[{"prompt": "Generate song lyrics based on the description: melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac\nSong lyrics:", "finetuned_output": "melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac\nSong Lyrics: When I was a lad, I dreamed that a dreamy boy was dancing\nHe strutted around with all kinds of airs  \r\nFalling dancin' with a lover  \r\nHe'd take the lady by the hand and go gliding  \r\nAnd the lady cried, \"I'll come back again\"  \r\nWell I said, I'll come back again, you'll come back too!  \r\nBut it broke my heart to hear the bells, bells in the rain  \r\nOh to hear the bells cry, \"There's something wrong with me\"  \r\nAnd her eyes filled with joy  \r\nThen a moment's peace was on her face  \r\nAnd out of me a voice cried, \"Oh you old dog I am! I am yours too!\"  \r\nWell I said, \"I'll come back again, you'll come back too!\"  \r\nWell I said, I'll come back again, you'll come back too!  \r\nBut it broke my heart to hear the bells, bells in the rain  \r\nOh to hear the bells cry, \"There's something wrong with me\"  \r\nAnd her eyes filled with joy", "base_output": "melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac, lush, wild-eyed\n\nNostalgics in Britain are not a thing like their European counterparts, however, as the country is well known for its tradition of literary, musical and artistic revival. However, this has been fuelled by a variety of factors, including technological trends and the influence of foreign composers.\n\nDreams of literary revival are a common phenomenon among intellectuals. In his 1993 book, Nostalgia in Britain, Alan H. Gormley argues that the genre is not a \u201ctemporary form of nostalgia but a deeply rooted feature of British society.\u201d\n\nAs an example of this long-held concept of nostalgia, the late Peter de Beuvel, one of England\u2019s foremost writers, expressed his personal view on the subject in 1995. He noted that \u201cin Britain today, we are not nostalgically thinking about the past, but about present problems.\u201d Gormley notes, however, that the sense of nostalgia has a similar \u201ctimeless quality\u201d that can be traced back to the ancient Romans. He also states a similarity with the French sentiment: \u201cFrance has been, indeed, a pioneer in the kind of literature (such as it is) that has been thought and declared"}, {"prompt": "Generate song lyrics based on the description: raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones\nSong lyrics:", "finetuned_output": "raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones\nSong lyrics: (Ray Allen)  \r\nSo many things to feel  \r\nYou can always get so tired  \r\nIt's not the same feeling  \r\nIn the blues without you  \r\nYou can't control your feelings  \r\nSo many friends have all met  \r\nThey'll do anything to forget  \r\nYou better forget them all  \r\nBefore you find  \r\nSomething better for you  \r\nSitting by your piano  \r\nAs the song plays  \r\nYou feel it all in your heart  \r\nBut you don't know  \r\nWhat you are feeling  \r\nSo many songs keep you up  \r\nAnd so much to say  \r\nBut if you try  \r\nDon't be so afraid  \r\nYou'll get no love  \r\nTill you know what you're feeling  \r\nAnd all the things that you need  \r\nSo many things that you don't  \r\nTry to hold on to  \r\nIt's not the same feeling  \r\nIn the blues without you  \r\nSitting by your piano  \r\nAs the song plays  \r\nYou feel it all in your heart  \r\nBut", "base_output": "raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones' 1968 album \"You and Me\" consists of a mix of songs written and sung by the Rev. Jimi Hendrix, whose guitar playing on the track \"That Song\" is often considered to be the most famous example of Hendrix's style of playing. \"You and Me\" became the first number one hit for the Rev. Hendrix songwriting team, though the song's hit, \"You Better Go To Hell And Back Is A Very Unusual Song\" only reached number 49 on the Billboard Hot 100 chart in May 1966. The song is notable for being the first rock band to use \"You\" as a title to a verse (\"You have told a lie\"). The song itself featured an outpouring of personal grief by The Rev. Hendrik (\"You are an angel of mine\", while recording another song in 1966 called \"You Are An Angel Of Mine\" where songwriter George Avingtons voice had the title of the song \"You Are My Angel Of Mine\"). Hendrik died the next year, and the recording of the song marked the first time the song had been included as part of the band's official soundtrack album, The Rolling Stones: The Alb"}, {"prompt": "Generate song lyrics based on the description: sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey\nSong lyrics:", "finetuned_output": "sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey\nSong lyrics: You think you see me at midnight  \r\nAnd you think I'm too old just to come around  \r\nBut baby it's the night and you're no danger  \r\nYou say the words you just don't understand  \r\nYou call and run like a dog it doesn't go  \r\nSo let's just have a nice night  \r\nAnd in the morning, in the morning there'll be more  \r\nYou take me there at the corner  \r\nTonight I find out all my life  \r\nI'm on a mission  \r\nWhen I'm near you  \r\nAnd my eyes, and my mind are on the water  \r\nYou're not the only one I need  \r\nAnd we make love in the dark  \r\n  \r\nWe make love, we make love in the dark  \r\nWe make love, we make love in the dark  \r\nWe make love, we make love, in the dark  \r\n  \r\nBaby, baby... ohhh  \r\nIn the water there's no taste  \r\nDon't touch me, don't touch me  \r\nBaby I don't love you  \r\nIt makes such a", "base_output": "sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey, Ibanez & Fender, and the all new Kev.\n\nRumours have it that the 2-disc pair, with 20 tracks in total, will be available in Japan this summer and worldwide. And if all sounds good to you in this review, there just might be music you have never heard before.\n\n\nSongs from 20-Track Recorded\n\nKev (Athletic) - \"Dishonor\"\nI love this track. It is a really powerful song, with its powerful bass line and piano in it. I wish it had another album. Also, the opening verse \"Dishonor\" is a really fine line in a music that is very slow and meditative.\n\nMegamaster/Joe Strummer (Metallica) - \"This is the Beginning Again\"\nMegamaster/Joe Strummer were a fantastic duo, but they really struggled on their last album. Their 20 track record really has nothing to do with this song. They were really great on this one. I found this song very emotionally charged.\n\nCowboy/Tony Iannicof (Nirvana/Symphony of Dark"}, {"prompt": "Generate song lyrics based on the description: playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen\nSong lyrics:", "finetuned_output": "playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen Victoria 1673-1901)  \r\n[1907]\r\n  \r\nThe Musical  \r\nChorus:  \r\nHow a boy plays the fool  \r\nThe girl he plays the part of  \r\nHow a man plays the part of  \r\nThe King of Siam  \r\n  \r\nOh, boys and girls  \r\nYou can have your say  \r\nBut don't you have to play  \r\nThe Musical  \r\n  \r\nThe Zodiac  \r\nChorus:  \r\nThe Zodiac, O the wise  \r\nThe way you twist and turn  \r\nThe way you twist and turn  \r\nLet your fingers roll  \r\nAnd your fingers turn  \r\nAnd you will see your friend  \r\nLying dying  \r\nDon't you let the Zodiac  \r\nTurn you into a faker  \r\n  \r\nNow I think I'll give you  \r\nAll the things that I do  \r\nBut let me go,  \r\nYou can go and do  \r\nThe things I did  \r\nI had no idea  \r\nOf how well I did  \r", "base_output": "playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen of the Court, Queen of the Court, Royal Highness Queen of Her Britannic Majesty Elizabeth II, Royal Queen of England, Princess Royal, Empress, Empress of Asia\nAdeline, Alice, Anne, Anna, Anna Brandewitz, Alice, Alice and Margarita, Alice, Alice and Charlotte, Alice, Alice and Margareta\nAaron, Arthur, Arthur and Margaret, Art and Margaret, Astrid, Astrid and Charlotte, Astrid, Astrid and Charlotte\nAzteque of Cochabamba, Aragon, Almirante Azul, Almirante Jos\u00e9 Aranda, Almirante Jos\u00e9 Aranda, Alberto Salazar, Alvarado Salazar\nAvelar, Almaron, Alvarado, Alvarez, Alvarado Lopez, Avelino Lopez, Amado Lopez, Alvarez L\u00f3pez, Alicia Lorenzo, Alvaro Lorenzo, Alvaro Lopez, Albert Olsen, Ariel, Alvarito Olsen\nAldous, Albert, Albert and Maria, Alina, Alina, Aloysie, Aloysia, Aloysia, Aloysia Lejeune, Aloysie Lejeune"}, {"prompt": "Generate song lyrics based on the description: haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine\nSong lyrics:", "finetuned_output": "haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine\nSouvenir 1983 Florence + The Machine: The First Love  \r\n[Originally by Frank Zappa]\r\nIt started when I saw her in the window outside the church  \r\nI could see her so close, in the soft moonlight  \r\nI could tell the perfume of the city from her breath  \r\nI knew right from the start that this was to be her last song  \r\nI couldn't stop thinking about her, her face in the stars  \r\nMy whole life revolved around her, my heart was  \r\nHeartless at first, but soon I knew I was right  \r\nI just couldn't let this go  \r\nI was like a prisoner in a prison cell  \r\nThey took your money, threw it in a sack and kicked it  \r\nThe way they tried to break you and you broke their way  \r\nHow you held on to your life with the power of death  \r\nLike a thief in the night from nowhere  \r\nWith your heart at their side and an open door  \r\nYou walked the wire, the chain and the rope  \r\nUntil you slipped my heart inside  \r\nAnd it stayed inside of me  ", "base_output": "haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine, death, fairyland, ghosts, fairies, haunted houses, hallowing, holy water, holier, haunted, haunted haunted, paranormal, paranormal haunted, religion, horror, supernatural, wizard, witch, witchy witchy, war, war horror with vampires, war horror, war horror with ghosts, war horror with witches, war horror with evil demons (ghosts in white), war horror, war horror with the witch, war horror with the ghosts\n\n75. Vibrant\u00a0(R 89.2)\n\n\u201cThe book is short fiction, but it\u2019s not very short\u2014over 500 pages.\u00a0There are three very\u00a0long chapters devoted to the supernatural.\u00a0And this is a story about two things. First, a character named Mork, a strange, man-like creature, who may be able to influence events. Then\u00a0another character named Jasmine, who\u00a0loves the stories that\u00a0Mork\u00a0has told about\u00a0the creatures. And third, a kind of love story between the two. But if the book were longer and it was more like a single story, I would tell it in one story in which Jasmine and Mork are\u00a0the central characters,"}, {"prompt": "Generate song lyrics based on the description: sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon\nSong lyrics:", "finetuned_output": "sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon\nSong lyrics: I had to go  \r\nI was so hungry  \r\nI could not find my fill I could not stand  \r\nWhere it never ends  \r\nSo long ago  \r\nSaid it's over in a while but I stayed, I stayed  \r\nI couldn't hold on  \r\nI could not stand  \r\nI'm only in good shape but in the end it all ends.  \r\nI was on it when it starts but now it's too late  \r\nWe'll take it all from you  \r\nDon't try to walk away from me, I don't want to fight  \r\nYou're so far away  \r\nBut all I'm saying is  \r\nDon't you ever say the end  \r\nI'll see you through, oh I'll see you through but you know you got a heart  \r\nIt's so hard to face the future, goodbye in a while but I stayed  \r\nI didn't try to hide this feeling  \r\nAnd it's in your heart I hope for the future  \r\n  \r\n  \r\n\r\n", "base_output": "sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon and his solo record The Big Bounce by the Electric Daisy Carnot is written and performed by John Duns, and co-produced by the band, The Electric Daisy Carnot and the Marilyn Manson Project, as well as by Paul Simon, Joe Walsh, Tony Bennett, and Paul Simon. The band and their collaborators include Paul Simon from The Who, Tom Petty and the MC5, the Beasties, The Who, The Doors, The Who and The Doors (along with the Doors' manager Bill Werther), the Animals, The Beach Boys, the Eagles, the Pachelbel canon, the Pink Floyd's 'I Feel Fine', and 'B.O.' 2.0 as their lyrics. The band then play at their home in New York City, and the band also perform at venues and festivals round the world and in the United Kingdom. The band also performs three times a week at the Blackpool Theatre and two times on the West Indias Theatre.\nAfter recording the title track and \"All I Want For Christmas\" in 1983, the band changed their vocal style and created their first full band solo album, \"The Electric Dance\", 1983. A follow-"}, {"prompt": "Generate song lyrics based on the description: aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones\nSong lyrics:", "finetuned_output": "aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones\nSong: Faces that Stump Tyson  \r\nI'm an outlaw  \r\nI'll walk the line  \r\nTakin' my cut of the pie  \r\n  \r\nI'm an outlaw  \r\nI'll walk the line  \r\nTakin' mine from a broken fist  \r\nBut when they do  \r\nI gotta run, get off the track  \r\n  \r\nMighty mensch, I'm here to stay  \r\nMighty Mensch, I'm here to stay  \r\nI'm a young outlaw  \r\nI'm going to a young town  \r\nWhen they touch down, I'll get a bitch  \r\nI'm a young punk  \r\nI'm gonna get a punk punk  \r\n  \r\nA long time ago  \r\nAn old and mighty old man  \r\nA man who would never break his back  \r\nThe old way  \r\nThe old way  \r\nI'm gonna stick around  \r\nI'm gonna come around  \r\nI'm gonna stick around  \r\nI'm gonna stay in the fight  \r\nI just wanna stay in the fight  \r\n  ", "base_output": "aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones, and other musicians of the '60s in Chicago, New York, and San Francisco. The band had four recorded albums: The Last Waltz (1997), The Black Keys (1997), The Discombobration (1998), and Achtung Baby (2002).\n\u00a0\u00a0 \u00a02. The Black Power/Hippie/Mixed-up Kids/Interscope, a young, hip-hop group from Los Angeles. The group was formed in 1999 by the then-16-year-old Alicia Keys, and the group soon became an outspoken, influential force in hip-hop culture, and featured tracks like Run Again, a song about the \"Liar's Walk\" for which Keys stole the credit, and also How Sweet It Is, a song in which Keys describes how the only way he knows to live in the city is to get drunk because he is in \"all kinds of places\".\n\u00a0\u00a0 \u00a03. Wicked Disco/Elvis Costello, a rapper/singer, who was one of the first to be recorded by Sly and the Family Stone's The Shins and the "}, {"prompt": "Generate song lyrics based on the description: smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones\nSong lyrics:", "finetuned_output": "smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones\nWise Up (album)\nWise Up\t2x 2x  \r\nWise Up\t2x 2x  \r\nWise Up  \r\n3x  \r\n3x  \r\nChorus:  \r\nWhen I'm on the dance floor  \r\nI get my feelings all over the floor  \r\nWhen I'm in bed  \r\nAnd I'm on the dance floor  \r\nWhat would I do?  \r\nWell I just wanna be right  \r\nWith you  \r\nWould I dare say that I want to  \r\nIt's so obvious  \r\nYou're my most precious possession  \r\nAnd you're my all too close companion  \r\nAnd I'm glad to admit  \r\n  \r\n[Chorus:]  \r\nWhen I'm dancing  \r\nI'm getting a feeling that I can't say  \r\nWhen I'm in the heat  \r\nSo sweet you get a feeling then  \r\nWhen I'm feeling good  \r\nWith you, yeah  \r\n  \r\nYou're my precious possession  \r\nWhen I'm having fun  \r\nI'm just another guy walking the dance floor  \r", "base_output": "smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones, Norah Jones Love, Norah Jones, Norah Jones, Norah Jones Love, Norah Jones, Norah Jones Love, Norah Jones, Norah Jones Love, Norah Jones, Norah Jones, Nota, Nota, Norah Jones, Nota, Norah Jones Love, Norah Jones, Nena, Nenu, Ning, Nenu Love, Noah, Noa, Noa, Nina, Nina, Nina Nee Love, Nischa, Nino, Nika, Nika Love, Noor, Noua, Noor, Noor Nee, Nora, Nora Love, Noor Love, Norah, Nos, Nus, Nos love, Nos Love, Nona Love, Nona, Nora Love, Noor Love, Noor Love, Noor Love, Noras, Nona Love, Nona Love Love, Noor Love, Nena Love, Nena Love Love, Noor, Nena Love Love, Nena Love, Noor Love Love, Nena Love\n\nSearch for a word\n\n\nFind Words"}, {"prompt": "Generate song lyrics based on the description: dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails\nSong lyrics:", "finetuned_output": "dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails,\nSong 4 - S.O.S.A.I.R.\n[Chorus: x2]\nOoh yeah! (oh!! )  \r\nWe're at the point where we just have to go and make it happen  \r\nThis is the second time this year we've had to make ourselves really, really, really sure  \r\nThat, we're not just going to blow up to kill us  \r\n(oh!! )  \r\nJust make the same old old sound  \r\nJust listen to the same old same old sound  \r\nYeah, I know, it's the same thing, but what, how we, what, how we, what we got\r\nit?  \r\nYeah, don't go there, don't go there, don't go there, don't go there  \r\n  \r\nThis time we got people like us, we know how to get the game, we don't know how to\r\nget away from it  \r\n(oh!! )  \r\nYeah, it's just too hard for humans, too hard for humans to resist  \r\n(oh!! )  \r\nWe've got the ability, we can make", "base_output": "dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails (the band)\n[This list would change if I wanted it to be complete]\n\nWednesday, December 2, 2009\n\nIf They Die, The Party Won't Die\n\nOne of my favorite things about America is how its political process can make its people do anything. A country that was once referred to as \"an animal\" (due to its poor economy) is, as a result, now viewed as a beacon of democracy through its media, through the press, through its public schools, and most certainly \"at this extremely public moment of its democratic potential,\" through its \"democracy is about life and death.\"\n\nIn recent times, this process has been affected by a number of factors. The first major factor is the election of a president (or a presidential election). Since 1800 the process has progressed from being about life and death, to democracy, to progress toward equality. The process now has a process, as if life and death is a natural part of the political process.\n\nThe first presidential candidate was President John Quincy Adams. John Quincy Adams had been president from 1825-1829 and won the presidential election in 1824. His term ended"}, {"prompt": "Generate song lyrics based on the description: joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire\nSong lyrics:", "finetuned_output": "joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire\nSong lyrics: They say life is short (x3)  \r\nWhat you gonna do (x9)  \r\nYou gotta do what's right (x2)  \r\nThere's no other way (x3)  \r\nYou gotta break a heart (no)  \r\nIt's the only way to go (x4)  \r\nIt's the only way to break a heart (x5)  \r\nDo it on another planet  \r\nIt's the only way...  \r\n  \r\nLet's do this  \r\nLet's do this  \r\nWhat's that  \r\nWhat's that  \r\nWhat's that  \r\nWhat's that  \r\nWhat's that  \r\n  \r\nIn the morning  \r\nYou look like a star  \r\nThe night is gone  \r\nThe morning has sprung  \r\nThe night is the day  \r\nThe evening has come  \r\nWake in a storm  \r\nA world of change  \r\nThe morning of change  \r\nThe first day  \r\n  \r\nGotta do this (x4)  \r\nYou gotta do this (x4)  \r", "base_output": "joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire;\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n+\n\n## Texture Map\n\n*\n\n# Color Map\n\n*\n\n# Surface (color)\n\n*\n\n# Line Color\n\n*\n\n# Material Map\n\n*\n\n# Material (color, height)\n\n*\n\n# Material (height)\n\n*\n\n# Texture Texture (color, height)\n\n*\n\n# Texture (texture)\n\n80 %\n\n%\n\n%\n\n%\n\n%\n\n%\n\n%\n\n%\n\n%\n\n%\n\n%\n\n2%\n\n%\n\n%\n\n%\n\n8%\n\n%\n\n%\n\n%\n\n%\n\n"}, {"prompt": "Generate song lyrics based on the description: nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine\nSong lyrics:", "finetuned_output": "nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn\nSouvenir Marilyn", "base_output": "nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine [Music], W.T. Sherman.\n\nWhat was the history of the musical The Man Who Loved a Man?\n\nThe Man Who Loved a Man is a 2018 American rockumentary about the album and songwriting process of a single person who had an epiphany during 1955\u2019s The Red Wedding. The Man Who Loved a Man was also the first-ever documentary on an independent rock band. The musical was released in 2012 and a sequel was released in 2019.\n\nCan you win The Man Who Loved a Man?\n\nThe Man Who Loved a Man was written under the pseudonym \u201cLover\u201d, which means the protagonist is a romantic, alcoholic and ex-girlfriend of James Reuter (played as \u201cLover\u201d). However, the song titles, lyrics, and other aspects of the \u201cMan Who Loved a Man\u201d have changed since that time.\n\nWhen did the Man Who Loved a Man first appear?\n\nA record was first issued by M.C. Perkins about 10 years after the 1955 album was released and has since gone on to become a major commercial hit."}, {"prompt": "Generate song lyrics based on the description: poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice\nSong lyrics:", "finetuned_output": "poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice\n\n\u2003\u2003[x]\u2003\u2003\u2003[x]\u2003\u2003[x]\u2003\u2003\u2003[x] ******************************  \r\n**\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r\n**\r", "base_output": "poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice, Dr. Dre, David Bowie\nI don't know him, but I can't be his.\nGiles Crooked, 03 Jan 2002\nHello, I do recognise you for the last time! 03 Jan 2002\nHello, I have got something for you! 04 Jan 2002\n\n2 people like this\n9 people have been here\nLets make our place as safe as this! 4 Jan 2002\nWell, I want to stop it from taking too long for you to wait! The moment we meet and begin our search... 13 Jan 2002\n\n7 people like this\n1 person likes this\n5457 people like this\n7 people like this\n2105 people like this\n3 people like this\n6 people like this\n15 people like this\n103 people like this"}, {"prompt": "Generate song lyrics based on the description: euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris\nSong lyrics:", "finetuned_output": "euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris\n- The P. D.ourgeois\n- \"I Don't Need the Good Life: It's Too Young\"\n- The Wish\n- I Like It Hard\n- The P. D. Godi\n- \"Everything Is Possible\"\n- Life Is Fun\n- Everything Is Different\n- We're Back Again\n- The P. D. Godi\n- I Like It Hard\n- I Like It Soft\n- I Don't Need the Good Life: It's Too Young\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nSunglasses from the Eiffel Tower.\nSunglasses from the Eiffel Tower.\nSunglasses from the Eiffel Tower.\nSeems a couple of people I am touching are in agony.\nThe P. D. Godi\nThe P. D. Godi\nThe P. D. Godi\nThe P. D", "base_output": "euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris, funk, folk, folk-rock, electronic, folk-metal, psychedelic, funk/classical, pop/rock, rock/alternative, rock/funk, rhythm & blues, blues & folk, hip hop/raptorel, jazz, jazz/progressive, jazz/classical, electronic, rock/industrial.\n\nRhythm and blues (R&B) is a genre of popular songs in which both males and females sing in a strong tempo based on danceable rhythms. R&B (or R&B) is a sub-genre of pop music. It developed from classical and jazz vocal styles. R&B singers usually perform in a more traditional, balladine fashion; it has also developed into a more musical form, based on a rhythmic and melodic basis than the classical and jazz forms. R&B evolved from the jazz styles, but at the same time, it developed its own aesthetic, which reflects the influences of its own cultural heritage. It is also a popular genre in urban America. R&B tends to be much more accessible in culture than jazz, with several new recording labels releasing a wide variety of material: some of R&B artists have been on tour more than a dozen times. Many"}, {"prompt": "Generate song lyrics based on the description: explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine\nSong lyrics:", "finetuned_output": "explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine\nRebel Army\nAbolitionist, Non-violent\nSoldiers of the Rebellion, a branch of the Army of 3rd Division\nReformation\nAbolitionist, Non-violent, religious, political, social\nSocialist\nSoldiers of the Rebel Army, a branch of the Army of 3rd Division\n\nPunishment\nMoral\nDefense\nConformity\nViolence\n\nTension\nMolt-E\nSoldiers of the Rebel Army\nSoldiers of the Rebel Army\n", "base_output": "explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine, The American Revolution, The First World War - 64 points \u00a0[from the original list...]\n\n[edit] [1] Newspapers\n\n[edit] See also\n\n\n*[edit] References\n\n\n  1. ^"}, {"prompt": "Generate song lyrics based on the description: mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Misch\nSong lyrics:", "finetuned_output": "mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Mischke\nSong: (Bobby McAran)  \r\nWhen you're downtown  \r\nYou won't find it's that night  \r\nIt's so soft and warm  \r\nYou can barely see  \r\nI'm a joker on the corner  \r\nA friend of the day  \r\nBut I just don't care  \r\n  \r\nMike's in the bar  \r\nJack in the sky, Joe on the corner  \r\nWe like to have a friend on the corner.  \r\n  \r\nBut when we're out by the movie screen  \r\nNo matter what you're thinking  \r\nWe say things that make us feel like  \r\nPretty girls on a night out at the town  \r\n  \r\nMia, do your hair today  \r\nGet your shoes on  \r\nIf you're a girl you want to be  \r\nPut a pair on, a pair on  \r\nYour face so new, that just won't sleep  \r\nJust for a time, but by the end of the day  \r\nYou'll be like a friend down at the town  \r\n  \r\nBut when we're out by the movie screen  ", "base_output": "mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Misch, dark, sexy, sedulous, seductive, sweet, sweet and sultry, seductive and giddy, erotic, energetic, energetic sex, ecstatic, passionate, wild, ecstatic and giddy, energetic sex, energetic and giddy, energetic sex, energetic and giddy, seductiveness, seducer, seducer, seductive, seductive and giddy, seductive and giddy, seducer, seductive, seductive and giddy, sexual attraction, lustful, sensual, sexual, sensual, sensuous, sensual and giddy, sensual and giddy, sexually hot, sexually hot, sexually sensual, sexually and giddy, sexually hot and warm, sexually hot and sultry, sexually and giddy and giddy, sexually and giddy and warm, sexually and giddy and hot, sexually and giddy and giddy, sexually giddy, sexually giddy and giddy and giddy, sexually giddy and giddy and giddy, sexually passionate, sexually passionate and giddy, sexually passionate and g"}, {"prompt": "Generate song lyrics based on the description: ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay\nSong lyrics:", "finetuned_output": "ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay\nSong lyrics: Well, I come into here to take you down to the ocean.  \r\nI wanna see the colors of the sea.  \r\nTake a look at the fishes that are swimming up to the surface.  \r\nTake a look at all the flowers.  \r\nDance through the water, wanna know what the fishes know.  \r\nDance through the water, wanna hear all they say.  \r\nDance through the water, wanna know the stories that they tell.  \r\nWalk along beside the ocean, wanna hold all of them.  \r\nJust close your eyes and try, to see, all of them and the fishes.  \r\nTake a look at all the things that people do.  \r\nAll they do is dance, just dancing.  \r\nThere is so much to see.  \r\nDance through the water, wanna hear all the fish are saying.  \r\nDance through the water, wanna know when the fishes are dead.  \r\nDance through the way they make their song.  \r\nShake like the moon.  \r\nCome on, come on, let me see all the fishes", "base_output": "ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay, Cannibal Corpse. These categories are not meant to be definitive; they are meant to suggest a general idea of things that can be described.\n\nNoam Chomsky, in the introduction to one of Daniel Zareths\u2019s books, explained that many of the things he mentions here are not things he did at the time, and he uses the word \u2018mushroom\u2019 to describe things that he doesn\u2019t quite know, but it feels right, and is pretty descriptive of the sort of things he\u2019s talking about: \u201cmushrooms, the idea of the human being, the idea of a single human being that in a sense you are, that this universe is a single human being.\u201d\n\nWe can be a shitty person, and yet, in spite of that, we are as good as any other person. So I don\u2019t think of myself as a shithead in the strict sense of those words. I think of myself as a sort of cosmic shithead, and that is not at all why I choose to have so much of this post and blog these things; just because I wanted to, no I didn\u2019t think I wanted to.\n\nBut these things are happening to me"}, {"prompt": "Generate song lyrics based on the description: fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna\nSong lyrics:", "finetuned_output": "fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna\nStyle: contemporary pop, energetic, synthpop, club\nLyrical Structure: story, 80s vibe,  dramatic,  reflective,  dramatic\nAdjectives: intense, triumphant,  triumphant,  powerful,  grandiose,  overpowering,  dramatic\nMood:  Confident, excited,  triumphant,  anthemic\nAtmosphere:  urban,  intense,  powerful\nStyle:  contemporary pop\nLyrical Structure  \r\nA song is described as a narrative, with a clear story that is told from a 1970s  80s\n(scene 1: 'I'd be happy if he'd just give me what we need and give it to me by  \r\nmeans of his body),  \r\nSong lyrics: Don't be shocked  \r\nYou can take me to the top of the highest mountain  \r\nDon't be shockin'  \r\nYou can take me to the top of the highest mountain  \r\nYeah I've been in a lot of crazy situations, but never one like this (A  \r\nNine-Nine)  \r\nI've had times when I cried  \r\n", "base_output": "fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna's, Bitch, and other things.\n\nIt is an awesome film and I'm very excited to see what new elements have come out of the big budget production.\n\nI'll write more on Dancing Queen later.\n\nMonday, March 24, 2010\n\n\"The Way I See It\"\n\nAmy Poehler (Janet Jackson) wants to marry a lawyer and move away from New York to the Pacific coast.\n\nThe lawyer doesn't want her, but she's going to do whatever it takes.\n\n\nHer car breaks down and she's rescued by a wealthy businessman.\n\nHe offers to do his worst to help her win a divorce if she'll pay him a substantial sum (the lawyer's lawyers don't mind that much, they'd love to get back a good deal).\n\nIt's all set up by a man named Mike (Lupe Flack). Mike comes to New York and is a wealthy drug-dealer that wants some of his former clients.\n\nIt's revealed that not only does Mike have a client, he's also the lawyer that she's looking for.\n\nIt's the beginning of a good deal, a deal that may save"}, {"prompt": "Generate song lyrics based on the description: mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Tool\nSong lyrics:", "finetuned_output": "mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Tool\nSpectators of Glamorganshire, London's Glamorganshire, 1960s, London's latest 6'3,\nPainting by Tom Willis. Glamorganshire,\nPainting by Tom Willis. Glamorganshire, London's Glamorganshire, April 1962, camera\nPainting by Tom Willis. Glamorganshire, London's Glamorganshire, September 1963\nHollywood's Glamorganshire, London's latest\nPainting by Tom Willis. Glamorganshire,\nPaintings by Tom Willis. Glamorganshire, London's Glamorganshire, April 1962\nArtist John Robinson\nArtist John Robinson\n\"Glamorous\" Glamorous\nGlamorous is often said to describe Shakespeare when he died in 1616. In a sense, yes, but in the case of some of Shakespeare's fellow writers, it's too vague and too many to define. Here he is in his old age, he writes The Prince of Philip and The Tempest, and here he is again in a play or another of his later", "base_output": "mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Toolmen, and all the various forms of magic. And if I may offer your friends a taste of this new book, as I see it, that \"A New Age\" is a book the world needs.\n\nFor more \"A New Age\" features, see\n\n"}, {"prompt": "Generate song lyrics based on the description: raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen\nSong lyrics:", "finetuned_output": "raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen\nSong of a Falling Chain\nby Ray Boltz\nSong lyrics: A woman in New York comes for a walk  \r\nEverybody laughs 'cause the men are working  \r\nThey ain't gettin no change  \r\nWon't they tell that woman to lay around  \r\n  \r\nI'm walkin' down there and a fella ain't listenin'  \r\nThere's something funny happening here  \r\nMy heart is aching and it ain't sleepin'  \r\nWon't that woman tell me to get down and lay  \r\n  \r\nSisters of mine come to talk  \r\nTo the woman down here  \r\nShe ain't like her brothers, no  \r\nShe ain't no good.  \r\n  \r\n'Cept when she comes through the kitchen door  \r\nShe don't like to talk  \r\nShe only walks behind me,  \r\nWith one good eye  \r\n  \r\nWon't that woman tell me to stop this,  \r\nThis is my mother's fault  \r\nThe husband ain't come to say he's married  \r\nSo I got to lay around", "base_output": "raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen.\n\n\n(50-59) The Last Home.\n\nThe music of John Cale\u2014the voice of the hippie \u201960s!\u2014is now being replaced by the voice of the rock \u2019n\u2019 roll music that John Wesley; you don\u2019t have to be a rock \u2019n\u2019 roll musician to love this album, not even in its raggy-singing moments.\n\n(60-0) The Greatest Hits.\n\nThe big bang for the Beatles\u2019 musical \u201chits,\u201d along with their earlier \u201churds\u201d\u2014Wickie\u2019s \u201cI Can Believe in Life,\u201d the \u201cSong of the Day\u201d-like \u201cYou\u2019re Alive\u201d (\u201cIt\u2019s My Life\u201d), The Long Way from the Past/The Way You\u2019ve Told Me (all the way to the end of No. 1 at the time\u2014and their \u201cIt\u2019s A Little Late to the Party, Baby.\u201d)\u2014have vanished. They didn\u2019t need Harlan\u2019s \u201cGotta Have It!\u201d nor did they need anything. \u201cCoke\u2019s Killer,\u201d \u201cThe Stitches,\u201d and \u201cNo. 1,\u201d and the last three albums"}, {"prompt": "Generate song lyrics based on the description: hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd\nSong lyrics:", "finetuned_output": "hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd\nSong: Shadowing  \r\nSinister  \r\nSweeties  \r\nI'm  \r\n  \r\nShadowing  \r\nI'm  \r\n  \r\nCherish  \r\nRhythm  \r\nBlurring  \r\nThe edge  \r\nI'm  \r\n  \r\nShadowing  \r\nI'm  \r\n  \r\nSinister  \r\nSweeties  \r\nI'm  \r\n  \r\nI'm  \r\nShadowing  \r\nI'm  \r\n  \r\nScared  \r\nBlurring  \r\n  \r\nShadowing\r\n  \r\n  \r\nI'm  \r\n  \r\n  \r\nTainted  \r\nBlurred  \r\n  \r\nI'm  \r\n  \r\n  \r\nBlurring  \r\n  \r\nI'm  \r\n  \r\n  \r\n  \r\n  \r\nStunnin'  \r\nDance  \r\nFoolishness  \r\n  \r\nMiracle  \r\n  \r\n  \r\nI'm  \r\n  \r\nI'm  \r\n  \r\nI'm  \r\n  \r\nI'm  \r\n  \r\n  \r\n", "base_output": "hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd and others.\n\nSo far, its been good. I\u2019m hopeful this year will be different, and it\u2019s just about to get that much bigger.\n\nLeave a Reply\n\n\nYou are commenting using your account. Log\u00a0Out\u00a0/\u00a0Change\u00a0)\n\nTwitter picture\n\n\nFacebook photo\n\n\nGoogle+ photo\n\n\nConnecting to %s"}, {"prompt": "Generate song lyrics based on the description: nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift\nSong lyrics:", "finetuned_output": "nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift\nSong lyrics: [Hook:]  \r\nAll these years I've been here, I can't stop watching  \r\nI know you've got a lot going on, I can't stop crying  \r\nAnd I can't stop thinking I should just forget  \r\nI can't stop thinking I should just forget  \r\n  \r\n[Verse:]  \r\nWhere did all my life go wrong?  \r\nHow did I miss so much so fast, oh what has gone wrong  \r\n  \r\n[Hook:] (Ain't nothing missing)  \r\nIt just got to be another day  \r\nOh  \r\nIt just got to be another day  \r\n  \r\n[Verse:]  \r\nThis country will never be the same no matter how I try  \r\nJust stop and think what's going on, this time too  \r\nWhat have I heard from the TV?  \r\nIt's always the same, it's always the same  \r\n  \r\n[Hook:] (Ain't nothing missing)  \r\nIt just got to be another day  \r\nOh  \r\nIt just got to be another day  \r\n(Ahahah", "base_output": "nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift' and more, in my opinion, will get you into a better place. However, it has it's flaws, as has countless other writers and genres before, and I think that, in my opinion, these are the most memorable things you can write. I mean, how much better can you make this and do? I mean, this isn't just a memoir like some of your others, it's a story that is, let'...\n\nThe writing, as many of you know, is, most of the time, an individual thing, but the last thing I want to say is this: keep writing, keep writing.\n\nI am so happy with the writing, I think I know I will stay with this for a long time to come.\n\nThat is my honest, honest, honest, honest. Hope you enjoyed this update.\n\nI would like to give a shoutout to everyone that have been writing and reviewing or enjoying these posts, in my humble opinion, they're the most memorable readers and reviewers of the blog and my blog and so in my opinion, I am absolutely dedicated to getting better and better.\n\nStay tuned.\n\nSo, that's all for today, as I do have another update to say,"}, {"prompt": "Generate song lyrics based on the description: edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park\nSong lyrics:", "finetuned_output": "edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park\nLil' Wayne  \r\nLil Wayne  \r\nLil' Wayne  \r\nLil' Wayne  \r\n  \r\nLil' Wayne is known for her heavy metal style with a guitar riffing style  \r\nAnd she brings a driving, aggressive riff with a distorted guitar sound  \r\nAnd she is very catchy with a good rhythm section  \r\nShe is known for her power ballad style  \r\nWith a driving, catchy chorus that goes up and down in intensity  \r\nAnd the lyrics are powerful  \r\nLil' Wayne  \r\n  \r\n(C) Kid Rock  \r\n(x)5  \r\n(x)5  \r\n  \r\nLil' is a power ballad  \r\nYou won't see her with the power ballad  \r\nShe's hardcore with the power ballad  \r\nBut her lyrics will make you scream loud  \r\nShe sounds loud with power ballad  \r\nLil' just drives things that you can't ignore  \r\nLil' sounds loud with power ballad  \r\nNo matter what, she never gives up  \r\nSo don't let love fool you  \r\nKeep it", "base_output": "edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park\nEagles' first performance on stage for decades since the release of \"Song of the Machine\" in 1985, the band's first album recorded for the Gramophone label Pianist, released, and re-released in 1995, took the country giant by the throat, proving the true soulful, upbeat, and up-tempo energy of the band. \"The song went on with great success, and when it was put on the air at 2:45 in the morning, the world was awash with \"Song of the Machine,\" before even the band started playing. The next day, the music world was in a quandary. The band's first recorded album for the Gramophone label Pianist, titled 'Mirror' was just released, but all the fans knew it was a fake, and that album was the only true album released by the band, and the fans were furious at the band. There had been such a thing as an original record, and yet the record company was not sure of where the band would end up playing live. Most of the fans were in the studio and the band's manager and principal singer, Eddie \"Ringo\" Dunl"}, {"prompt": "Generate song lyrics based on the description: sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson\nSong lyrics:", "finetuned_output": "sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson\nSnoop Dogg\nSnoop Dogg Music Singer\nSnoop Dogg's signature song is \"Hip Hop Rockin', Rockin', Rockin'\" a rock n' roll anthem for the Hip Hop scene\nSnoop Dogg\nSnoop Dogg Style\nSnoop Dogg music and style has its roots in the rock n' roll music known in the past as Soul pop\nSnoop Dogg\nSnoop Dogg Quicks and Jumps\nSnoop Dogg's signature style is a lot of kicks and jumping in between the lyrics\nSnoop Dogg\nSnoop Dogg Style\nSnoop Dogg music is a mixture of a lot of blues and rock n'roll, but it's got a lot of fun into it  \r\nSnoop Dogg\nSnoop Dogg Traits  \r\n  \r\nSnoop Dogg was inspired by the people he met  \r\nSnoop had a cool attitude  \r\nSnoop was short and pretty  \r\nSnoop Dogg has a cool attitude  \r\nHe has a cool attitude  \r\nIt's a hard rock and roll attitude  \r\n", "base_output": "sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson was an American ballplayer whose career spanned six decades, from 1935 to 1983. (photo by John Kimmich)\n\nHis career spanned six decades, from 1935 to 1983. He developed what is considered to be what is considered the peak years of professional baseball. In 1965\u201366, he played 71 games and earned a career.506 batting average, making him the second-highest-batting-average player in the country, behind Bill Walsh in.336.\nThe story starts as early as 1905 with Jack Johnson, a young white baseball field manager in Wisconsin. Johnson\u2019s team, the Wiggins, failed to win the series in Milwaukee in 1907, and the team had to ask for help from another manager in the name of professional baseball. In 1910, Johnson bought a 50-foot-wide field and hired two assistants to run the games to help with the field measurements and equipment. \u201cRising to the Challenge\u201d, as he was fondly called, would get his start quickly.\n\nJohnson\u2019s batting average had plummeted"}, {"prompt": "Generate song lyrics based on the description: spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West\nSong lyrics:", "finetuned_output": "spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West\nSong lyrics: (Jimmy Page)  \r\nAin't no reason for no matter what you say  \r\n  \r\nMmm, man. The way the world goes, that's what it's all about  \r\n  \r\nWhen you live in a world of sin just like me  \r\n  \r\nThere's no reason for the people to care  \r\n  \r\nBut the way I got it, that's what it seems to me  \r\n  \r\nThere's no way to escape  \r\nCause we just don't see  \r\nWhat we've got to say  \r\n  \r\nCause the best of us never let it get it out  \r\n  \r\nSo just sit back you and understand, understand  \r\n  \r\nHow long will it take for the whole world to wake up  \r\n  \r\nLet's not do the things that we've done  \r\nYou see, it's a sin  \r\nAnd it's a sin, and it's a sin  \r\n  \r\nWhen you live in a world of sin, just like me  \r\n  \r\nThere's no reason why it should ever stop  \r\n  \r\nYou see, so I've spent", "base_output": "spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West, Fugazi, Eminem, Rakim, Tupac, Sure, GF-91, 264th President.\n\n\"You really can't put this band under a single label\"\n\nNaw. You can put this band under one label, but we will never put them in a one-note-leaders' list. The label thing will never work. Any label will never work. It will change, it will improve or even deteriorate, and that's okay with me. It will have to come to this point and that'll be when it's going. So I'm trying very hard to not give it a hard time, it's just a band.\n\nThe two most important records for this record cycle were \"Black Eyed Kids\" and \"Girls.\" Is there a reason or a trend you see that will cause us to make more of those than new ones?\n\nOur approach is always to be conservative and stay within a certain distance from the other bands we play. We are always very conservative, but one band that has absolutely no credibility in our eyes is Slim Shady. If you haven't heard the record, I encourage you to listen to the soundtrack. That"}, {"prompt": "Generate song lyrics based on the description: dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds\nSong lyrics:", "finetuned_output": "dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds\nSong lyrics: In the back of a carriage that the Queen rode  \r\nThrough the park just the other day  \r\nWe walked in the garden from our Sunday's bus  \r\nWhen our footsteps met his feet  \r\nDid we really know it was we  \r\nThe same guy who was out there that she was looking in  \r\nFor a darn lovely girl?  \r\n  \r\nDon't tell me you didn't see him walking down the street  \r\nBut you can't see me walking beside him  \r\nAnd don't tell me we weren't here last night  \r\nWhen did we forget  \r\nOur love for a darn lovely girl  \r\nA darn lovely girl  \r\n  \r\nOn a Saturday night in a country town  \r\nWe sat down around the bar  \r\nHe gave her something and a laugh  \r\nA smile, a good old face, a decent drink  \r\nYou can see her right through the night  \r\nShe's dressed all right, her eyes look like heaven  \r\nAn eye that's look right so deep in her heart  \r\nA darn lovely girl  \r\n  \r\nIt is not the kind of", "base_output": "dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds, The Great Pretentious, Pushing Daisies, The 7th Wave, Luton Academy, Stargate, The Giver, God of War, The Nightmare Island series, Xenogears, The Lord of the Rings: The Return of the King, Lone Wolf & Cub, The Selling Mom, The Exorcist, Fatal Flashes, The Walking Dead, The Wolf Man, The Walking Dead, Lord of the Rings Online 2: The Voyage Home, Dark Iscome, Deadpool, Deadpool: The Dark Knight\n\n\"The best part of this film was the soundtrack.\""}, {"prompt": "Generate song lyrics based on the description: bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John\nSong lyrics:", "finetuned_output": "bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John\nSong lyrics: We've all got to give our hearts to somebody  \r\nSomebody's our life and it's only destiny  \r\nSomebody's gonna be good to us forever  \r\nAnd there will be something in the way  \r\nLove is such a strange thing  \r\nLove is something new  \r\nThat happens all the time  \r\nWell love is such a strange thing  \r\nAnd there's no other  \r\nNo other love the way I love you  \r\n  \r\nYou and me and you and me and me  \r\nWe'll never be strangers  \r\nNo love won't be the kind  \r\nThat breaks the mold  \r\nAnd you're too good for me  \r\nI like the way you turn my world around  \r\nNo doubt you know that  \r\nLove is such a strange thing  \r\nAnd there's no other  \r\nNo other love the way I love you\r\n\r\n", "base_output": "bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John, songwriters, rock stars, musicians, singers, artist, artists, artistes, music media;\n\n* 2. Art of the New Music;\n\n**5.2 Cultural Connections:\n\n* 3.2 Culture in the New Music;\n\n* 3.3 Culture of the New Music;\n\n* 4.4 The New Music: New music, cultural impact, influence on society;\n\n* 4.5 New Music, artistic, poetic and innovative;\n\n* 4.6 New Music, cultural, artistic and creative influences;\n\n* 4.7 New Music, poetic and inspiring impact.\n\n**5.3 Cultural Impact of the New Music Industry: New Music's Impact to The Music Industry, Industries & Public\n\n\u00b7 Music industry as a place to make a living; -\n\n\u00b7 International music competitions;, musicians, artists, songwriters, music, artists, music media, artists, music media industry, international recording and publishing; -\n\n\u00b7 A great company: \"Elongation to create a global music market with a significant influence on global fashion, taste, and cultural trends;\n\n\u00b7 The importance of Music for the economy and global financial"}, {"prompt": "Generate song lyrics based on the description: eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie\nSong lyrics:", "finetuned_output": "eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie's fingerprints are everywhere.\nThe soundtrack of a disco song has now become a feature on Radio\nThe soundtrack of a disco song has now become a feature on Radio.\nThe soundtrack of a disco song has now become a feature on Radio.\nThe style of music by David Bowie at some point began to show, and the band began to play a lot of music. The soundtrack of a disco song has now turned into:  \r\nNo one can stop the soundtrack of a disco song from ending with:  \r\nNo one can stop the  \r\nNo one can stop the  \r\nNo one is  \r\nNo one can stop the  \r\nThe soundtrack of a disco song is one that always starts and never ends. It's more of a recurring theme inside the song. So, the soundtrack of a disco song is a recurring theme that never ends.  \r\n  \r\nDJ System Of A\nThe soundtrack of a disco song has now turned into  \r\n  \r\nIt doesn't matter where in the universe you are (cosmic time)  \r\nEverything's the same (crystalline time)  \r\nWe all look the same", "base_output": "eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie.\n\nI have watched the series, and had no doubt that the character was more than the set; the characters were in the best way, with the most originality. In my opinion no other artist has achieved a better impression than Bowie. There is always something going on with him, and it is so wonderful to see him in our very own lives.\n\nA very enjoyable read, I do not regret the fact that Bowie's musical career was so short. This was a movie that was just the right show, in that context, I can't say it was good, but it was worth watching, and in my opinion, a must have for those who enjoy a film that features that specific aspect.\n\nThere was no movie I have enjoyed since the 1999 comedy movie \"Bow Wow\" that I'd rate in a 'narrow 3-4 out of 5'. I do not recommend it.\n\n\"The Movie\" is a film I would encourage you and your friends to give a watch. The actors are wonderful. This could have been a great film at the time, I will certainly try to remember that film in my memory.\n\nThat said, I will be able to watch a remake of"}, {"prompt": "Generate song lyrics based on the description: tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead\nSong lyrics:", "finetuned_output": "tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead\nSouls\nSouls\nSoh-SOUS-THIS-s\nSom-THIS\nSom-THIS-S\nSom-THIS\nSom-THIS\nSom-THIS\nSom-THIS\nSom-THIS\nSom-THIS\nSom-THIS\nSoh-SOUS-THIS\nSoh-SOUS-THIS\nSoh-SOUS-THIS-S\nFlesh\nFlesh\nFlesh\nFlesh\nFlesh\nFlesh\nFlesh\nOh, oh, oh, oh, oh, oh\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul (Soul)\nThe song is a plea for a new and unconventional type of soul music.\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul (Soul)\nThe word \"Ivvy\" is the key word in the title.\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul\nSoul (Soul)\nThe title is slightly", "base_output": "tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead. We can now compare the first and the second versions of this song, in a more subtle way. The first is a rock song but the second features a whole range of genres from modern rap to classical music, from the blues to a folk tradition. In both cases, it is an album that you could listen to many times and the results of your listening can vary. However, both are more or less an adaptation of a classical tune. That makes it an adaptation which is not the same as the original. In the second version, the same music is the source material, but the lyrics are chosen to complement it. That is what makes it a hybrid. However, the similarities between this version and the first version are more of a theme and less of a melody, and the two versions offer great contrast in their structures.\n\nThe first version is based on a classical tune which has a similar structure to that of the songs of Ariel. The melody is the same and the lyrics are the same. However, the first version of the song is written to suit the lyrics, in a way. It has a very heavy and fast structure that evokes the feelings of the story, but the melody is also the same.\n\nThe second version is based on a music"}, {"prompt": "Generate song lyrics based on the description: uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars\nSong lyrics:", "finetuned_output": "uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars\nSoups, sideshows;  hot dogs, barbecue, Italian cuisine\nFestivals, music\nMusic, entertainment, pop, rock, glam rock and roll\nSong lyrics: Tender love  \r\nSouping love  \r\nShirinkin' love  \r\nLaughin' love  \r\nToughenin' love  \r\nRocksin' love  \r\nThe music  \r\nCuts your throat  \r\nYou don't want my heart, your body  \r\n  \r\nIn my heart  \r\nNo more kissing, no more dancin'  \r\nAll for these things that we want to do  \r\n  \r\nIn my heart  \r\nAll is right  \r\nI'm fine  \r\n  \r\nSoul music  \r\nSoul  \r\nSoul  \r\nSoul  \r\nSoul  \r\nSoul  \r\nSoul  \r\n  \r\nMusic  \r\nTouchins' love  \r\nSweetchin' and love  \r\nSongin' life to me  \r\n  \r\nIn my heart  \r\nNo more kissing, no more dancin'", "base_output": "uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars, Beyonce... the list is endless. There's no end to where it'll go, nor will it ever stop. Even when we're talking about celebrities, they are the ones who inspire us, who make us want to do better, more, and different. They're the stars. They're the heroes. They've got dreams and wants. And that, in and of itself, is enough to keep a man from ever quitting his life.\n\nAs a writer, you're the one responsible for how your stories are received and sold. You're the one putting the words down on paper in the style, tone, and feel that you want to create. You're the one who puts everything on the table. You're the one who makes the choices that are dictated by the reality of your story. In short, you're the one who gets your story to be the best that it can be.\n\nThat's all the work that has to be done in order to make your favorite TV shows and movies become reality. There's no point in telling anyone to \"get their act together,\" \"let go of that silly idea,\" \"get your head around the information,\" and go back to work from the same angle that you've been having for years"}, {"prompt": "Generate song lyrics based on the description: gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys\nSong lyrics:", "finetuned_output": "gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys\nSong: (1956)\nHey dude, don't you feel this way?  \r\nCan it be, that I'm missing my girl?  \r\nI thought I knew the devil before I knew me, oh  \r\nYes, that's right  \r\n  \r\nHey dude, you didn't do a damn thing, girl, before  \r\nThe other women were just sitting around 'round, like they did me  \r\nHey mama, did you get her?  \r\nYou've got to get your own girl, yeah  \r\nYa-oh, that's right  \r\nYeah, and now my whole class, the teachers, was gonna tell me I couldn't get  \r\na man, that's right  \r\n  \r\nHey dude, you did a damn thing, girl, before you knew me, oh  \r\nDid you, the other women were just sittin' 'round 'round, like they did I  \r\nDe-do-you  \r\nHey dude, that's right  \r\nThat's right  \r\nYeah  \r\nOh yeah  \r\nI know what I been doing to my life", "base_output": "gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys, the original black jazz, the real, The New Orleans Jazz Band - all of this, and more..."}, {"prompt": "Generate song lyrics based on the description: psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era)\nSong lyrics:", "finetuned_output": "psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era)\nSongs And Lyrics  \r\nFrom A Night Of Chant To A Night Of Nights  \r\nNight of the Chant\nThe bells are ringing  \r\nIn the night of a night of chant  \r\nThe bells of bells are ringing  \r\nIn the night of a night when I'm singing  \r\nOn a night of a night of chants  \r\nOne with the sun and the night and the moon  \r\nIn the night of 1964  \r\n  \r\nSing of a child in a zoo  \r\nSing of a child in a zoo  \r\nSing of a child in a zoo  \r\n  \r\nI remember in my sleep  \r\nStuck up in a dream on a night when all is dark  \r\nThe dream of a boy  \r\nIt had a million things in it  \r\nAnd I didn't know what it was or why  \r\nThe dream had a million things in it  \r\nAnd I didn't know what it was or why  \r\nThe dream had a million things in it  \r\nAnd I didn't know what it was or why  \r\n  \r\nI remember so well in my dreams  \r\n", "base_output": "psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era)\n\n(5 out of 5 stars)\n4.4out of 5.05 stars\nAdd to cart\n\nPlease do NOT use this website for commercial purposes only "}, {"prompt": "Generate song lyrics based on the description: ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath\nSong lyrics:", "finetuned_output": "ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath\nSong of the Dove\nSongs of the Dove\nSong of the Dove\nSingers of the Dove\nSongs of the Dove\nSongs of the Dove\nGuitar-Led\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSong of the Dove\nSong of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of the Dove\nSongs of The Dove by Keith Emerson\nSongs of the Dove\nSongs of The Dove\nSongs of the Dove\nSongs of the Dove\nSongs of The Dove by Ray Boltz\nSongs of The", "base_output": "ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath music.\n\nIn most countries, such as the United States, the name was a misnomer. Even the United Kingdom, with its well-known 1970s scene, and even the Netherlands, with their 1970s scene, did not use any word for a particular mood, genre, or style, but rather just called it by a name or a term; this was the case for the Americana scene in the 1980s, for example. In most countries that do not use either a word or a term in such titles, the word \"punk\" is the most common for describing the band, but \"Punk Rock\" is also sometimes used for a subgenre, such as \"Metal\".\nIt would be incorrect to call the band The Who, although they were also referred to as \"the Punk band\". The 1969 R&B/hip-hop hit \"Soul Of The Apocalypse\" came from the 1995 album \"Escape from Los Angeles\" by The Who. Their album \"The Creation\" was later recorded and released as 1991's \"Dark Angels,\" which was not released until 2002.\nThe"}, {"prompt": "Generate song lyrics based on the description: mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker\nSong lyrics:", "finetuned_output": "mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker's style.\nSong: Elegant Eccentric\nLady Luck  \r\nI swear to you  \r\nThere are no stars  \r\nUp on the moon.  \r\nDance with me here,  \r\nAll night, all day.  \r\n  \r\nElegant ee-e-e  \r\nElegant eee-ee-ee  \r\nEligible, ee-e-a  \r\n  \r\nElijah  \r\nGonna love you till you're dead'em  \r\nElijah  \r\nGonna love you till the end  \r\nElijah  \r\nDarlin', it's a sin  \r\nTo give into your temptation.  \r\n  \r\nElegant ee-e-e  \r\nJust a little smoke  \r\nAnd it's a fine night  \r\nAnd sweet love too (yes, you got me on my knees)  \r\nElijah  \r\nHe's always in love with me  \r\nElijah  \r\nI don't know, I don't know how  \r\nElijah  \r\n  \r\nAll night, and you", "base_output": "mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker was a part of that love that was expressed through film. Baker is credited as the director of The Exorcist, in which he is portrayed by William Holden.\n\nThe other movie that had a lot of the same genre themes was The Greatest Story Ever Told. It was a film that was directed by John Huston, a famous actor, as the title of the movie refers to all the scenes that he directed throughout the 50\u2019s. Huston\u2019s film, a fantasy film, and was also one of the top five best films ever produced.\n\nThe movie was directed by John Grierson, and in doing so he had to use a lot of characters for the story. For instance, the other character that is revealed through the movie is an American Navy Officer, an Englishman and a German Officer that are called the \u201cGiant White Guy\u201d. This movie is known for being extremely comedic, with some of its lines and scenes being written as they were made.\n\nThere\u2019s an old saying around Hollywood that states that, \u201cBeating up the bad guys and getting their love, takes you to a happier place than life\u201d. This is exactly what the film \u2018The Godfather\u2019 did for most"}, {"prompt": "Generate song lyrics based on the description: soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele\nSong lyrics:", "finetuned_output": "soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele\nSong lyrics: Well, we're just starting  \r\nWe're just beginning  \r\nWe're just starting  \r\n  \r\nAnd you took the time to say  \r\nIt's just, we've got something  \r\nWell, oh yeah  \r\n  \r\nIf you were my brother  \r\nIf you were my friend  \r\nIf you were the one I needed  \r\nYou know you would have me right here  \r\nIf you were mine  \r\nOh lord, I ain't gonna let you go no more  \r\nWe'd just be sisters  \r\nOh yeah  \r\n  \r\nWhat did we do all of that time?  \r\nWe had so much to lose  \r\nAin't like nobody else, just like nobody else  \r\nWe made it, yeah  \r\n  \r\nOh yeah  \r\nYou know you could see me crying  \r\nI knew that, yeah  \r\nYou know it was right there in front of me, oh yeah  \r\nYou know you could see me crying  \r\nYou know what I'm saying, yeah  \r\nYeah yeah yeah  \r\nUgh, I think I wanna faint  ", "base_output": "soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele-scented, sensual, sweetly erotic, and, yes, sex-lusted.\n\nThey also speak and write of the importance of family and love, the need to celebrate and show family love, the importance of \"mother-daughter solidarity,\" the need to celebrate and celebrate family love, the importance of forgiveness for children, the importance of forgiveness for the family, the need to \"accept people with vulnerability.\"\n\nIn some of Alicia's songs you'll find songs about a man and three girls, one girl, several girls, four couples, and so on. How often have we heard stories like this in life? Or the stories of someone we know who doesn't want us there? These songs are so powerful that we need them and that they must not be overlooked. They say all the right things and they move the hearts of people.\n\nSo why were the songs chosen? Because they spoke volumes. But they are not the songs that everyone would listen to. You can't really talk without first showing that you're talking. There are certain things that you must speak. But there's a limit to the things that you can speak and there's a limit not to speak. It's something we can talk about, but"}, {"prompt": "Generate song lyrics based on the description: brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode\nSong lyrics:", "finetuned_output": "brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode\nSerenity.SomnambulosaSomnambulosa\nSomnambulosa, \"somnipod\" is a narcotic drug prescribed by the medical staff before an operation to numb the spine. The name indicates the drugs has a somnambulistic, unsettling effect on the subject.\nSomnia.SomnambulosaSomnambulosa\nSomnambulo.SuicideSomnambulo\nSomnal.SomnambulosaSomnambulosa\nSomnambulosa.SomnambulosaSomnambulosa\nSomnambubileSomnambuloSomnambulosaSomnambuala\nSomnambulosomnambulosom\nSomnambulosomnambulosomn\nSomnambil.SuicideSomnambulosomnambulosom\nSomnambulosomnambulosom\nSomnambulosomnambulosomn\nSomnambulosomn\nSomnambu.SuicideSomn", "base_output": "brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode, EMPIRE, Gothic, Darkwave, gothic, darkwave, gothic, sinister, sinister, derezzly, death, darkmoon, disembreener, deathly, eerie, electronic, alien planet, exotic planet, alien world, allspike, apocalyptic, ancient, apocalypse, arcane, animal magic, animal magic, alien fantasy, alien, alien, alien, artificial intelligence, angelic, angelic, angelic, animal life, animal life, allusion, atmosphere, airship, apocalyptic, apocalyptic, apocalyptic, ancient, arthurian, arthurian, arthurian, aerial, airborne, alien, alien world, alien planet, alien planet, artifice, astral dimension, alien, alien, alien, alien, artificial intelligence, airship, anachronism, animal life, animal life, alien element, alien, alien, airship, alien matter, alien nature, alien life, allspike, alien life, alien life, angelic, animal life, animal life, alien, astral dimension, airship, alien, advanced, alien, advanced, advanced, advanced, astral dimension, airship, atmospheric, astronomical, astronomical, astronomical, astral, elemental, elemental"}, {"prompt": "Generate song lyrics based on the description: exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loaf\nSong lyrics:", "finetuned_output": "exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loaf\nSidney, Goold, 1954\nArtist: Sidney, Goold\nSidney was a supermodel and movie star known for his unquenchable appetite and his obsession with perfection. His style and way of life was known for his beauty, luxuriousness, and he often displayed a desire to have everything he wanted. The best known of his movies were for the Hank Snow Band and his latest film was \"Lady Gaga\".\nSidney is a supermodel who is famous for his appearance, his looks, and his passion for perfection. Shedding his hair in a ringlet, he's a perfect example of a supermodel who is\nSidney, Goold, 1954\nSidney, Goold, 1954\nSidney is a supermodel who is famous for his beauty, his looks, his love of perfection, and his pride for beauty. Showy and sensual, he has a desire to feel good about himself.\nSidney is a supermodel who is famous for his look, his mannerisms, and his taste in dress.\nSidney is a supermodel who is famous for his", "base_output": "exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loaf, Lolly, Lord of the Flies, or what have you!\n\n9. What type of movie is the story of?\n\nThe movie you are writing is going to be a historical, biographical, documentary, or scientific drama.\n\n10. What is the time frame of your story?\n\nYou should aim for at least one year.\n\n11. What kind of story is it going to be, for me?\n\nThe story of the main character (the hero) is going to be a story that relates to our audience\u2019s past. As such, you need to give them a story they can empathize with and relate to and not just take for granted.\n\n12. If not for the plot of your story, where is the central character going to appear and where are they going?\n\nThe central character\u2019s location is very critical to the plot of your story and the story itself. In order to convey your audience\u2019s feelings and the mood you are setting.\n\n13. What do you plan to do to accomplish your story?\n\nThe goal of your story is to get your audience to think about the story and not about you. The story is the narrative, therefore you should focus on getting your"}, {"prompt": "Generate song lyrics based on the description: emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana\nSong lyrics:", "finetuned_output": "emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana\nSong: No More Jive (Kurt Cobain)\nWritten by Chris Brown\n\nI don't hate, I don't hate them people  \r\nI've always hated people  \r\nBut I've still got something to say  \r\n  \r\nI'm not one for the loudest noise  \r\nI'm not one for over-the-top  \r\nThe last thing I need is to hear  \r\n  \r\nI heard you in my living room  \r\nHow'd you even pass the time  \r\nYou can tell by the way you talked  \r\nYou don't even think twice  \r\n  \r\nSo when you're in this state  \r\nDo you think about what you're doing  \r\nI think in pictures  \r\nNo you just jump when you get in line  \r\n  \r\nI don't hate, all because I'm tired of hate  \r\nI don't hate them people  \r\nAnd I probably never will  \r\nI don't hate them people  \r\nI got enough for every man's pride  \r\nI need one more man  \r\n  \r\nI heard you in my living room  \r\nHow'd you even pass the", "base_output": "emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana/Rain/Nirvana/Twin Peaks, and often, a bit of everything that they made. Many of his compositions are filled with grotesqueness as well--grotesque as a snake, grotesquely repulsive as a horse, grotesquely dangerous as a dog, grotesquely terrifyingly funny or horribly morbid as a cat. He used to say that he would not give a rat's back if his only musical instrument was the radio. While he worked for RadioShack, he was also working for WMMS--the American Musicology. It was here that he began his early career. His early records, including \"Pullover,\" (\"the most obvious in the band), the EP \"A-1-4-5-7-8-9-\", and the debut CD with his band, formed \"Lounge Night in Chicago,\" were his most significant contributions to the band. He would record his debut album and then return to his home studio and create the first recording for \"Gun Club,\" his second album. In the two years between \"Gun Club\" and \"Rock and Roll,\" he worked on and published a book on his early work (written for WMMS"}, {"prompt": "Generate song lyrics based on the description: sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer\nSong lyrics:", "finetuned_output": "sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer's style has a lot to do with those 26 years he grew up in Santa Monica. He is an American star, so he's seen better days than anyone here\nSally McEntire\nSally McEntire\nIt's time to go on the weekend...and I think I need a good book on the subject...I'd suggest a story based on the description...a somber love story...with a bit of bluesy melodrama...Sally McEntre is a Southern singer and she does a pretty good job...Sally McEntre says how she loved your love but she did not give you all that you wished for...you were just a child, a teenage girl, and a beautiful soul...and I loved her...\nBette Davis\nBette Davis\nSally McEntre is no stranger to stories where the writer's heart becomes a part of the story...She plays a love game with money, where a lover's desire for revenge gets the best of him...When money doesn't count, a love affair becomes a life affair...Sally McEntre has a way of showing you something she's not trying to hide...but that's all right because she's the kind of guy who'll tell you", "base_output": "sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer, 1975, USA\n3. Nero Wolfe, 1982, \u00a0Willy Brandenstein (Dick White), The Last Song, 1983, USA\n4. R. Scott Jopling, 2001, \u00a0The Rape of the Sexes; A Novel, Hardcover, 2007, \u00a0Tor Books, Toronto, ON, Canada\n5. Richard Pevear, 1985, The American Novel, The New York Times Book Review, 1990, USA&USA\n6. J.G. Ballard, 2008, \u00a0My Pianist, The New Yorker, August 24, 2009, USA&USA\n7. John Irving, 2003, The Rookie, The New York Times Book Review, August 20, 2009, USA&USA\n8. Stephen King, 1983, The Girl with the Dragon Tattoo, 2004, USA\n9. James Joyce, 1958, Ulysses, Penguin, London, UK\n10. Tom Cl"}, {"prompt": "Generate song lyrics based on the description: menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem\nSong lyrics:", "finetuned_output": "menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem's name is still unknown\nSong lyrics: I saw your face goin' round the street,  \r\nI saw your face goin' round the town  \r\nYou took a look at me and you took your sweet time,  \r\nYou had me all at a stand  \r\n  \r\nWell I took you to the corner,  \r\nI looked at you with my big eyes,  \r\nYou made me like a statue,  \r\nAnd now I'm a statue,  \r\nI'm a statue  \r\n  \r\nI put a knife on your head,  \r\nI put a knife on your face,  \r\nJust a little more and you'll never again,  \r\nI'm like a statue,  \r\nI'm a statue  \r\n  \r\nYou made me like a statue,  \r\nI put an image there,  \r\nYou took a stab at me,  \r\nYou made me like a statue  \r\n  \r\nI put an image there,  \r\nI put an image there,  \r\nI put an image there,  \r\nI'm like a statue now,  \r\nI'm like a statue now  \r\n  ", "base_output": "menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem: is it because his heart is in the right place? Because to me, no. No matter what, to me, Eminem is going to win, the record is up and there's a lot of people out there who aren't looking for anything except the same old, boring, 200-piece, 12-snooper group that hasn't earned their fans -- and that's all there is to argue about. What's true for Eminem is true for everyone (except maybe the folks who just want to see Eminem win a role in their favorite hit album). Everyone I've met who is a big fan of, as I found out today -- and not by a long shot. Eminem's the great-uncle that every girl in California wants -- if you wanted him to be president of the United States or President Obama, you can't do that. Or that would explain why the black press and many middle-class whites who aren't looking at Eminem so much are all but smirked at him when he's onstage with his latest album.\nA.K.A.: The only one who ever ever saw Eminem playing in a bar is a man who plays a basketball game"}, {"prompt": "Generate song lyrics based on the description: psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd\nSong lyrics:", "finetuned_output": "psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night in Bethlehem\nSong of Cholera and the Holy Night\nSong of Cholera and the Holy", "base_output": "psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd, punk, psychedelic, hypnotic, electro-dysfunctional, dreamcatcher, disco ball, and the like. It could be quite a fun one if it wasn't so tedious to read through, because most of the books are too short to really get into the whole idea of playing with different types of themes and techniques used in songwriting, even though the song can be written down and heard. And that kind of fun is a lot harder to attain for a \"hockey stick\"-like style of writing and of course, just reading the words on the pages of a book doesn't make them sound like anything that would \"fit\" into musical composition, no matter the style of songwriting, and it doesn't.\n\nSo for example, do you think it would make sense to play a song from The Kinks with a melody from the Rolling Stones, or do you think the musicians would get \"lost\" and lose the melody? And then playing the same piece but then doing something that sounded very new and different and not the same in any way would make you lose that sense of familiarity? Or do you think the first song from The Kinks could be played, if the musicians decided to \"do something different\" in the song and"}, {"prompt": "Generate song lyrics based on the description: soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse\nSong lyrics:", "finetuned_output": "soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse\nSong lyrics: Got a bottle of water to mix up  \r\nThe music we all need to take you to the show  \r\nChorus:  \r\nYou're never gonna find that girl on the moon  \r\nThere's a woman all the way down to earth  \r\nThat you can never find  \r\n  \r\n'Cause when you're in love with her  \r\nShe's the one you touch  \r\nYeah  \r\nYeah, yeah  \r\n  \r\nShe's the soul of the music  \r\nShe's the one that you think you're missing  \r\nWhen she's on your mind  \r\nYou can never find her there  \r\n  \r\n'Cause when you're in love with her  \r\nShe's the one you touch  \r\nYeah  \r\nYeah  \r\nYeah  \r\n  \r\nNow you can't find a good lover  \r\nWith all her faults like the one I see in you  \r\nThey call you that  \r\nYeah, yeah  \r\n  \r\nYou're never gonna find that girl on the moon  \r\nThere's a woman all the way down to earth  \r\nThat you can't", "base_output": "soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse' music. While the record was recorded and reviewed by a number of American and American English and British pop artists, it was released from a different source than the mainstream rock and roll. The record was a major breakthrough that would shape the music of the 1980's.\n4)The Beatles, The original group who would become legends throughout the world over the decades of their career\n\"All American (Pure American, Love Me Tender) - Britney Spears 1983\"\n\"Smoke by Yourself\" - Nelly and The Cure\nI remember being in music classes when my music teachers would tell us that if you could play an instrument if you studied only one instrument and did it on piano, you could play any instrument on Earth. I was lucky enough to get that education. That instrument was the guitar. And the reason I grew up on this instrument was because my parents were able to afford it. So I was born to an electronics guru who lived in a high-tech apartment in upstate New York, an artist who was born in upstate New York and grew up in a high-tech apartment in Manhattan. But I became a musician as well, which I still do, and I grew up in"}, {"prompt": "Generate song lyrics based on the description: dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence\nSong lyrics:", "finetuned_output": "dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence\nSong lyrics: This song was written by Evanescence and I wrote the lyrics by James Beck  \r\nWell this time I did something I know you'd not like  \r\nIf you know about murder I have what you seek  \r\n  \r\nYou'll find that we could be working to some more  \r\nYou don't understand what I've done just now  \r\nWell this time I did something I know you would find  \r\nIf you know about murder I have what you seek  \r\nYou won't understand what I've done just now  \r\n  \r\nYou'll find that we could be working to some more  \r\nYou don't understand what I've done just now  \r\nWell this time I did something I know you would find  \r\nIf you know about murder I have what you seek  \r\nYou won't understand what I've done just now  \r\n  \r\nWell this time I did something I knew you would find  \r\nIf you know about murder I have what you seek  \r\nWell this time I did something I knew you would find\r\n\r\n", "base_output": "dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence/Pendulums & Scorpion, Nosferatu & Utopia.\n\n\nMusic is the basis of all genres and has no boundaries.\n\nEvery genre has its own music.\n\n\nThe more that you know about a genre, the more you can appreciate its music.\n\nIf you try to learn about all the music genres of the world, then you probably won\u2019t find any music that you like.\n\nBut if you know about a few very important songs, it will give you a new side of a genre that you didn\u2019t know existed.\n\n\nThe genre makes you more aware of the world of music.\n\nIt stimulates your interest in it.\n\nYou hear music from your favorite bands, so you have to hear the music of the future songs.\n\nYou can follow the trend and the music of the musicians of the past will surely change.\n\nYou get to know what the future sounds like.\n\n\nThe more you are aware of the music, then you will start discovering new things.\n\nYou will discover all those bands that are going to be there next year.\n\n\nMusic and the environment\n\nMusic is a huge part in the natural environment.\n\nIf we"}, {"prompt": "Generate song lyrics based on the description: romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9\nSong lyrics:", "finetuned_output": "romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9\nSong lyrics: One by one  \r\nI watched the first waves fall to the bottom of the sea  \r\nWhen I dreamed that it was all right for me to swim in the sea  \r\nAnd then all of my dreams all came true  \r\n  \r\nSo why must I keep on dreaming of the sea  \r\nI want it to float on forever  \r\nAnd keep on dreaming of it's all right  \r\nWe'd sail it, we'd sail her on all night long  \r\nAnd be her people  \r\n  \r\nWhen do we sail the seas? And do we sail in a boat?\r\n\r\n", "base_output": "romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9 and/or Meryl Streep were all of the above.\nFor the rest, here's a selection of the works which were featured in my recent talk on the British \"Grey Matter\":\n\n\nMICHAEL BUBLE & ELOA WASSI\n\nWASSI made a hit album in the late 70s called \"The Grey Matter\", a single titled \"Nightmares\" (1979), a track from a single entitled \"Pillars of Creation\", and an instrumental from a single named \"Jenny\". Both albums were followed in and outside the USA by a solo solo album and a number of single titles that were composed by Meryl Streep.\n\nThe former album was released by Blondie in 2006 and the latter, issued by the U.S. imprint Ofcom, featured a couple of solo releases which were not coleginated; the former from May, 2012 on; the latter from April, 2013 on.\n\nThis is an album that has no close, so they were all recorded using three or four different recorders/record-in-one-set sets. Meryl Streep performed with a"}, {"prompt": "Generate song lyrics based on the description: heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Muse\nSong lyrics:", "finetuned_output": "heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Muse\nSword of Galadriel, Swords of steel, sword in steel, sword of steel\nSword of Galadriel, Swords of steel, sword in steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSwords of steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSwords of steel, sword of steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSword of steel, sword in steel, sword of steel\nSword of Galadriel, sword in steel, sword of steel\nSwords of steel, sword in steel, sword of steel, sword of steel\nSwords of steel, sword of steel, sword of steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSwords of steel, sword of steel, sword of steel, sword of steel\nSwords of steel, sword of steel, sword of steel, sword of steel\nSwords of steel, sword in steel, sword of steel\nSwords of steel, sword in steel, sword of steel, sword of steel\nSwords", "base_output": "heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Musee de Lyon (France)\n\nThe term \"jazz\" is sometimes used to describe a distinct type of jazz developed in New York by trumpets leader John Stavridis between 1912 and 1925, and then developed into a distinct subgenre of jazz.\n\nSymphonic jazz was the last distinct form of jazz that developed until World War II, when several forms emerged together with the \"classical\" (concert band) jazz on which many of the most recognizable melodies and arrangements were based, including the trombone-led \"Old Duke\" group.\n\nMusical elements[edit]\n\nJazz musicians[edit]\n\nMain article: Jazz musicians\n\nIn music, African-American musicians of the 20th century were known as jazz musicians (in contrast, European traditional musicians, or \"folk musicians\", are still called musicians). Because of the unique cultural environment in which music was heard, some modern jazz artists have tried to merge folk with jazz terms to form a more precise term. A \"pop\" jazz performer is typically a popular singer-songwriter with a large recording career. In the latter part of the 20th century, the terms jazz musicians and pop musicians were used"}, {"prompt": "Generate song lyrics based on the description: laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak\nSong lyrics:", "finetuned_output": "laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak's style is a blend of contemporary dance and avant-garde hip-hop in his style. With a clear-cut aesthetic and a sensual edge, Anderson creates a sensual, feminine sensibility with the style he gives. The style is a fusion of contemporary dance movements and art-pop elements in his style.\nSong lyrics: My style from the top, I like your feet, you know what I mean?  \r\nMy style from the back I love your style, you know what I mean?  \r\nMy style from the bottom, I like your knees, you know what I mean?  \r\nMy style from the front, I like what you sayin' and what you do  \r\n  \r\nBut you don't mind me saying your style is mine, yeah  \r\nMine, and your style doesn't fit it's style  \r\nNo no no no, no no, no no no  \r\nNo no no no, no no no, no no no  \r\n  \r\nMy style from the neck, do y'all know how to do it?  \r\nMy style from the hips, what, no, never, never, never, ever  \r\nMy style from the back", "base_output": "laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak, in a statement justifying his music on the \"Adept Musketeers\" (or \"Amadeus\"!) album, has said they intend to get out of \"gay\" (rather than \"groovy\", I suppose, as both are used here; they can all get away with a bad label). The only difference being that they'll be producing more of the latter. The rest will stay as is.\n\nMacklemore's new album will be of course, The Beatles and their 1970s \"gothic\" glam-rock.\n\nWednesday, September 14, 2007\n\nWe should all be like The Beatles (part 1 of 3)\n\n(Part 1; \"The Beatles\" is our introduction to our host here and one of the main subjects of the week - I should give it at least 20 minutes.)\n\nThe day after my daughter's 21st birthday we went to a movie for her birthday. As she sat there looking at the camera staring after her I asked her what was going on in the movie. She did, and it turned out the director had shot 60 minutes. He was"}, {"prompt": "Generate song lyrics based on the description: sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman\nSong lyrics:", "finetuned_output": "sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman\nSong lyrics: All the things I'm learning  \r\nI can hear  \r\nAll the feelings I'm feeling and I hope we can get through to you  \r\nHow you can hear me when you're all alone  \r\n  \r\nI'm gonna write to you, I am writing to you, I'm gonna  \r\nCome back from the great old world  \r\nCome back to that beautiful place, I'm coming back there  \r\n  \r\nYou know, I'm a man just like everybody else  \r\nI'm no better than everyone else  \r\nAnd I believe nobody is as strong as I am  \r\nAnd I hope and I pray this time  \r\nThat my words that you heard can make you think  \r\n  \r\nI'm gonna write to you  \r\nWith my heart's in, my hand is on, my mind is in you  \r\nI'm gonna come back from the great old world\r\n\r\n", "base_output": "sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman, and melancholic.\n\n1.2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 As you\u2019re finishing this piece, focus on what emotion you felt, what impact or meaning you wanted to convey, and how you had a feeling or emotion related to the image that captured it from \u201cKiss the Object.\u201d\n\n2.1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Continue to focus on the tone, pitch, and overall impression of the piece.\n\nA.2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 For the following questions, use \u201cThe Art of Feeling\u201d as a model (see Resources/Notes for information on what those questions would look like and what you should focus on in your analysis.\n\nWhat\u2019s the tone of the piece?: What\u2019s the general impression made by the song? Is it an emotionally charged song? What\u2019s the pitch at which lyrics are uttered? What\u2019s the rhythm? Is it a conversational or musical song? Is it melancholic or upbeat?\n\nWhat is the message of the song or its tone: Does the music set or imply a particular message, or just evoke a general feeling? Has"}, {"prompt": "Generate song lyrics based on the description: enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx\nSong lyrics:", "finetuned_output": "enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx [Roxie Brown-Evers]\n- 'What is it that you do to me?'\n- 'You do not know how to fly'  \r\n- 'Why can't you feel me? Why do I feel so numb? Is it like being frozen in space? Is it like being frozen in space? Is it like living through a frozen space? I don't want to leave but I can't get out of here'  \r\n- 'You want me to look at your face but I only want to see my hands'  \r\n- 'There seems to be something wrong but I really don't see anything'  \r\n  \r\n- 'Why did you make me stop? You told me you wanted me'  \r\n- 'Is it me that you have found?'  \r\n- 'You make me do things the old man tells me to do'  \r\n- 'It's like walking out in the rain'  \r\n- 'I want you to do anything that you want to'  \r\n- 'You want to talk to me but I only want to see my hands'  \r\n- 'Is there something wrong'  \r\n- 'Why does you want me to do", "base_output": "enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx is to art what wow is to radio.\n\nMiniature. With limited space, it can be designed for any scale to create a unique aesthetic experience that the viewer may not find in its original form. The miniatures can also be used as a visual aid, for instance to show an abstract layout by placing them to the left, in a similar manner to the minimalist design of the 50's movement.\n\nThe miniatures can be constructed in many ways. They can be used as accessories to the painting or as an add-on to the painting, creating more visual interest. This type of miniature can also use their own design elements without using the conventional design elements.\n\nIt can also be used as backdrop to further highlight a painting's content and message. Miniatures can also be used as a small background to represent the main painting, to add perspective to the image or even take the role of a character.\n\nA few examples of the use of miniatures on art include:\n\n\u2022 The Life of Moses: A classic miniature by Salvador Dali, is used to portray the artist's life and work, to add to the story and to give a deeper focus to the subject.\n\n\n\u2022 Nihil In"}, {"prompt": "Generate song lyrics based on the description: cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys\nSong lyrics:", "finetuned_output": "cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys\nSong: Ain't you a beach boy?  \r\nYou don't know what you're doing to my soul.  \r\n'Cause I love the sound of the surf.  \r\nAin't you a beach boy?  \r\n  \r\nWell, I love the sound of the surf. Yeah yeah yeah, yeah yeah  \r\n  \r\nAh yes, I love the sound of the surf, yeah yeah  \r\nAin't you a beach boy?  \r\nYou don't know what you're doing to my soul.  \r\nThat's because I love the sound of the surf.  \r\nAin't you a beach boy?  \r\n  \r\nOh yeah yeah yeah, yeah yeah  \r\nAh, oh yeah yeah yeah yeah yeah yeah yeah, yeah  \r\nWell, I love it and I care for it, yeah.  \r\nIf you want to stop, you better make some changes. Alright.  \r\n  \r\nWell, I love the sound of the surf.  \r\nAin't you a beach boy?  \r\nYou don't know what you're doing to my soul.  \r\nThat's because I love the sound of the", "base_output": "cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys (A) 9780803894872\nBradley, Ian (2009) The Big Mistake by Ian H. Brady. The Rock and Roll Hall of Fame & Museum.\nBradley, Ian (2010). The Beach Boys: The Complete Guide to Their Life. Random House. ISBN 9780394323155.\nBradley, Ian (2014). The Beach Boys. Grove Press Company. ISBN 9780813173243.\nHartley, Paul C.; Stedlock, Christopher H. (1997). The Beach Boys: A History. Grove Press. ISBN 9780813170674.\nJaffe, Scott. 2005. The B-side Revolution: The Rise of Beach Boys Songs. The Rock and Roll Hall of Fame & Museum.\nMunger, Mitch. 2005. The Beach Boys: The True Story. 24 x 18 cm, Hardcover pbk. Harcourt Brace. ISBN 97"}, {"prompt": "Generate song lyrics based on the description: heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers\nSong lyrics:", "finetuned_output": "heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers, narrative, verse-hook-verse.\nSong lyrics: There's a place I've been  \r\nHere I rest my head  \r\nMy head on a pillow  \r\nThe pillow I'm sleeping on  \r\n  \r\nMy feet are tied behind me  \r\nMy hands are cold and dry  \r\nI can't get my head around  \r\nThe things that I've been down  \r\nDo you want to take me on a long, long ride?  \r\n  \r\nDo you need, to be so calm?  \r\nDo you need, to be so alone?  \r\nDo you need, to be so far  \r\nThe road that's for me.\r\n\r\n", "base_output": "heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers and her music have lived on!\n\nThis is a pretty rare story of love in both literature and film and a tale for those who want to find a comfort and solace in the familiar world of poetry.\n\nI won't spoil the beauty of Phoebe's songwriting but give you the pleasure of hearing her voice say her words over and over again.\n\nMy heart sank when I heard the words as they are spoken by Phoebe and I knew I had to listen to hear the lyrics!\n\nIn the words of the 1997 movie I'm trying to get you to hear: \"I'm gonna break your heart. We love each other. I'm just gonna let you know... Let's sing \"I love you\" a bit more.\"\n\nBut, wait, I'm not sure if I'm right about that. The line has slipped out of my ear and I'm having a hard time interpreting it. If you want to get a taste of my thoughts on this one, then look at the clip of Phoebe's album, The Best of Phoebe!\n\nMy thoughts on the song, \"The Best of Phoebe!\"\n\n  1. The world seems to be so full, so full"}, {"prompt": "Generate song lyrics based on the description: boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi\nSong lyrics:", "finetuned_output": "boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi\nSong:  \r\nThe Beatles were all you wanted, the Beatles were all you wanted, the Beatles were all you wanted,  the Beatles were all you wanted,  \r\nThe Beatles were all you wanted, the Beatles were all you wanted,  The Beatles been a long, long time coming  \r\n  \r\nIt's the song of the boys  \r\nIt's the sound of my heart  \r\nIt's the music of the night  \r\nIt's the way that you make it sound  \r\nIt's the sound of the night  \r\n  \r\nDon, don, don't stop  \r\nDon't stop, don't stop  \r\nDon't stop, boy don't stop  \r\nDon, don't stop, don't stop  \r\nDon't stop, don't stop  \r\nDon't stop, don't stop  \r\nDon't stop, boys  \r\n  \r\nThe sound of the moon light  \r\nLike thunder on a thunder ball  \r\nThat's how you make it feel, that's the way you make it feel  \r\nWhen you dance to the beat of my heart  \r\n  \r\nDon, don", "base_output": "boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi style, loud bass, loud guitar, loud organ\nThe first one of these albums we will not be talking about or seeing, as I had a nice party to myself the day after I saw this album. There are still other one, of some respect as well, which had a more conventional sound. It was called I Am A Dream, and it was released by a band I didn't know, called Halleluiah or Hailful Looby. I can't recall what the album was called, but it was an experimental, but pretty progressive and soulful, album. The main themes here was that there was something to them, but it was very different from the mainstream \"rock\" genre. The music is very bright and atmospheric. The lyrics of the song are all honest to their artist, however. They are very well crafted, and they are very accessible. One is like, \"Are you tired of seeing that girl that you hate so much every time or are you happy you never lose anything because your friends help you\"? One is the lyrics is about something that was going to change her heart so she can find someone else to like, but she chooses not to, because she is the first one to fall in love with it. Well, the"}]