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paragraphs of print,
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a void brings our story to its conclusion."
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2 7 8
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P O S T S C R I P T
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On that ambition, conspicuous throughout this tiring book
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which you will soon shut, having had your fill of it without,
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I trust, skipping too much - on that ambition, so to say,
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which lit its author's lamp
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My ambition, as Author, my point, I would go so far as to say
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my fixation, my constant fixation, was primarily to concoct an
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artifact as original as it was illuminating, an artifact that would,
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or just possibly might, act as a stimulant on notions of construc-
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tion, of narration, of plotting, of action, a stimulant, in a word,
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on fiction-writing today.
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Whilst, in my first books, writing principally about my situ-
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ation, my psychology, my social background, my capacity (or
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incapacity) of adaptation, my mania for commodification (almost
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tantamount, as is said on occasion, to what you might call "thing-
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ification"), it was my wish, by drawing inspiration from a
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(modish) linguistic dogma claiming primacy for what Saussurian
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structuralists call a signifiant - it was my wish, I say, to polish
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up this tool that I had at my disposal, a tool that until now I
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would ply without pain or strain; not that it was my ambition
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to diminish any contradiction intrinsic to such a constraint nor,
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naturally, that I was wholly unconscious of it, but by contrast
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that I thought I might fulfil such an ambition by fully assuming
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that (as I say) modish structuralist dogma, which was, in my
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writing of this book, not a handicap, not a constriction, but, all
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in all, a spur to my imagination.
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What was my purport in imposing this constraint? Offhand,
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with hindsight, I can think of many factors bubbling about in
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2 8 1
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my brain, but I ought to admit right away that its origin was
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totally haphazard, touch and go, a flip of a coin. It all got out
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of hand with a companion calling my bluff (I said I could do it,
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this companion said I could not); and I should admit, too, that
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so inauspiciously shaky was that launching pad, I had no inkling
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at all that, as an acorn contains an oak, anything solid would
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grow out of it.
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Initially I found such a constraint faintly amusing, if that; but
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I stuck to my guns. At which point, finding that it took my
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imagination down so many intriguing linguistic highways and
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byways, I couldn't stop thinking about it, plunging into it again
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and again, at last giving up all my ongoing work, much of which
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I was actually about to finish.
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So was born, word by word, and paragraph by paragraph, a
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book caught within a formalist grid doubly arduous in that it
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would risk striking as insignificant anybody ignorant of its sol-
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ution, a book that, crankily idiosyncratic as it no doubt is, I
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instantly found thoroughly satisfying:
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