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howard-nlp
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ibom-mt

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100
Some saw The Old Gold Comedy Theater as being a lighter version of Lux Radio Theater, and it featured some of the best-known film and radio personalities of the day, including Fred Allen, June Allyson, Lucille Ball, Ralph Bellamy, Linda Darnell, Susan Hayward, Herbert Marshall, Dick Powell, Edward G. Robinson, Jane Wyman, and Alan Young.
Itụñ agwo eke kud The Old Gold Comedy Theater nte anni ijaka ñkan Lux Radio Theater, ñko usụghọ mbon mmile se eneke eliọñọ ke film mme radio k'usen ide nte Fred Allen, June Allyson, Lucille Ball, Ralph Bellamy, Linda Darnell, Susan Hayward, Herbert Marshall, Dick Powell, Edward G. Robinson, Jane Wyman, mme Alan Young ema elọñọ.
101
Many years later, acetate discs of 29 of the shows were discovered in Lloyd's home, and they now circulate among old-time radio collectors.
Ñgwak-ñgwak efia k'iso, ema eke kud 29 episode a show de ke acetate discs k'ufọk a Lloyd, ammọ enụñ eben esuan ke atu mme old-time radio collector.
102
He was a Past Potentate of Al-Malaikah Shrine in Los Angeles, and was eventually selected as Imperial Potentate of the Shriners of North America for the year 1949–50.
Anye ake de Past Potentate ake Al-Malaikah Shrine ke Los Angeles, ema enụñ ijike isio anye nte Imperial Potentate ake the Shriners of North America inọ efia 1949–50.
103
Lloyd was invested with the Rank and Decoration of Knight Commander Court of Honour in 1955 and coroneted an Inspector General Honorary, 33°, in 1965.
Ema ebene Lloyd ke ndagha Rank mme Decoration ake Knight Commander Court of Honour ke 1955 enụñ elod anye ubọk nte Inspector General Honorary, 33°, ke 1965.
104
It said, as first step, Lloyd will write the story of his life for Simon and Schuster.
Ake wo, nte akpa ndagha, ke Lloyd ala agwed mmụk abañake idem amọ inọ Simon mme Schuster.
105
He became known for his nude photographs of models, such as Bettie Page and stripper Dixie Evans, for a number of men's magazines.
Ekeli iliọñọ anye eto mme nniche se ake saña ifed ke mme model, nte Bettie Page mme stripper Dixie Evans, adeghe anọ ibad-ibad a magazine ideen.
106
We never intended them to be played with pianos."
Ajid iki ijeme na ewiiñe ammọ ne mme piano
107
They've come close to it, but they haven't come all the way up".
Ammọ ekpele, ade ili igwọghọ anyọñ woon
108
In the early 1960s, Lloyd produced two compilation films, featuring scenes from his old comedies, Harold Lloyd's World of Comedy and The Funny Side of Life.
Ke ntọọñọ a 1960s, Lloyd ama asio compilation film iba, ake asineke mme scene ato ñkaan a comedy amọ, Harold Lloyd's World of Comedy mme The Funny Side of Life.
109
Time-Life released several of the feature films more or less intact, also using some of Scharf's scores which had been commissioned by Lloyd.
Time-Life ama asoño nsio-nsio mme feature film s'iki iba, ñko anụñ ekama itụñ mme score Scharf adeghe Lloyd ama asiak usụñ.
110
The Brownlow and Gill documentary was shown as part of the PBS series American Masters, and created a renewed interest in Lloyd's work in the United States, but the films were largely unavailable.
Eke gwọd Brownlow mme Gill documentary nte ubaak a PBS series American Masters, enụñ emaana eben ufa ineme esin k'utom Lloyd ke United States, ade mme film iki igwaka ibaña.
111
They also adopted Gloria Freeman (1924–1986) in September 1930, whom they renamed Marjorie Elizabeth Lloyd but was known as "Peggy" for most of her life.
Ammọ ñko ema eben Gloria Freeman (1924–1986) ke September 1930, ammọ eke ekpụghọ anyiñ ekood Marjorie Elizabeth Lloyd, ade eke eliọñọ anye nte "Peggy" ke ñgwak-ñgwak ejo ugwom amọ.
112
Davis died from a heart attack in 1969, two years before Lloyd's death.
David ake kpa ato iluọechid ke 1969, efia iba mbemiso mkpa Lloyd.
113
In 1925, at the height of his movie career, Lloyd entered into Freemasonry at the Alexander Hamilton Lodge No.
Ke 1925, ke ekamba ndagha isañ utom mmile amọ, Lloyd ama adụk Freemasonry ke Alexander Hamilton Lodge No.
114
In 1926, he became a 32° Scottish Rite Mason in the Valley of Los Angeles, California.
Ke 1926, anye ama akaba ade 32° Scottish Rite Mason ke Valley of Los Angeles, California.
115
A portion of Lloyd's personal inventory of his silent films (then estimated to be worth $2 million) was destroyed in August 1943 when his film vault caught fire.
Ema ewiad udeeme a personal inventory ake silent films a Lloyd (eke elada k'idagha $2 million) ke August 1943, k'ini ikañ ake adụkọ film vault
116
The fire spared the main house and outbuildings.
Ikañ ade iki itaagha ataak ufọk ade ne mme ufọk adaka ke esien.
117
Lloyd was honored in 1960 for his contribution to motion pictures with a star on the Hollywood Walk of Fame located at 1503 Vine Street.
Ema ekpono Lloyd ke 1960 ke ntak mkpọ se anye ake nam anọ motion picture mme ntantaafiọñ ke Hollywood Walk of Fame adagha ke 1503 Vine Street.
118
The second citation was a snub to Chaplin, who at that point had fallen foul of McCarthyism and had his entry visa to the United States revoked.
Ajọghọ citation iba ake de anni ili ibegheke Chaplin, adeghe idagha ade anye ama anyie utọk mme McCarthyism, ñko ema enụñ ikana entry visa amọ.
119
Gladys Marie Smith (April 8, 1892 – May 29, 1979), known professionally as Mary Pickford, was a Canadian-American film actress and producer with a career that spanned five decades.
Gladys Marie Smith (April 8, 1892 – May 29, 1979), eliọñọke ke anyiñ utom nte Mary Pickford ake de Canadian-American film actress mme producer s'isañ utom amọ ake ajọghọ decade itien.
120
Her father, John Charles Smith was the son of English Methodist immigrants, and worked a variety of odd jobs.
Ete amọ, John Charles Smith ake de ajen ano mme English Methodist immigrant, ama anụñ inam umiaañ ajiọ-njiọ utom.
121
To please her husband's relatives, Pickford's mother baptized her children as Methodists, the religion of their father.
Ke anye inam na echid anem mbon ebe amọ, eka Pickford ama aduọk ntọ amọ ññwuọñ nte mme Methodist, adeghe religion ete ammọ..
122
Gladys, her mother and two younger siblings toured the United States by rail, performing in third-rate companies and plays.
Gladys, eka amọ mme ntokntok ntọ eka amọ iba ema esaña ke rail ikana United States, esio mmile ke mme ufọkutom s'ili idagha na afọn.
123
Gladys finally landed a supporting role in a 1907 Broadway play, The Warrens of Virginia.
Ke akpatuɾo, Gladys ama anyie isoutom s'iñwam ke Broadway play ake 1907, The Warrens of Virginia.
124
After completing the Broadway run and touring the play, however, Pickford was again out of work.
Sa ama Broadway run ade anụñ asaña akana mmile ade, Pickford ama amaana ikpọñ utom.
125
She quickly grasped that movie acting was simpler than the stylized stage acting of the day.
Anye ama asọbọ imọm k'i act movie amem akan stylized stage acting ake usen ide.
126
As Pickford said of her success at Biograph:I played scrubwomen and secretaries and women of all nationalities ... I decided that if I could get into as many pictures as possible, I'd become known, and there would be a demand for my work.
Sa Pickford ake tañ naña iki isaña igwọ iwuo ke Biograph: Ami mma anam nte ajenufọk, mme agwedmkpọ ne mme ibaan afud ilụñ.. Ami mkpe mmiile ñwo ke mkpe kala ndụk nniche na aneke agwak, ke ela enliọñọ , ñko ela enụñ ijem utom ami.
127
In January 1910, Pickford traveled with a Biograph crew to Los Angeles.
Ke January 1910, Pickford ama anam isañ mme Biograph crew ika Los Angeles.
128
Actors were not listed in the credits in Griffith's company.
Agwo iki ilọñọ mme actor ke credit k'ufọkutom Griffith.
129
Pickford left Biograph in December 1910.
Pickford ake kpọñ Biograph ke December 1910.
130
She returned to Broadway in the David Belasco production of A Good Little Devil (1912).
Anye ake time anyone Broadway ke production a David Belasco ake "A Good Little Devil" (1912).
131
In 1913, she decided to work exclusively in film.
Ke 1913, anye ama iwiile ke echid amọ inam utom asaña-saña ke film.
132
Pickford left the stage to join Zukor's roster of stars.
Pickford ama akpọñ abodmmile ika ilana mme nti mbon mmile Zukor.
133
Comedy-dramas, such as In the Bishop's Carriage (1913), Caprice (1913), and especially Hearts Adrift (1914), made her irresistible to moviegoers.
Comedy-dramas nte the Bishop's Carriage (1913), Caprice (1913), akpan-akpan ñko, Hearts Adrift (1914), ake nam na mbon iche movie eli ikalake ime anye.
134
Tess of the Storm Country was released five weeks later.
Eke sio Tess of the Storm Country ulua itien ke elem ako.
135
Only Charlie Chaplin, who slightly surpassed Pickford's popularity in 1916, had a similarly spellbinding pull with critics and the audience.
Charlie Chaplin ikpọọñ eke eliọñọke ekan Pickford etok ke 1916, ama anyie utọ alulu ukwụ ade ke se etañ elian mme mbon s'iche mmile.
136
She also became vice-president of Pickford Film Corporation.
Anye ñko ama akaba ide vice-president inọ Pickford Film Corporation.
137
Due to her lack of a normal childhood, she enjoyed making these pictures.
Ke ntak anye akeli inyieghe ataak ini ujen, nnam mme nniche ami ama asi inem anye.
138
In August 1918, Pickford's contract expired and, when refusing Zukor's terms for a renewal, she was offered $250,000 to leave the motion picture business.
Ke August 1918, uwiọñutom Pickford ama atulo, k'idagha anye akeli inụñọ inyime inọ Zukor k'ufa uwiọñutom, ema enọ anye $250,000 iwo na akpọñ mbubeghe a motion picture.
139
Through United Artists, Pickford continued to produce and perform in her own movies; she could also distribute them as she chose.
Pickford ama aka iso a produce anụñ asio mmile ke mme movie amọ ato mme United Artist; ñko anye ama anyie unen ideeme naña anye ama.
140
During this period, she also made Little Annie Rooney (1925), another film in which Pickford played a child, Sparrows (1926), which blended the Dickensian with newly minted German expressionist style, and My Best Girl (1927), a romantic comedy featuring her future husband Charles "Buddy" Rogers.
K'ufọọd ini ami, anye ama anam Little Annie Rooney (1925), film mfen a Pickford ake adeghe etokajen, Sparrows (1926), ake abene Dickensian mme ufa minted German expressionist style alian, mme My Best Girl (1927), romantic comedy ebe iniiso amọ Charles "Buddy" Rogers asineke.
141
She played a reckless socialite in Coquette (1929), her first talkie, a role for which her famous ringlets were cut into a 1920s' bob.
Anye ake lu ugwom ekamba-ekamba ke Coquette (1929), akpa a talkie amọ ake de uwiọñutom ake anama na ekpeke agwọ-etop a ringlets amọ esin ke bob ake ejo 1920s.
142
The public failed to respond to her in the more sophisticated roles.
Mbonagwo iki imagha ibọọlọ anye ikọ ke mme uwiọñutom s'iki ikpoon ñkana.
143
Established Hollywood actors were panicked by the impending arrival of the talkies.
Idem ama anyeñ mme Hollywood actor se mkpad ama achiọñ k'isọñ sa mme talkie ali igwọ.
144
She retired from film acting in 1933 following three costly failures with her last film appearance being Secrets.
Anye ama abọ nduọkalulu k'utom a film acting ke 1933 ke ntak ñchiọñ-ñchiọñ iluọ, adeghe akpaturo mmile amọ ake de Secrets.
145
During World War I she promoted the sale of Liberty Bonds, making an intensive series of fund-raising speeches, beginning in Washington, D.C., where she sold bonds alongside Charlie Chaplin, Douglas Fairbanks, Theda Bara, and Marie Dressler.
K'ini a World War I, anye ama asio nnyam Liberty Bonds etop, ake anama na mme ikọ isañ nnam akpogho aba, tọọñọ ke Washington, D.C., itie anye ake anyama bonds ne Charlie Chaplin, Douglas Fairbanks, Theda Bara, mme Marie Dressler.
146
In a single speech in Chicago, she sold an estimated five million dollars' worth of bonds.
K'ikọ keed ke Chicago, anye ama anyam bonds eke ekude nte ajọghọ five million dollars.
147
At the end of World War I, Pickford conceived of the Motion Picture Relief Fund, an organization to help financially needy actors.
Ke utud a World War I, Pickford ama anyie akikele ibaña Motion Picture Relief Fund, ebọghọ ake adeghe se ekama añwam mme actor s'ijem uñwam.
148
As a result, in 1940, the Fund was able to purchase land and build the Motion Picture Country House and Hospital, in Woodland Hills, California.
Nte ibọọlọ, ke 1940, akpogho ade ama akala idep isọñ, anụñ abọp Motion Picture Country House mme ufọkibọk ke Woodland Hills, California.
149
She demanded (and received) these powers in 1916, when she was under contract to Zukor's Famous Players in Famous Plays (later Paramount).
Anye ama jem (anụñ abọ) mme alulu ami ke 1916, idagha ake asineke k'ilak utom mme agwọ-etop mbon mmile Zukor ke Famous Plays (akeli ideghe akpan-akpan).
150
The Mary Pickford Corporation was briefly Pickford's motion-picture production company.
Mary Pickford Corporation ake de Motion-picture production company a Pickford ke etok ini.
151
Distributors (also part of the studios) arranged for company productions to be shown in the company's movie venues.
Mme distributor (ñko nte mbon s'isine ke studio) ema enam nnutụm naña ekpe sio mme company production ke mme itie se esio movie a company ade.
152
It was solely a distribution company, offering independent film producers access to its own screens as well as the rental of temporarily unbooked cinemas owned by other companies.
Ake de distribution company ikpọọñ ake anọghọ mbon s'inam film edagha k'idem ammọ ufañ na ekud screen ammọ, ñko mme ibọ mme cinema se eli ibọghọ-bọ adeghe mme ufọkutom mfen enyieñe.
153
As a co-founder, as well as the producer and star of her own films, Pickford became the most powerful woman who has ever worked in Hollywood.
Nte co-founder, ne producer mme star ake film amọ, Pickford ama akaba ade agwoññwuan s'ichọñ alulu ñkana sa asụk ana-nam. anama utom ke Hollywood
154
She and Chaplin remained partners in the company for decades.
Anye mme Chaplin eke esụk ekaa-ka iso edeñe Ufan ke mbubeghe k'ufọkutom ade ke mme decade.
155
It is rumored she became pregnant by Moore in the early 1910s and had a miscarriage or an abortion.
Ema ejomo ke anye ama ajomo ilip inọ Moore ke ntọọñọ ejo 1910s, ñko anụñ agwọñọ me asoño ade.
156
The couple lived together on-and-off for several years.
Ññwuan mme ebe ade eke elụñọ keed ke mkpook- ke mkpook k'umiaañ efia.
157
Around this time, Pickford also suffered from the flu during the 1918 flu pandemic.
K'idagha ini ami, Pickford ñko ama anyie udọñọ ade k'ini a flu pandemic ake 1918.
158
They went to Europe for their honeymoon; fans in London and in Paris caused riots trying to get to the famous couple.
Ammọ eke ka honeymoon ke Europe; mbon s'ima inụñ ikeene ammọ ema esin ntime ke London ne Paris ejem usụñ naña esime mme agwọ-etop ññwuan mme ebendo ade.
159
Pickford continued to epitomize the virtuous but fiery girl next door.
Pickford asụk aka iso imọm mme eti eluugwom ñkama, ade ade ikañ ke elem uko.
160
Foreign heads of state and dignitaries who visited the White House often asked if they could also visit Pickfair, the couple's mansion in Beverly Hills.
Mbon s'ikama mme ilụñ etoghoke abio mfen ne mme agwọiso ibon ekeke echeghe White House, ema ewip mbañ-mbañ iwo me ikpa ikala iki iche Pickfair, ekamba ufọk ebe ne ññwuan ndọ ke Beverly Hills.
161
Other guests included George Bernard Shaw, Albert Einstein, Elinor Glyn, Helen Keller, H. G. Wells, Lord Mountbatten, Fritz Kreisler, Amelia Earhart, F. Scott Fitzgerald, Noël Coward, Max Reinhardt, Baron Nishi, Vladimir Nemirovich-Danchenko, Sir Arthur Conan Doyle, Austen Chamberlain, Sir Harry Lauder, and Meher Baba, among others.
Mme echenagwo mfen eke de George Bernard Shaw, Albert Einstein, Elinor Glyn, Helen Keller, H. G. Wells, Lord Mountbatten, Fritz Kreisler, Amelia Earhart, F. Scott Fitzgerald, Noël Coward, Max Reinhardt, Baron Nishi, Vladimir Nemirovich-Danchenko, Sir Arthur Conan Doyle, Austen Chamberlain, Sir Harry Lauder, mme Meher Baba, mme mbon mfen.
162
They were also constantly on display as America's unofficial ambassadors to the world, leading parades, cutting ribbons, and making speeches.
Ammọ eke ba ke mben-ñgwọd afud ini nte mme ambassador s'ito America nda nnọọ alolobod eli iliọñọke ajọghọ-jọghọ, adeghe ammọ eke da iso ke mme parade, mkpeke ribbon ne itaañ ikọ.
163
They divorced January 10, 1936.
Ammọ eme egwọñọ ndọ ke January 10, 1936.
164
She criticized their physical imperfections, including Ronnie's small stature and Roxanne's crooked teeth.
Anye ama atañ iliọk ikọ ilian ke naña abod ammọ aba, ne Ronnie ide etok-etok mme naña eled Roxanne aba.
165
Her siblings, Lottie and Jack, both died of alcohol-related causes in 1936 and 1933, respectively.
Naña ntọeka amọ iba, Lottie ne Jack eke ekpaña nsio-nsio eto ukọd ke 1933 ne 1936.
166
Pickford withdrew and gradually became a recluse, remaining almost entirely at Pickfair and allowing visits only from Lillian Gish, her stepson Douglas Fairbanks Jr., and few other people.
Pickford ama alụd idem isio anụñ akaba ada ikpọọñ-ikpọọñ sụñsụñ, adeghe ake aba ikpọọñ ke Pickfair anụñ ajak Lillian Gish, ajen ññwuan amọ Douglas Fairbanks Jr., ne etok mbon mfen ikpọọñ ese eli iche.
167
She appeared in court in 1959, in a matter pertaining to her co-ownership of North Carolina TV station WSJS-TV.
Anye ama ada ke esop ke 1959, ke mkpọ abegheke co-ownership ake North Carolina TV station WSJS-TV amọ.
168
Charles "Buddy" Rogers often gave guests tours of Pickfair, including views of a genuine western bar Pickford had bought for Douglas Fairbanks, and a portrait of Pickford in the drawing room.
Charles "Buddy" Rogers ama asi inọ mme echenagwo ufañ na esaña echieñ Pickfair, adeghe iche genuine western bar Pickford ake adebe anọ Douglas Fairbanks, mme portrait Pickford ke drawing room asine de.
169
She also owned a house in Toronto, Ontario, Canada.
Anyie ama anyieñe ufọk ñko ke Toronto, Ontario, mme Canada.
170
Her handprints and footprints are displayed at Grauman's Chinese Theatre in Hollywood, California.
Egwọd handprint mme footprint amọ ke Chinese Theatre Grauman ke Hollywood, California.
171
The Mary Pickford Theater at the James Madison Memorial Building of the Library of Congress is named in her honor.
Ekood Mary Pickford Theater ke James Madison Memorial Building ake the Library of Congress enọ anye k'ukpono.
172
A first-run movie theatre in Cathedral City, California is called The Mary Pickford Theatre, which was established on May 25, 2001.
Ekood movie theatre eke etogho enam ke Cathedral City, The Mary Pickford Theatre, adeghe eke esiak ke May 25, 2001.
173
Among them are a rare and spectacular beaded gown she wore in the film Dorothy Vernon of Haddon Hall (1924) designed by Mitchell Leisen, her special Oscar, and a jewelry box.
Ke atu ammọ, mmọọde anyan afọn adeghe ntañ-ntañ ali isọbọ iba anye ake asineke ke film Dorothy Vernon of Haddon Hall (1924), a Mitchell Leisen mme asaña-saña Oscar amọ eke elebeke ne akewe ñkwa itọñ mme ubọk.
174
The family home had been demolished in 1943, and many of the bricks delivered to Pickford in California.
Ema eguud ufọk ilụñ ade ke 1943, enuñ ekoono ñgwak-ñgwak a brick esọk Pickford ke California.
175
In 1993, a Golden Palm Star on the Palm Springs Walk of Stars was dedicated to her.
Ke 1993, ema ejak Golden Palm Star ke Palm Springs Walk of Stars inọ anye.
176
From January 2011 until July 2011, the Toronto International Film Festival exhibited a collection of Mary Pickford memorabilia in the Canadian Film Gallery of the TIFF Bell LightBox building.
Tọọñọ ke January 2011 gwọ July 2011, Toronto International Film Festival ama agwọd ñgwak-ñgwak memorabilia Mary Pickford ke Canadian Film Gallery ake TIFF Bell LightBox building.
177
It was donated to Keene State College and is currently undergoing restoration by the Library of Congress for exhibition.
Ema ejak inọ Keene State College, Library of Congress for exhibition enụñ esụk eñwana ideme anye.
178
The Google Doodle of April 8, 2017 commemorated Mary Pickford's 125th birthday.
Google Doodle ke April 8, 2017 ake nam ajọghọ efia emana 125 anọ Mary Pickford.
179
Gloria Josephine May Swanson (March 27, 1899 – April 4, 1983) was an American actress, producer, and businesswoman.
Gloria Josephine May Swanson (March 27, 1899 – April 4, 1983) ake de American actress, producer, mme agwoññwuan mbubeghe. .
180
Her schoolgirl crush on Essanay Studios actor Francis X. Bushman led to her aunt taking her to tour the actor's Chicago studio.
Ima ajen ufọkñgwed anye ake anyieghe anọ Francis X. Bushman ake Essanay Studios ake nam na aunt amọ aben anye na anam isañ achieñ Chicago studio actor ade.
181
Her sound film debut performance in the 1929 The Trespasser, earned her a second Academy Award nomination.
Sound film debut performance amọ ke 1929, "The Trespasser" ama anọ anye ajọghọ Academy Award nomination amọ iba.
182
Her father was a Swedish American and her mother was of German, French, and Polish ancestry.
Ete amọ ake de Swedish American, eka amọ anuñ anyie adụñ ato German, French, mme Polish
183
In either version, she was soon hired as an extra.
K'ubeñ se ade-de, ema esọp iben anye nte usin.
184
Her first role was a brief walk-on with actress Gerda Holmes, that paid an enormous (in those days) $3.25.
Akpa uwiọñutom atom amọ ake de etok-etok isañ mme actress Gerda Holmes, ake akpeghe akana (ku mme usen ade) $3.25.
185
In 1915, she co-starred in Sweedie Goes to College with her future first husband Wallace Beery.
Ke 1915, anye akeene asine ke "Sweedie Goes to College" mme ebe iniiso amọ, Wallace Beery.
186
Vernon and Swanson projected a great screen chemistry that proved popular with audiences.
Vernon mme Swanson ema egwọd ekamba screen chemistry ake agwọghọ etop anọ mbon nniche.
187
Badger was sufficiently impressed by Swanson to recommend her to the director Jack Conway for Her Decision and You Can't Believe Everything in 1918.
Swanson ama anam s'ineme Badger na ade se asio anye anọ aladusụñ amọ, Jack Conway na akama ke "Her Decision" mme "You Can't Believe Everything" ke 1918.
188
1920), Something to Think About (1920), and The Affairs of Anatol (1921) soon followed.
"Something to Think About" (1920), mme "The Affairs of Anatol" (1921) ema esọbọ eliana.
189
He had become a star in 1921 for his appearance in The Four Horsemen of the Apocalypse, but Swanson had known him since his days as an aspiring actor getting small parts, with no seeming hope for his professional future.
Anye ama akaba star ke 1921 inọ anye isine ke "The Four Horsemen of the Apocalypse", ade Swanson ama aliọñọ anye nte actor s'ineme agwo ñche tọọñọ ke ejo anye ake aseke anyie ntok uwiọñutom ke mmile, mme ilodanyen nte akeli ibagha inọ isañ utom amọ.
190
Filming was allowed for the first time at many of the historic sites relating to Napoleon.
Ema ejak na e film nte akpa ke ñgwak-ñgwak mme itie eched abegheke Napoleon.
191
At the time, Swanson was considered the most bankable star of her era.
Idagha, Swanson ke eke kud nte star se enyie ilodanyen amọ akana ke ejo amọ.
192
The production was a disaster, with Parker being indecisive and the actors not experienced enough to deliver the performances she wanted.
Production ade iki ifọnọ, adeghe Parker iki inyieghe nchiọñọnda, ñko mme actor iki inyieñeke ifiọk ima se ekama esio mmile anye ake ajeme.
193
The members took further steps by registering their discontent with Will H. Hays, Chairman of the Motion Picture Producers and Distributors of America.
Mbon s'ilọñọ de ema eñwana ukeme k'igwọd ijadechid ammọ mme Will H. Hays adeghe Chairman anọ Motion Picture Producers mme Distributors of America.
194
Hays was enthusiastic about the basic story, but did have specific issues that were dealt with before the film's release.
Hays ama anyie ineme inọ ataak mmụk ade, ade iki inyieghe ataak akpan mkpọ se ake nam nte esio film ade.
195
He proposed to personally bankroll her next picture and conducted a thorough examination of her financial records.
Anye ama aluak k'idem amọ isin nniche amọ s'iliana anụñ anam ataak ulomomkpọ abaña naña anye awiad akpogho.
196
Kennedy, however, advised her to hire Erich von Stroheim to direct another silent film, The Swamp, subsequently retitled Queen Kelly.
Kennedy ama anọ anye item iwo na aben Erich von Stroheim na alad usụñ ke silent film mfen, "The Swamp" ekeli ikpụghọke ekood "Queen Kelly".
197
Stroheim worked for several months on writing the basic script.
Stroheim ake nam ntom ñgwed ataak a script k'umiaañ efia.
198
Shooting was shut down in January, and Stroheim fired, after complaints by Swanson about him and about the general direction the film was taking.
Ema etulo shooting enụñ ejire Stroheim ke January, sa Swanson ake tañ ikọ abaña usụñ anye mme film ade akayake.
199
The Trespasser in 1929 was a sound production, and garnered Swanson her second Oscar nomination.
"The Trespasser" ke 1929 ake de sound production, ama anụñ inam na Swanson anyie ajọghọ Oscar nomination iba.