dieser spezifische Baum steht im Mittelpunkt des Fotos und zeigt zahlreiche Äste mit einer Vielzahl von Blättern. Obwohl der Hintergrund in der Sonne erstrahlt, wird er von einer fairen Menge an Wolken begleitet. Bemerkenswerterweise gibt es keine kulturellen Elemente, auf die man zurückgreifen könnte, was zu einer überwiegend generischen Landschaft führt. In einem weiteren Foto richtet sich der Fokus erneut auf eine bergige Region. Auf der linken Seite steht ein Baum, während zwei Berge im Hintergrund formiert sind. Die Blätter des Baumes erscheinen zart und bieten einen starken Kontrast zur dunklen, felsigen Oberfläche des Berges. Das Zusammenspiel der Farben zwischen dem Grün des Baumes und dem dunklen Farbton des Berges schafft eine visuell fesselnde Szene, obwohl es keine textlichen Elemente gibt, die einen tieferen Kontext bieten. Basierend auf den bergigen Merkmalen könnte man spekulieren, dass der Ort ländlich ist, möglicherweise in China, und sich von städtischen Settings distanziert. Eine nachfolgende Beschreibung wiederholt die Herausforderung, das Bild prägnant zu beschreiben, das ein Landschaftsbild zeigt, das Berge im Hintergrund und einen wahrscheinlich Pinienbaum im Fokus hebt. Dieser Pinienbaum besitzt eine künstlerische Qualität, erfüllt mit vielen Ästen und Knospen, was seine Bedeutung im Bild unterstreicht. Zwei kleinere Pinienbäume bevölkern den unteren Teil des Fotos, hinter denen majestätische Bergspitzen zu sehen sind, alles unter weniger optimaler Luftqualität. Links im Bild zeigt der Baumzweig Bambusblätter und teilt sich in zwei Stämme. Das nächste Bild illustriert explizit einen markanten Pinienbaum vor einem hochragenden Berg. Der Waldhintergrund verbindet Himmel und Berg, während der Pinienbaum majestätisch im Vordergrund steht. Bemerkenswerterweise wird eine persönliche Verbindung ausgedrückt, da der Betrachter eine Ähnlichkeit mit dem Huangshan erkennt, einem berühmten Berg in China, der für seinen Yinkesong-Pinienbaum gefeiert wird. Dieser kulturelle Bezug verleiht dem Bild Bedeutung, und die zielbewusste Behauptung, dass es sich tatsächlich auf dem Festland China befindet, anstatt in Regionen wie Japan oder Südkorea. Schließlich zeigt ein Bild einen Baum, der mit nadelartigen Blättern geschmückt ist und prominent im Vordergrund steht, vor einem Hintergrund mehrerer Bergspitzen und eines blauen Himmels, der mit weißen Wolken gesprenkelt ist. Der Baum sitzt links und zeigt seinen dicken Stamm und mehrere Äste. Die schwarze Hinterleuchtung wirft Schatten auf den Stamm, sodass er dunkel wirkt, während die fernen Berge sich in grauschwarzen Silhouetten verlieren. Der blaue Himmel, durchzogen von weißen Wolken, verschmilzt schön mit der Szene. Die Komposition der Berge, Bäume und das Sonnenlicht lässt darauf schließen, dass dieses Foto von einem Gipfel aus aufgenommen wurde und einen umfassenden Blick auf die vielfältigen Landschaften im Rahmen bietet.
|
de
| 1,541
|
|
['Russian']
|
['16ITb3mV248Y']
|
['In this image, we see matryoshkas, one, two, three, four, five, six, seven; they are very appealing, even the tiniest matryoshkas. Some of the matryoshkas have slightly blurred faces, which is a bit strange. As for the other objects, it’s not entirely clear what they are; most likely, there’s a book in the background and a box. The facial parts are very prominent, and it’s evident, along with all these beautiful colors. Our beloved matryoshkas often come in brown shades. It seems that there are many wooden objects here, something like a table. The matryoshka as a souvenir is presented here, and it’s intriguing to understand all this craftsmanship. Each matryoshka looks different; for instance, in one, you can see how intricate the work is, with the design and details changing from one doll to the next.']
|
[True]
|
[nan]
|
In this image, we observe a collection of matryoshkas, which are traditional Russian nesting dolls. There are seven distinct matryoshkas displayed, ranging from the largest to the smallest, and they are visually captivating, even the tiniest of them is charming in its own right. Some of these matryoshkas exhibit blurred facial features, which adds an unusual touch to their appearance. Surrounding the matryoshkas are other objects that are not entirely identifiable; however, it appears there is a book positioned in the background alongside a box, contributing to the overall aesthetic of the scene. The facial characteristics of the dolls are strikingly highlighted, showcasing an array of brilliant colors that enhance their visual appeal. Typically, our cherished matryoshkas are crafted in shades of brown, which is a common and popular color choice. The image suggests that there are various wooden objects present, possibly indicative of a table's surface on which the matryoshkas are arranged. These dolls serve as popular souvenirs, embodying the craftsmanship and cultural artistry inherent to their creation. Notably, each matryoshka presents unique designs; for example, one doll displays particularly intricate detailing, with variations in patterns and decorative elements that differ from one doll to another. This showcases the skilled artisanship involved in crafting each individual doll, emphasizing the diversity and richness of matryoshka artistry.
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এই ছবিতে আমরা একটি সংগ্রহ দেখতে পাচ্ছি ম্যাট্রিয়োশকা, যা রাশিয়ান প্রচলিত নেস্টিং পুতুল। এখানে সাতটি ভিন্ন ম্যাট্রিয়োশকা প্রদর্শিত হচ্ছে, সবচেয়ে বড় থেকে সবচেয়ে ছোট, এবং এগুলো দৃষ্টিনন্দন, এমনকি সবচেয়ে ছোটটি তার নিজস্ব অধিকারেও আকর্ষণীয়। এই ম্যাট্রিয়োশকাগুলির মধ্যে কিছু অস্পষ্ট মুখাবয়ব রয়েছে, যা তাদের চেহারায় একটি অস্বাভাবিক ছোঁয়া যুক্ত করে। ম্যাট্রিয়োশকাগুলির চারপাশে অন্যান্য কিছু বস্তুর অস্তিত্ব রয়েছে যা পুরোপুরি চিহ্নিত করা যায় না; তবে, পেছনে একটি বই এবং একটি বাক্স রয়েছে, যা দৃশ্যটির সামগ্রিক সৌন্দর্যে অবদান রাখছে। পুতুলগুলির মুখের বৈশিষ্ট্যগুলো অত্যন্ত স্পষ্টভাবে ফুটিয়ে তোলা হয়েছে, যেখানে উজ্জ্বল রঙের একটি পরিসর তাদের দৃষ্টিগত আবেদন উন্নত করছে। সাধারণত, আমাদের প্রিয় ম্যাট্রিয়োশকাগুলি বাদামী রঙের শেডে তৈরি করা হয়, যা একটি সাধারণ এবং জনপ্রিয় রঙের পছন্দ। ছবিটি ইঙ্গিত করে যে সেখানে বিভিন্ন কাঠের বস্তুর অস্তিত্ব রয়েছে, সম্ভবত ম্যাট্রিয়োশকাগুলি যে টেবিলের পৃষ্ঠে সাজানো হয়েছে সেটির একটি চিহ্ন। এই পুতুলগুলো জনপ্রিয় সৌvenir হিসেবে কাজ করে, যেগুলো তাদের নির্মাণের সঙ্গে সম্পর্কিত কারিগরি দক্ষতা এবং সাংস্কৃতিক শিল্পকলা ধারণ করে। বিশেষভাবে, প্রতিটি ম্যাট্রিয়োশকা বিশেষ নকশা উপস্থাপন করে; উদাহরণস্বরূপ, একটি পুতুলে বিশেষভাবে জটিল বিস্তারিত রয়েছে, যার প্যাটার্ন এবং সজ্জা উপাদানগুলির মধ্যে ভিন্নতা রয়েছে, যা এক পুতুল থেকে অন্য পুতুলে পরিবর্তিত হয়। এতে প্রতিটি পৃথক পুতুল তৈরির পেছনে দক্ষ কারিগরিত্বের গুরুত্ব ফুটিয়ে তোলা হয়েছে, ম্যাট্রিয়োশকা শিল্পের বৈচিত্র্য এবং সমৃদ্ধি জোর দিয়ে।
|
bn
| 10,087
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
['13A0TDDmOwC1', '1fLywxWo6suQ', '14qpWpnzFqrG', '1kqQWOwvHHYS', '13FkflyCV9FJ', '1oRhtYaKnvpX']
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[" So here we have a beach area and some mountains in the background. The mountains are unlike anything you see in the US. They each have a unique form, all kind of standing alone on their own, covered with very various bushes, shrubs, trees. And then of course, there's that distinctive beach area, lake or ocean I mentioned before. In the bottom of the image, there are some people what looks to be like sailing on this body of water. No one seems to be on the beach. And right beyond the beach, you can see that the green, I think it's the blue, is the sea. And the red is the ocean. And the blue is the water. And the blue and the blue are the mountains. And the blue is the water. And the blue and the green area where all the trees are growing just starts immediately there. In terms of the sky, there's some clouds. You can tell it's a very sunny day because the backdrop is very light-colored, sort of white, which reflects how there's clouds in the sky, but there's also a heavy amount of sun as well.", " So this is very likely a photo of the Guilin area in China. So in the background we can see a lot of mountains, very attractive, like unique shapes. And we can see there are trees on the steep cliffs of these strange mountains. And on the ground there are also a lot of green trees. And you can see on the shore of the river it's more like sand or like small rocks which shows a kind of yellow color. And we can see a very long and wide river which has green water with reflection of these mountains. There are also some ships and maybe tourists on the ships. So this is a very good attraction in China.", " This is an image of a body of water and mountains in the background. Between the body of water and the mountains we can see a sandy beachy area. Beyond that we can see vegetation and trees. There are three boats in this body of water and there look to be two people on a canoe-like structure. There's reflection off of the water. The sky is completely cloudy. These are some very large mountains, very peaked mountains that we're seeing. On the left hand side of the screen and on the right hand side of the image we're seeing smaller mountains but still peaked.", "There are mountains and water; the mountains are beautiful, resembling rocky structures, and the smaller hills are covered with lush green trees. There is a lake that is hard to pinpoint, quite serene, and it seems there are some people in small boats; maybe someone is washing clothes by the lakeside or doing something else, it's unclear. There might also be tourists. It resembles Guilin a bit, but I'm not sure. It could be a place in some mountainous region of a country. The weather is quite nice; it's hard to tell when it is, but it’s definitely not winter, otherwise the lake would be frozen, and the weather would be very cold here.", "This picture should have been taken in Guilin, China, known for its picturesque landscape. In the image, we can see a lake in the foreground with several boats on it, though they are not very clear. Behind the lake is a row of trees. The image is notably long, possibly four to five times its width. In the background, there is a group of mountains, with various heights and shapes of stone hills. I believe this picture captures the essence of Guilin, which is famous for its rivers and mountains and is a renowned tourist destination. I think I have seen similar images before. We can also see in the water, not just boats, but some people rowing small boats and others playing by the water's edge.", "This is a landscape photo showcasing a continuous karst mountain range, rivers, and lush greenery, likely depicting the Li River scenery in Guilin, Guangxi, China. The image features a river, a stretch of beach, and riverbanks with a few scattered figures, along with several bamboo rafts or small boats inhabited by a limited number of individuals. Multiple peaks, varying in shape, are layered and distributed without any clear textual information. The karst mountains are steep and directly rise from the water's surface, which appears calm and relatively clear. Distant peaks are partially obscured, shrouded in a faint mist, while the bamboo rafts and figures are diminutive in scale. The background consists of rolling mountains with some low-lying areas creating a natural water landscape. The sky is a grayish-white, suggesting an overcast day or light mist, pointing to the possibility that this scene is from the Li River Scenic Area in Guilin, Guangxi, possibly captured in the morning or during cloudy weather."]
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[False, False, False, False, True, False]
|
[nan, nan, nan, nan, 'Guilin', nan]
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So here we have a beautiful beach area complemented by mountains in the background. The mountains are unique and distinct from those commonly seen in the United States; each mountain has its own individual form and stands uniquely, covered with a variety of vegetation including bushes, shrubs, and trees. In this scene, there is a recognizable beach area near a large body of water, which may either be a lake or the ocean, as previously mentioned. In the lower part of the image, there are several individuals engaged in sailing on this body of water, adding a dynamic element to the serene landscape. Interestingly, there are no people visible on the beach itself at this moment. Beyond the beach, one can observe the water, which is characterized by shades of green and blue, contributing to the picturesque view. The mountains, described as a continuum of blue hues, rise dramatically behind the water, further enhancing the view’s depth. The lush green areas where trees grow seamlessly transition to the water’s edge. Looking at the sky, one can see there are some clouds present; however, it is apparent that it is a sunny day given that the backdrop reflects a light color, almost white, indicating the interplay between clouds and abundant sunlight. This description suggests that the image is likely depicting the Guilin area in China. The background is dominated by a series of mountains with attractive, unique shapes, complemented by trees that cling to the steep cliffs of these extraordinary geological formations. On the ground, there is ample greenery, and at the river's shore, one can see sandy areas mixed with small rocks, presenting a yellowish hue that contrasts with the lush greenery. A long, wide river flows through the scene, showcasing green waters that reflect the mountains towering above. In the water, there are ships, and it's probable that they are transporting tourists, pointing to the area's status as a significant tourist attraction in China. The next image captures another body of water with mountains looming in the background. Spanning the area between the water and mountains, there is a sandy beach, with rich vegetation and trees visible further inland. In this body of water, three boats can be spotted, including a canoe-like structure that seems to carry two individuals. One can see the gentle reflections shimmering off the water’s surface. The mountains are markedly large, displaying acute peaks, while smaller mountains flanking the left and right sides of the image also feature sharp contours. Describing a picturesque yet serene lake surrounded by beautifully rocky mountain formations, this image draws attention to the lush green trees that cover the smaller hills. The tranquility of the lake is palpable, though it is difficult to ascertain exact activities—some figures in small boats appear to engage in possible leisure or mundane activities like washing clothes near the lakeside, but their exact actions remain ambiguous. This scene has an aura reminiscent of Guilin, China, yet there’s uncertainty as to its precise location, which could be anywhere in a mountainous region. The weather appears pleasant, as one can deduce from the features depicted; since the lake is not frozen, it's reasonable to conclude that it is not winter, and the atmosphere is quite comfortable. This image is indicative of Guilin, China, recognized for its breathtaking scenery. A lake dominates the foreground, with several boats present, albeit somewhat indistinct. Behind the lake, a row of trees provides a natural frame, while the image itself has a distinctly elongated format, possibly four to five times wider than its height. In the backdrop, a series of mountains presents varying heights and shapes of rugged stone hills, encapsulating the essence of Guilin, celebrated for its rivers and mountains, which attract numerous tourists. Familiarity with similar scenic images makes it clear that this spot is indeed a celebrated locale; also visible in the water are individuals rowing small boats along with others enjoying their time near the water’s edge, enhancing the scene's liveliness. Finally, this landscape photo vividly depicts a continuous karst mountain range alongside rivers and lush greenery, likely illustrating the Li River scenery in Guilin, Guangxi, China. The image prominently features a river, including a stretch of beach and riverbanks adorned with a few scattered figures. Several bamboo rafts or small boats are seen, implying limited recreational activity as only a few individuals occupy them. The karst mountains rise steeply from the water’s calm surface, with some distant peaks partially obscured by a light mist, which adds an air of mystery to the scene. The overall atmosphere is softened by a grayish-white sky that suggests an overcast day or the presence of light mist, hinting that this breathtaking landscape captures a moment in the Li River Scenic Area of Guilin, possibly during morning hours or in cloudy weather, thus enhancing the tranquil ambiance of the locale.
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So haben wir hier einen schönen Strandbereich, ergänzt durch die Berge im Hintergrund. Die Berge sind einzigartig und unterscheiden sich deutlich von denen, die man gewöhnlich in den Vereinigten Staaten sieht; jeder Berg hat seine eigene individuelle Form und steht einzigartig da, bedeckt mit einer Vielzahl von Vegetation, einschließlich Büschen, Sträuchern und Bäumen. In dieser Szene gibt es einen erkennbaren Strandbereich in der Nähe eines großen Gewässers, das entweder ein See oder der Ozean sein könnte, wie bereits erwähnt. Im unteren Teil des Bildes sind mehrere Personen beim Segeln auf diesem Gewässer zu sehen, was ein dynamisches Element in die ruhige Landschaft bringt. Interessanterweise sind im Moment keine Menschen am Strand selbst sichtbar. Jenseits des Strandes kann man das Wasser beobachten, das durch Grüntöne und Blautöne charakterisiert ist und zur malerischen Aussicht beiträgt. Die Berge, die als ein Kontinuum von Blautönen beschrieben werden, erheben sich dramatisch hinter dem Wasser und verleihen der Aussicht zusätzliche Tiefe. Die üppigen grünen Flächen, auf denen Bäume wachsen, gehen nahtlos in die Wasseroberfläche über. Wer zum Himmel blickt, kann einige Wolken sehen; es ist jedoch offensichtlich, dass es ein sonniger Tag ist, da der Hintergrund eine helle Farbe, fast weiß, widerspiegelt, was auf das Zusammenspiel zwischen Wolken und reichlich Sonnenlicht hinweist. Diese Beschreibung deutet darauf hin, dass das Bild wahrscheinlich die Gegend von Guilin in China darstellt. Der Hintergrund wird von einer Reihe von Bergen mit attraktiven, einzigartigen Formen dominiert, ergänzt durch Bäume, die an den steilen Klippen dieser außergewöhnlichen geologischen Formationen haften. Am Boden gibt es reichlich Grün, und am Ufer des Flusses sind sandige Flächen zu sehen, die mit kleinen Steinen gemischt sind und einen gelblichen Farbton präsentieren, der im Kontrast zu dem üppigen Grün steht. Ein langer, breiter Fluss fließt durch die Szene und zeigt grünes Wasser, das die darüber erhabenen Berge reflektiert. Im Wasser sind Schiffe zu sehen, und es ist wahrscheinlich, dass sie Touristen transportieren, was auf den Status des Gebiets als bedeutende Touristenattraktion in China hinweist. Das nächste Bild fängt ein weiteres Gewässer ein, mit Bergen im Hintergrund. Zwischen Wasser und Bergen erstreckt sich ein sandiger Strand, mit reicher Vegetation und Bäumen, die weiter im Landesinneren sichtbar sind. In diesem Gewässer sind drei Boote zu erspähen, darunter eine kanoähnliche Struktur, die anscheinend zwei Personen trägt. Man kann die sanften Reflexionen erkennen, die sich auf der Wasseroberfläche schimmern. Die Berge sind merklich groß und zeigen akute Gipfel, während kleinere Berge, die die linke und rechte Seite des Bildes flankieren, ebenfalls scharfe Konturen aufweisen. Dieses Bild beschreibt einen malerischen, aber dennoch ruhigen See, umgeben von wunderschönen, felsigen Gebirgen. Es lenkt die Aufmerksamkeit auf die üppigen grünen Bäume, die die kleineren Hügel bedecken. Die Ruhe des Sees ist spürbar, obwohl es schwierig ist, genaue Aktivitäten zu erkennen – einige Figuren in kleinen Booten scheinen möglicherweise Freizeit- oder alltäglichen Aktivitäten nachzugehen, wie das Waschen von Kleidern am Seeufer, doch ihre genauen Handlungen bleiben vage. Diese Szene hat eine Aura, die an Guilin, China, erinnert, doch es besteht Unklarheit über den genauen Standort, der irgendwo in einer bergigen Region sein könnte. Das Wetter scheint angenehm zu sein, wie man aus den dargestellten Merkmalen schließen kann; da der See nicht gefroren ist, ist es vernünftig zu folgern, dass es nicht Winter ist, und die Atmosphäre ist recht komfortabel. Dieses Bild ist charakteristisch für Guilin, China, das für seine atemberaubende Landschaft bekannt ist. Ein See dominiert den Vordergrund, mit mehreren Boote, die zwar etwas unscharf sind. Hinter dem See bietet eine Baumreihe einen natürlichen Rahmen, während das Bild selbst ein deutlich langgestrecktes Format hat, möglicherweise vier bis fünf Mal breiter als hoch. Im Hintergrund präsentiert sich eine Reihe von Bergen mit unterschiedlichen Höhen und Formen von rauen Steinwällen, die das Wesen von Guilin einfängt, das für seine Flüsse und Berge bekannt ist und zahlreiche Touristen anzieht. Vertrautheit mit ähnlichen landschaftlichen Bildern macht deutlich, dass dieser Ort tatsächlich ein gefeierter Ort ist; ebenfalls sichtbar im Wasser sind Personen, die in kleinen Booten rudern, zusammen mit anderen, die ihre Zeit am Wasser genießen, was die Lebhaftigkeit der Szene verstärkt. Schließlich zeigt dieses Landschaftsfoto lebhaft eine kontinuierliche Karstgebirgenreihe entlang von Flüssen und üppigem Grün, vermutlich die Szenerie des Li-Flusses in Guilin, Guangxi, China. Das Bild zeigt prominent einen Fluss, einschließlich eines Streifens Strand und Ufer, die mit einigen verstreuten Figuren geschmückt sind. Mehrere Bambusflöße oder kleine Boote sind zu sehen, was auf eine begrenzte Freizeitaktivität hinweist, da nur wenige Personen sie besetzen. Die Karstberge erheben sich steil von der ruhigen Wasseroberfläche, mit einigen entfernten Gipfeln, die teilweise von einem leichten Nebel verdeckt sind, was der Szene eine geheimnisvolle Stimmung verleiht. Die gesamte Atmosphäre wird von einem grau-weißen Himmel weicher, was auf einen bewölkten Tag oder das Vorhandensein von leichtem Nebel hindeutet und darauf schließen lässt, dass diese atemberaubende Landschaft einen Moment im malerischen Gebiet des Li-Flusses in Guilin festhält, möglicherweise während der Morgenstunden oder bei bewölktem Wetter, und so die ruhige Atmosphäre des Ortes verstärkt.
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de
| 2,576
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['English', 'Chinese']
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['124aXVbRctiG', '18FieeJ3kl5i']
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["I see a banner-sized image of, in the middle I see a Chinese, four Chinese characters. The font is white on a blue background. On the sides I see mountain images and on the right there are two trees. One is red-orange leaves and the other is green leaves. In the background I see blue sky with a lot of clouds and then on the top going spanning across I see English and Chinese letters and also some dates. So I see 2016 iDesign award and then below that is a red D merged with a red D merged with a red D. So I see 2016 I design award and then below that is a red D merged with an I and then some Chinese characters and then below that is this I design a world. The date is 1-21 to 2-21. I'm assuming those are dates. And there's also like a bamboo kind of road thing that the blue thing, the blue rectangle is on.", 'This photo, this image, is quite interesting. This image wasn’t taken by a camera but is more like a poster. It primarily represents a poster for the 2016 Youth Design Competition. From the image, we can see that the dates for the competition were from January 25 to February 21. The English name of the competition is "Undesigned World." This is likely an online voting segment of the competition, where the concept is to have youth design innovative projects and items, which are then voted on and promoted by netizens. The poster design is also quite novel; the background features two mountains and has a watercolor style, with some red and green trees growing on it, likely to enhance its aesthetic appeal.']
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[True, True]
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[nan, nan]
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The image described is a banner-sized poster featuring four Chinese characters prominently displayed in the center. These characters are rendered in a white font against a vibrant blue background. Flanking the central text, the design includes stylized images of mountains, suggesting perhaps a serene or majestic backdrop. On the right side of the poster, two trees are depicted: one bears striking red-orange leaves, while the other showcases green leaves, adding a splash of color and a sense of vibrancy to the composition. In the background, the sky is painted a bright blue and is filled with numerous fluffy clouds, which could imply a sense of openness or freedom. Spanning across the top of the poster are both English and Chinese text along with significant dates. Notably, the poster highlights the "2016 iDesign Award," establishing the poster's connection to a prestigious design competition. Below this award title is a visually interesting element—a red letter "D" that merges seamlessly with another red "D," creating a unique typographical design that captures the viewer's attention. Following this, there is an additional combination of a red "D," an "I," and accompanying Chinese characters that likely pertain to the competition's name. The poster references the competition dates as January 25 to February 21, indicating the period during which entries were accepted or activities occurred. It is assumed that the competition is titled "Undesigned World," suggesting a theme centered around creativity and perhaps a challenge to preconceived notions of design. This competition appears to promote youth-oriented innovation, encouraging young designers to conceptualize new projects and items that then engage in an online voting system, where netizens can partake in selecting their favorites. The overall design possesses a novelty factor, with the use of a watercolor aesthetic that beautifully blends the depicted mountains and trees, enriching the visual experience and appealing to a younger audience. Additionally, elements resembling a bamboo road feature in the bottom part of the blue rectangle, further enhancing the cultural significance and artistic texture of the poster.
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चित्र का वर्णन एक बैनर आकार के पोस्टर का है जिसमें चार चीनी अक्षर केंद्र में प्रमुखता से प्रदर्शित हैं। ये अक्षर उजले सफेद रंग में एक जीवंत नीले पृष्ठभूमि पर अंकित हैं। केंद्रीय पाठ के दोनों ओर, डिजाइन में पहाड़ों की स्टाइलाइज्ड छवियाँ शामिल हैं, जो शायद एक शांत या भव्य पृष्ठभूमि का सुझाव देती हैं। पोस्टर के दाहिने किनारे पर दो पेड़ दर्शाए गए हैं: एक striking लाल-नारंगी पत्तों से भरा है, जबकि दूसरा हरे पत्तों को प्रदर्शित करता है, जो रचना में रंग का एक तड़का और जीवंतता जोड़ते हैं। पृष्ठभूमि में आसमान उजले नीले रंग में रंगा हुआ है और कई फुजी बादलों से भरा हुआ है, जो शायद खुलापन या स्वतंत्रता का एक अहसास उत्पन्न करता है। पोस्टर के शीर्ष पर अंग्रेजी और चीनी पाठ के साथ महत्वपूर्ण तिथियाँ दर्शाई गई हैं। विशेष रूप से, पोस्टर "2016 iDesign Award" को उजागर करता है, जो पोस्टर के प्रतिष्ठित डिजाइन प्रतियोगिता से संबंध को स्थापित करता है। इस पुरस्कार शीर्षक के नीचे एक दृष्टिगत रूप से दिलचस्प तत्व है—एक लाल अक्षर "D" जो दूसरे लाल "D" के साथ मिलकर एक अनूठा टाइपोग्राफिकल डिजाइन बनाता है जो दर्शक का ध्यान खींचता है। इसके बाद, एक अतिरिक्त संयोजन है जिसमें एक लाल "D," एक "I," और अन्य चीनी अक्षर हैं जो संभवतः प्रतियोगिता के नाम से संबंधित हैं। पोस्टर प्रतियोगिता की तिथियों का उल्लेख करता है, जो 25 जनवरी से 21 फरवरी तक है, जो इस अवधि को इंगित करता है जब प्रविष्ठियाँ स्वीकार की गई थीं या गतिविधियाँ हुई थीं। यह माना जाता है कि प्रतियोगिता का नाम "Undesigned World" है, जो रचनात्मकता के चारों ओर केंद्रित एक थीम का सुझाव देता है और शायद डिजाइन के पूर्वकल्पित धारणाओं को चुनौती देता है। यह प्रतियोगिता युवा उन्मुख नवाचार को बढ़ावा देती है, युवा डिज़ाइनरों को नए प्रोजेक्ट्स और आइटम का कल्पना करने के लिए प्रेरित करती है, जो फिर एक ऑनलाइन मतदान प्रणाली में भाग लेते हैं, जहाँ नेटिज़ेंस अपने पसंदीदा को चुन सकते हैं। कुल मिलाकर डिजाइन में एक नवीनता का तत्व है, जिसमें जलरंग सौंदर्यशास्त्र का उपयोग होता है जो चित्रित पहाड़ों और पेड़ों को खूबसूरती से मिलाता है, दृश्य अनुभव को समृद्ध करता है और युवा दर्शकों को आकर्षित करता है। इसके अतिरिक्त, नीले आयत के नीचे वाले भाग में बांस के रास्ते जैसा तत्व दिखाई देता है, जो पोस्टर की सांस्कृतिक महत्वपूर्णता और कलात्मक स्वरूप को और बढ़ाता है।
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hi
| 26,464
|
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['English', 'English', 'Chinese']
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['131KvR3wdaQ6', '1nrRRV17YRCS', '1cXhme1dJkCn']
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[" So I first learned about a rather shoddy vehicle. There is a person to the right of the vehicle who is wearing a hoodie. The car looks rather downtrodden. It looks like there is a lot of wear and tear on it. But it is rather colorful. It has a green bottom and it also has a kind of turquoise top. And some of the bars inside the car are red. There is a spare tire on the back of the car. In the background there also seems to be some other similar cars or trucks. And the ground is kind of like sand or gravel. So I'm going to try to get a better picture of the car. The car is not in motion. It is parked and there is a person who is standing next to it.", ' The image shows a rickshaw in the foreground. This is a type of vehicle used to transport people and their belongings in rural areas. This particular vehicle looks like it can seat four passengers, with two passengers facing the front and two passengers facing the back. The vehicle has bright green paint on the bottom outside of the vehicle, red bars connecting the seat of the vehicle to the hood, black vinyl seats, and black backrests with red trim. The rear bar has green paint at the bottom of the bar. The hood of the vehicle is a darker green. There is a tire at the rear of the vehicle fixed to the backrest. There is a man standing next to this vehicle touching the armrest. He is wearing a navy hoodie with yellow trim. The vehicle is fixed to another vehicle to its front. The front vehicle has a white covering at its rear. The rear bar is a white covering at its rear that reads Kareem Bell. There is other text that is not visible as well as text in another language. In the background, there are other similar vehicles and machinery. The setting of the image is a sandy dirt road with trees in the background.', "This is a picture of a car. This car appears to be quite old; it is an open-top vehicle with seats facing each other. It resembles some modes of transportation that we often see in animated movies. It seems designed for tourists. In the front, we can see a driver area, and in the picture, we can spot the same person, who is currently completely stationary. So I'm not sure if he is the owner of the car. The car itself is green, and next to it is another vehicle, which has some markings I cannot identify. However, this makes me think it could be similar to what we often see in South Asia or Southeast Asia, typical in movies or TV shows."]
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[False, False, True]
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[nan, nan, nan]
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I first learned about a rather shabby vehicle, which appears to have seen better days. To the right of this vehicle is a person wearing a hoodie, although their features are not detailed. The car itself is quite downtrodden, showing significant wear and tear, indicative of age and possibly hard use. Despite its condition, it stands out due to its colorful appearance. The vehicle has a green bottom half, which provides a striking contrast to the turquoise top section. Inside the car, there are various bars, some of which are painted red, adding to the vehicle's colorful character. A noticeable spare tire is mounted on the back of the car, hinting at its utility. In the background, other similar-looking vehicles or trucks can be seen, suggesting that this area might be a transport hub or a locale where such vehicles are prevalent. The ground beneath is a mixture of sand and gravel, which indicates an outdoor setting that may not be well-paved. I intend to capture a better photograph of this car, noting that it is parked and stationary, with the person beside it remaining still. In another image, there is a rickshaw presented in the foreground. This type of vehicle is commonly utilized for transporting people and their belongings, particularly in rural areas where roads may be less developed. This particular rickshaw appears to have a seating capacity for four passengers, designed with two seats facing forward and two seats facing backward. The vehicle showcases a vibrant aesthetic, with bright green paint covering the lower half and red bars connecting the seats to the hood, which is a darker shade of green. The seating area is adorned with black vinyl seats and matching black backrests, enhanced with red trim, contributing to its colorful decor. At the rear of the rickshaw, a tire is mounted to the backrest, indicative of practical design. A man stands next to this vehicle, interacting with the armrest, and he is dressed in a navy hoodie featuring yellow trim. This rickshaw is coupled to another vehicle at its front, which has a white covering that reveals the name "Kareem Bell" printed on it, although other text and markings remain obscured, including some in a different language that adds cultural significance to the scene. The backdrop consists of additional similar vehicles and various pieces of machinery, set against a sandy dirt road that is bordered by trees, enhancing the rustic charm of the environment. The final image features yet another automobile that appears to be vintage. This open-top vehicle has a design that resembles modes of transport commonly depicted in animated movies. The seating arrangement is unique, with seats arranged facing each other, which is often seen in older designs aimed at tourists. The front section of the vehicle showcases an area designated for the driver, and in this image, a person can be seen in that spot, although they are completely stationary, leading to uncertainty about their ownership status or their intent. The car itself is colored green, and adjacent to it is another vehicle that features markings which are mostly unidentifiable. The design and appearance of this vehicle evoke thoughts of similar transport options that are frequently illustrated in films or television programs, particularly those set in South Asia or Southeast Asia, thereby providing cultural context and evoking nostalgia for fans of such cinematic representations.
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나는 다소 허름한 차량에 대해 처음 알게 되었는데, 이는 예전보다 훨씬 좋지 않은 상태로 보인다. 이 차량의 오른쪽에는 후드티를 입은 사람이 있는데, 그 얼굴 특징은 자세히 묘사되어 있지 않다. 자동차 자체는 상당히 낡고 마모가 심해, 나이와 아마도 과도한 사용을 나타낸다. 그 상태에도 불구하고 다채로운 외관 덕분에 눈에 띈다. 차량의 하부는 녹색으로 되어 있어, 청록색 상단 부분과 선명한 대비를 이룬다. 자동차 안에는 여러 가지 막대들이 있으며, 그 중 일부는 빨간색으로 칠해져 있어 이 차량의 다채로운 특징을 더해준다. 눈에 띄는 예비 타이어가 자동차의 뒷면에 장착되어 있어 실용성을 암시한다. 배경에는 비슷한 모양의 다른 차량이나 트럭들이 보이는데, 이 지역이 운송 허브거나 그러한 차량이 널리 퍼져 있는 장소일 수 있음을 시사한다. 아래에는 모래와 자갈이 섞인 바닥이 있어 잘 포장되지 않은 야외 환경을 나타낸다. 나는 이 차의 더 나은 사진을 찍으려 하고 있으며, 차량이 주차되어 있고 정지해 있으며, 그 옆의 사람도 가만히 있는 점을 주목하고 있다. 다른 이미지에서는 전경에 인력거가 나타난다. 이 종류의 차량은 주로 사람과 그들의 짐을 실어 나르는 데 사용되며, 특히 도로가 덜 발달한 농촌 지역에서 많이 사용된다. 이 특정 인력거는 4명의 승객을 수용할 수 있도록 설계되었으며, 앞을 향한 두 개의 좌석과 뒤를 향한 두 개의 좌석이 있다. 차량은 밝은 녹색 페인트로 하반부가 덮여 있으며, 좌석과 후드(더 어두운 녹색) 연결부에는 빨간색 막대가 있어 선명한 미적 감각을 자아낸다. 좌석 공간은 검정색 비닐 좌석과 잘 어울리는 검정색 등받이로 장식되어 있으며, 빨간색 장식이 더해져 다채로운 장식을 완성한다. 인력거의 뒤쪽에는 실용적인 디자인을 나타내는 타이어가 뒷받침에 장착되어 있다. 한 남자가 이 차량 옆에 서서 팔걸이를 만지고 있으며, 그는 노란색 장식이 있는 네이비 후드티를 입고 있다. 이 인력거는 앞쪽에서 다른 차량과 연결되어 있으며, 그 차량은 "Kareem Bell"이라는 이름이 인쇄된 흰색 덮개를 갖추고 있는데, 다른 텍스트와 표시는 가려져 있고, 그 중 일부는 문화적 의미를 더하는 다른 언어로 되어 있다. 배경에는 유사한 차량과 다양한 기계들이 있으며, 이들은 나무로 둘러싸인 모래 먼지 도로를 배경으로 하여 환경의 소박한 매력을 강조한다. 마지막 이미지에서는 또 다른 빈티지 자동차가 나타난다. 이 오픈탑 차량은 애니메이션 영화에서 흔히 묘사되는 교통수단과 유사한 디자인을 가지고 있다. 좌석 배치는 독특하며, 서로 마주보고 배치되어 있어 관광객을 위한 구식 디자인에서 종종 볼 수 있다. 차량의 앞쪽에는 운전자를 위한 공간이 마련되어 있으며, 이 이미지에서는 그 자리에 한 사람이 앉아 있지만, 그가 완전히 정지해 있어 소유권이나 의도에 대한 불확실성을 초래한다. 자동차 자체는 녹색이며, 그 옆에는 대부분 인식할 수 없는 표식이 있는 다른 차량이 있다. 이 차량의 디자인과 외관은 종종 영화나 텔레비전 프로그램에서 묘사되는 비슷한 교통 수단을 떠오르게 하여, 특히 남아시아나 동남아시아 배경의 작품과 관련이 있어 문화적 맥락을 제공하고 이러한 영화적 표현의 팬들에게 향수를 불러일으킨다.
|
ko
| 706
|
|
['English', 'Chinese']
|
['1eomMB2KCHLR', '16SJYfUe8Xji']
|
[" This is a photo of a plane taking off. It is from a passerby's perspective. And in front of the passerby, there is another person who is taking their hair out from a bun. And in front of them, there is a stoplight. There is like a traffic light and that is mitigating the traffic through a gate that is going from the left side of the image to the center of the image. In front of that gate, which is just a white and red rod, there is a security guard standing in front of it who is looking at the plane. And in this gate, there is a very large place. It is just a concrete ground and it is lined by those black uh those white and red barriers. Beyond those barriers are numerous houses of which in front of that, there is a plane that is white, black, and yellow. It is the airline monarch with a crown logo. And all of this behind that, there is a rock. There is a very large uh cliffside and beyond that is a hazy blue. It could be either water or it could just be the sky and there is a cloud going all across the sky and the image. The only text that is the cerebral is the airline's logo and person is in the bottom right, security guard is towards the left, and the street light is very large. It goes from the bottom of the image to the top of the image, sort of on the center left of the image. And it is just as if a passerby was walking by and saw this plane and the photo is slightly grainy.", 'The image features a large pillar with traffic lights on top, and above it, an airplane. It seems to be at an airport preparing for takeoff, with a pilot on board and a ground crew member assisting in directing. On the left, there is a person who might be taking a photo of the airplane, making a total of two people and one airplane in the scene. This image conveys that a ground crew member is directing an airplane at the airport, as the airplane is either about to take off or has just taken off, while another person is taking a photo. The airplane is positioned in the center of the picture, with the ground crew member in the lower left corner and the photographer in the lower right corner. I can see that this airplane has just lifted off the ground. Surrounding it are mountains, and the weather is very clear with a blue sky. There are some red and white striped barriers in the image, referred to as obstacles. It appears to be at a relatively remote airport, characterized by cool color tones, and styled like a typical airport.']
|
[False, False]
|
[nan, nan]
|
This image captures a scene at an airport featuring a plane taking off. The perspective is that of a passerby witnessing the moment unfold. In the foreground, there is a person who is in the process of letting their hair down from a bun, indicating a casual setting. Just in front of them, there is a stoplight, which also serves as a traffic signal aimed at regulating the movement of vehicles near a gate that spans from the left side of the image to the center. The gate itself is depicted as a white and red barrier rod, beyond which stands a security guard. This guard appears to be attentively observing the plane as it ascends into the sky. The scene conveys a sense of order as traffic flows through the gate, which opens up to a large concrete area lined with similar white and red barriers. Beyond these barriers, a number of houses are visible, offering a glimpse into the surroundings of the airport. Notably, the airplane taking off is predominantly white, black, and yellow—specifically identified as an aircraft from Monarch Airlines, marked by its crown logo. In the background, a tall cliffside is prominent, enhancing the natural beauty of the scene against the textured blue haze that could represent either water or the sky. The sky itself is adorned with clouds that drift across, adding to the atmospheric quality of the photograph. The only discernible text present in the image is the airline's logo. The composition features the airplane centrally positioned in the frame, with the ground crew member situated in the lower left corner and the individual taking the photo in the lower right corner. Overall, this image exudes a sense of activity with the airplane just lifting off, emphasized by the clear weather, bright blue skies, and mountainous backdrop. The inclusion of red and white striped barriers highlights the structured environment typical of an airport, while the cool color tones throughout the image suggest a serene atmosphere, reminiscent of a peaceful, remote airport setting.
|
이 이미지는 비행기가 이륙하는 장면을 담고 있는 공항의 모습입니다. 주어진 시각은 지나가는 사람이 순간을 목격하는 관점입니다. 전경에는 머리를 올려놓은 사람 한 명이 머리를 내려놓고 있는 모습이 보이며, 이는 캐주얼한 환경임을 나타냅니다. 그들 바로 앞에는 신호등이 있어 차량의 움직임을 조절하는 역할도 합니다. 신호등은 이미지 왼쪽에서 중앙까지 뻗어 있는 게이트 근처에 위치합니다. 게이트 자체는 흰색과 빨간색의 장애물 봉으로 묘사되며, 그 너머에는 한 경비원이 서 있습니다. 이 경비원은 비행기가 하늘로 상승하는 모습을 주의 깊게 관찰하는 듯 보입니다. 이 장면은 게이트를 통해 흐르는 교통의 질서를 전달하며, 게이트는 비슷한 흰색과 빨간색 경계가 늘어선 넓은 콘크리트 구역으로 열려 있습니다. 이 경계 너머에는 여러 집들이 보이며, 공항 주변의 모습을 엿볼 수 있습니다. 특히 이륙하는 비행기는 주로 흰색, 검정색, 노란색이며, Monarch Airlines의 항공기로, 왕관 로고로 식별됩니다. 배경에는 높은 절벽이 두드러져 자연의 아름다움을 더하며, 질감이 있는 푸른 안개는 물이나 하늘을 나타낼 수 있습니다. 하늘은 구름으로 장식되어 있어 사진의 분위기를 더욱 부각시킵니다. 이미지에서 유일하게 보이는 텍스트는 항공사 로고입니다. 구성은 비행기가 프레임 중앙에 위치하며, 지상 작업원이 좌하단에, 사진을 찍는 사람이 우하단에 있습니다. 전반적으로 이 이미지는 비행기가 막 이륙하는 활동적인 느낌을 풍기며, 맑은 날씨와 밝은 푸른 하늘, 산악 배경이 강조됩니다. 빨강과 흰색 줄무늬 경계의 포함은 공항 특유의 구조화된 환경을 강조하며, 이미지 전반에 차가운 색조는 평화롭고 외진 공항 환경을 연상시킵니다.
|
ko
| 17,791
|
|
['English']
|
['17Ewlll7oSxc']
|
[" This is an image of a sign. The sign is white and has a black inner border. The sign says one way. One is on top, way occupies the second line, and there is an arrow pointing right that's occupying the third section of the sign. The sign is on a vertical rod and the rod is of a steel color. It also has holes in it. The sign is white and the text is black along with the color of the arrow. There is a lot of greenery in the background of the sign. There are a lot of green leaves that are visible. There is also a brown trunk that is thin and in the background. The other parts of the image are dark. Indicating that there may not be as much light in the background of the pictures."]
|
[False]
|
[nan]
|
The image presents a street sign that is predominantly white, featuring a black inner border that frames the edges. The sign communicates the message "One Way," with the word "One" prominently displayed on the top line, while "Way" occupies the second line beneath it. Below the text, there is a rightward-pointing arrow that directs attention to the third section of the sign, reinforcing the instruction conveyed by the text. The sign is mounted on a vertical rod, which has a metallic steel coloration, signifying durability and stability. Notably, the rod is designed with several holes, likely intended for mounting purposes or to reduce wind resistance. The overall color scheme of the sign features black text and a black arrow against the white background, ensuring high visibility and clarity for drivers or pedestrians following the directional cue. Surrounding the sign is an abundance of lush greenery, characterized by vibrant green leaves that are clearly visible in the background. The foliage contributes to a natural setting that enhances the sign's presence. In addition, there is a slender brown trunk of a tree that emerges in the background, suggesting the presence of nearby vegetation. The surrounding areas of the image appear dark, indicating that there may be limited light in those sections, which could imply that the photo was taken in shaded conditions or during a time of day when natural light is waning. This contrast between the brightly lit sign and the darker background helps to draw the viewer's focus to the directional message being conveyed.
|
ছবিটি একটি রাস্তার সাইন উপস্থাপন করছে যা মূলত সাদা, যেখানে সীমানা ঘিরে থাকা একটি কালো বর্ডার রয়েছে। সাইনটি "One Way" বার্তা প্রদান করে, যার "One" শব্দটি উপরিভাগের প্রথম লাইনে সুস্পষ্টভাবে প্রদর্শিত হচ্ছে, এবং "Way" শব্দটি তার নিচের লাইনে রয়েছে। লেখার নিচে একটি ডানদিকে নির্দেশিত তীর রয়েছে, যা সাইনের তৃতীয় বিভাগে মনোযোগ আকর্ষণ করে, লেখার মাধ্যমে উত্থাপিত নির্দেশনাটি দৃঢ় করে। সাইনটি একটি উলম্ব রডে স্থাপিত, যার রঙ ধাতব স্টীলের, যা স্থায়িত্ব এবং স্থিরতা নির্দেশ করে। উল্লেখযোগ্যভাবে, রডটির ডিজাইন বেশ কিছু ছিদ্র রয়েছে, সম্ভবত মাউন্টিংয়ের উদ্দেশ্যে অথবা বায়ু প্রতিরোধ হ্রাস করার জন্য। সাইনের পুরো রঙের স্কিমে সাদা পটভূমির বিপরীতে কালো টেক্সট এবং একটি কালো তীর রয়েছে, যা ড্রাইভার বা পথচারীদের জন্য নির্দেশনার সংকেতের উচ্চ দৃশ্যমানতা এবং স্পষ্টতা নিশ্চিত করে। সাইনটির চারপাশে ঘন সবুজ গাছপালা প্রবাহিত আছে, যা পটভূমিতে স্পষ্টভাবে দৃশ্যমান উজ্জ্বল সবুজ পাতা দ্বারা চিহ্নিত। এই পাতাগুলি একটি প্রাকৃতিক পরিবেশে সাইনের উপস্থিতি বৃদ্ধিতে সহায়তা করে। উপরন্তু, পটভূমিতে একটি স্লেন্ড বাদামী গাছের গুঁড়া উঁকি দিচ্ছে, যা নিকটবর্তী উদ্ভিদের উপস্থিতি নির্দেশ করে। ছবির চারপাশের এলাকা অন্ধকার দেখাচ্ছে, যা নির্দেশ করে যে সেখানে সীমিত আলো থাকতে পারে, যা ইঙ্গিত দেয় যে ছবিটি ছায়াশীতল অবস্থায় অথবা এমন সময় তোলা হয়েছে যখন প্রাকৃতিক আলো কমে এসেছে। সাইনের উজ্জ্বল আলো এবং অন্ধকার পটভূমির মধ্যে এই বৈসাদৃশ্যে দর্শকের মনোযোগকে নির্দেশনামূলক বার্তার দিকে আকর্ষণ করতে সাহায্য করে।
|
bn
| 14,512
|
|
['Korean']
|
['14kQ8jH72jxS']
|
['This photo was taken in a kitchen. A man is wearing a blue and brown checked shirt, has brown hair, and is slightly smiling while looking at the camera. In front of him, there are a variety of ingredients, including several types of tomatoes and vegetables, as well as strawberries, showcasing a wide array of prepared ingredients. Behind this man, there are also flower pots, bowls, and condiments, including olive oil and pepper, as well as what appears to be pasta. The overall background features a lot of white color.']
|
[False]
|
[nan]
|
In this photograph, the setting is a kitchen filled with natural light and a warm atmosphere. In the foreground, a man is captured wearing a blue and brown checked shirt. He has brown hair and displays a slight smile as he gazes directly at the camera, exuding an approachable and friendly demeanor. Arrayed in front of him is a colorful assortment of ingredients, showcasing a variety of tomatoes—likely both ripe and heirloom types—alongside an assortment of vegetables that suggest the preparation of a fresh dish. The presence of vibrant strawberries adds a pop of color to the display, contributing to the impression of a well-stocked kitchen ready for culinary creation. Behind the man, the kitchen is decorated with several flower pots that introduce a touch of nature to the indoor space, enhancing the overall aesthetic. There are also various bowls scattered about, which may contain additional ingredients or serve as preparation vessels. Prominently featured among the kitchen supplies are condiments, including a bottle of olive oil and pepper, essential staples in many cooking traditions. Additionally, there appears to be dried pasta, which might hint at an Italian-inspired meal in the making. The background of the kitchen predominantly features white elements, which likely contributes to a bright and inviting environment, emphasizing cleanliness and a space conducive to cooking. This combination of personal and culinary elements paints a picture of a homely kitchen filled with potential for delightful meals.
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En esta fotografía, el escenario es una cocina llena de luz natural y con una atmósfera cálida. En primer plano, se captura a un hombre vestido con una camisa de cuadros azul y marrón. Tiene el cabello castaño y muestra una ligera sonrisa mientras mira directamente a la cámara, emanando una actitud accesible y amigable. Delante de él hay un colorido surtido de ingredientes, mostrando una variedad de tomates—probablemente tanto tipos maduros como de herencia—junto a una selección de verduras que sugieren la preparación de un plato fresco. La presencia de fresas vibrantes añade un toque de color a la exhibición, contribuyendo a la impresión de una cocina bien surtida lista para la creación culinaria. Detrás del hombre, la cocina está decorada con varias macetas de flores que introducen un toque de naturaleza en el espacio interior, realzando la estética general. También hay varios tazones esparcidos, que pueden contener ingredientes adicionales o servir como recipientes de preparación. Entre los suministros de cocina se destacan los condimentos, incluyendo una botella de aceite de oliva y pimienta, elementos esenciales en muchas tradiciones culinarias. Además, parece haber pasta seca, lo que podría insinuar la preparación de una comida de inspiración italiana. El fondo de la cocina presenta predominantemente elementos blancos, lo que probablemente contribuye a un ambiente brillante y acogedor, enfatizando la limpieza y un espacio propicio para cocinar. Esta combinación de elementos personales y culinarios pinta un retrato de una cocina hogareña llena de potencial para deliciosas comidas.
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es
| 28,733
|
|
['English', 'Chinese']
|
['1061eV3cF73i', '16caoGjfUYpf']
|
[' At first glance, this image appears to be depicting two people playing the popular gaming device Wii. It looks like they both have white remotes in their hand. There are two individuals. One appears to be female and the other appears to be male. Both appear to be Caucasian and they are standing in a living room with one couch, one chair and two plants that are in the right corner. Actually, I think there are two chairs. You can kind of see the corner of one chair and the second are in the bottom right corner. There are three windows behind them which are in the background of the photos. These two people are standing in the middle of the living room in the foreground of this photo with the woman in the background. The woman is closer towards the camera than the man. Some subtle details that are noticeable are that the wallpaper in this photo is striped and the room appears to be messy. The couch cushions are misplaced. The style and coloring of this photo is a very dark-lit photo with overexposure through the light coming through the windows. The people in the photo appear to be happy playing a game.', 'In this photo, at first glance, there are two people at home. In the lower left corner, a girl is smiling very happily, and in the upper right corner, there is a male figure. There is no text in the image. The girl is closer to the camera, positioned in the lower left corner, while the boy is in the upper right corner. This seems to be inside a home because there is a sofa in the background, a balcony, and some green plants. There are also a few other objects on the floor, but it’s unclear what they are. The background is the balcony with sunlight, giving the impression that it was taken in backlight, possibly during an event at home, with a friend taking the picture. It seems there’s also a carpet on the floor, and on the left, it’s uncertain if there’s a cloth from a piano. These should be some decorative items from the house.']
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[False, False]
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[nan, nan]
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At first glance, the first image conveys the scene of two individuals actively engaging with the popular gaming console, the Wii. Both individuals are holding white remotes, indicative of their participation in a gaming session. The two participants appear to be of Caucasian descent. The person identified as female is in the foreground, closer to the camera, with the male participant positioned slightly behind her in the background. They are situated in a living room setting that features a couch, a chair, and two potted plants placed in the right corner of the room. Upon closer inspection, it seems there are indeed two chairs, with one partially visible in the lower right corner of the frame. In the background, there are three windows that allow natural light to flood the room. This contributes to the overall ambiance of the image, which exhibits a dark lighting style accentuated by overexposure from sunlight streaming through the windows. The walls are adorned with striped wallpaper, and the arrangement of the room appears somewhat disorganized, with the couch cushions not properly arranged. The two subjects seem to radiate joy, clearly enjoying their gaming experience. The second image presents a casual scene inside a home where two individuals are captured seemingly enjoying each other's company. In the lower-left corner, a girl is depicted with a bright, joyful smile, embodying a sense of happiness. Meanwhile, the male figure occupies the upper right corner of the image. He appears to be slightly distanced from the girl, who is positioned much closer to the camera, adding depth to the composition. The atmosphere suggests a lively home environment, enhanced by the presence of a sofa in the background along with a balcony and a few green plants that contribute to the home's interior landscape. On the floor, there are various objects scattered around; however, their specifics are indeterminate from the photo alone. The balcony in the background, illuminated by sunlight, hints that the photograph might have been taken during a home event, perhaps showing the camaraderie of friends gathering together. The image suggests the presence of a carpet underfoot, while there is also a mention of a cloth, possibly from a piano, indicating decorative elements in the home setting that enrich the ambiance. The overall composition and details convey a warm, inviting atmosphere that resonates with a sense of casual home life and the joy found in gathering with friends.
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A primera vista, la primera imagen transmite la escena de dos individuos participando activamente con la popular consola de videojuegos, la Wii. Ambos sujetos sostienen controles blancos, lo que indica su participación en una sesión de juego. Los dos participantes parecen ser de ascendencia caucásica. La persona identificada como femenina está en primer plano, más cerca de la cámara, con el participante masculino situado ligeramente detrás de ella en el fondo. Se encuentran en un ambiente de sala de estar que presenta un sofá, una silla y dos plantas en macetas colocadas en la esquina derecha de la habitación. Al observar más de cerca, parece que hay de hecho dos sillas, con una parcialmente visible en la esquina inferior derecha del encuadre. En el fondo, hay tres ventanas que permiten que la luz natural inunde la habitación. Esto contribuye a la atmósfera general de la imagen, que exhibe un estilo de iluminación oscura acentuada por la sobreexposición de la luz solar que entra a través de las ventanas. Las paredes están adornadas con papel tapiz a rayas, y la disposición de la habitación parece algo desorganizada, con los cojines del sofá no colocados correctamente. Los dos sujetos parecen irradiar alegría, disfrutando claramente de su experiencia de juego. La segunda imagen presenta una escena casual dentro de un hogar donde dos individuos son capturados aparentemente disfrutando de la compañía mutua. En la esquina inferior izquierda, una chica aparece con una sonrisa brillante y alegre, personificando un sentido de felicidad. Mientras tanto, la figura masculina ocupa la esquina superior derecha de la imagen. Él parece estar ligeramente alejado de la chica, quien está situada mucho más cerca de la cámara, añadiendo profundidad a la composición. La atmósfera sugiere un ambiente hogareño animado, realzado por la presencia de un sofá al fondo junto con un balcón y algunas plantas verdes que contribuyen al paisaje interior del hogar. En el suelo, hay varios objetos esparcidos; sin embargo, sus detalles son indeterminados solo a partir de la foto. El balcón en el fondo, iluminado por la luz del sol, sugiere que la fotografía podría haber sido tomada durante un evento en casa, quizás mostrando la camaradería de amigos reunidos. La imagen sugiere la presencia de una alfombra bajo los pies, mientras que también se menciona una tela, posiblemente de un piano, indicando elementos decorativos en el ambiente del hogar que enriquecen la atmósfera. La composición general y los detalles transmiten una atmósfera cálida y acogedora que resuena con un sentido de vida hogareña casual y la alegría que se encuentra al reunirse con amigos.
|
es
| 12,472
|
|
['English', 'Vietnamese', 'Chinese']
|
['1jjOiv7MRkxr', '1i9lSpGoFUm9', '14ED1zolgQKd']
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[" So this image seems like a typical living room or something along those lines. Probably an open floor concept with, you can see the kitchen in the back as well. There are a couple of objects. There's one sofa. There is one lamp. There are a couple, maybe four paintings hung up on the walls. There are two throw pillows on the sofa. As well as numerous kitchen appliances in the background. I don't think there is any text in the picture as far as I'm aware. So the living room objects are in the foreground. The couch specifically is up front. Followed by the walls are in the background with the portraits being in the background. As well as the kitchen being in the background. Some subtle details being noticeable. So there's a laptop that I missed. There's a table or some sort of washing board in between the kitchen and the living room that has a laptop on it. My guess is that it's just a table. There is also some candles that I missed. It looks like a number of candles. It could be for a religious thing. I'm not sure. In the background, there's the kitchen. And then the style and color is relatively muted. It's not that sort of dimly lit except the light on the left-hand side. But otherwise, it seems like a pretty normal house.", 'In an apartment, the photographer stands in the living room. In the picture, there is a silver sofa in the middle. On this silver sofa, there are two red cushions and a white flower. To the left of the sofa is a small table, and on this small table, there is a lamp that is turned on. Behind the sofa is a table with four candles and a laptop. In the distance behind the table is the kitchen, which has a window, and through this window, light is coming in, indicating that this photo might have been taken in the morning. On the walls of this apartment, there are many paintings hung.', "At first glance, this photo seems to be taken in someone's home. The overall tone of the house is rather warm, filled with various items, but the main piece is this sofa, which is likely a two-seater. On the sofa, there are two red pillows, one on the far left and the other on the far right. The red pillow features white floral patterns that resemble blooming flowers. Beneath the sofa, there is no carpet, but the flooring is made of orange wooden planks. To the left of the sofa, there is a small coffee table that has a fairly large white lamp on it. The coffee table has a black base with a white top. The background appears to be the kitchen, with a red table that might be a dining table, along with a wooden rack. The walls are adorned with numerous colorful hanging artworks that exhibit many details. These details are present in the artworks themselves, as well as in some clutter in the photo. Overall, the style of the scene is warm and cozy."]
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[True, False, False]
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['Candles in the background table could be a Menorah of a Judaic tradition or perhaps some other traditional item.', nan, nan]
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The first transcription describes an image of a living room that possesses an inviting and typical atmosphere. It appears to follow an open floor concept, where the kitchen is visible in the background. Notable furniture pieces include a single sofa positioned prominently in the foreground, accompanied by two throw pillows that add color and comfort. Additionally, one lamp is present in the room, contributing to its overall illumination. On the walls are four paintings that add to the artistic ambiance of the space. The transcriber notes subtle details that enrich the scene, such as a laptop that is placed on a table, which could also be interpreted as a washing board situated between the kitchen area and the living room. Candles are also present, potentially indicating a decorative or even a religious purpose, although their specific significance is not defined. The kitchen features prominently in the background, suggesting a casual and functional living space. The color palette of the room is described as muted, with the lighting being generally soft, with the exception of brighter illumination coming from the left side of the space. Overall, the living room is depicted as comfortable, with hints of personality from the objects and arrangements present. In the second transcription, the scene shifts slightly to emphasize the specific layout of an apartment's living room as captured by a photographer. The focal point is a silver sofa situated centrally in the frame. On this sofa, two red cushions provide vibrant contrast, along with a white flower that adds a touch of elegance. Adjacent to the left of the sofa is a small coffee table, on which rests a lamp that is illuminated, suggesting a cozy setting. Behind the sofa, there is a table adorned with four candles alongside a laptop, which adds to the functionality of the space. The distant kitchen is framed by a window, allowing natural light to filter in, implying that this photograph may have been taken during the morning, which typically carries a sense of freshness and awakening. The walls of the apartment are richly decorated with numerous paintings, contributing to a lively and artistic environment. The overall impression of this setting conveys warmth and homeliness, encapsulating the essence of a lived-in home. The third transcription provides further insight into the same home, noting its warm tonal qualities and the variety of items present. The sofa is described as likely being a two-seater, adorned with red pillows that feature white floral patterns. The absence of carpets highlights the flooring, which consists of orange wooden planks, imparting a rustic charm. To the left of the sofa, the small coffee table, characterized by a black base and a white top, supports a sizable lamp, reinforcing the cozy atmosphere. The kitchen area in the background is noted to include a red dining table and a wooden rack, creating a seamless connection between the living and eating spaces. The walls are displayed with many colorful artworks, showcasing intricate details that reflect the personality of the inhabitants and the bustling energy of the home. Overall, this perspective emphasizes a warm and inviting living area, filled with character and an array of thoughtful design details.
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การถอดเสียงครั้งแรกบรรยายถึงภาพของห้องนั่งเล่นที่มีบรรยากาศที่เป็นกันเองและตรงตามแบบฉบับ มันแสดงให้เห็นถึงแนวคิดของพื้นแบบเปิด ซึ่งห้องครัวมองเห็นได้จากพื้นหลัง เฟอร์นิเจอร์ที่เด่นชัดรวมถึงโซฟาเดี่ยวที่ตั้งอยู่ในตำแหน่งเด่นในด้านหน้า โดยมีหมอนอิงสองใบที่เพิ่มสีสันและความสบาย นอกจากนี้ ยังมีโคมไฟหนึ่งตัวในห้องที่ช่วยเพิ่มแสงสว่างโดยรวม บนผนังมีภาพวาดสี่ภาพที่ช่วยเสริมสร้างบรรยากาศทางศิลปะของพื้นที่ ผู้ถอดเสียงตั้งข้อสังเกตถึงรายละเอียดเล็กน้อยที่ทำให้ฉากนี้มีชีวิตชีวามากขึ้น เช่น แล็ปท็อปที่วางอยู่บนโต๊ะ ซึ่งอาจตีความได้ว่าเป็นกระดานซักผ้าที่ตั้งอยู่ระหว่างพื้นที่ครัวและห้องนั่งเล่น ในห้องยังมีเทียนเกิดขึ้น ซึ่งอาจบ่งบอกถึงการตกแต่งหรือแม้แต่จุดประสงค์ทางศาสนา แม้ว่าความหมายเฉพาะของมันจะยังไม่ได้กำหนด ห้องครัวปรากฏอย่างเด่นในพื้นหลัง แสดงให้เห็นถึงพื้นที่อยู่อาศัยที่ไม่เป็นทางการและเชิงหน้าที่ พาเลตสีของห้องถูกบรรยายว่ามีอารมณ์ที่เงียบสงบ โดยแสงสว่างส่วนใหญ่จะนุ่มนวล ยกเว้นการส่องสว่างที่สว่างขึ้นจากด้านซ้ายของพื้นที่ โดยรวมแล้ว ห้องนั่งเล่นถูกพรรณนาว่าเป็นสถานที่ที่สบาย มีรายละเอียดจากวัตถุและการจัดเรียงที่แสดงถึงตัวตน ในการถอดเสียงครั้งที่สอง ฉากเลื่อนตามเล็กน้อยเพื่อเน้นเลย์เอาต์เฉพาะของห้องนั่งเล่นในอพาร์ตเมนต์ที่ผู้ถ่ายภาพจับภาพไว้ จุดเด่นคือโซฟาสีเงินที่ตั้งอยู่กลางกรอบ ในโซฟานี้มีหมอนสีแดงสองใบที่ให้ความแตกต่างที่สดใส พร้อมกับดอกไม้สีขาวที่เพิ่มความสง่างาม ใกล้ด้านซ้ายของโซฟามีโต๊ะกาแฟขนาดเล็กซึ่งมีโคมไฟที่เปิดอยู่ บ่งบอกถึงบรรยากาศที่อบอุ่น ด้านหลังโซฟามีโต๊ะแต่งด้วยเทียนสี่เล่มพร้อมแล็ปท็อป ซึ่งช่วยเพิ่มความสะดวกในการใช้งานของพื้นที่ ครัวที่อยู่ห่างออกไปถูกกรอบโดยหน้าต่าง ทำให้แสงธรรมชาติทะลุเข้ามา บ่งบอกว่าภาพถ่ายนี้อาจถูกถ่ายในตอนเช้า ซึ่งมักจะให้ความรู้สึกของความสดชื่นและความตื่นตัว ผนังของอพาร์ตเมนต์ถูกตกแต่งอย่างดีด้วยภาพวาดนับไม่ถ้วน เป็นการสร้างบรรยากาศที่มีชีวิตชีวาและศิลปะ โดยภาพรวมของการตั้งค่านี้สื่อถึงความอบอุ่นและความเป็นบ้าน การถอดเสียงครั้งที่สามให้ข้อมูลเชิงลึกเกี่ยวกับบ้านเดียวกัน โดยตั้งข้อสังเกตถึงคุณภาพเสียงอุ่นและความหลากหลายของรายการที่มีอยู่ โซฟาถูกบรรยายว่าอาจเป็นโซฟาแบบสองที่นั่ง มีหมอนสีแดงที่มีลวดลายดอกไม้สีขาว การไม่มีพรมเน้นถึงพื้นซึ่งประกอบด้วยแผ่นไม้สีส้ม ทำให้เกิดเสน่ห์ที่เรียบง่าย ด้านซ้ายของโซฟา โต๊ะกาแฟขนาดเล็กที่มีฐานสีดำและด้านบนสีขาว รองรับโคมไฟขนาดใหญ่ ซึ่งช่วยเสริมให้บรรยากาศอบอุ่นยิ่งขึ้น พื้นที่ครัวในพื้นหลังถูกบรรยายว่ามีโต๊ะอาหารสีแดงและชั้นไม้ สร้างการเชื่อมต่อระหว่างพื้นที่นั่งเล่นและพื้นที่รับประทานอาหาร ผนังมีงานศิลปะสีสันสดใสมากมาย แสดงให้เห็นถึงรายละเอียดที่ซับซ้อนซึ่งสะท้อนถึงบุคลิกภาพของผู้อยู่อาศัยและพลังงานที่มีชีวิตชีวาของบ้าน โดยรวมแล้ว มุมมองนี้เน้นถึงพื้นที่นั่งเล่นที่อบอุ่นและเชื้อเชิญ เต็มไปด้วยตัวตนและรายละเอียดการออกแบบที่ผ่านการคิดมาอย่างดี
|
th
| 16,527
|
|
['English']
|
['1ncZAD1ydPOM']
|
[' The image is of a kitchen with a man at the center. The man is holding up a spatula of some brown frosting, which is intended to be put on the cake in front of him. There is a box on the right side that is of some frosting. The man is bald and is wearing a brown shirt with some lighter brown pants. There is a trash can behind him on the left side. The dishwasher behind him on the right side is open. There is a white sink with silver handles and faucets. There is a countertop behind the man that has a lot of different items on it, including a toaster, a knife block, and some bowls. At the counter where he is decorating, the chocolate canes, there is a cake, there is a rack, and there are some other papers that are lying around. There is also a chair at the countertop.']
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[False]
|
[nan]
|
The image depicts a bustling kitchen scene featuring a man prominently positioned at the center. He is engaged in the process of decorating a cake, utilizing a spatula that he holds aloft, with some rich, brown frosting adhered to its surface, indicating that he is preparing to spread it on the cake positioned directly in front of him. To his right, there is a box of frosting, likely a pre-packaged option that he might use for further embellishments on the cake. The man himself is notable for being bald and is attired in a brown shirt complemented by lighter brown pants, suggesting a casual yet practical clothing choice suitable for kitchen work. Behind him, to the left side, there is a trash can, which is a common fixture in kitchens for disposing of waste, indicating an active cooking environment. On the right side of the image, there is an open dishwasher, which suggests that the man is in the middle of a cooking or baking session and is possibly cleaning up as he goes along. The kitchen also features a white sink equipped with shiny silver handles and faucets, emphasizing a modern and well-maintained environment. Behind the man, the countertop showcases an assortment of items. Prominently displayed are a toaster, a knife block filled with various knives, and several bowls that may contain ingredients or tools used in the cake decorating process. At the workspace where he is focused on decorating, there are visible chocolate canes, implying that these may be part of the cake's decoration or flavor profile. The cake itself is present, along with a rack, possibly intended for cooling baked goods, and various papers scattered around, which might be recipes or notes related to the cake preparation. Additionally, a chair is placed at the countertop, suggesting that this kitchen is not only functional for cooking but also accommodating enough for seating, potentially inviting others to join in the activity or to take part in conversation. Overall, the kitchen reflects a warm, inviting atmosphere well-suited for culinary creativity.
|
इस छवि में एक व्यस्त रसोई का दृश्य दर्शाया गया है, जिसमें एक व्यक्ति बीचोंबीच ध्यान आकर्षित कर रहा है। वह एक केक को सजाने की प्रक्रिया में लगा हुआ है, और उसके हाथ में एक स्पैटुला है, जिस पर गहरे भूरे रंग की मलाई चिपकी हुई है, यह दर्शाता है कि वह इसे अपने सामने रखे केक पर फैलाने के लिए तैयार है। उसकी दाईं ओर एक मलाई का डिब्बा है, जो संभवतः एक पूर्व-पैक किया गया विकल्प है जिसका वह केक पर और सजावट के लिए उपयोग कर सकता है। व्यक्ति खुद गंजा है और ब्राउन शर्ट पहने हुए है, जिसे हल्के भूरे रंग की पैंट से मिलाया गया है, जो रसोई के काम के लिए एक आकस्मिक लेकिन व्यावहारिक पोशाक विकल्प को दर्शाता है। उसके पीछे, बाईं ओर एक कचरे का डिब्बा है, जो रसोई में कचरा फेंकने के लिए एक सामान्य fixture है, जो एक सक्रिय खाना पकाने के वातावरण का संकेत देता है। छवि के दाईं ओर एक खुला डिशवॉशर है, जो यह सुझाव देता है कि व्यक्ति खाना पकाने या बेकिंग के सत्र में है और संभवतः कार्य करते समय साफ-सफाई कर रहा है। रसोई में एक सफेद सिंक भी है जो चमकीले सुनहरे हैंडल और नल के साथ सुसज्जित है, जो एक आधुनिक और अच्छी तरह से बनाए रखे गए वातावरण को उजागर करता है। व्यक्ति के पीछे, काउंटरटॉप पर विभिन्न आइटमों का एक संग्रह है। इसमें एक टोस्टर, चाकू ब्लॉक जिसमें विभिन्न चाकू भरे हुए हैं, और कई कटोरे हैं जो संभवतः केक सजाने की प्रक्रिया में उपयोग होने वाले सामग्रियों या उपकरणों को समाहित कर सकते हैं। जहां वह सजाने पर ध्यान केंद्रित कर रहा है, वहां चॉकलेट केन दिखाई दे रहे हैं, जो दर्शाते हैं कि ये संभवतः केक की सजावट या स्वाद का हिस्सा हो सकते हैं। केक खुद वहां है, साथ ही एक रैक भी है, जो संभवतः बेक्ड सामान ठंडा करने के लिए है, और चारों ओर विभिन्न कागजात बिखरे हुए हैं, जो संभवतः केक की तैयारी से संबंधित नुस्खे या नोट्स हो सकते हैं। इसके अतिरिक्त, काउंटरटॉप पर एक कुर्सी रखी गई है, जो सुझाव देती है कि यह रसोई केवल खाना पकाने के लिए ही नहीं बल्कि बैठने के लिए भी पर्याप्त है, जिससे अन्य लोगों को गतिविधि में शामिल होने या बातचीत में भाग लेने के लिए आमंत्रित किया जा सकता है। कुल मिलाकर, रसोई एक गर्म, आमंत्रित वातावरण को दर्शाती है जो पाक रचनात्मकता के लिए अच्छी तरह से अनुकूल है।
|
hi
| 14,313
|
|
['Korean']
|
['16zfzYBHaFEN']
|
['Next, the photo seems to show a scene from a book. Although it is cut into one page, I will read it. It is difficult to read the cut parts, so I will proceed to the next section. This is based on the theme of Tokyo and Japanese confectionery under martial law. I wrote it in the summer of 2010, and reading it now, it is not something I can just laugh off; it gave me a cold sweat. I hope it doesn\'t turn out this way. This is a short piece commemorating the first time I submitted a manuscript to editor Nozomi Omori, who was the first to read my novel submitted for the Japanese Fantasia Novel Award. During the writing, I don\'t remember what book I was reading, but my computer crashed, which delayed the manuscript this time as well. I sincerely apologize for that. The correspondence is for a special feature in the novel "Shincho" titled "800 Characters of the Universe." I wrote it as a tribute to the asteroid exploration period. Where is it, you ask? Just take off the jacket and look at the cover. It comes out in October 2012. Riku. It is written in Korean, and when you look inside, it seems to resemble a Japanese person when only the silhouette is seen, and it appears to tell a story interpreted by a Japanese person. I think I have seen the book.']
|
[False]
|
[nan]
|
The next segment focuses on a particular photo that appears to depict a scene extracted from a book. Although the image only captures a portion of one page, I will read aloud what is visible. The cut-off sections present challenges for readability, prompting me to move swiftly to the following part. The narrative is centered around the theme of Tokyo set against the backdrop of Japanese confectionery, all occurring under martial law. This piece was penned during the summer of 2010, and reflecting on it now, I find that it elicits a sense of apprehension rather than mere amusement; it induces a cold sweat. I earnestly wish for the circumstances I described not to manifest into reality. This excerpt serves as a brief homage commemorating my initial submission of a manuscript to editor Nozomi Omori. She was the very first individual to peruse my novel, which was submitted for consideration for the prestigious Japanese Fantasia Novel Award. While immersed in the writing process, I unfortunately encountered a mishap—my computer crashed—resulting in a delay in finalizing the manuscript. For this, I extend my sincerest apologies. Moreover, this correspondence is intended for a special feature within the novel "Shincho," which is titled "800 Characters of the Universe." It is a narrative I crafted as a tribute to the era of asteroid exploration. When inquiring about its whereabouts, simply remove the jacket enclosing the book and examine the cover. The publication is scheduled for release in October 2012. Turning to the visual aspect, the description notes a figure named Riku, inscribed in Korean. Upon viewing the interior contents, the representation seems to assume the form of a Japanese individual, visible only in silhouette. This appearance suggests a narrative that is interpreted through the lens of a Japanese perspective. I have a strong recollection of having encountered this book in the past.
|
ส่วนถัดไปจะมุ่งเน้นไปที่ภาพถ่ายหนึ่งที่ดูเหมือนจะแสดงฉากที่ถูกดึงออกมาจากหนังสือ แม้ว่าภาพจะจับเฉพาะบางส่วนของหน้าเพียงหน้าเดียว แต่ฉันจะอ่านดังสิ่งที่มองเห็นได้ ส่วนที่ถูกตัดออกมีความท้าทายต่อการอ่าน ทำให้ฉันต้องรีบไปยังส่วนถัดไป เรื่องราวมุ่งเน้นไปที่ธีมของโตเกียวซึ่งตั้งอยู่ท่ามกลางขนมหวานญี่ปุ่นทั้งหมดที่เกิดขึ้นภายใต้กฎอัยการศึก ชิ้นงานนี้เขียนขึ้นในฤดูร้อนปี 2010 และเมื่อย้อนกลับ来看ตอนนี้ ฉันรู้สึกว่ามันก่อให้เกิดความวิตกกังวลมากกว่าความขบขันเพียงอย่างเดียว มันทำให้ฉันเหงื่อเย็น ฉันปรารถนาอย่างจริงจังว่าเหตุการณ์ที่ฉันบรรยายไว้นั้นจะไม่เกิดขึ้นจริง ส่วนนี้ทำหน้าที่เป็นการคารวะสั้น ๆ เพื่อเป็นการระลึกถึงการส่งต้นฉบับครั้งแรกของฉันให้กับบรรณาธิการ โนโซมิ โอมอรี เธอเป็นบุคคลแรกที่อ่านนวนิยายของฉัน ซึ่งถูกส่งไปพิจารณาสำหรับรางวัลนวนิยายแฟนตาซีญี่ปุ่นอันทรงเกียรติ ขณะอยู่ในกระบวนการเขียน ฉันพบอุบัติเหตุ—คอมพิวเตอร์ของฉันล้มเหลว—ทำให้การจัดทำต้นฉบับล่าช้า สำหรับเรื่องนี้ ฉันขออภัยอย่างสุดซึ้ง นอกจากนี้จดหมายนี้มีวัตถุประสงค์สำหรับฟีเจอร์พิเศษในนวนิยาย "ชินโช" ซึ่งมีชื่อว่า "800 ตัวอักษรจากจักรวาล" เป็นเรื่องราวที่ฉันสร้างขึ้นเพื่อเป็นเกียรติแก่ยุคการสำรวจดาวเคราะห์น้อย เมื่อถามถึงที่ตั้งของมัน เพียงแค่ถอดแจ็คเก็ตออกจากหนังสือและตรวจสอบปก หนังสือมีกำหนดจะเผยแพร่ในเดือนตุลาคมปี 2012 ในด้านภาพลักษณ์ คำบรรยายระบุถึงตัวละครที่ชื่อ ริกุ ซึ่งมีการเขียนในภาษาเกาหลี เมื่อมองไปที่เนื้อหาภายใน การแสดงออกนั้นดูเหมือนจะมีรูปร่างเป็นชาวญี่ปุ่นที่มองเห็นได้เพียงแค่เงาซึ่งแสดงให้เห็นถึงเรื่องราวที่ถูกรับรู้ผ่านเลนส์ของมุมมองชาวญี่ปุ่น ฉันจำได้ว่าฉันเคยพบเจอกับหนังสือเล่มนี้ในอดีต
|
th
| 27,987
|
|
['Korean']
|
['16QboRn8QWOY']
|
['Next, there is a woman who resembles an animation character. So she is not a real person, and she is wearing white clothing, with a short skirt and short pants. She has golden hair, and it seems that there are a few black points on her outfit. I’m not exactly sure. At first glance, it looks like something from a game. The woman is posing, and there are six purple stars underneath her. Below that, there is the word "Sein." Sein seems to be the name of this character, I would guess. Then, in the bottom right corner, there is an arrow and the word "Confirm" written next to it. This might be a button that allows you to go back to the previous page. Just from the text, I think it could be a Korean game. The background appears to be black, with something resembling a platform, like a circle at the bottom. And this background is also standing on a black background with something platform-like, resembling a circle at the bottom. The style is closer to animation.']
|
[False]
|
[nan]
|
The transcription describes an animated character who bears a striking resemblance to figures commonly seen in animated video games or animations. The character is female and is depicted wearing predominantly white clothing that consists of a short skirt paired with short pants. Her hair is a vibrant golden color, and her outfit features a few small black dots, adding an element of design that might evoke curiosity regarding its significance. Upon first observation, the character's appearance suggests she could be derived from a stylized gaming universe, characterized by bold colors and distinct fashion choices typical of animation. She is posing in a way that draws attention, accentuated by the presence of six purple stars situated beneath her, which likely serves as a decorative or thematic element signifying an achievement or a special characteristic associated with her persona. In close proximity to the character, the name "Sein" is prominently displayed, indicating that this may be her name or the title of her character. Furthermore, in the bottom right corner of the visual, there is an arrow accompanied by the word "Confirm." This could imply a functionality that allows players or viewers to navigate back to the previous page within the context of a game or an application interface. The overall aesthetic of the background is primarily black, which serves to highlight the character and her features. The design includes what appears to be a platform-like element, specifically a circle at the bottom of the image, reinforcing the game's typically fantastical or otherworldly environment. The combination of these details indicates a strong influence from animated styles that could be seen in Korean gaming culture, rendering the entire composition lively and engaging for its intended audience.
|
Transkripsjon: Transkripsjonen beskriver en animert karakter som bærer en slående likhet til figurer som ofte sees i animerte videospill eller animasjoner. Karakteren er kvinne og er avbildet iført hovedsakelig hvite klær som består av et kort skjørt kombinert med korte bukser. Håret hennes har en livlig gylden farge, og antrekket hennes har noen små svarte prikker, noe som tilfører et designelement som kan vekke nysgjerrighet om betydningen. Ved første øyekast antyder karakterens utseende at hun kan være hentet fra et stilisert spillunivers, preget av sterke farger og distinkte klesvalg typiske for animasjon. Hun poserer på en måte som tiltrekker oppmerksomhet, forsterket av tilstedeværelsen av seks lilla stjerner plassert under henne, som sannsynligvis fungerer som et dekorativt eller tematisk element som symboliserer en prestasjon eller en spesiell egenskap knyttet til hennes persona. I nærhet til karakteren er navnet "Sein" tydelig vist, noe som indikerer at dette kan være navnet hennes eller tittelen på karakteren hennes. Videre, i nedre høyre hjørne av visuell, er det en pil akkompagnert med ordet "Bekreft." Dette kan antyde en funksjonalitet som lar spillere eller seere navigere tilbake til forrige side innenfor konteksten av et spill eller et applikasjonsgrensesnitt. Den generelle estetikken i bakgrunnen er primært svart, noe som gjør at karakteren og hennes trekk kommer bedre frem. Designet inkluderer det som ser ut til å være et plattform-lignende element, spesifikt en sirkel nederst i bildet, som forsterker spillets typisk fantastiske eller eventyrlige miljø. Kombinasjonen av disse detaljene indikerer en sterk innflytelse fra animerte stiler som kan ses i koreansk spillkultur, noe som gir hele komposisjonen livlig og engasjerende for sitt tiltenkte publikum.
|
no
| 28,974
|
|
['English', 'Tamil', 'Chinese']
|
['1exQvAlbC3lm', '13x3eA2FpQUP', '1eio1t7BMY2h']
|
[" This looks like a picture of a stall in a market. So you can tell that the market is outside and there's other stalls, but this one in the middle, it looks like it's selling some sort of drink. And you can see the brand name is Amul, and they're selling milkshakes, and it also seems like they have candy, and then they have bags of cones hanging down from the side of their stall. Their stall is just metal. You can see sort of ice cream freezers inside, and then you can see there's just like this tarp-type material that wraps around the poles of the stall. And then you can see that there's a man who probably works in it because he's inside of this, and then you can see this group of ladies outside of the stall, and they are wearing traditional, traditional clothing. They have hijabs on, so this is probably in some sort of Arab, Muslim, South Asian, Central Asian country. And it's nighttime, and this stall has like a roof over it, and then there's like this yellow background behind them, this yellow like sheet behind the stall, and the stall itself has a blue, has a blue tarp, and then the words are in white, like the one that says Amul, which is the name of it. Yeah.", "In our village, a festival has come, and it resembles a festival itself. It's like there's some ice cream from Amul; they’ve written about it. It looks like an Amul ice cream shop. There are a bunch of girls standing around, and then a guy seems to be working behind that shop – possibly selling cones of Amul ice cream. They’ve put up decorations and advertisements. The ice cream shop seems to attract the girls, I think, because they’ve set up some kind of booth. It looks like a nice festival with a large setup. They have taken photos at night, and behind there are many lights. The guys are standing back at a distance, while a little girl is standing right in front. That girl has got her hairstyle done well; they’ve draped a shawl over her. Those girls are wearing rings and are enjoying their ice creams, I believe. They are holding purses in their hands, and the guys are standing at the back. This was captured at night, in front of the Amul ice cream shop, which is located behind it.", 'This is a horizontal composition, seemingly set during a night market, as the sky is black. The focus of the image is a small stall selling cold products or frozen items at the market. The stall features a blue promotional outfit, which displays images of drinks and ice creams. Inside the stall, two freezer-like units can be seen, suggesting that these products are for sale. Next to the stall, there are many people, including children and adults. It can be inferred that this takes place at a night market with different snacks, where pedestrians are purchasing according to their needs. The emphasis of the image is on highlighting this drink-selling stall and its unique offerings.']
|
[False, True, False]
|
[nan, 'Amul ice cream is Indian', nan]
|
This imagery depicts a vibrant scene within a bustling outdoor market, set at night. The focal point is a particular stall that specializes in selling cold beverages and frozen treats, prominently featuring the Amul brand, known for its dairy products in India. This stall, constructed primarily of metal, showcases its offerings through large blue promotional displays that depict various drinks and ice creams. Inside the stall, there are two freezer units, implying a range of frozen items for sale. Surrounding the stall, a diverse crowd is present, including both children and adults, suggesting an engaging atmosphere typical of night markets where visitors gather to enjoy different snacks and treats. A group of ladies in traditional clothing stands outside the stall, adorned in hijabs, indicating the cultural richness of the setting, which could be representative of Arabic, Muslim, South Asian, or Central Asian communities. The festive atmosphere is further emphasized by decorative elements that accentuate the stall, and it is notable that the gathering likely coincides with a local festival. In this vibrant environment, the engagement of the crowd is evident, with the stall attracting attention particularly from a group of girls who seem to be enjoying their ice cream cones. One little girl stands prominently in front of the stall, displaying a well-coiffed hairstyle and wearing a shawl, evoking a sense of pride in her appearance. The girls are accessorized with rings and carry purses, adding to the celebratory and communal vibe of the evening. The background features warm yellow lights, which enhance the festive ambiance, contrasting against the dark night sky. This combination creates a visually appealing image that captures not only the specifics of the food offerings but the cultural and social elements of a community coming together to celebrate. Overall, this stall is depicted as a lively center of activity, representing the joy associated with shared experiences at a night market.
|
这幅画面描绘了一个繁忙的露天市场中的生动场景，设定在夜晚。焦点是一个专门销售冷饮和冰冻甜品的小摊， prominently featuring Amul品牌，这在印度以其乳制品而闻名。这个小摊主要由金属构成，通过大型蓝色宣传展示展示其产品，展现各种饮料和冰淇淋。摊内有两个冷冻柜，暗示着有多种冷冻食品在售。 在摊位周围，有一个多样化的人群，包括儿童和成年人，暗示着夜市特有的热闹氛围，游客们聚在一起享受不同的小吃和美味。几位身穿传统服装的女性站在摊位外，头戴头巾，显示出环境的文化丰富性，可能代表阿拉伯、穆斯林、南亚或中亚社区。欢庆的气氛通过装饰元素进一步增强，摊位的布置也可能和当地节日相符合。 在这个生动的环境中，人群的参与感十分明显，摊位吸引了特别是一个正在享受冰淇淋的女孩群体的关注。一个小女孩站在摊位前，她的发型修饰得很精致，披着一条披肩，流露出对自己外表的自豪。女孩们佩戴着戒指，手提小包，增添了夜晚的庆祝和社区氛围。 背景里温暖的黄色灯光增强了节日的氛围，与黑暗的夜空形成对比。这种组合创造出一个视觉上吸引人的画面，不仅捕捉到了食品独特之处，还体现了社区在庆祝时文化和社会元素的交融。总体来看，这个摊位被描绘成一个生机勃勃的活动中心，代表着夜市中人们共享经历所带来的快乐。
|
zh-cn
| 11,308
|
|
['English', 'Vietnamese', 'Chinese']
|
['1hNS41dWYeIk', '1jY2wYNopIs9', '18eK0o4Phknj']
|
[' This is an image of a baseball game. There are people wearing different colored outfits. One person is batting and he is wearing a red and white outfit. There are some people that are also wearing red and white outfits that are standing on green areas of the field. There are a couple people in the outfield, including the person who is throwing the ball currently. The ball is in air and has not reached the batter yet. The person throwing the ball and the other people in the outfield are wearing a black and white outfit. There are other people such as the catcher and the umpire that are next to the batter. A majority of the field is empty, but there are a lot of people watching the game in the crowd. Separated by... a green divider, there are a lot of people sitting down in seats. There is a section of the crowd that is empty, but most other seats are filled. The border also has text on it that says nationals.com.', 'This picture captures a baseball game in progress. In the image, there is an athlete wearing a red shirt and white pants preparing to hit a ball thrown by another player standing in a dirt circle at the center of the field. The player throwing the ball is wearing a black shirt, a red cap, and gray pants. Behind the athlete in the red shirt getting ready to hit the ball, there is another player in a black shirt preparing to catch the ball, and behind that player is an umpire dressed in a black shirt and gray pants. In the distance of the image, other players from both teams can be seen. In the upper left corner of the image, there are fans sitting and watching the game.', 'This is a very, very beautiful baseball game; you can see that there are a lot of things happening inside. Moreover, these things are perceived as many different elements, not just one thing in a corner. And these corners always have numerous items. So I think all these things are very, very beautiful. Then I will transfer them to other places. I believe these things will make people feel very happy. I think these things will bring happiness to everyone. Thus, I believe these things will make people feel joyful.']
|
[False, True, False]
|
[nan, nan, nan]
|
This transcription describes an engaging and vibrant scene from a baseball game, filled with various elements that highlight the excitement of the event. The image presents a lively atmosphere where individuals are clad in diverse colored uniforms, indicating team participation and adding to the visual appeal of the game. In one focal point, a player, identifiable by his red and white outfit, is positioned at the plate, ready to bat. He is captured in a moment of anticipation, as the ball, currently airborne, has not yet reached him. This adds a sense of suspense to the scene. Surrounding him, several teammates are seen stationed on the green areas of the field, showcasing their readiness to engage in the play. Particularly notable is the outfield where some players, including the one preparing to throw the ball, don black and white outfits. The composition of the field is such that the majority appears open, yet the presence of spectators adds a lively backdrop to the sporting event. The stands are filled with enthusiastic fans, although a few sections remain vacant. This spectator arrangement is separated by a green divider, emphasizing the boundary between the active game and the audience's experience. In addition to the players, key figures such as the catcher and the umpire are stationed close to the batter, dressed appropriately in black shirts and gray pants, essential for maintaining the game’s flow. The image of the game is enhanced by text situated around the border, indicating the website nationals.com, which links the event to the larger organization of the Nationals, a professional baseball team based in Washington, D.C. The second portion of the transcription captures a reflective and philosophical take on the scene. The speaker expresses a deep appreciation for the beauty of the baseball game, recognizing its multifaceted elements that come together to create a rich tapestry of activity. The statement implies that the various happenings in the game evoke joy and happiness, suggesting that such experiences not only delight those present but could also be shared in different contexts, potentially bringing happiness to others. The sentiment underscores the universal appeal and emotional resonance of sports, akin to a celebration of community and cheer that transcends the game itself.
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Denne transkripsjonen beskriver en engasjerende og livlig scene fra et baseballspill, fylt med ulike elementer som fremhever spenningen ved arrangementet. Bildet viser en livlig atmosfære hvor individer iført uniformer i forskjellige farger, indikerer lagdeltakelse og legger til den visuelle appell av spillet. I et fokalpunkt står en spiller, gjenkjennelig på sin røde og hvite drakt, ved plate, klar til å slå. Han er fanget i et øyeblikk av forventning, mens ballen, som er i luften, ennå ikke har nådd ham. Dette gir en følelse av spenning til scenen. Rundt ham står flere lagkamerater stasjonert på de grønne områdene av banen, som viser sin beredskap til å delta i spillet. Spesielt bemerkelsesverdig er utendørs, hvor noen spillere, inkludert den som forbereder seg på å kaste ballen, har på seg svarte og hvite drakter. Komposisjonen av banen er slik at det meste ser åpent ut, men tilstedeværelsen av tilskuere gir et livlig bakteppe til sportsarrangementet. Ståene er fylt med entusiastiske fans, selv om noen seksjoner forblir tomme. Denne tilskuerarrangementet er adskilt av en grønn skillevegg, som fremhever grensen mellom det aktive spillet og publikums opplevelse. I tillegg til spillerne er nøkkelfigurer som fangeren og dommeren stasjonert nær slagmannen, kledd passende i svarte skjorter og grå bukser, noe som er essensielt for å opprettholde spillets flyt. Bildet av spillet forbedres av tekst plassert rundt kanten, som angir nettsiden nationals.com, som knytter arrangementet til den større organisasjonen Nationals, et profesjonelt baseballlag basert i Washington, D.C. Den andre delen av transkripsjonen fanger en reflekterende og filosofisk tilnærming til scenen. Taleren uttrykker en dyp verdsettelse for skjønnheten av baseballspillet, og anerkjenner de mangefasetterte elementene som kommer sammen for å skape et rikt teppe av aktivitet. Utsagnet antyder at de ulike hendelsene i spillet fremkaller glede og lykke, noe som tyder på at slike opplevelser ikke bare gleder de tilstedeværende, men også kan deles i forskjellige sammenhenger, noe som potensielt kan bringe lykke til andre. Følelsen understreker den universelle appell og emosjonelle resonans av sport, lik en feiring av fellesskap og glede som overskrider selve spillet.
|
no
| 16,615
|
|
['Korean']
|
['1noN9lTv24r6']
|
['This image is a black and white picture that depicts a male ballerina dancing. The ballerina appears to be wearing an overall white outfit, with his legs crossed and performing a dance while gazing to one side. The clothing on his upper body seems to reflect light, resembling foil. In the photo, aside from the male ballerina, there is nothing else present, and the background is simply black. The black background makes the ballerina in the white outfit stand out more distinctly. Overall, it seems that the male ballerina is more prominently visible in the image.']
|
[False]
|
[nan]
|
This image is a striking black and white photograph that features a male ballerina in the midst of a dance performance. The ballerina is attired in a predominantly white outfit, which contrasts sharply with the dark backdrop. His legs are elegantly crossed as he executes a dynamic pose, with his body turned slightly to one side and his gaze directed away from the camera, adding an element of grace and mystery to the composition. The material of his upper garment appears glossy, reflecting light in a way that evokes the look of foil, contributing to the overall visual impact of the image. In this composition, the sole focus is on the male ballerina, as there are no other elements in the frame. The absence of distractions in the background emphasizes the figure of the dancer, allowing his movements and the fluidity of his posture to take center stage. The deep black background enhances the visibility of the ballerina’s white attire, highlighting the play of light and shadow that accentuates his form. This minimalist approach not only draws attention to the dancer but also encapsulates the elegance and artistry associated with ballet. Overall, the photograph presents the male ballerina as a captivating subject, radiating both strength and grace in his performance.
|
Dieses Bild ist ein auffälliges Schwarz-Weiß-Foto, das einen männlichen Balletttanzer inmitten einer Tanzaufführung zeigt. Der Balletttänzer trägt ein überwiegend weißes Outfit, das einen starken Kontrast zum dunklen Hintergrund bildet. Seine Beine sind elegant übereinandergeschlagen, während er eine dynamische Pose ausführt, seinen Körper leicht zur Seite gedreht und seinen Blick von der Kamera abgewandt, was dem Bild eine Anmut und Mystik verleiht. Das Material seines Oberteils scheint glänzend zu sein und reflektiert das Licht auf eine Weise, die an Folie erinnert, was die visuelle Wirkung des Bildes verstärkt. In dieser Komposition liegt der alleinige Fokus auf dem männlichen Balletttänzer, da es keine weiteren Elemente im Bildrahmen gibt. Die Abwesenheit von Ablenkungen im Hintergrund betont die Figur des Tänzers und lässt seine Bewegungen und die Flüssigkeit seiner Haltung in den Mittelpunkt rücken. Der tiefschwarze Hintergrund verbessert die Sichtbarkeit der weißen Kleidung des Balletttänzers und hebt das Spiel von Licht und Schatten hervor, das seine Form betont. Dieser minimalistische Ansatz lenkt nicht nur die Aufmerksamkeit auf den Tänzer, sondern verkörpert auch die Eleganz und Kunstfertigkeit, die mit dem Ballett verbunden sind. Insgesamt präsentiert das Foto den männlichen Balletttänzer als fesselndes Sujet, das sowohl Stärke als auch Anmut in seiner Darbietung ausstrahlt.
|
de
| 27,941
|
|
['English', 'Tamil', 'Tamil', 'Chinese']
|
['1gfkIdvEscou', '18J72CN7DHkZ', '1fga9ANPEyAj', '1jhwcFuiR73X']
|
[" This is a picture of a man giving a speech and the man looks South Asian and there is a, on the podium that he's speaking on, there's a Indian flag. So I'm guessing that the man is some sort of leader from India or some sort of speaker from India. His hair is gray and he looks like he's in the middle of talking. His hand is out in a gesture, just open palm facing towards him. He's wearing a blue jacket and it has a neck and then it has like a collar that goes all the way up to his, um, covers his whole neck and then it goes down. It looks like a dark blue and then the podium he's speaking at has two mics pointed towards him and it's covered in this, um, red cloth and then you can see the flag that has, um, the song, orange reddish color at the top and the lighting looks orange, but, um, yeah, so it's this orange color at the top. The, then there's another strip that's white and a wheel in the middle. You can only see half of it because of the way the flag is folded, but, um, it's a wheel and then there's a green stripe at the bottom of the flag and the flag is on a wooden stick that's, um, stuck on the corner of the podium.", 'Abdul Kalam, Abdul Kalam came as the President of India. He was a good leader; there’s a picture of Abdul Kalam, he looks quite old. He has been speaking for a long time, and he talks in a very familiar manner. In the background, there’s an Indian flag, and there are two microphones. The Indian flag is displayed there, and it seems like they’ve added some designs in yellow color. He raises his hand while talking; he’s a bit older, and he seems to have prepared well. He is wearing a blue coat over a white shirt. Abdul Kalam is delivering a speech from what seems like a podium; they have captured the scene quite nicely, and it looks like the lighting is good. In the background, there’s a colorful backdrop, and he has two microphones in front of him; there’s something on the podium, but it’s unclear what it is. It seems to be for placing papers, and there’s an Indian flag behind it. Following that, there’s a sort of glass structure covering the podium, and you can see the wires for the microphones.', 'This picture shows Abdul Kalam coming in and going. He is an Indian scientist and represents India in Brazil; they say he is a messenger of India. He has also visited Tamil Nadu. It seems like he is giving a speech, and in the background, there is a brown clear backdrop. In front of him, there is a black curtain with a screen, and in India, there is an orange hue on the screen.', 'In this scene, there is a man speaking at a podium, and I speculate that he should be an Indian representative because there is an Indian flag inserted above his podium. The podium has two microphones extending out, and he is delivering a speech in front of these microphones. The man is wearing a dark blue, almost black, Zhongshan suit, and his hair is white. The entire background of the scene is also a shade of orange-yellow, and the fabric on the podium is orange-yellow as well.']
|
[False, True, False, True]
|
[nan, 'Abdul Kalaam President of India', 'No', 'Indian flag']
|
This visual captures a significant moment featuring a distinguished man who is delivering a speech. He appears to be of South Asian descent, and there are indications that he holds a prominent position, possibly as a political or public leader from India. The presence of the Indian flag on the podium he is speaking from lends additional context to his identity, suggesting he represents India or relates closely to Indian affairs. The man has gray hair, indicating he is likely older, and he is actively engaging with his audience, evidenced by his open palm gesture directed towards himself as he speaks. He is dressed in a dark blue jacket, which features a unique collar that extends up around his neck, fully covering it. The podium itself is draped in a red cloth, in front of which stand two microphones positioned to capture his speech. The Indian flag, prominently displayed behind the man, is characterized by its distinctive horizontal stripes: a saffron or orange hue at the top, a white stripe in the middle with a navy blue Ashoka Chakra—a 24-spoke wheel—visible, although only partially because of the flag's fold. The bottom of the flag is adorned with a green stripe. The flag is mounted on a wooden staff located at the podium's corner. The lighting in the scene casts an orange tone, enhancing the atmosphere around this significant discourse. Abdul Kalam, noted as the former President of India, appears to be the individual in focus within this imagery. Known for his inspirational leadership, he is depicted as an experienced speaker, someone who has prepared thoroughly for his address. He engages with the audience in a warm and familiar manner, suggesting his comfort and authority in public speaking. Further context reveals that Abdul Kalam has been recognized not only as a politician but also as a revered scientist who carries the message of India to various international destinations, including Brazil. His commitment to engagement is highlighted by his previous visits to regions such as Tamil Nadu, demonstrating a deep connection to his roots and responsibilities. In addition to Abdul Kalam’s authoritative presence, the backdrop of the scene is more complex, featuring a brown and clear design which complements the overall aesthetic. Directly in front of him is a black curtain, positioned against a screen that radiates an orange hue, a color often associated with warmth and enthusiasm in many cultures, particularly in Indian contexts. Overall, this scene encapsulates a powerful moment of communication and representation, showcasing the man’s ability to convey important messages while surrounded by signs of national identity and support, all under appropriate lighting that enhances the solemnity and dignity of the occasion.
|
Cette image capture un moment significatif mettant en scène un homme distingué qui délivre un discours. Il semble d'origine sud-asiatique et il y a des indications qu'il occupe une position éminente, possiblement en tant que leader politique ou public d'Inde. La présence du drapeau indien sur le podium d'où il s'exprime ajoute un contexte à son identité, suggérant qu'il représente l'Inde ou entretient des liens étroits avec les affaires indiennes. L'homme a des cheveux gris, ce qui indique qu'il est probablement plus âgé, et il interagit activement avec son audience, comme le montre son geste de la paume ouverte dirigé vers lui-même pendant qu'il parle. Il est vêtu d'une veste bleu foncé, qui présente un col unique s'élevant autour de son cou, le couvrant entièrement. Le podium lui-même est drapé d'un tissu rouge, devant lequel se tiennent deux microphones positionnés pour capter son discours. Le drapeau indien, affiché de manière proéminente derrière l'homme, se caractérise par ses bandes horizontales distinctives : une teinte safran ou orange en haut, une bande blanche au milieu avec un Ashoka Chakra bleu marine—une roue à 24 rayons—visible, bien que seulement partiellement en raison du pli du drapeau. Le bas du drapeau est orné d'une bande verte. Le drapeau est monté sur un mât en bois situé à l'angle du podium. L'éclairage de la scène projette une teinte orange, rehaussant l'atmosphère autour de ce discours significatif. Abdul Kalam, reconnu comme l'ancien président de l'Inde, semble être l'individu au centre de cette image. Connu pour son leadership inspirant, il est représenté comme un orateur expérimenté, quelqu'un qui s'est préparé de manière approfondie pour son discours. Il engage l'audience d'une manière chaleureuse et familière, suggérant son aisance et son autorité dans la prise de parole en public. Un contexte supplémentaire révèle qu'Abdul Kalam a été reconnu non seulement en tant que politicien mais aussi en tant que scientifique respecté qui porte le message de l'Inde vers diverses destinations internationales, y compris le Brésil. Son engagement est mis en avant par ses visites antérieures dans des régions telles que le Tamil Nadu, démontrant un profond lien avec ses racines et ses responsabilités. En plus de la présence autoritaire d'Abdul Kalam, l'arrière-plan de la scène est plus complexe, présentant un design marron et clair qui complète l'esthétique générale. Juste devant lui se trouve un rideau noir, positionné contre un écran qui rayonne d'une teinte orange, une couleur souvent associée à la chaleur et à l'enthousiasme dans de nombreuses cultures, en particulier dans des contextes indiens. Dans l'ensemble, cette scène encapsule un moment puissant de communication et de représentation, mettant en avant la capacité de l'homme à transmettre des messages importants tout en étant entouré de signes d'identité nationale et de soutien, le tout sous un éclairage approprié qui rehausse la solennité et la dignité de l'occasion.
|
fr
| 11,475
|
|
['English', 'Chinese']
|
['14nFoVk2VJRO', '1eyfbt701OAZ']
|
[" pictured here are several food trucks or food vendors in a mobile capacity there are two food vendors the one that is further away looks like um looks like a food truck it has an awning and seems to be a converted truck of a beige color there are some um looks like it says vindaloo or steak or just a bunch of different um indian food words and then the sign at the top says either see you and then the rest is cut off and then get out of and then the rest is cut off um and then there's someone ordering from that truck there's also the newer taco truck which seems to be um a converted van or to that effect it says tacaro fusion and it says texan with a lot of twist and then it says chicago's original taco truck its phone number as well as tacaro fusion.com um there are a number of people who are either ordering or looking at the menu which is displayed inside one of the windows the van is white but has a lot of green and gray details there is someone sitting in one of the windows taking uh the customer's orders as well", 'This is a photo taken outdoors, featuring two food trucks. The food truck on the right has a white top with the word "Fusion" written on it, and it seems to be selling food. In front of this food truck, there are two groups of people. The first group consists of a male and a female; the male is wearing a black hat, and the female is talking to the staff at the food truck, likely placing an order. Behind this group, there is another male and female; the female is holding a brown bag, and both of them are wearing flip-flops. In front of the other food truck, which is yellow with some red decorative signs on it, there are also people lined up to place their orders. In the background of the two food trucks, we can see some green trees and other buildings, one of which has a red brick roof. Additionally, underneath the trees, next to the road, there is a yellow street sign, and in front of the sign, there are some items that may belong to parked bicycles.']
|
[False, False]
|
[nan, nan]
|
Pictured here are several food trucks and food vendors operating in a mobile capacity. There are two distinct food vendors captured in this scene. The first one, positioned further away, resembles a conventional food truck. It features an awning and appears to be a converted vehicle that is predominantly beige in color. Various words related to Indian cuisine, such as "vindaloo" and "steak," are visible on the signage, indicating a diverse menu centered around Indian food. At the top of this sign, there is additional text that begins with the words "See you," but unfortunately, the remainder of the message is cut off, followed by "get out of," which is also truncated. At this truck, there is a customer who appears to be placing an order. The other food vendor is a newer taco truck, which seems to be a modified van. The sign prominently displays the name "Tacaro Fusion," along with the phrase "Texan with a lot of twist," reinforcing the truck's regional culinary influence. It further asserts its identity as "Chicago's original taco truck." The truck proudly displays its contact number and the website tacarofusion.com. The vehicle is primarily white with striking green and gray accents. There is a staff member visible through one of the windows, actively taking orders from customers who are either in line or examining the menu that is displayed inside. This scene was captured outdoors, showcasing two food trucks. The food truck on the right side of the image features a white top with the word "Fusion" emblazoned across it, indicating its specialty in fusion cuisine. In front of this food truck, two groups of patrons can be seen. The first group consists of a male wearing a black hat and a female who appears to be engaged in conversation with the staff, likely placing an order. Behind them is another pair, a male and female, with the latter holding a brown paper bag; both individuals are dressed in casual summer attire, including flip-flops. In front of the second food truck, which is painted yellow and adorned with red decorative signs, there is also a line of eager customers waiting to place their orders. The background captures a suburban atmosphere, featuring lush green trees and various buildings, one of which stands out due to its red brick roof. Additionally, beneath the foliage next to the road, a yellow street sign is visible. Nearby, there are some items that appear to belong to parked bicycles, further contributing to the dynamic and communal vibe of this outdoor food truck gathering.
|
یہاں چند فوڈ ٹرک اور فوڈ وینڈرز کی تصویر ہے جو موبائل صلاحیت میں کام کر رہے ہیں۔ اس منظر میں دو مختلف فوڈ وینڈرز ہیں۔ پہلا وینڈر، جو کہ تھوڑا دور ہے، ایک روایتی فوڈ ٹرک کی طرح نظر آتا ہے۔ اس میں ایک چھپر موجود ہے اور یہ ایک تبدیل شدہ گاڑی ہے جو بنیادی طور پر بیج رنگ کی ہے۔ اس کے سائن پر ہندوستانی کھانوں سے متعلق مختلف الفاظ نظر آتے ہیں، جیسے "وِنڈالو" اور "اسٹیک" جو ہندوستانی کھانوں پر مرکوز متنوع مینو کی نشاندہی کرتے ہیں۔ اس سائن کے اوپر اضافی متن لکھا ہوا ہے جو "See you" سے شروع ہوتا ہے، لیکن بدقسمتی سے، پیغام کا باقی حصہ کٹ گیا ہے، جس کے بعد "get out of" بھی کٹ گیا ہے۔ اس ٹرک کے پاس ایک گاہک موجود ہے جو آرڈر دینے کی کوشش کر رہا ہے۔ دوسرا فوڈ وینڈر ایک نیا ٹاکو ٹرک ہے، جو ایک تبدیل شدہ وین لگتا ہے۔ اس کے سائن پر "Tacaro Fusion" کا نام نمایاں طور پر درج ہے، ساتھ ہی "Texan with a lot of twist" کا جملہ بھی ہے، جو ٹرک کی علاقائی کھانا پکانے کے اثرات کو مزید تقویت دیتا ہے۔ یہ اپنے آپ کو "Chicago's original taco truck" کے طور پر بھی ظاہر کرتا ہے۔ ٹرک اپنے رابطہ نمبر کے ساتھ ساتھ ویب سائٹ tacarofusion.com بھی دکھاتا ہے۔ یہ گاڑی بنیادی طور پر سفید رنگ کی ہے جس پر واضح سبز اور سرمئی رنگ کی خصوصیات ہیں۔ ایک عملے کے رکن کو ایک کھڑکی کے ذریعے دیکھا جا سکتا ہے جو گاہکوں سے آرڈرز لے رہا ہے جو یا تو لائن میں ہیں یا اندر موجود مینو کا جائزہ لے رہے ہیں۔ یہ منظر باہر کی جگہ پر لیا گیا ہے، جہاں دو فوڈ ٹرک دکھائی دے رہے ہیں۔ تصویر کے دائیں جانب موجود فوڈ ٹرک کی اوپر کی سطح پر سفید رنگ ہے جس پر "Fusion" لکھا ہوا ہے، جو اس کی فیوژن کھانے کی مہارت کو ظاہر کرتا ہے۔ اس فوڈ ٹرک کے سامنے دو گروپ موجود ہیں۔ پہلے گروپ میں ایک مرد ہے جو سیاہ ٹوپی پہنے ہوئے ہے اور ایک عورت جو عملے کے ساتھ بات چیت کر رہی ہے، ممکنہ طور پر آرڈر دے رہی ہے۔ ان کے پیچھے ایک اور جوڑا ہے، ایک مرد اور ایک عورت، جس میں عورت ایک بھوری کاغذی تھیلی تھامے ہوئے ہے؛ دونوں افراد غیر رسمی موسم گرما کے لباس میں ہیں، جن میں چپلیں شامل ہیں۔ دوسرے فوڈ ٹرک کے سامنے، جو زرد رنگ کا ہے اور سرخ سجاوٹی سائن کے ساتھ مزین ہے، وہاں بھی ایک لائن موجود ہے جو مشتاق گاہکوں کی ہے جو آرڈر دینے کا انتظار کر رہے ہیں۔ پس منظر میں ایک مضافاتی ماحول دکھائی دیتا ہے، جس میں ہری بھری درختیں اور مختلف عمارتیں ہیں، جن میں سے ایک اپنی سرخ اینٹوں کی چھت کی وجہ سے نمایاں ہے۔ اس کے علاوہ، سڑک کے قریب پودوں کے نیچے ایک زرد سٹریٹ سائن بھی نظر آتا ہے۔ قریب ہی کچھ اشیاء ہیں جو پارک کی ہوئی بائیسکلوں کی ہیں، جو اس باہر کے فوڈ ٹرک کے اجتماع میں مزید جانداری اور اجتماعی ماحول کو بڑھاتے ہیں۔
|
ur
| 16,453
|
|
['English', 'Norwegian', 'Chinese']
|
['1js8aNNAVoYq', '1ekKBLeyMUSz', '1mUt18CglNBu']
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[" This is a picture of a plate of food. It's a small plate of food. Someone is holding it with their left hand. Their thumb is above the plate and the rest of their fingers are below the plate. He is also pinching a fork in between his thumb and the plate. The fork is metal, the plate is ceramic, or at least seems to be, and he's also below the plate. He's pinching a napkin in between his four fingers and the plate. On top of the plate is the metal fork, is a few strips of bacon, some scrambled eggs, or perhaps an omelet, and a piece of what seems to be toast with a couple pieces of some sort of cheese, maybe Edam cheese on top of it, and on top of the cheese is a strip of what seems to be ham or some other cold cut. Below the plate is a cobblestone street with two tracks on it. Probably first. Or some sort of light train. And then around those, and then near the edges of the picture, there's a bunch of people's legs and their shoes. And there seems to be no one around this guy for about five feet.", 'In the image, we see a hand holding a dish on a white plate in the middle of a cobblestone street. On the plate, there is scrambled eggs, a slice of bread with cheese and ham, and several pieces of bacon. There is also a metal fork on the plate that the hand is holding with its thumb. In the background, we see a cobblestone street with the legs of several other people. We only see shoes and legs and one hand. It appears to be an old tram. There is an old tram line running through the cobblestone street. The picture seems to have been taken by the person holding the plate with their hand. The dish looks very simple. Their significance, as in "toc tirar del prince," has made User Christian’s meal something to reflect upon. Their bread carries a flavor that can evoke memories of comfort and connection, suggesting a combination of experiences blended with the passage of time.', 'The image gives a feeling of an outdoor scene where, in the center, there is a white plate filled with various foods that look like a breakfast. There is cooked bacon, fragrant eggplant, tomatoes, and scrambled eggs with some kind of green vegetable. On the right side, there is a piece of ham underneath which are several layers of cheese slices, though the bottom layer of food isn’t clearly identifiable, it might be fried items. The entire plate is being held by one person while another person is photographing it. Surrounding this, you can see the lower halves and feet of other people, suggesting that the whole picture is set in an outdoor social venue. There is also a road that stretches from the lower left corner to the upper right, resembling railway tracks in a city. The overall colors in the image are bright and vibrant.']
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[True, False, False]
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[nan, nan, nan]
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This is an image that prominently features a small plate of food being held by a person using their left hand. The individual’s thumb is positioned above the plate while their fingers are clasped beneath it, creating a secure grip. In addition to holding the plate, the person is pinching a metal fork delicately between their thumb and the plate’s edge, adding to the complexity of the scene. The plate appears to be made of ceramic, or at least has a ceramic-like quality to it, which is standard for traditional dishware. On the plate, there are several components that suggest a hearty breakfast. There are a few crisp strips of bacon, a serving of scrambled eggs which could also be interpreted as an omelet due to its fluffy texture, and a slice of toast that is topped with what looks to be a mild cheese, possibly Edam cheese, known for its creamy consistency and nutty flavor. Layered on top of the cheese is a strip of what appears to be ham or possibly another type of cold cut, providing additional layers of flavor and texture to the dish. Beneath the plate, the setting is a cobblestone street, which is quite distinctive and adds to the rustic atmosphere of the scene. The cobblestones suggest a historical context, commonly found in older city areas, and along the street, there are tracks visible for what is likely an old tram or light rail system, hinting at a city that embraces both tradition and urban transportation. Adding to the visual narrative, the periphery of the image reveals the lower halves and footwear of several other individuals, though no full figures are visible in the immediate vicinity, creating an impression of a bustling outdoor venue. The distance from the nearest person to the one holding the plate is about five feet, suggesting a bit of personal space in the social setting. The overall ambiance of the picture suggests an al fresco dining experience, where one might enjoy a casual meal while surrounded by the sights and sounds of a city. The overall tone is enhanced by the bright and vibrant colors that characterize both the food and the environment, creating an inviting and warm atmosphere. The act of the person holding the plate, along with another person presumably taking the photograph, suggests a moment that captures the essence of shared experiences, where food serves not merely as sustenance but as a medium for connection and nostalgia. The phrase "toc tirar del prince," which translates to 'touching the tip of the prince' in English, indicates a cultural significance, possibly relating to traditional meals that evoke fond memories and collective cultural experiences, associating the act of sharing food with deeper emotional ties.
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Dette er et bilde som tydelig viser en liten tallerken med mat som holdes av en person med venstre hånd. Individets tommel er plassert over tallerkenen, mens fingrene er samlet under den, noe som gir et sikkert grep. I tillegg til å holde tallerkenen, klemmer personen en metallgaffel delikat mellom tommelen og kanten av tallerkenen, noe som kompliserer scenen ytterligere. Tallerkenen ser ut til å være laget av keramikk, eller har i det minste en keramisk kvalitet som er standard for tradisjonelt servise. På tallerkenen finnes det flere komponenter som antyder en solid frokost. Det ligger noen sprø strips med bacon, en porsjon eggerøre som også kan tolkes som en omelett på grunn av sin luftige tekstur, og en skive toast som er toppet med det som ser ut som en mild ost, muligens Edam-ost, kjent for sin kremete konsistens og nøtteaktige smak. Laget på toppen av osten er en stripe som ser ut som skinke eller kanskje en annen type påleggsprodukt, som gir ekstra lag av smak og tekstur til retten. Under tallerkenen er underlaget en brosteinsgate, som er ganske karakteristisk og bidrar til den rustikke atmosfæren i scenen. Brosteinene antyder en historisk kontekst, vanligvis funnet i eldre byområder, og langs gaten er det synlige spor for hva som sannsynligvis er en gammel trikk eller lettbane, noe som antyder en by som omfavner både tradisjon og urban transport. For å legge til den visuelle fortellingen, avslører periferien av bildet de nedre delene og fottøyet til flere andre individer, selv om ingen hele figurer er synlige i den umiddelbare nærheten, noe som skaper en følelse av et travelt utendørs sted. Avstanden fra den nærmeste personen til den som holder tallerkenen er omtrent fem fot, noe som antyder litt personlig plass i den sosiale settingen. Den generelle stemningen i bildet antyder en al fresco spiseopplevelse, hvor man kan nyte et uformelt måltid mens man er omgitt av synsinntrykk og lydene fra en by. Den overordnede tonen forsterkes av de lyse og livlige fargene som preger både maten og miljøet, og skaper en innbydende og varm atmosfære. Handlingen til personen som holder tallerkenen, sammen med en annen person som antas å ta bildet, antyder et øyeblikk som fanger essensen av delte opplevelser, der mat tjener ikke bare som næring, men som et medium for forbindelse og nostalgi. Uttrykket "toc tirar del prince," som oversettes til 'berøre spissen av prinsen' på engelsk, indikerer en kulturell betydning, muligens relatert til tradisjonelle måltider som vekker gode minner og kollektive kulturelle opplevelser, og knytter handlingen med å dele mat til dypere følelsesmessige bånd.
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no
| 15,430
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['English', 'Chinese']
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['1ecSqSAGDaLu', '1jsczDcHr2Si']
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[" The image captures a lively moment inside a bustling kitchen with a chef at the center of the scene preparing food with focus and precision. Dressed in a crisp white uniform and tall chef's hat, the chef stands behind a countertop holding a long wooden tool, possibly a rolling pin or a cooking utensil, while tending to a dish. His expression reflects calm concentration, emphasizing his expertise and dedication to his craft. The workspace around him is clean and organized, filled with utensils, bowls, and cooking equipment. Behind him, another chef is visible through a reflective surface, busy with their own task, showcasing the collaborative and dynamic nature of the kitchen environment. Sacks of white bowls and steam rising from pots in the background suggest the preparation of a warm, comforting dish, possibly noodles or soup, characteristic of an Asian cuisine. The metallic cookware and steam hint at the fast-paced rhythm of a professional kitchen, while the muted lighting adds a sense of authenticity and warmth. The glass window through which the scene is observed creates a feeling of connection between the kitchen and the outside world, inviting viewers to witness the scene. The kitchen is a place where the chef is able to express his skill and artisry involved in creating the meal. The overall atmosphere is one of precision, tradition, and hard work, celebrating the dedication and craftsmanship of the chefs as they bring the culinary creations to life.", "This photo looks like some chefs are cooking something. You can see three chefs, each wearing white clothes and white hats. The chef in the front seems to be holding a stick, possibly a rolling pin, though I'm not entirely sure. Their kitchen has a lot of white bowls that look like they belong to Chinese cuisine, possibly Cantonese. The three chefs are all standing inside the kitchen, appearing in the middle and slightly to the left of the image. On the right side, we can see a lot of white bowls stacked on top of each other. In the lower left corner, there are also some white bowls stacked together. It gives the impression of a restaurant kitchen rather than a home kitchen."]
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[True, True]
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[nan, 'Chinese kitchen']
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The image depicts a vibrant and dynamic moment within a busy professional kitchen, showcasing the dedication and artistry of culinary experts. At the heart of the scene stands a chef, distinguished by his crisp white uniform and tall chef's hat, symbolizing authority and discipline in the culinary field. He is positioned behind a countertop, attentively engaged in the preparation of a dish. In his hand, he wields a long wooden tool, likely a rolling pin or a similar cooking utensil, indicating that he may be working on dough or another intricate component of a meal. His facial expression radiates calm concentration, which highlights his expertise and unwavering commitment to his craft. The workspace surrounding him is meticulously organized, reflecting the high standards found in professional culinary environments. Utensils, bowls, and various cooking equipment can be seen arranged systematically, contributing to the overall efficiency of the kitchen. In the background, the presence of another chef can be observed through a reflective surface, actively engaged with his own task, which underscores the collaborative spirit that is essential in a bustling kitchen. Further details in the image include numerous sacks of white bowls, and steam billowing from pots, suggesting that a warm, comforting dish is in the works—likely noodles or soup, which are hallmark dishes of Asian cuisine. The combination of metallic cookware and the rising steam creates a vivid portrayal of the fast-paced rhythm characteristic of a professional culinary setting. The muted lighting in the kitchen adds a layer of authenticity and warmth to the overall atmosphere, making it inviting while also highlighting the seriousness of the chefs' work. Additionally, a glass window offers a unique perspective, bridging the gap between the world of the kitchen and the outside environment. This feature enhances the sense of connection, inviting viewers to become witnesses to the culinary processes taking place. The kitchen emerges not just as a functional space, but as a canvas for the chefs to showcase their skills and creativity in meal preparation. The overall ambiance captures the essence of precision, tradition, and industriousness, celebrating the commitment and craftsmanship of the chefs as they skillfully bring their culinary creations to life. In a related observation, another description points out that the image also features three chefs, each clad in white attire complete with hats, reinforcing the traditional look of professional culinary staff. The front chef, holding a stick—possibly another reference to the rolling pin—suggests a focus on dough-based cooking, which is common in various Asian cuisines, particularly Cantonese. The kitchen setup, adorned with stacks of white bowls indicative of a restaurant rather than a home setting, further enhances the atmosphere of a bustling culinary environment. The composition of the scene effectively conveys the collaborative effort involved in cooking, as the chefs work harmoniously to create delicious meals.
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이미지는 바쁜 전문 주방의 활기차고 역동적인 순간을 보여주며 요리 전문가들의 헌신과 예술성을 잘 표현하고 있습니다. 장면의 중심에는 깔끔한 흰색 유니폼과 높은 주방 모자를 착용한 셰프가 서 있습니다. 이는 요리 분야에서 권위와 규율을 상징합니다. 그는 조리대 뒤에 위치하여 요리 준비에 집중하고 있습니다. 손에는 긴 나무 도구, 아마도 밀대나 유사한 조리 도구를 쥐고 있어 반죽이나 요리의 복잡한 구성 요소를 다루고 있음을 나타냅니다. 그의 표정은 차분한 집중력을 발산하며, 이는 그의 전문성과 직업에 대한 변함없는 헌신을 강조합니다. 주변 작업 공간은 세심하게 정리되어 있어 전문 요리 환경에서 발견되는 높은 기준을 반영합니다. 조리 도구, 그릇 및 여러 가지 조리 기구가 체계적으로 배열되어 있어 주방의 전반적인 효율성을 높이고 있습니다. 배경에는 또 다른 셰프가 반사된 표면을 통해 볼 수 있으며, 자신의 작업에 적극적으로 참여하고 있어 바쁜 주방에서 중요한 협동 정신을 강조합니다. 이미지의 추가적인 세부사항으로는 많은 흰색 그릇이 담긴 자루와 솥에서 피어오르는 김이 있어, 따뜻하고 편안한 요리가 진행 중임을 암시합니다—아마도 면 요리나 수프와 같이 아시아 요리의 대표적인 요리가 될 것입니다. 금속 조리 기구와 상승하는 김의 조합은 전문 요리 환경의 빠른 박자를 생생하게 묘사합니다. 주방의 부드러운 조명은 전체 분위기에 진정성과 따뜻함을 더하며, 셰프들의 일의 진지함을 강조하고 초대하는 느낌을 줍니다. 또한 유리 창문은 주방과 외부 환경 간의 간극을 연결하는 독특한 시각을 제공합니다. 이 요소는 시청자들이 진행 중인 요리 과정의 목격자가 되도록 유도합니다. 주방은 단순한 기능적 공간이 아니라 셰프들이 자신들의 기술과 창의력을 드러내는 캔버스가 됩니다. 전체적인 분위기는 정밀함, 전통, 근면함의 본질을 포착하여 셰프들이 자신의 요리 창작물을 능숙하게 완성하는 데 헌신하고 장인정신을 기리는 모습을 축하합니다. 관련된 관찰로, 또 다른 설명은 이미지에 세 명의 셰프가 등장하며 각각 흰색 의상과 모자를 착용하고 있어 전문 요리 직원의 전통적인 모습을 강화하고 있음을 지적합니다. 앞쪽의 셰프가 쥐고 있는 막대기는 아마도 밀대에 대한 또 다른 언급으로, 반죽을 바탕으로 한 요리를 집중하고 있음을 암시합니다. 다양한 아시아 요리, 특히 광둥식 요리에서 일반적인 모습입니다. 흰색 그릇으로 쌓인 주방 세팅은 가정이 아닌 레스토랑의 분위기를 더욱 강조하며, 바쁜 요리 환경의 분위기를 드높입니다. 장면의 구성이 요리를 할 때의 협력적 노력을 효과적으로 전달하며, 셰프들이 조화를 이루어 맛있는 음식을 만들어내는 모습을 보여줍니다.
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ko
| 15,556
|
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['1np6qQ3EhKfI', '1gICgUzSCVUX', '1fUKu2y9VLoL', '1kOaWVjftO7B', '1krqxKao4v7s', '1f2xybrwx0B8']
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[' This image depicts a busy street at night, the dark sky. Coming down the street are two taxi cabs with their lights on. And going in the opposite direction, there is a person walking with a bike. On the sides of the street appear to be shops. And the shops are decorated with round lanterns, paper lanterns that are colored red and have yellow strings coming down from the bottom of them. And inside the shops, there are bright lights lighting up the inventory. And on the sides of the shops, there are people browsing the lanterns and other items inside of the shop. In the background, we can see, covering the street, green trees hanging over. And the sky above them is dark.', " This picture is in a street with a lot of red lanterns with people walking on the streets. It seems like it's a cold weather with seeing them wear jackets on both sides of the streets. You can see that there's a lot of red structures, most likely lanterns on the left as well. You can see that in the background, tall trees are overshadowing or lining along the streets nicely. On the road, you can see there is a taxi in the background. There is a van and also there is a person pushing in the foreground. There is a bicycle with a basket as well. You can also see a man is walking towards the foreground, followed by three females. This is likely in East Asian culture, China, Vietnam, Singapore, most likely in temperate climates like China.", " This picture shows it's taken at night as well and there is a car with the light on. On the other side of the picture we can see many red lanterns which are typically you can find them in China. There are many people walking on the street so it's more like during the Chinese New Year or Lantern Festival when people you know going out and celebrate the festival together. And the background is like some trees and rose. People also wearing the bag next to it.", 'The scene mainly shows the night view of a lantern shop. We can see that there are about forty red lanterns outside the shop, some of which are lit and some are not. There’s no text visible at the moment. It feels like a semi-outdoor setting, with this lantern shop extending horizontally. Facing the shop is the road, and I can see a taxi passing by with its headlights on. It’s evening, and there are large trees in the background illuminated by landscape lights, suggesting it might be a pedestrian street or a shopping street within a scenic area. Additionally, there are some tourists—approximately fifty to sixty people—passing by the entrance of the shop.', 'This photo depicts a vibrant market scene, perhaps from a second or third-tier city in China. It shows a street lined with festive red decorations, likely set up during the Spring Festival. Small vendors have set up stalls along the road, which features a taxi and a few cyclists. The street is not very wide, but both sides are brightly lit with various red lanterns and decorations, including couplets, typical of the Spring Festival period. Many citizens are weaving through the market stalls, appearing very happy and relaxed. This is a nighttime scene in a small town, surrounded by lush green trees; the top of the road is almost enveloped by the leafy canopies of towering trees on either side.', 'This is a photo taken by the roadside. In the lower left corner of the photo is the road, where there is a green taxi. Since the photo was taken at night, the light emitted by the car\'s headlights is clearly visible. There is also a pedestrian pushing a bicycle in the opposite direction, and in the distance on the road, another taller vehicle can be seen, possibly a single-decker bus. On the right side of the image are pedestrians as well as some stalls selling lanterns, featuring large red lanterns. Below the lanterns are yellow willow-shaped decorations, likely products for the Spring Festival. In addition to the lanterns, there are also gray spring rolls, Chinese knots, and other products with Chinese characteristics available at the stalls. In the background on the right side of the image, there is also a hanging ornament with the character "Fu," which seems to be for sale. In the upper left corner of the image are trees, faintly visible in the darkness.']
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[True, True, True, False, True, True]
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['The paper lanterns hanging in the shops are specific to an Asian culture.', nan, nan, nan, 'Appears to be the Chinese New Year celebration in a local city.', nan]
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This image captures a lively street scene at night, characterized by a dark sky that sets the backdrop for a bustling atmosphere. Two taxi cabs are seen approaching along the street, their headlights illuminating the surroundings. In the opposite direction, a person is walking while pushing a bicycle, engaging with the vibrant environment. The sides of the street are adorned with various shops, each decorated with charming round paper lanterns that exhibit a classic red hue, complemented by yellow strings cascading from their bases. Inside these shops, bright lights enhance the visibility of the items on display, inviting passersby to explore the inventory. People are seen browsing the shops, examining both the lanterns and other intriguing items available for sale. Beyond the shops, lush green trees stretch over the street, contributing to the scene's picturesque quality. The overall atmosphere is animated, signifying a cultural event, reminiscent of celebrations typical in East Asian countries such as China, Vietnam, or Singapore—highlighting the use of red lanterns which are synonymous with traditional festivities. The scene suggests it might be chilly, as pedestrians are observed donning jackets while walking by. Additional details reveal that the street is adorned with an array of red structures, likely indicating a festive setting. The prominent presence of tall trees along the road not only adds to the beauty of the landscape but also provides a natural canopy that highlights the warmth of the festival atmosphere. A taxi and a van are visible in the background, contributing to the dynamics of urban life. The ambience of the photo resonates with the festive spirit commonly associated with events such as the Chinese New Year or the Lantern Festival, where families and friends come together to celebrate, enjoy the festivities, and cherish the decorative displays prominently placed around the town. In another frame, the scene continues to illustrate the vibrant holiday market, capturing the essence of a smaller, possibly less urbanized city in China. Bright red decorations, commonplace during the Spring Festival, dot the street, where small vendors have set up stalls selling an array of goods, attracting numerous visitors. The market seems lively, as citizens navigate through the stalls, radiating a sense of happiness and relaxation amidst the festive chaos. The imagery also includes some notable elements, such as a green taxi moving along the road at night, with its headlights providing bright illumination. A pedestrian is pushing a bicycle, showcasing a common sight in urban settings where mobility blends seamlessly with the celebratory atmosphere. The stalls, featuring large red lanterns and accompanied by willow-shaped ornaments intended for the Spring Festival, add rich cultural context to the scene. Other distinctive items like gray spring rolls and traditional Chinese knots can also be spotted among the colorful displays, emphasizing the cultural heritage of the region. In the backdrop, a decorative ornament displaying the character "Fu," which symbolizes good fortune, is also available for purchase, further reinforcing themes of luck and prosperity traditionally associated with the festival. Faint outlines of trees can be seen hiding in the background, accentuating the depth of the night scene. So, the overall visual narrative reflects both the vibrant cultural heritage and the modern urban life intertwined, celebrating a festival that is deeply rooted in traditions and community spirit.
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ภาพนี้จับภาพบรรยากาศที่คึกคักในยามค่ำคืน ซึ่งถูกตั้งพื้นหลังด้วยท้องฟ้าที่มืดมิด สองแท็กซี่กำลังขับเข้ามาบนถนนโดยมีไฟหน้าให้แสงสว่างขึ้นรอบๆ ในทิศทางตรงกันข้าม มีคนหนึ่งกำลังเดินออกแรงผลักจักรยาน ขณะที่มีปฏิสัมพันธ์กับบรรยากาศที่มีชีวิตชีวา ข้างถนนเต็มไปด้วยร้านค้าที่หลากหลาย โดยแต่ละร้านตกแต่งด้วยโคมไฟกระดาษกลมสีแดงที่ดูเป็นเอกลักษณ์ ประดับด้วยเชือกสีเหลืองที่ห้อยจากฐานของโคมไฟเหล่านั้น ภายในร้านมีแสงสว่างที่สว่างไสวช่วยเพิ่มความชัดเจนให้กับสินค้าที่จัดแสดง เชิญชวนผู้เดินผ่านให้เข้ามาสำรวจสินค้า ผู้คนกำลังมองหาสินค้าในร้านทั้งโคมไฟและสินค้าน่าสนใจอื่นๆ ที่มีจำหน่าย นอกเหนือจากร้านค้า ต้นไม้เขียวชอุ่มทอดยาวไปเหนือถนน ทำให้ภาพมีความงดงาม บรรยากาศโดยรวมมีชีวิตชีวา สื่อถึงกิจกรรมทางวัฒนธรรมที่คล้ายคลึงกับการเฉลิมฉลองเฉพาะในประเทศเอเชียตะวันออก เช่น จีน เวียดนาม หรือสิงคโปร์—เน้นการใช้โคมไฟสีแดงที่เป็นสัญลักษณ์ของเทศกาลดั้งเดิม บรรยากาศในภาพบ่งบอกว่ามันอาจจะหนาวเพราะผู้คนที่เดินผ่านมีการสวมแจ็คเก็ต ข้อมูลเพิ่มเติมแสดงให้เห็นว่าถนนได้รับการตกแต่งด้วยสิ่งปลูกสร้างสีแดงต่าง ๆ ซึ่งน่าจะบ่งบอกถึงบรรยากาศที่มีงานเฉลิมฉลอง การปรากฏตัวของต้นไม้สูงๆ ตลอดเส้นทาง ไม่เพียงแต่เพิ่มความงามให้กับทัศนียภาพ แต่ยังให้ร่มเงาที่ทำให้เทศกาลมีความอบอุ่น มีแท็กซี่และรถตู้ปรากฏอยู่ในพื้นหลัง เพิ่มความเคลื่อนไหวให้กับชีวิตในเมือง บรรยากาศของภาพสะท้อนถึงจิตวิญญาณแห่งงานฉลองที่มักเกี่ยวข้องกับงานเทศกาลเช่น ปีใหม่จีน หรือ เทศกาลโคมไฟ ที่ครอบครัวและเพื่อนฝูงมารวมตัวกันเพื่อเฉลิมฉลอง เพลิดเพลินไปกับเทศกาล และชื่นชมการตกแต่งที่ตั้งอยู่รอบเมือง ในกรอบภาพอีกมุมหนึ่ง สถานการณ์ยังคงบ่งบอกถึงตลาดวันหยุดที่มีชีวิตชีวา ซึ่งจับสาระสำคัญของเมืองเล็ก ๆ อาจจะไม่ค่อยมีการพัฒนาในจีน การตกแต่งสีแดงสดที่เป็นที่นิยมในช่วงเทศกาลฤดูใบไม้ผลิ จะกระจายอยู่ทั่วถนน ในขณะที่ผู้ขายรายย่อยตั้งแผงขายสินค้ามากมายดึงดูดผู้คนจำนวนมาก ตลาดดูคึกคัก ขณะที่ประชาชนเดินไปตามแผง ต่างแสดงออกถึงความสุขและการผ่อนคลายท่ามกลางความวุ่นวายของเทศกาล ภาพรวมยังมีองค์ประกอบที่น่าสังเกต เช่น แท็กซี่สีเขียวที่เคลื่อนตัวไปตามถนนในยามค่ำคืน โดยมีไฟหน้าทำให้สว่าง ไม่น้อยไปกว่าคนเดินเท้าที่กำลังผลักจักรยาน เป็นภาพที่พบเห็นทั่วไปในเมืองที่การเคลื่อนไหวไหลผสมผสานกับบรรยากาศของงานฉลอง แผงขายที่มีโคมไฟสีแดงขนาดใหญ่และประดับด้วยเครื่องประดับในรูปแบบวิลโลว์ที่ใช้ในเทศกาลฤดูใบไม้ผลิ เพิ่มเติมบริบททางวัฒนธรรมให้กับฉากนี้ สินค้าเฉพาะที่มีเช่น ปอเปี๊ยะสีเทาและโบว์จีนดั้งเดิมก็สามารถมองเห็นได้ท่ามกลางการจัดแสดงที่เต็มไปด้วยสีสัน ในพื้นหลัง มีของตกแต่งที่แสดงถึงตัวอักษร "Fu" ซึ่งสื่อถึงโชคลาภ ยังมีจำหน่ายอยู่ โดยทำให้แสดงถึงธีมของโชคลาภและความเจริญรุ่งเรือง ซึ่งมักเชื่อมโยงกับเทศกาล เส้นขอบของต้นไม้สามารถมองเห็นได้เลือนรางในพื้นหลัง ทำให้มิติของภาพในยามค่ำคืนชัดเจน ดังนั้น เล่ห์เหลี่ยมภาพรวมจึงสะท้อนทั้งมรดกทางวัฒนธรรมที่มีชีวิตชีวาและชีวิตในเมืองที่ทันสมัยที่ประสานกันเฉลิมฉลองเทศกาลที่มีรากฐานลึกลงไปในประเพณีและจิตวิญญาณของชุมชน
|
th
| 2,803
|
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['English', 'Chinese']
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['18A9eLrjchRW', '14ZQO3axBcSL']
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[" This appears to be an image of a road in the winter. The road appears to be a little shiny, perhaps because it might be icy. There is one individual, two sources of light in the photo, as well as two signposts that are placed on the side of the road. It appears to be that there's some sort of sidewalk. I think there is probably, we can't see it, but there is a home, I assume, in the background. As we can see, a parked car with snow covering it. You can see the yellow lines that separate yellow traffic lines on the road. The road is this black asphalt color. And next to the parked car that is covered in snow, we can make out a bush and as well as some trees that are covered in white due to the snow.", 'This image depicts a snowy and rainy night. There is some grass in the picture, and the grass along the roadside has been beaten down by the rain and snow, looking somewhat disheveled. There are patches of white snow on top, and it’s also evident on the road that there are droplets of rainwater mixed with white snow. Next to it, there’s a car that is covered in white snow. To the right side of the image, there is a faint glimmer, likely from another car or a streetlight. The picture doesn’t include any textual elements; it mainly shows the car parked on the ground, with some chaotic grass nearby and light emanating from a streetlight. The overall style conveys a very dark and gloomy night, with black being the predominant color.']
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[False, False]
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[nan, nan]
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This transcript describes a winter scene, capturing two distinct yet related images of snowy conditions. The first image presents a road in wintertime, the surface of which appears somewhat shiny, indicating it may be icy. In the foreground, there is one individual present, suggesting a sense of solitude or perhaps a moment of stillness in nature. Illuminating the scene are two sources of light, possibly from streetlights, which create a contrast against the dark backdrop of the night. Along the sides of the road, two signposts are visible, providing indication of direction or information relevant to the area. Although not directly visible in the image, there is an implicit presence of a home in the background, inferred from the context. A parked car is prominently featured, blanketed in snow, its details somewhat obscured by the wintry layer. The road itself is characterized by black asphalt, with clearly defined yellow lines demarcating the traffic lane. Adjacent to the parked car is a bush, alongside several trees, all enveloped in white snow, contributing to the overall serene yet chilly atmosphere of the winter setting. The second image evokes the ambiance of a snowy and rainy night. It showcases a combination of weather elements, including fallen snow and rain, which have impacted the surrounding grass, leading to a disheveled appearance. The grass along the roadside is visibly beaten down, indicating the intensity of the weather conditions. Patches of white snow are scattered atop the grass, and droplets of rainwater are apparent on the road's surface, creating a mixture of white and dark tones. To the right side of the image, a faint glimmer can be seen, likely emanating from another vehicle or a nearby streetlight, further illustrating the nighttime environment. The parked car, much like in the first image, is also covered in snow, reinforcing the wintry theme. The scene is predominantly dark and gloomy, with black serving as the dominant color, which conveys a sense of somberness characteristic of a winter night affected by both snow and rain. Overall, the images present contrasting yet thematically connected moments underscoring the beauty and challenges of winter weather.
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Denne transkripsjonen beskriver en vinterscene, som fanger to distinkte, men relaterte bilder av snødekte forhold. Det første bildet viser en vei om vinteren, hvor overflaten ser noe blank ut, noe som indikerer at den kan være isete. I forgrunnen er det én person til stede, noe som antyder en følelse av ensomhet eller kanskje et øyeblikk av stillhet i naturen. To lyskilder, muligens fra gatebelysning, opplyser scenen og skaper kontrast mot den mørke bakgrunnen av natten. Langs veisidene er to veiskilt synlige, som gir indikasjon om retning eller informasjon relevant for området. Selv om hjemmet ikke er direkte synlig i bildet, er det en underforstått tilstedeværelse av et hus i bakgrunnen, utledet fra konteksten. En parkert bil er fremtredende, dekket av snø, og detaljene er noe skjult under lagene av vinterlig snø. Veien er preget av svart asfalt, med klart definerte gule linjer som markerer trafikklinjen. Ved siden av den parkerte bilen er det en busk, sammen med flere trær, alle innhyllet i hvit snø, som bidrar til den samlede stille, men kalde atmosfæren i vinterscenen. Det andre bildet fremkaller stemningen av en snøfylt og regnfull natt. Det viser en kombinasjon av værfenomener, inkludert nedfallen snø og regn, som har påvirket det omkringliggende gresset, og ført til et uordentlig utseende. Gresset langs veien er synlig nedtråkket, noe som indikerer intensiteten av værforholdene. Flekker av hvit snø ligger spredt oppå gresset, og dråper av regnvann er synlige på veiens overflate, noe som skaper en blanding av hvite og mørke toner. På høyre side av bildet kan en svak glans sees, sannsynligvis fra et annet kjøretøy eller en nærliggende gatebelysning, som ytterligere illustrerer nattemiljøet. Den parkerte bilen, akkurat som i det første bildet, er også dekket av snø, noe som forsterker det vinterlige temaet. Scenen er for det meste mørk og dystopisk, med svart som den dominerende fargen, noe som formidler en følelse av alvor som er karakteristisk for en vinternatt påvirket av både snø og regn. Alt i alt presenterer bildene kontrasterende, men tematikknært forbundne øyeblikk som understreker skjønnheten og utfordringene ved vintervær.
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no
| 18,174
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['English', 'English', 'Chinese', 'Chinese', 'Chinese']
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['1i1Dz7Z1Djny', '148Ka6kBfyjp', '1bzDvxmgqiTJ', '17fz7b2nBtvm', '1jXTTTaM1Kvf']
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[" See an image of some food here. It looks like it's some sort of meat on top of rice and what looks like might be coleslaw. It's like yellowish with chunks of something that's sort of clearish colored and some green beans. And there is a fork and a spoon to the right. The fork has a pink handle and the spoon has a white handle. And they are sitting, including the food, atop what looks like a coated paper for storage perhaps. And there's another food item to the bottom. That could either be meat or it could be maybe some sort of biscuit. And the rice is white rice. The meat, I see some pinkishness there so perhaps it's like dark meat. And then I also see some like a greenish leaf which indicates it's some sort of herb, maybe basil.", " This is the image of a food item that appears to be of Asian origin. There are some barbecued meats over rice, period. In the background, there's something that resembles potato salad with green beans sticking out of it, period. In the background, there's something that resembles potato salad with green beans sticking out of it, period. It indicates that it was purchased at a counter and is not being served at a restaurant, period.", 'This scene shows a dish sold at a restaurant, placed in a paper wrap. In the dish, at the bottom left corner, there is something that looks like a beef patty or a small fried item that resembles a plant. The main component is white rice. The top left corner features some pickled vegetables, possibly including beans or a salad, but it\'s not very clear. The meat appears to be made up of chicken thighs that have been either pan-fried or deep-fried. On the far right side of the image, there is a set of cutlery including a white bar spoon and a pink bar rice pouch. You can also see the letters "STELL" on the fork.', "In this picture, we can see that it is an image of a takeout meal. The meal includes rice, ribs, and a yellow item, which I'm not sure is either salad or an egg. In that egg or salad, we can see green beans and orange carrots. This might be a meal eaten by foreigners because there are no chopsticks, only a spoon and fork. There are three pieces of ribs, which do not appear to be fully cooked because we can see the grilling marks. Additionally, there is a red heart shape, and I am not sure if there is a sausage next to it, as it is round rather than rectangular, so I cannot confirm if it is sausage.", "This photo is a close-up of a dish. The food is wrapped in wax paper, and there are two stainless steel utensils beside it—one is a spoon and the other is a fork. In the center, the main dish is white rice with some green peas and very fine shredded carrots and potatoes as a salad. There seems to be a small fried snack next to it. The main meat dish is likely a chicken thigh, which might be cooked by roasting its skin to a crisp, possibly seasoned with salt and pepper or other flavorful spices. It looks really delicious, but it's hard to tell where it originates from."]
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[False, True, False, False, False]
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[nan, 'Asian food', nan, 'no', "Can't tell what cuisine it is"]
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The imagery presented showcases a variety of takeout meals, predominantly featuring rice as the staple component. In the first image, a plate is depicted containing a configuration of meat, which appears to be a type of dark meat possibly from chicken or pork, served atop fluffy white rice. Accompanying the meat and rice, there is a yellowish coleslaw-like mixture that contains chunks of a clear substance, potentially indicating the presence of a type of vegetable, alongside green beans that provide a pop of color to the dish. The dining implements featured on the right side are a fork with a pink handle and a spoon with a white handle, strategically placed next to the food, all resting upon what appears to be a coated paper—suggestive of a disposable or takeout feature. A secondary food item rests at the bottom of the image; its identity is ambiguous, as it could either be a piece of meat or a biscuit, depending on its texture and shape. Moving on to the second description, the depiction suggests a meal with Asian origins, showcasing barbecued meats meticulously arranged over a base of rice. In the background, there is an item resembling potato salad, which is distinguishable by the protrusion of green beans. This scene insinuates that the meal was procured from a counter rather than served in a formal dining setting, indicated by the nature of the food presentation and container. The third image reflects a takeout dining experience, where a plate encased in paper wrap hosts an assortment that includes white rice as the fundamental element. At the bottom left, there appears to be a beef patty or perhaps a fried item that might mimic a plant. The top left corner features a collection of pickled vegetables that may include beans or a form of salad, albeit with some ambiguity regarding their specific identities. The meat, characterized as chicken thighs, looks to have been cooked through pan-frying or deep-frying, imparting a crispy finish. Accompanying the dish on the right are cutlery—a fork and a spoon, with the fork notably bearing the letters "STELL" along with an additional rice pouch. The fourth description details a close-up of a dish that emphasizes a takeout meal consisting of white rice, juicy ribs, and a yellow item that remains uncertain—be it a salad or perhaps an egg mixed with vegetables such as green beans and orange carrots. The presence of ribs sears the meal with hints of grill marks, indicating they may not be fully cooked. Intriguingly, there is a red heart-shaped element that raises questions about its culinary role—whether it's a decorative garnish or an actual food item, along with a potential sausage that, due to its round shape, makes its identification difficult. Lastly, the fifth image focuses on a closely positioned dish that is wrapped in wax paper, flanked by two stainless steel utensils: a spoon and a fork. The principal component of this meal is the white rice, accompanied by green peas and fine shreds of carrots and potatoes, likely prepared as a refreshing salad. Nearby sits a small fried snack, while the central meat dish—a chicken thigh—seems to have been roasted until the skin is delectably crisp, possibly flavored with salt, pepper, or an array of spices, lending the whole meal a delicious appearance, though its exact geographic origin remains elusive.
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Die dargestellten Bilder zeigen eine Vielzahl von Takeout-Mahlzeiten, wobei Reis die Hauptzutat darstellt. Im ersten Bild ist ein Teller abgebildet, der eine Anordnung von Fleisch enthält, das anscheinend eine Art dunkles Fleisch ist, möglicherweise von Huhn oder Schwein, serviert auf fluffigem weißen Reis. Begleitend zu dem Fleisch und dem Reis gibt es eine gelbliche Mischung, die an Krautsalat erinnert und Stücke einer transparenten Substanz enthält, was auf das Vorhandensein einer Art Gemüse hindeuten könnte, zusammen mit grünen Bohnen, die dem Gericht einen Farbtupfer verleihen. Die Essgeräte, die auf der rechten Seite zu sehen sind, bestehen aus einer Gabel mit pinkem Griff und einem Löffel mit weißem Griff, strategisch neben dem Essen platziert, alles auf einem beschichteten Papier liegend—was auf ein Einweg- oder Takeout-Element hinweist. Ein sekundäres Lebensmittelobjekt liegt unten im Bild; seine Identität ist unklar, da es sich entweder um ein Stück Fleisch oder ein Gebäck handeln könnte, je nach Textur und Form. Im zweiten Bild deutet die Darstellung auf ein Gericht mit asiatischen Ursprüngen hin, das gegrillte Fleischstücke zeigt, die sorgfältig über einem Reisbett angeordnet sind. Im Hintergrund ist ein Element zu erkennen, das Kartoffelsalat ähnelt, wobei sich grüne Bohnen abheben. Diese Szene lässt vermuten, dass das Gericht an einem Stand erworben wurde und nicht in einem formellen Speiseumfeld serviert wurde, was durch die Art der Präsentation und des Behälters angezeigt wird. Das dritte Bild spiegelt ein Takeout-Dining-Erlebnis wider, bei dem ein in Papier eingewickelter Teller eine Auswahl zeigt, die weißen Reis als grundlegendes Element enthält. Unten links scheint ein Rindfleischpatty oder möglicherweise ein frittiertes Element zu sein, das wie ein pflanzliches Produkt aussieht. In der oberen linken Ecke befindet sich eine Sammlung von eingelegtem Gemüse, die Bohnen oder eine Form von Salat enthalten könnte, jedoch mit gewissen Unklarheiten bezüglich ihrer spezifischen Identität. Das Fleisch, charakterisiert als Hähnchenschenkel, scheint durch Pfannenbraten oder Frittieren zubereitet worden zu sein, was ihm eine knusprige Oberfläche verleiht. Begleitend zum Gericht auf der rechten Seite befinden sich Besteck—eine Gabel und ein Löffel, wobei die Gabel auffällig die Buchstaben "STELL" trägt, zusammen mit einem zusätzlichen Reisbeutel. Die vierte Beschreibung behandelt eine Nahaufnahme eines Gerichts, das ein Takeout-Mahl betont, das aus weißem Reis, saftigen Rippchen und einem gelben Element besteht, dessen Identität unklar bleibt—ob es sich um einen Salat oder möglicherweise ein Ei handelt, das mit Gemüse wie grünen Bohnen und orangen Karotten vermischt ist. Die Rippchen zeigen Grillstreifen, die darauf hindeuten, dass sie möglicherweise nicht vollständig durchgegart sind. Interessanterweise gibt es ein rotes, herzförmiges Element, das Fragen zu seiner kulinarischen Rolle aufwirft—ob es sich um eine dekorative Garnierung oder ein tatsächliches Lebensmittel handelt, daneben möglicherweise eine Wurst, die aufgrund ihrer runden Form schwer zu identifizieren ist. Zuletzt konzentriert sich das fünfte Bild auf ein eng platziertes Gericht, das in Wachspapier eingewickelt ist, flankiert von zwei Edelstahlbestecken: einem Löffel und einer Gabel. Die Hauptzutat dieses Gerichts ist der weiße Reis, begleitet von Erbsen und feinen Streifen von Karotten und Kartoffeln, die wahrscheinlich als erfrischender Salat zubereitet wurden. In der Nähe liegt ein kleiner frittierter Snack, während das zentrale Fleischgericht—ein Hähnchenschenkel—anscheinend so geröstet wurde, dass die Haut köstlich knusprig ist, möglicherweise gewürzt mit Salz, Pfeffer oder einer Vielzahl von Gewürzen, was dem gesamten Gericht ein schmackhaftes Aussehen verleiht, obwohl deren exakte geographische Herkunft unklar bleibt.
|
de
| 3,791
|
|
['English', 'Chinese']
|
['1h5jQsG2wBPO', '1neoG5Ja7hyc']
|
["This appears to show a 2D illustrated scene with a fish in red and gray jumping out of a pond. A black rock appears to be sliding down a waterfall heading towards the fish's position, and you can see ripples in the background showing the rock's movement down. To the left and right of the scene, you can see different plants in various shades of blue, green, and light green, what appear to be a palm tree, monstera, and several other plants in different locations on the image. The fish is in the very center of the screen with the waterfall or body of water behind him. There are leaves at varying depths of the image, with some leaves in the very foreground and some trees. Subtle details include the splashes of water and water movement lines surrounding the rock. The style and color of this appears to be very illustrated, as if part of a children's book or novel.", "The image is a cartoon illustration of a natural ecosystem. At the center of the picture is a red fish jumping over a waterfall, surrounded by a variety of lush plants. The waterfall features a white stream cascading from a height. Multiple plants, including tree leaves, palm fronds, and grass, are present, along with a butterfly located in the lower left corner. There is no text in the image. The fish is positioned centrally but slightly to the right, leaping through the waterfall's flow, which runs vertically through the middle of the picture. On the left side, there is a prominent black rock, with vegetation distributed across the left and right sides of the image, particularly decorative near the bottom left. The butterfly rests on a green leaf in the lower left corner, adding a delicate touch to the scene. The fish's movement depicts a strong upward dynamic, symbolizing progress and effort. The waterfall's details show flowing water in varied tones, and splashes on the right side enhance the sense of movement and the essence of nature. The background features a blue sky and the soft, simple outlines of mountains, emphasizing the themes of the koi fish and waterfall while focusing on representations of nature and life. The image is straightforward and suitable for children's education or nature-themed promotions, with a color palette primarily of blue, white, green, and red, overall presenting a clean and vibrant depiction of the vitality and dynamism of natural water flows."]
|
[False, False]
|
[nan, nan]
|
This illustration depicts a vibrant 2D scene, capturing a natural ecosystem in a cartoon style that seems well-suited for children's literature or educational materials. At the center, a striking red fish is portrayed leaping gracefully out of a cascading waterfall, which is detailed with a bright white stream of water falling from a considerable height. Surrounding the fish, a rich assortment of lush plants enhances the natural setting, with various types of foliage and vegetation, including palm fronds and grass. The waterfall, which flows centrally through the illustration, is rendered with several shades of blue, offering a dynamic representation of the fluidity and movement of water. Near the waterfall's base, splashes and flowing lines emphasize the kinetic energy of the scene, suggesting a strong upward motion represented by the fish. The positioning of the fish is slightly to the right within the composition, emphasizing its action as it navigates the waterfall's force. To the left of the image, a prominent black rock is visible, sliding down the waterfall toward the fish's location. The presence of subtle ripples in the water background illustrates the impact of the rock's movement, adding depth to the watery environment. The illustration is bordered by symmetrically arranged plants with hues of blue, green, and various light greens, contributing to a balanced and aesthetically pleasing composition. In the lower left corner of the image, a delicate butterfly rests on a green leaf, adding a whimsical touch and symbolizing the lightness and fragility of life within this vibrant ecosystem. The overall imagery employs a clear and vivid color palette, featuring blues, whites, greens, and the prominent red of the fish, portraying a lively depiction of nature's beauty and dynamism. The background showcases a soft blue sky and the gentle outlines of distant mountains, reinforcing the themes of nature, life, and progress embodied by the leaping fish. The lack of text accentuates the visual storytelling aspect, making this illustration ideal for engaging audiences with nature-themed educational content or promotions centered on the importance of ecosystems.
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Эта иллюстрация изображает яркую 2D-сцену, запечатлевающую природную экосистему в мультяшном стиле, который кажется идеально подходящим для детской литературы или образовательных материалов. В центре изображения striking красная рыба представлена, слабо выпрыгивающая из водопада, который детализирован ярким белым потоком воды, падающим с considerable высоты. Вокруг рыбы разнообразие роскошных растений обогащает естественную обстановку, с различными типами листвы и растительности, включающей пальмовые листья и траву. Водопад, который протекает по центру иллюстрации, изображен в нескольких оттенках синего, предлагая динамическое представление текучести и движения воды. У основания водопада брызги и flowing линии подчеркивают кинетическую энергию сцены, предполагая сильное восходящее движение, представленное рыбой. Расположение рыбы немного смещено вправо в композиции, подчеркивая её действие, когда она преодолевает силу водопада. Слева от изображения виден заметный черный камень, скользящий вниз по водопаду в направлении рыбы. Присутствие легких рябей на водной поверхности иллюстрирует влияние движения камня, добавляя глубину водному окружению. Иллюстрация обрамлена симметрично расположенными растениями с оттенками синего, зеленого и различных светло-зеленых, что способствует сбалансированной и эстетически приятной композиции. В нижнем левом углу изображения нежная бабочка отдыхает на зеленом листе, добавляя игривый штрих и символизируя легкость и хрупкость жизни в этой яркой экосистеме. Общая визуализация использует четкую и яркую цветовую палитру, featuring синих, белых, зеленых и ярко-красного цвета рыбы, изображая живописное проявление красоты и динамики природы. Фон демонстрирует мягкое синее небо и нежные очертания далеких гор, укрепляя темы природы, жизни и прогресса, воплощенные в прыгающей рыбе. Отсутствие текста подчеркивает аспект визуального повествования, делая эту иллюстрацию идеальной для привлечения аудитории к образовательному контенту на тему природы или промо-материалам, посвященным важности экосистем.
|
ru
| 22,936
|
|
['English', 'Korean', 'Chinese']
|
['189pm8V2gAjy', '101pqlM8G5rK', '1dqROEZhfsXr']
|
[' This is an image of a dinner table. There are lots of different food items on the table. First, there is a salad in a rectangular steel container. The salad has lots of different leafy vegetables along with tomatoes and carrots. There are two bowls of carrots and peas. There is another bowl of corn. Then, there are two plates or trays of mashed potatoes and a container for gravy that has a ladle in it. On the left side, there are some bread rolls. And near the back of the table, there are four to five different pie trays that have pie in them. And on the right side, it looks like there are... mozzarella and tomato appetizers. All of these dishes are placed on the wooden table in a circular format.', 'This image depicts a scene of a buffet or family meal with various dishes arranged on a table. There are several plates and bowls on the table, each filled with different types of food. The spread includes salad, roasted chicken, vegetable dishes, corn, bread, and foods of various colors and flavors that create harmony. This scene conveys a warm atmosphere ready for multiple people to share and enjoy the food together. In the center of the table, there is a large salad bowl, surrounded by roasted chicken and various dishes arranged in a circular layout. Various vegetables, such as corn, peas, and carrots, are placed in individual bowls, giving a feeling of a healthy and balanced meal. At the edge of the table, there seem to be a variety of sauces or desserts, indicating a rich and diverse selection of food. Upon closer inspection, the fresh veggies in the salad, the yellow of the corn, and the golden-browned chicken visually stimulate the appetite. This dining scene shows a thoughtfully prepared meal, where the arrangement of food and a variety of colors come together in harmony. The background is simple, with the kitchen wall and basic furniture visible in the indoor space, creating a composition that allows for greater focus on the food. The style is practical and rustic, emphasizing the abundance of the food itself and the heartfelt effort behind its preparation. This image beautifully captures a warm moment of family or friends gathering together to share a meal, showcasing a thoughtful and delightful dining experience. It conveys the meaning of this meal.', 'At first glance, it feels like a Western-style family gathering with food prepared. Closest to the entire scene is a wooden table and a white wall, which has some switches on it. First, there is a huge plate of vegetables, alongside salad dressing and a spoon. On the table, there are also corn, peas, and diced radishes. There is roasted chicken, which somewhat resembles lasagna, layered with a lot of cheese. Additionally, there are mashed potatoes on a white plate and meat with sauce on another white plate. Closest to the edge of the table seems to be some pies that are not yet baked. Overall, the food looks very plentiful and seems to be in large quantities, likely for hosting guests. This is also in a Western country.']
|
[False, False, False]
|
[nan, nan, nan]
|
This transcription describes a visually rich dining scene centered around a dinner table set for a gathering, likely between family or friends. The arrangement of the food creates a warm, inviting atmosphere, ideal for sharing and enjoying a meal together. The table itself is made of wood and displays a variety of dishes organized in a circular layout that draws the eye across the spread. The first notable item is a large salad presented in a rectangular steel container, showcasing an assortment of leafy vegetables, diced tomatoes, and carrots, which adds a fresh and colorful element to the meal. Accompanying the salad are two bowls filled with carrots and peas, and an additional bowl containing sweet corn, all contributing to the meal's healthy profile. There are also two separate plates, or trays, containing creamy mashed potatoes, accompanied by a container filled with gravy, which features a ladle for easy serving. On the left side of the table, there are freshly baked bread rolls, providing a comforting carbohydrate option typically found in Western-style meals. In the background of the setup, there are four to five trays of pie, suggesting a delightful dessert selection, while on the right side, there are appetizers made from mozzarella and tomato, adding an Italian touch to the meal’s diversity. Further inspection reveals roasted chicken, which is layered with melted cheese and resembles lasagna due to its rich presentation, affirming the care that has gone into preparing the food. The additional plates reveal more meats, each garnished with their own sauces, amplifying the flavor profile of the meal. The overall visual composition of the dining scene is characterized by a variety of colors, textures, and flavors, coming together to form a wholesome and appealing feast that speaks to the abundance of food. The arrangement reflects not just culinary diversity, but also the communal spirit of dining, with each dish contributing to a collective experience. Lastly, the backdrop indicates a simple kitchen setting, with basic furniture and wall switches that enhance the rustic charm of the scene. The thoughtful arrangement of the food along with its diverse offerings captures the essence of a family or friend gathering, where the preparation and presentation of the meal signifies love, care, and the joy of shared moments.
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Bản sao này mô tả một cảnh ăn uống phong phú về trực quan xoay quanh một bàn ăn được bày biện cho một buổi tụ họp, có thể là giữa gia đình hoặc bạn bè. Sắp xếp thực phẩm tạo nên một bầu không khí ấm áp, mời gọi, lý tưởng để chia sẻ và thưởng thức bữa ăn cùng nhau. Bàn ăn được làm bằng gỗ và trưng bày nhiều món ăn được sắp xếp theo hình tròn, thu hút ánh mắt nhìn vào sự trình bày. Món đáng chú ý đầu tiên là một đĩa salad lớn được trình bày trong một hộp kim loại hình chữ nhật, có sự kết hợp của nhiều loại rau củ, cà chua cắt hạt lựu và cà rốt, tạo thêm yếu tố tươi mát và đầy màu sắc cho bữa ăn. Đi cùng với salad là hai bát chứa đầy cà rốt và đậu Hà Lan, cùng một bát bổ sung chứa ngô ngọt, tất cả đều góp phần vào sự lành mạnh của bữa ăn. Cũng có hai đĩa riêng biệt, hoặc khay, chứa khoai tây nghiền béo ngậy, đi kèm với một hộp chứa nước sốt, đi cùng với một cái môi để dễ phục vụ. Ở phía bên trái của bàn, có những cuộn bánh mì vừa mới nướng, mang đến một lựa chọn carbohydrate thoải mái thường thấy trong các bữa ăn kiểu Tây. Trong nền của thiết lập, có bốn đến năm khay bánh pie, gợi ý về một lựa chọn món tráng miệng thú vị, trong khi ở bên phải, có các món khai vị làm từ mozzarella và cà chua, tạo thêm điểm nhấn ẩm thực Ý cho sự đa dạng của bữa ăn. Khi xem xét kỹ hơn, có món gà nướng, được xếp lớp với phô mai tan chảy và trông giống như lasagna nhờ vào cách trình bày phong phú, xác nhận sự chăm chút đã được đưa vào việc chuẩn bị món ăn. Những đĩa bổ sung tạo ra thêm nhiều loại thịt, mỗi loại đều có sốt riêng, tăng cường hương vị cho bữa ăn. Bố cục tổng thể của cảnh ăn uống được đặc trưng bởi sự đa dạng về màu sắc, kết cấu, và hương vị, hòa quyện lại để tạo thành một bữa tiệc ấm cúng và hấp dẫn, phản ánh sự phong phú của thực phẩm. Sắp xếp không chỉ phản ánh sự đa dạng ẩm thực, mà còn thể hiện tinh thần cộng đồng của việc ăn uống, với mỗi món ăn đóng góp vào một trải nghiệm chung. Cuối cùng, bối cảnh cho thấy một không gian bếp đơn giản, với nội thất cơ bản và công tắc tường nâng cao nét quyến rũ mộc mạc của cảnh. Sự sắp xếp chu đáo của thực phẩm cùng với những món ăn đa dạng nắm bắt được bản chất của một buổi tụ họp gia đình hoặc bạn bè, nơi việc chuẩn bị và trình bày bữa ăn biểu trưng cho tình yêu, sự chăm sóc, và niềm vui của những khoảnh khắc được chia sẻ.
|
vi
| 12,336
|
|
['English', 'Chinese', 'Chinese', 'Chinese']
|
['19FNvQL6po6q', '1jY7kjL8A16S', '1m9iLRmCcOJc', '1eQ0To4hR48M']
|
[" This is a photo of a man, of an Asian man. It's mostly like a headshot. He's looking down to the bottom right corner of the photo, which would be off to his left. There's almost like a blue tint to the photo that makes his skin almost very translucent and his hair almost gray towards his face. His hair is black. It almost looks like he's been in the cold because it's very almost frozen as how his features look. There's something hanging down at the very top center of the photo, but you can't really make out what that is. There's no text in the photo. There's kind of two strands of hair, coming down, blocking his face. But other than that, it's really just a headshot of a man kind of looking off to his left.", "The image features a photo of a male celebrity, only showing his head. I recognize this person as Nicholas Tse. There are no words; his large headshot essentially fills the entire image, with just a little bit of his neck and shoulders visible. It's a photo that has a somewhat black and white style. His eyes are not looking straight ahead; his head is slightly bowed and tilted to the left. His hair is quite short, and this photo is from when he was younger. The background is mostly black, and the overall style resembles the older black and white photos from the 1990s, which were quite popular at the time, particularly in the form of large headshots.", 'This image is clearly a photo of a Chinese celebrity named Nicholas Tse, who is very famous in China. The entire picture features this celebrity in a fashion shoot. In this photo, Nicholas Tse occupies the whole frame, and there are no words included. The details suggest that this photo is likely from his younger years, showing his smooth skin without wrinkles and his striking handsomeness, indicating it may be a promotional photo from the early days of his career. The background is black, suggesting it could have been taken in a photography studio. The overall style is a cool-toned, stylish look, with predominant colors being white, blue, and black.', 'This is a portrait of the Hong Kong artist Nicholas Tse. The image clearly shows the entire outline of his face and his features. His hair shows signs of being wet, suggesting it might be related to a water-themed advertisement or a film project. At the top of the image, there are some watermarks resembling a blue semicircle, with red lines on the right and green lines on the left, possibly indicating a watermark or part of the design. The entire picture mainly highlights the star, Nicholas Tse, showcasing his vibrant spirit and energy. It appears to be a photo from his younger years.']
|
[False, False, True, False]
|
[nan, nan, '谢霆锋', nan]
|
This is a high-quality portrait of an Asian man, specifically a well-known Chinese celebrity named Nicholas Tse. The image primarily serves as a headshot, featuring him looking down slightly towards the bottom right corner, which is off to his left. The photo has an intriguing blue tint that imparts a translucent quality to his skin, coupled with his black hair appearing almost gray as it frames his face. His hairstyle gives the impression that he has been exposed to cold weather, with features that seem almost frozen in expression. At the center top of the photo, there is an indistinct object hanging down, which remains indistinguishable due to the lack of clarity. Notably, there are two strands of hair that fall across his face, subtly interrupting the otherwise straightforward view of him. The absence of any text ensures that the focus remains solely on his distinguished features. In another depiction, the image showcases a striking headshot of Nicholas Tse, a male celebrity known for his significant presence in China. This particular photo captures only his head, almost entirely filling the frame, with a slight glimpse of his neck and shoulders visible. It has a distinct black-and-white style that echoes the aesthetic of the 1990s, a decade renowned for its emphasis on dramatic headshots in photography. In this photograph, Tse's gaze is directed away from the camera, with his head slightly bowed and tilted to the left. His hair is styled short and neat, reflecting a youthful appearance consistent with earlier stages of his career. The predominantly black background provides a stark contrast to his face, enhancing the overall impact of the image. The third image reinforces the recognition of Nicholas Tse, emphasizing his celebrity status in the Chinese entertainment industry. This portrait captures him throughout the entire frame, affirming his striking handsomeness. The details within the photo suggest that it is likely a promotional image from his youth, as evidenced by his smooth complexion and lack of wrinkles. A stark black background implies that the shoot took place in a controlled photography studio setting. The color palette in this style leans towards cool tones, prominently featuring white, blue, and black colors, which were emblematic of the era’s visual trends. Finally, another artistic portrait of Nicholas Tse reveals his charismatic personality. His hair appears slightly wet, possibly hinting at involvement in a water-themed campaign or film project. At the top of this striking image, there are visual elements resembling a blue semicircle adorned with red lines on the right and green lines on the left, which may indicate a watermark or design feature. This creative detail adds a layer of complexity to the photograph while still primarily focusing on showcasing Nicholas Tse's vibrant spirit and youthful energy. Overall, this imagery represents a crucial part of Tse's artistic trajectory, encapsulating his charm and appeal during the formative years of his public persona.
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Esta es un retrato de alta calidad de un hombre asiático, específicamente una celebridad china bien conocida llamada Nicholas Tse. La imagen sirve principalmente como una foto de cabeza, en la que él está mirando ligeramente hacia abajo, hacia la esquina inferior derecha, que está a su izquierda. La foto tiene un intrigante tinte azul que otorga una calidad translúcida a su piel, junto con su cabello negro que parece casi gris mientras enmarca su rostro. Su peinado da la impresión de que ha estado expuesto a un clima frío, con rasgos que parecen casi congelados en expresión. En la parte superior central de la foto, hay un objeto indistinto colgando, el cual permanece indescifrable debido a la falta de claridad. Notablemente, hay dos mechones de cabello que caen sobre su rostro, interrumpiendo sutilmente la vista directa de él. La ausencia de texto asegura que el enfoque permanezca solamente en sus rasgos distinguibles. En otra representación, la imagen muestra un impactante retrato de Nicholas Tse, una celebridad masculina conocida por su significativa presencia en China. Esta foto en particular captura solamente su cabeza, llenando casi por completo el marco, con un pequeño vistazo de su cuello y hombros visible. Tiene un estilo distintivo en blanco y negro que evoca la estética de los años 90, una década reconocida por su énfasis en retratos dramáticos en la fotografía. En esta fotografía, la mirada de Tse está dirigida lejos de la cámara, con la cabeza ligeramente inclinada hacia adelante y hacia la izquierda. Su cabello está peinado corto y ordenado, reflejando una apariencia juvenil consistente con etapas anteriores de su carrera. El fondo predominantemente negro proporciona un fuerte contraste con su rostro, mejorando el impacto general de la imagen. La tercera imagen refuerza el reconocimiento de Nicholas Tse, enfatizando su estatus de celebridad en la industria del entretenimiento chino. Este retrato lo captura a lo largo de todo el marco, afirmando su impresionante belleza. Los detalles dentro de la foto sugieren que probablemente es una imagen promocional de su juventud, como se evidencia por su piel suave y la ausencia de arrugas. Un fondo negro intenso implica que la sesión de fotos tuvo lugar en un estudio de fotografía controlado. La paleta de colores en este estilo se inclina hacia tonos fríos, presentando colores blanco, azul y negro, los cuales son emblemáticos de las tendencias visuales de la época. Finalmente, otro retrato artístico de Nicholas Tse revela su personalidad carismática. Su cabello parece ligeramente mojado, lo que podría insinuar su participación en una campaña o proyecto cinematográfico con temática acuática. En la parte superior de esta impactante imagen, hay elementos visuales que se asemejan a un semicírculo azul adornado con líneas rojas a la derecha y líneas verdes a la izquierda, que pueden indicar una marca de agua o característica de diseño. Este detalle creativo añade una capa de complejidad a la fotografía, mientras que aún se concentra principalmente en mostrar el espíritu vibrante y la energía juvenil de Nicholas Tse. En general, estas imágenes representan una parte crucial de la trayectoria artística de Tse, encapsulando su encanto y atractivo durante los años formativos de su persona pública.
|
es
| 24,562
|
|
['Korean', 'Chinese', 'Chinese']
|
['1oS9aGBytVeo', '1eJItGvhebMg', '15Ksv1avWsI0']
|
['When I saw the photo, there was a picture of a hibiscus, with the hibiscus being a pink color, then a white color, and around it, the green colors of the hibiscus leaves were visible. The photo gave the feeling that it was taken outside in the mountains rather than from a garden where hibiscus is grown. Overall, the photo has a green color, and in the background, you can see a bit of what looks like a mountain. There’s a strong feeling of it being mountainous. Besides the two hibiscus flowers, the overall impression is blue, with the pink hibiscus at the center, and below it, the white hibiscus. The pink color stands out the most in the photo.', 'In the center of the image is a plant featuring two beautifully blooming flowers; one is light purple and the other is white. The background consists of various leaves and some buds that have yet to bloom behind the flowers. The main focus is on these two fully blossomed flowers, while the leaves occupy the entire background, accentuating the central flowers. In the background, there are faintly visible piles of wood, suggesting that this might be either in a forest or near a lumberyard where some wildflowers are growing. The image contains no text, only the pink and white flowers, the green leaves, and the faintly discernible piles of brown wood in the background. Aside from this, there is no textual information or additional details to determine the location or the country it belongs to.', 'This is a horizontal image that mainly showcases a plant. This particular plant has many beautiful leaves, with two to three flowers in the center. The red flowers each have five to six irregular petals. One flower has a pink center, which is the deepest shade, and its petals are light white. The stamen in the center is white. There’s another flower whose petals are white as well, and its center has a considerably darker pink, with the stamen also being white. One flower leans more towards pink while the other is more white, allowing for a sense of color layering. Additionally, there are many unopened flower buds, some white and some pink. Large green leaves support these flowers beautifully.']
|
[False, False, False]
|
[nan, nan, nan]
|
When I saw the photo, it depicted a striking hibiscus flower, characterized by its vibrant pink color and accompanied by a delicate white flower. Surrounding these blossoms were lush green hibiscus leaves, which were vividly visible. The overall ambiance of the photograph suggested an outdoor setting amidst mountainous terrain as opposed to the usual confines of a garden where hibiscuses are typically cultivated. The composition prominently featured green hues, while in the background, there was a faint hint of what appeared to be a mountain, imparting a strong sense of a mountainous environment. The photograph's aesthetic was predominantly blue, with the pink hibiscus flower positioned at the center and the white hibiscus flower situated below it. The pink hue of the hibiscus emerged as the most striking element in the image. In the center of another image is a plant showcasing two stunningly blooming flowers, one adorned with a light purple hue while the other stood out in pure white. The background of this photograph consisted of a rich tapestry of various leaves and some buds that were yet to open, creating a sense of depth and life around the flowers. The primary focus remained on the fully blossomed flowers, which captivated attention amid the foliage that filled the entire backdrop, enhancing and accentuating the blooms at the forefront. Among the greenery, there were indistinct piles of wood, implying the photograph may have been taken in a forested area or near a lumberyard, where wildflowers could be flourishing. Notably, the image was devoid of any textual information, relying solely on the visual elements of the pink and white flowers, the vibrant green leaves, and the faint silhouettes of brown wood in the background to convey its message. In yet another horizontal image, the plant displayed an abundance of beautiful, bushy leaves surrounding it, with two to three flowers emerging from the center. These flowers were characterized by five to six irregular petals; one of the blossoms boasted a deep pink center, with the petals around it being a gentle shade of white. The stamen at the center of this flower was also white, creating a harmonious balance. Another flower presented similarly colored petals, stark white, with a considerably darker pink center, wherein the stamen was again white. This juxtaposition allowed for an appealing sense of color layering between the flowers, with one leaning towards pink and the other towards white, effectively creating contrast. Additionally, the plant hosted numerous unopened flower buds, both white and pink, adding an intriguing dimension of anticipation for future blooms. The large, lush green leaves provided stunning support for the vibrant flowers, emphasizing their beauty and vibrancy.
|
เมื่อฉันเห็นภาพถ่าย มันแสดงถึงดอกชบาที่โดดเด่น มีสีชมพูสดใสและมีดอกสีขาวที่ละเอียดอ่อนอยู่เคียงข้าง รอบๆ ดอกไม้เหล่านี้มีใบชบาสีเขียวสดชัดเจน ภาพรวมของบรรยากาศในภาพถ่ายชี้ให้เห็นถึงการตั้งอยู่กลางแจ้งในภูมิประเทศที่มีภูเขา แทนที่จะอยู่ในสวนที่ชบามักถูกปลูกกัน โดยองค์ประกอบหลักมีโทนสีเขียว ขณะที่ในพื้นหลังมีเงาเลือนลางของสิ่งที่ดูเหมือนจะเป็นภูเขา สร้างความรู้สึกของสภาพแวดล้อมที่เป็นภูเขาอย่างมาก สุนทรียภาพของภาพถ่ายมีโทนสีน้ำเงินเป็นหลัก โดยมีดอกชบาสีชมพูอยู่กลางภาพ และดอกชบาสีขาวอยู่ข้างใต้ สีชมพูของชบาปรากฏเป็นองค์ประกอบที่โดดเด่นที่สุดในภาพ ในกลางภาพถ่ายอีกใบหนึ่งมีพืชที่โชว์ดอกไม้บานสะพรั่งสองดอก ดอกหนึ่งมีสีม่วงอ่อน ขณะที่อีกดอกมีสีขาวบริสุทธิ์ พื้นหลังของภาพถ่ายนี้ประกอบด้วยลวดลายที่อุดมไปด้วยใบต่างๆ และยังมีตาข่ายดอกที่ยังไม่ได้บาน สร้างความรู้สึกลึกซึ้งและมีชีวิตชีวาในรอบๆ ดอกไม้ จุดสำคัญยังคงอยู่ที่ดอกไม้ที่บานเต็มที่ซึ่งดึงดูดความสนใจท่ามกลางใบไม้ที่เติมเต็มฉากหลังทั้งหมด ทำให้ดอกไม้ที่อยู่ข้างหน้าโดดเด่นมากยิ่งขึ้น ในกลุ่มพฤกษชาติ ยังมีท่อนไม้ที่ไม่ชัดเจน สื่อให้เห็นว่าภาพถ่ายอาจถูกถ่ายในพื้นที่ป่าไม้หรือใกล้โรงเลื่อยที่ดอกไม้ป่ากำลังเติบโต อย่างไรก็ตาม ภาพนี้ไม่มีข้อมูลข้อความใดๆ แต่พึ่งพาเพียงองค์ประกอบสายตาของดอกไม้ชมพูและขาว ใบสีเขียวสด และเงาเบาๆ ของไม้สีน้ำตาลในพื้นหลังเพื่อสื่อสารข้อความ ในภาพแนวนอนอีกใบหนึ่ง พืชมีใบที่สวยงามและมีพุ่มหนารอบๆ โดยมีดอกไม้สองถึงสามดอกโผล่ออกมาจากกลางดอกไม้ ดอกเหล่านี้มีกลีบที่ไม่เป็นระเบียบห้าถึงหกกลีบ ดอกหนึ่งมีใจกลางสีชมพูเข้ม ขณะที่กลีบรอบๆ เป็นสีขาวอ่อน เกสรของดอกนี้ก็เป็นสีขาว ทำให้เกิดความสมดุลที่กลมกลืน ดอกอีกดอกมีสีกลีบขาวสว่าง โดยใจกลางมีสีชมพูเข้มที่เข้มกว่า และเกสรอีกครั้งเป็นสีขาว การเปรียบเทียบนี้ทำให้เกิดความน่าสนใจในแง่ของการจัดเรียงสีระหว่างดอกไม้ โดยมีดอกหนึ่งโน้มไปทางสีชมพูและอีกดอกโน้มไปทางสีขาว ทำให้เกิดความเปรียบต่างอย่างมีประสิทธิภาพ นอกจากนี้พืชยังมีตูมดอกที่ยังไม่ได้บานมากมาย ทั้งสีขาวและชมพู เพิ่มมิติของความคาดหวังสำหรับดอกไม้ที่จะบานในอนาคต ใบใหญ่และเขียวสดให้การสนับสนุนที่น่าทึ่งสำหรับดอกไม้ที่มีชีวิตชีวา ทำให้ความงามและความมีชีวิตชีวาของพวกมันโดดเด่นมากขึ้น
|
th
| 8,218
|
|
['English', 'Chinese']
|
['14nFoVk2VJRO', '1eyfbt701OAZ']
|
[" pictured here are several food trucks or food vendors in a mobile capacity there are two food vendors the one that is further away looks like um looks like a food truck it has an awning and seems to be a converted truck of a beige color there are some um looks like it says vindaloo or steak or just a bunch of different um indian food words and then the sign at the top says either see you and then the rest is cut off and then get out of and then the rest is cut off um and then there's someone ordering from that truck there's also the newer taco truck which seems to be um a converted van or to that effect it says tacaro fusion and it says texan with a lot of twist and then it says chicago's original taco truck its phone number as well as tacaro fusion.com um there are a number of people who are either ordering or looking at the menu which is displayed inside one of the windows the van is white but has a lot of green and gray details there is someone sitting in one of the windows taking uh the customer's orders as well", 'This is a photo taken outdoors, featuring two food trucks. The food truck on the right has a white top with the word "Fusion" written on it, and it seems to be selling food. In front of this food truck, there are two groups of people. The first group consists of a male and a female; the male is wearing a black hat, and the female is talking to the staff at the food truck, likely placing an order. Behind this group, there is another male and female; the female is holding a brown bag, and both of them are wearing flip-flops. In front of the other food truck, which is yellow with some red decorative signs on it, there are also people lined up to place their orders. In the background of the two food trucks, we can see some green trees and other buildings, one of which has a red brick roof. Additionally, underneath the trees, next to the road, there is a yellow street sign, and in front of the sign, there are some items that may belong to parked bicycles.']
|
[False, False]
|
[nan, nan]
|
Pictured here are several food trucks and food vendors operating in a mobile capacity. There are two distinct food vendors captured in this scene. The first one, positioned further away, resembles a conventional food truck. It features an awning and appears to be a converted vehicle that is predominantly beige in color. Various words related to Indian cuisine, such as "vindaloo" and "steak," are visible on the signage, indicating a diverse menu centered around Indian food. At the top of this sign, there is additional text that begins with the words "See you," but unfortunately, the remainder of the message is cut off, followed by "get out of," which is also truncated. At this truck, there is a customer who appears to be placing an order. The other food vendor is a newer taco truck, which seems to be a modified van. The sign prominently displays the name "Tacaro Fusion," along with the phrase "Texan with a lot of twist," reinforcing the truck's regional culinary influence. It further asserts its identity as "Chicago's original taco truck." The truck proudly displays its contact number and the website tacarofusion.com. The vehicle is primarily white with striking green and gray accents. There is a staff member visible through one of the windows, actively taking orders from customers who are either in line or examining the menu that is displayed inside. This scene was captured outdoors, showcasing two food trucks. The food truck on the right side of the image features a white top with the word "Fusion" emblazoned across it, indicating its specialty in fusion cuisine. In front of this food truck, two groups of patrons can be seen. The first group consists of a male wearing a black hat and a female who appears to be engaged in conversation with the staff, likely placing an order. Behind them is another pair, a male and female, with the latter holding a brown paper bag; both individuals are dressed in casual summer attire, including flip-flops. In front of the second food truck, which is painted yellow and adorned with red decorative signs, there is also a line of eager customers waiting to place their orders. The background captures a suburban atmosphere, featuring lush green trees and various buildings, one of which stands out due to its red brick roof. Additionally, beneath the foliage next to the road, a yellow street sign is visible. Nearby, there are some items that appear to belong to parked bicycles, further contributing to the dynamic and communal vibe of this outdoor food truck gathering.
|
여기 사진에는 이동식으로 운영되는 여러 푸드 트럭과 음식 판매 업체들이 담겨 있습니다. 이 장면에 두 개의 뚜렷한 음식 판매 업체가 포착되어 있습니다. 첫 번째는 좀 더 멀리 위치한 전통적인 푸드 트럭과 유사합니다. 이 트럭은 차양이 있으며, 주로 베이지 색으로 변환된 차량인 것으로 보입니다. 메뉴에는 인도 요리와 관련된 “빈달루(vindaloo)”와 “스테이크(steak)”와 같은 다양한 단어가 보이는데, 이는 인도 음식 중심의 다양한 메뉴를 나타냅니다. 이 표지판의 상단에는 "See you"로 시작하는 추가 텍스트가 있지만 안타깝게도 나머지 메시지는 잘려 있으며, 그 뒤에 "get out of"라는 문구도 자른 상태입니다. 이 트럭 앞에는 주문을 하려는 고객이 보입니다. 다른 음식 판매 업체는 새로운 타코 트럭으로, 개조된 밴처럼 보입니다. 이 트럭의 표지판에는 "Tacaro Fusion"이라는 이름과 함께 "Texan with a lot of twist"라는 문구가 prominently 표시되어 있어, 지역 요리의 영향을 강조하고 있습니다. 또한 "Chicago's original taco truck"로서의 정체성을 주장합니다. 이 트럭은 연락처 번호와 tacarofusion.com 웹사이트를 자랑스럽게 보여주고 있습니다. 차량은 주로 흰색이며, 눈에 띄는 녹색과 회색 포인트가 있습니다. 한 직원이 창문 중 하나를 통해 보이며, 줄 서 있는 고객들과 메뉴를 살펴보는 고객들로부터 주문을 받고 있습니다. 이 장면은 야외에서 촬영되었으며, 두 개의 푸드 트럭이 보여집니다. 이미지 오른쪽에 있는 음식 트럭은 흰색 지붕에 “Fusion”이라는 단어가 적혀 있어 퓨전 요리 전문임을 나타냅니다. 이 푸드 트럭 앞에는 두 그룹의 손님들이 보입니다. 첫 번째 그룹은 검은 모자를 쓴 남성과 직원과 대화 중인 여성으로, 아마 주문을 하고 있는 듯 보입니다. 그들 뒤에는 또 다른 커플이 있으며, 남성과 여성이 있고 여자는 갈색 종이봉투를 들고 있습니다. 두 사람 모두 캐주얼한 여름 복장을 입고 있으며, 슬리퍼를 신고 있습니다. 두 번째 음식 트럭 앞에는 노란색으로 칠해져 있고 빨간 장식 간판이 달린 트럭 앞에도 주문을 하려는 열정적인 고객들이 줄을 서 있습니다. 배경에는 울창한 초록 나무와 다양한 건물들이 있는 교외의 분위기가 담겨 있는데, 그 중 하나는 빨간 벽돌 지붕이 눈에 띕니다. 또한 도로 옆의 나뭇잎 아래에는 노란색 도로 표지판이 보입니다. 근처에는 주차된 자전거에 속하는 것처럼 보이는 물품들이 있어, 이 야외 푸드 트럭 모임의 역동적이고 공동체적인 분위기를 더하고 있습니다.
|
ko
| 16,440
|
|
['English', 'English', 'Chinese']
|
['1byTuebm70PB', '1hhcPvKcn4Eq', '1biwttm0UDii']
|
[" Okay, so in this next photo, it looks like someone's having a nice English breakfast set. That's what it looks like to me. This is very distinctive. This is a very distinctive photo. So, you know, we kind of see the three plates stacked on top of each other in the English fashion kind of way. We see on the top we have dessert, we have your macaron, you know, your little sweet treats, you know. And then in the middle we have some more, you know, kind of like snacks. These are slightly, you know, some could be savory, some could be sweet. And at the bottom we have, you know, all your main kind of like these are the things you have, you know, more appetizers or like, you know, these are more like your entrees. So a lot more salty. We see some sandwiches on the bottom. We see some spoons with some potentially just some like salad mix. Yeah, so this looks like a very classic English breakfast type of lunch. We can also see in the background, you see there is someone with, you know, a very nice China teacup, you know, with a little bit of a Chinese tea cup. They're holding tea on the inside. Looks like, you know, a bunch of people are around the table just gathering for a nice brunch.", " This is an image that appears to be an afternoon tea type of thing where you have a bunch of plates stacked on top of each other with each plate containing a bunch of small snacks. You see macarons, little sandwiches, little desserts, little tarts, little scones on each layer of the, I wouldn't know what to call it, but I believe they serve it in an English breakfast sort of setting. And then it appears all this is happening on some sort of white tabletop. I believe there is a white tablecloth put over the table and you see English teacups on the table. As well as these minty glass cups filled with like, it appears to be some sort of tea.", "This picture portrays an afternoon tea that resembles English afternoon tea. There are three plates stacked vertically, with each plate featuring different desserts. On the top tier, there are macarons and pudding; the middle tier has three small cakes, three pistachio-flavored cakes, three cream puffs, and three chocolate cakes. The bottom tier contains additional small desserts and two small sandwiches. Surrounding the desserts, there are some drinks that appear to have mint, along with three cups of water and a cup of tea. In the background, the image mainly depicts the desserts arranged on the plates, positioned centrally in the picture, with drinks behind them. It seems there are also some people sitting at the table, as I can see a person's hand. The colors in the image are very vibrant because the desserts are all quite colorful."]
|
[True, True, False]
|
[nan, 'Looks like an English breakfast', nan]
|
In this next photograph, we are presented with a visually appealing arrangement reminiscent of a classic English breakfast, though it more closely aligns with the concept of afternoon tea. The composition features three plates stacked neatly atop one another, a traditional presentation in English tea culture. On the top plate, we discover an assortment of desserts, prominently featuring macarons, which are delicate meringue-based confectioneries known for their smooth surface and variety of flavors. These sweet treats are positioned alongside other bite-sized desserts, likely to cater to various palates. The middle plate showcases a selection of snacks that are a delightful blend of both savory and sweet options. This may include small cakes, pastries, or potentially even savory scones, which are a staple in British tea time. Among the items, we may also find small sandwiches, which are typically cut into elegant shapes, further emphasizing the refined nature of the occasion. The bottom plate holds more substantial items, indicative of the appetizer or entreé category. Here we can find additional sandwiches, which may range from cucumber to ham, often paired with light spread, showcasing the savory offerings of this luxurious gathering. In the background of the scene, one can observe a person graciously holding an exquisitely crafted English teacup, which is a hallmark of such tea gatherings. The teacup, likely made of fine china, suggests a level of sophistication and warmth that accompanies such social events, where people gather not only for the food but to enjoy each other’s company over a warm beverage. The overall atmosphere of the setting hints at a brunch or afternoon tea event, with a white tabletop that appears to be elegantly dressed with a white tablecloth. The presence of additional drinks on the table, notably those in minty glass cups filled with what seems to be tea, adds to the inviting nature of the scene. The vibrancy of the image is accentuated by the colorful array of desserts that are prominently displayed, capturing the eye and invoking a sense of delight. The layered arrangement of these confections highlights the artistry involved in presenting afternoon tea. Surrounding the desserts, we can see various drinks, including water and cups of tea, which complete the tableau of this delightful meal. Furthermore, in the backdrop, there are indications of individuals gathered around the table, as evidenced by a glimpse of a hand. This element conveys a sense of community and togetherness that is often celebrated during such gatherings, emphasizing the importance of sharing moments with friends and family over a beautifully curated selection of food and beverages, all integral to the English afternoon tea experience.
|
次の写真では、クラシックなイングリッシュブレックファーストを思わせる視覚的に魅力的なアレンジメントが見られますが、実際にはアフタヌーンティーの概念に近いものです。この構成では、三枚の皿がきれいに重ねられており、イギリスのティーカルチャーにおける伝統的なプレゼンテーションを表しています。 一番上の皿には、マカロンを中心としたデザートの盛り合わせがあり、これらは滑らかな表面と多様なフレーバーで知られる繊細なメレンゲベースの菓子です。これらの甘いお菓子は、さまざまな味覚に対応するために、他の一口サイズのデザートと共に配置されています。 中央の皿には、甘 savory options の両方を楽しめるスナックのセレクションが展示されています。ここには小さなケーキやペイストリー、あるいはイギリスのティータイムの定番であるスコーンなどが含まれているかもしれません。アイテムの中には、エレガントな形に切られた小さなサンドイッチもあり、場の洗練された性質をさらに強調しています。 一番下の皿には、前菜やメインディッシュに相当するより substantial items が配置されています。ここには、キュウリやハムのサンドイッチなど、軽いスプレッドを添えたフードが含まれており、この贅沢な集まりの savory offerings を示しています。 シーンの背景には、見事に作られたイギリスのティーカップを丁寧に持つ人が見えます。これはそのようなティー集まりの特徴です。このティーカップは、おそらく高級な磁器製であり、食事だけでなく温かい飲み物を囲んで、互いの会社を楽しむという社交イベントに伴う洗練さと温かさを示唆しています。 全体の雰囲気は、ブランチやアフタヌーンティーイベントを暗示しており、白いテーブルクロスで優雅に装飾された白いテーブルが見えます。テーブル上には、ティーのように見えるミント色のグラスカップに入った追加のドリンクがあり、このシーンの魅力を高めています。 色とりどりのデザートが目を引き、喜びを呼び起こす様子が、画像の活気を強調しています。これらのコンフェクションのレイヤーアレンジメントは、アフタヌーンティーをプレゼンする際に必要なアート性を浮き彫りにしています。デザートの周りには水やティーのカップなど様々なドリンクが見え、この魅力的な食事の全体像を完成させています。 さらに、背景にはテーブルの周りに集まる人々の姿があり、手がチラリと見えます。この要素は、こうした集まりでよく祝われるコミュニティと一体感を感じさせ、友人や家族と美しくキュレーションされたフードやドリンクを共有する瞬間の大切さを強調しています。これはすべて、イギリスのアフタヌーンティー体験にとって不可欠なものです。
|
ja
| 13,790
|
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