SmolLM360.json

[{"prompt": "melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac", "finetuned_output": "melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac\nSong lyrics: The night you turned to me I was lost inside a dream  \r\nI never got out  \r\nI never could make it into a life without you  \r\nI dreamed about you till I saw you again  \r\n  \r\nSomewhere else were you by my side  \r\nYou know what it was like for me  \r\nAs in a dream you and I were there  \r\nI can't explain  \r\nBut the night you turned to me was the dream I'd been dreaming of  \r\nI never got out  \r\n  \r\nI never got away from the air that was yours  \r\nTo be so strong  \r\nI never could make it into a life without you  \r\nI dreamed about you till I saw you again  \r\n  \r\nSomewhere else, were you by my side  \r\nYou know what it was like for me  \r\nAs in a dream you were there  \r\nI can't explain  \r\nBut the night you turned to me was the dream I'd been dreaming of  \r\nI never got out\r\n\r\n", "base_output": "melancholic, dreamy, ethereal, nostalgic, poetic, airy, bittersweet, intimate, storytelling, mystical, Fleetwood Mac is part of the world of '70s pop musicians but not of the world of '50s R&B performers as most of them were very white males, and they all made it seem like they came from the same place as Michael Manheim, who as a teenager was known as 'Aunt Mame' in the '70s and '80s. There was a lot to be talked about here, too, but the '70s were not going to turn this into a music history course.\n\nWhat we learned from the music was what was not so big in 1973, and that is why we left the concert with this feeling. What was already an issue for the music community and the music industry, and which was so badly buried in the first 10 years, became even worse when everyone else went in and took it from there. It's not the same thing as what we just listened to in the concert, but it's an uncomfortable feeling, just as a new student in a different cultural setting can be.\n\nThe other things I took from the concert were the ways in which there were ways in which people were feeling the same thing (and at the same time that was at odds with"}, {"prompt": "raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones", "finetuned_output": "raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones\n\n**Mood:** Frustrated, yearning, defiant, electrifying, raw\n\n**Atmosphere:**  Energetic, rebellious, gritty, intense\n\n**Style:**  bluesy, rock and roll\n\n**Lyrical Structure:**  verse-chorus, simple, direct\n\n**Other:**  The song is a classic example of the blues rock style, with a driving rhythm and a\nSong lyrics: I never do what I'm told  \r\nI never know what I've done wrong  \r\nYou got to get out or I'll get out  \r\nI always get a buzz when you love me  \r\nAnd all the things you give me  \r\nI love so I'll be out on the street today  \r\nI never do what I'm told  \r\nI really dig love  \r\n(Let me talk to you)  \r\nI don't need no one to tell me  \r\n(If it's good for me)  \r\nIf it got me good  \r\n(The feeling that it's yours)  \r\nOh Lord! I love it  \r\nI do what I do and that is be real bad for me  ", "base_output": "raw, gritty, defiant, bluesy, rebellious, urgent, intense, soulful, electrifying, passionate, visceral, The Rolling Stones and Joan Baez. That's like \"We Can't Go Home Again\" or \"Paint It, Black\" or \"Hey, Judee\" or \"You Brought Me Home\" or \"Woman\" or \"The Long Long Walk\" or \"I Shot the Sheriff\" or anything by Johnny Cash. He's all over the place. He's that guy - that big, rolling, emotional thing or that angry, vicious thing. But then there's another guy he had an epic argument with: Frank Zappa.\n\nZappa was part of those hippie counter-cultures in the 50s and 60s, punk bands, and, as you'd guess, you might say, \"I'm not going to listen to his music.\" And when I first started writing \"The Great American Song Book,\" I thought, \"Oh, they like Zappa. They like all the hippie stuff.\" And I got a lot of hits for it during that first season from the hippie thing. It was an interesting process at first - as a writer, you think, \"Well, I have an idea and I'm gonna go take the music of the hippies and throw it at the kids and I'm gonna make"}, {"prompt": "sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey", "finetuned_output": "sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey\n\nCream And Blood (1993)\u00a0(D. A. Marquand and J. Farrar)\n\nCream And Blood (1993)\n\nMoviemaking on an unsuspecting female body: the cream and blood of the 1993 Cannes film festival, which came out in the U.S. on the west coast just before Christmas, is a film that takes up the question. It's an erotic, darkly comic, hypnotic melodrama with a narrative that is as fragmented as the movie itself. The plot begins with the discovery of an overdose of cream and blood. But then the film moves towards a very different interpretation of the scene. It shows a small, dazed young man walking home and a scene of the scene in which the killer shoots him in the back. But the killer is never shown in any sort of explicit way except when he's looking at a woman. The film is a cautionary tale of a man who kills for pleasure and a woman who is seduced and then killed.\n\nMovie: Cressida Blair\n\nWoman Killer (1993)\n\nWoman Killer (1993)", "base_output": "sultry, dark, moody, hypnotic, brooding, mysterious, sensual, evocative, cinematic, smooth, jazzy, Lana Del Rey, and dream like sound in the lyrics.\n\nYou can listen to some Rave songs on my Google play store:\n\nOther Interesting Art: \u00a0\n\nJason Vorsal\n\nLeave a Reply\n\n\nWordPress.com Logo\n\n\nGoogle+ photo\n\n\nTwitter picture\n\n\nFacebook photo\n\n\nConnecting to %s"}, {"prompt": "playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen", "finetuned_output": "playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen,  lighthearted,  optimistic,  ironic,  satirical,  playful,  jazzy,  traditional,  modern,  fun,  energetic,  catchy\nSong lyrics: Oh, whatcha doin'?  \r\nIt's been so long  \r\nYou don't know what time it is  \r\nCan't you tell by the cut of my hat  \r\nThat I'm feeling rather gay  \r\nI suppose I'm feelin' much better  \r\nBut whatcha doin'?  \r\nOh, whatcha doin'?  \r\nHow do you do  \r\n  \r\nI'm a long way from being lonely  \r\nI can't complain about my health.  \r\nOh, whatcha doin'?  \r\nWhatcha doin' here?  \r\nI'm making a play for some girl next door  \r\nWe'll be together soon enough.  \r\nWe could go walking or even go out walking  \r\n'Til the early morn.  \r\nOh, whatcha doin'?  \r\nOh, whatcha doin'?  \r\nWe'll do anything that we can  \r\n'Til the early morn'", "base_output": "playful, quirky, satirical, upbeat, theatrical, ironic, witty, punchy, lively, humorous, cabaret, Queen of Rye, and the likes.\n\nWhen people get to know someone who works in the creative industries, they are sometimes startled to find that they've never heard of them being creative. Many of those who get to know someone who works in the creative industries are often startled and confused when they discover that they've never heard of this person before, to the point of actually believing or thinking that the person is not creative - even though they've known them for many years and are friends! The reason this can be, is because those who work in the creative industries are not in the creative industry.\n\nThey may be writing books or doing artwork, for example, but they are not creative. In this case they're also often referred to as 'creative writers' or 'writers of books' instead of 'authors'/ 'writer of novels' / 'writer of fiction', or whatever the creative writers are called in their respective fields. So, it's important that when you get to know someone who works in the creative industries, especially in the creative art domain, you do your best to remember that they are not creative and it's important that you don't try to put them on.\n\nThat's not to say that you shouldn't continue to"}, {"prompt": "haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine", "finetuned_output": "haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine.\n338 views\u00a0\u00a0\u00a0was: 4.0", "base_output": "haunting, poetic, gothic, mystical, ethereal, sorrowful, enchanting, dreamlike, introspective, dark romance, Florence + The Machine: The Musical, The Blue Piano, The Woman of the Black Machine, Dandelion Night, Dirty Deeds Done Dirt Cheap, Hunchback of Notre Dame, The Lost Weekend, La Dolce Vita, The Lord of the Rings: The Return of the King, The Last Song; the soundtrack of Hitchcock\u2019s Blackmail, Sweeney Todd, Lolita, and The Falsettone Sonata (although not really a sonata as such). It was also used in the film The Thin Red Line, the film adaptation of John Steinbeck\u2019s novel Of Mice and Men, the music of the movie and the novel have been recorded by bands including The Doors, Peter Frampton, Wings, The Rolling Stones, and Billy Preston. There is also a famous quote attributed to Kurt Cobain, stating that he hated movie scores because they were \u201cnothing like what he was trying to make\u201d.\n\nThe film is divided into 23 episodes that tell the story of 3 sisters. Each episode consists of a song by itself and several songs that are repeated together with the story line and music. Songs from the episode are placed after each other and then the story lines follow in the order they took place"}, {"prompt": "sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon", "finetuned_output": "sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon\nSong lyrics: I've got something for you,  \r\nSomething you'll never forget  \r\nIt's a love song that I wrote for you  \r\nIt's called  \r\n  \r\nSaid the moon to the stars,  \r\nI miss your love but I'm glad it's gone  \r\nBecause I'll forget it all some day  \r\nAnd then I'll find love again  \r\n  \r\nAnd then I'll fall in love with you  \r\nAnd love you a thousand times  \r\nAnd then I'll fall in love with you  \r\nAnd love you a thousand times  \r\n  \r\nMy love is such the world's greatest love song  \r\nIt's a love song so fine  \r\nTo tell you  \r\n  \r\nWhen you're in love and you want just one thing  \r\nSo I ask you please take a look at me  \r\nI promise to be the kind of man that you like  \r\nThen you'll be happy and I'll make you love me.  \r\n  \r\nAnd when you're in love, darling  \r\nWhen you've got a feeling for me  \r\nI won't stop loving you\r\n\r\n", "base_output": "sentimental, heartfelt, acoustic, nostalgic, warm, raw, sincere, storytelling, comforting, emotional, Paul Simon, Garth Brooks, George Jones, country, blue-eyed soul, rock, Nashville, 50's, 60's, 70's, country-blue, country-folk, country music, soul, Gospel, gospel music, blues, spiritual, soul songs, folk, rootsy, bluesy, bluesy, bluesy-folk, bluesy-soul, bluesy-country, gospel rock, gospel rock, gospel-rock, gospel-rock, folk rock, blues-rock, southern gospel, country-folk, country-diatonic, Nashville-folk, Folkie\n\nRelated to:\n\nShare this page:"}, {"prompt": "aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones", "finetuned_output": "aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones\n\n**Mood:** Aggressive, cynical, defiant, humorous, darkly humorous, tense\n\n**Atmosphere:**  Urban, crowded, energetic, slightly dangerous, chaotic\n\n**Style:**  Simple, direct, raw, anthemic, punk rock,\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n**\n\n", "base_output": "aggressive, fast-paced, high-energy, punk, anti-establishment, rebellious, punchy, straightforward, sarcastic, gritty, The Ramones\n  \u2022 4.78 (19 votes)\n\n\nThere you go. It's the new \"Moby\" (a great singer to have with you when writing songs by the way), the punk and anti-establishment bands, the loud, fast-paced, punk rockers. It's a great collection of songs with a great attitude to go along with them.\n\n1, 2, 3, 4."}, {"prompt": "smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones", "finetuned_output": "smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones\nSong lyrics: (sambora)  \r\n  \r\nThe first day I met you  \r\nThat same day I learned  \r\nThere was nothing left to say  \r\nNothing that I have to do  \r\n  \r\nThat was the time that you could only be  \r\nA part of me  \r\nAnd you made me understand  \r\n  \r\nSome men have something that others don't  \r\nBut you'll never ever know  \r\nWhat that something is  \r\n  \r\nYeah  \r\nBut I know  \r\nComing up to you  \r\nThe world is your oyster  \r\nIt's more than just you and me  \r\nComing up to you  \r\nThe world is your oyster  \r\n  \r\nThe water's deep  \r\nThe water's warm  \r\nIn the palm of your hand  \r\nThere's something very special  \r\nIn the palm of your hand  \r\n  \r\nThere's a man who knew you  \r\nBut he made a different mistake  \r\nHe walked away instead  \r\nHe didn't say \"let's stay\"  \r\n  \r\nAnd this is just the beginning of the story", "base_output": "smooth, sensual, groovy, jazzy, sophisticated, elegant, soulful, warm, intimate, laid-back, Norah Jones, Chaz Zucker, CeeLo Green\n\nIf you're one of those artists who think it's all about looking cool and being hip and being a fashion statement, then I suggest you think again. If you're the only one who knows how to play the guitar, then that probably means you're not very good at it either. \u00a0There's only one person I know who's a really good guitarist who is also a fine actor, and another who is a really good dancer and a great pianist, and this one I can understand.\u00a0\n\nI suppose what I'm really trying to say is that your chances of racking up an \"artist\" award are going to be pretty slim.\u00a0In my experience, it's not about how cool you are, or how good your talents are, it's about being able to make people enjoy your work. \u00a0All this means is that your skills and expertise have to be able to move people. \u00a0And I feel like the artists who are really good at it are the ones who don't make everyone else look like fools. \u00a0That's why I tend to enjoy the show in which a bad artist looks on the verge of self-destructing after all his/her"}, {"prompt": "dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails", "finetuned_output": "dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails\nSong lyrics: I'm coming to a room where you stand  \r\nAnd I'll be with all the rest who will  \r\nBurn until there is nothing left.  \r\nI'm coming but I'm not there yet  \r\n  \r\nAnd I'm coming to this place,  \r\nI know what's on your mind.  \r\nI'm coming to you,  \r\nI want you to see that.  \r\n  \r\nI'm coming to a room in a machine  \r\nIn a room where all you see  \r\nIs neon lights and I'll be with all the rest.  \r\nBurn till there is nothing left.\r\n\r\n", "base_output": "dark, industrial, mechanical, menacing, raw, aggressive, intense, futuristic, dystopian, pulsating, Nine Inch Nails. I mean, they all work, and they all do the same thing.\n\nThey are a group that are willing to do what they have to do and deliver what they want to do.\n\nAs a musician, you have the freedom to explore every genre possible. That means going all the way from melodic, traditional rock bands like The Beatles, to melodic, pop rock bands like U2, to melodic, electronic rock bands like Linkin Park, to progressive rock bands like Pink Floyd or to just about any genre you can imagine. It's up to you how you want to go.\n\nI've been around a while and I can tell you that you can't go wrong with one of these bands. If you love a genre, you will probably love all types of bands that belong to that genre. Plus, if you aren't one of the types who likes playing with other bands or going to music festivals on the weekends, you can try many bands like these, and still not meet anyone that you don't like.\n\nI've heard a lot of people compare a music scene to the visual arts community. I don't understand it. Sure these two things are going to intersect at some point in time, but what will really happen there"}, {"prompt": "joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire", "finetuned_output": "joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire\nSong lyrics: [Chorus]  \r\nOh, oh, high and mighty, I'm going high up into the moon  \r\nGot the money to burn, so high and mighty I'll be  \r\nGot the money to burn, high and mighty now  \r\n  \r\nI've got a good lookin' mouth  \r\nAnd I like to use it  \r\nWhen I am with her  \r\nAnd when I touch her, she makes her feel  \r\nShe makes me feel so high and mighty  \r\nHigh and mighty now  \r\n  \r\nI'm goin' high, in the clouds of love  \r\nYou know I'm goin' high  \r\nAll across the town  \r\nYou can see me on a cloud of love  \r\n  \r\nI'm goin' high, in the clouds of love  \r\nYou know I'm goin' high  \r\nAll across the town  \r\nYou can see me on a cloud of love  \r\n  \r\n[Chorus]  \r\n  \r\nYou know I'm goin' high  \r\nOh, high and mighty I'm goin' high up into the moon and", "base_output": "joyful, funky, celebratory, groovy, high-energy, playful, uplifting, smooth, stylish, charismatic, Earth, Wind & Fire\n\n  48. Happy Birthday! Happy birthday to the boy who invented Happy Birthday!\u00a0\n\nLeave a Reply\n\n\nYou are commenting using your account. Log\u00a0Out\u00a0/\u00a0 Change\u00a0)\n\nGoogle+ photo\n\n\nTwitter picture\n\n\nFacebook photo\n\n\n\nConnecting to %s\n"}, {"prompt": "nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine", "finetuned_output": "nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine\nSong lyrics: (David Bowie, 1975)  \r\n  \r\nHey, hey, hey, it was strange how I got high  \r\nHey, hey, hey, it was strange how I got high  \r\nNo I didn't mean it it I didn't mean it  \r\n  \r\nI was lost out there in the trees  \r\nI was lost out there in the trees  \r\nBut you're the only one who could be the way I fell  \r\n  \r\nOooh I feel so good inside  \r\nJust like a crazy rabbit out of his nest  \r\nFeelin' so good was the feeling I had  \r\nI felt that I could just get high forever  \r\nOooh I feel so good, I'm floating in a haze  \r\nNo, I didn't mean it, I didn't mean it  \r\nAll those pictures of us that you keep hanging on your walls  \r\n  \r\nI was lost out there in the trees  \r\nI was lost out there in the trees  \r\nBut you're the only one who could be the way I fell  \r\n  \r\nHey, hey, hey, it was", "base_output": "nostalgic, dreamy, shoegaze, surreal, hazy, meditative, otherworldly, romantic, melancholic, introspective, My Bloody Valentine, Nox, Nostalgia (music), OMD, Overnight Millionaires\n\nMood: Energetic and upbeat, enthusiastic, lively, wild, excited, exhilarated\n\nTribe: Black Rock Culture, Black Crow Healing, Black Dog, Black Moon, Black Sun, Black Heart, Black Moon 1, Black Moon 2, Black Sun, Black Wolf, Black Rage, Black Night, Black Night 1, Black Night 2\n\nDream Memories: I had dreamt before it was made that it is going to work and that all the characters are going to be together, and it did work.\n\n\nName: (name)\nBirthplace:???????\nGender: Male\nAge:?????? and?????? (18-35 yrs old)\nBirth: 2/3/1810. (?)\nProfession: N/A\nRace: (race name)\nHorse Names: Yes\nHorse Stance:?\nHorse Name(s): Yes\n\n\nRace/Animal Background & Personality\n\nYes, but not as well as the rest of the race.\n\nThe horse is more"}, {"prompt": "poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice", "finetuned_output": "poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice's expressive vocals, the power of the words, the film's narrative driven story, the theme of love and loss, the contrast between the good and bad sides of the characters. [Misc: A-l]\n\nMy Name Is Red (Pacino Starring Johnny Depp) [1990] (Italian)\n(English subtitles)\n\nEnglish subtitled, story of a businessman with a complicated love life, with a little bit of romance, cautionary, cautionary, with a touch of Italian, 1990 (Italian DVD), John\n\nMy Name Is Red [A.T.P.] E.D.P. [99.dvd rw]\n(Cannes )\n\nItalian version, with Johnny Depp (English subtitles)\nIt's the story of a man with a complicated love life, with a touch of romance, and an explanation of why a lover's love gets in his way, with\n\nMy Name Is Red\n\n(28) La donna che sognesso (It's the love life) is a 1996 Italian movie directed by Alessio Pizzuti. It stars Johnny De", "base_output": "poignant, sorrowful, heartbreaking, emotional, cinematic, deeply personal, confessional, intimate, lyrical, Damien Rice.\n\n21/05/2013. 21:44.\n\n\n\n\n\n11/08/2013. 13:59.\n\n\nKara Walker - Untitled 24.\n\n\n\"A little bit of everything,\" reads the title of her newest work, and the 35-year-old artist's self-titled installation of over 100 prints, hangs in a small gallery on the first floor of New York's Metropolitan Museum of Art.\n\nPure, and a little bit scary.\n\n11/28/2013. 17:31.\n\n\nHank Willis Thomas - In the Heart of the River.\n\n\nThomas's work, like his art of the past 20 years, has often been labeled \"socially engaged art,\" but that term seems to best describe his use of images to provoke public conversation about the social and racial context of his own life and history.\n\n05/06/2013. 15:50.\n\n\nKara Walker - Untitled - BW.2.\n\nYou are the artist of what is done while you move"}, {"prompt": "euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris", "finetuned_output": "euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris\nSong lyrics: I feel the suns breaking through my window  \r\nI feel the suns breaking through my window  \r\nI feel the suns breaking through my window  \r\nI see your face appearing face appearing  \r\nI see your face appearing face appearing  \r\n  \r\nIt's a hot summer  \r\nThe sun's burning through the sky  \r\nHear the sea-going in the harbor  \r\nIn the harbor  \r\nNow you're saying it's a fine day  \r\nBut you want to get away from here  \r\nI'm all alone  \r\nWhat's it gonna take to get me home  \r\n  \r\nI feel the heat of your love  \r\nI see the flame burning in your eyes  \r\nAs your love melts my very soul  \r\nBurning in your eyes, yeah yeah  \r\n  \r\nIt's a hot summer  \r\nThe sun's burning through the sky  \r\nHear the sea-going in the harbor  \r\nThere's a fog hanging on the mast  \r\nI'm getting nervous, all alone  \r\nWhat's it gonna take to get me home  \r\n  \r\nI feel the heat", "base_output": "euphoric, electronic, uplifting, anthemic, pulsating, danceable, atmospheric, modern, exhilarating, dreamy, Calvin Harris, Madonna, The Weeknd, Lady Gaga, Lady Gaga's 6th album, A Night to Remember\n\nTrack Info\n\n1. This Is Not A Number 2\n2. All I Ever Had\n3. The Way\n4. All I've Ever Had\n5. The Way\n6. 21\n7. My Baby\n8. Take A Stand\n9. Just Be Here\n10. A Night To Remember\n11. A Night To Remember (Mixed by Kevin Thomas)\n\nRuntime: 2'55\""}, {"prompt": "explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine", "finetuned_output": "explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine\nLength: 8:00\nSong lyrics: We're gonna take down, big time  \r\nWe're gonna take down, all over again  \r\nWe're gonna teach those fools a lesson  \r\nAnd turn 'em against themselves, and against the people  \r\nI never was taught to hate, I'm not a racist, I don't want no  \r\nHero worshipper  \r\n  \r\nI don't want no god of hate  \r\nI don't want no god of hate  \r\nI didn't want a god of war  \r\nAnd I don't want no god of war  \r\nGod of hate  \r\n  \r\nNo use in me trying to apologize, but  \r\nNo use in me saying \"That won't happen anymore\"  \r\nWe could be the same age we could be one generation older  \r\nAnd I won't be a 99th or a 100th  \r\nBut I still won't be the one who's the first to rise  \r\nTo take away their pride  \r\n  \r\nI don't want no god of hate  \r\nI don't want no god of hate  \r\n", "base_output": "explosive, rebellious, aggressive, high-energy, politically charged, confrontational, raw, powerful, uncompromising, Rage Against The Machine, rock and roll, Roid rage, ROH\n\nWhat is the meaning of Rage Against The Machine?\n\nThere are no results for Rage Against The Machine\n\nRage Against The Machine Top 500"}, {"prompt": "mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Misch", "finetuned_output": "mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Misch,  Frankie Valli,\nSong lyrics: Hey, good lookin' tonight  \r\nI hope you're ready  \r\nDon't let the sun go down on your day  \r\nAin't no one's foolin' with my time  \r\nThe world is a small place, man  \r\nYou gotta let it roll  \r\nLet the time, the season, the wind  \r\nMake it right  \r\n  \r\nHey, good lookin' tonight  \r\nI hope you're ready  \r\nDon't let the sun go down on your day  \r\nAin't no one's foolin' with my time  \r\nThe world is a small place, man  \r\nYou gotta let it roll  \r\nIt's too late now to catch a train  \r\n  \r\n(Chorus)  \r\nLet's take a quiet ride  \r\nLet our love keep rocking through the night  \r\nAnd let our love keep rocking  \r\nLet our love keep rocking through the night  \r\n  \r\nHey, good lookin' tonight  \r\nI hope you're ready  \r\nDon't let the sun go down", "base_output": "mellow, chilled, jazzy, warm, laid-back, intimate, groovy, smooth, nighttime vibes, escapist, Tom Mischler, dreamtime, bhangra dance, chandala dance, tribal dance, bhangra, bhangra movement, bhangra dance movement, bhangra-tribal dance, bhangra dances, tribal dance, bhangra movement, dance, bhangra dance, maryam, ganja movement, maryam ganja, maryam ganja, maryam-ganja dance, bhangra, mardalgarra, mani khilare, mani khilera, dance, dance mani, dance mani khelara, dance mani khilera, mani khelar dance, dance dance mani, maryam dance mani, manar dance mani, dance dhammani, dance dhamanar, dance mani, dance mani khilay, dance mani khilay gham, dance mani khilay gham, mani khilay dance, mani khelare dance, mani khelary dance, mani khedali dance, mardi khedle dance, mani kehari dance, mani-khelar dance, dance khed, dance"}, {"prompt": "ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay", "finetuned_output": "ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay.\nShelter,  uplifting, majestic, cinematic, dreamlike, introspective,  philosophical,  \n\n\nShelter is a film that takes you to the moon, where you can see all the stars that shine, on the moon.\nThere are also people there, who are on the moon, in this show, they can speak, so you can hear what they are\nsaying. The show is in English, but you can also see if the movie you are watching is in another language.\nShelter is about a man who cannot find shelter (the house) for his family. He has nowhere to live, and\nthere are so many dangers that he could face. When he is in need for shelter, he sees the moon, and\nhe has a dream of finding a place in the sky, so he can live in peace with his family. When he\nrealizes that his family are not there, he looks to the sky. He sees a shooting star, and he\nfollows it until he realizes that he's on the moon.\n\nEvery night when he sees the moon, he thinks about his family. He believes that the people there will\nmake him feel at home. Then he realizes that he", "base_output": "ethereal, uplifting, majestic, orchestral, grandiose, cinematic, dreamlike, floating, celestial, Coldplay-esque, cosmic, dreamlike, dreamlike, cosmic, dreamlike, fantasy, grandiose, grandiose, gargantuan, grand, grandeur, fantastic, fantastic, fantastic, fantastic, fantastic, flamboyant, glittering, majestic, majestic, majestic, majestic, mighty, mystifying, mystical, majestic, mystifying, mysterious, mythic, mythic, mythic, mystifying, mythic, mythic, mythic, mythic, mystical, mystifying, mythological, mythological, mythological, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythic, mythological, mythologist, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, monumental, majestic, majestic, majestic, majestic, majestic, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, magnificent, majestic, monumental, magnificent, majestic, majestic, majestic"}, {"prompt": "fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna", "finetuned_output": "fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna\nSong lyrics: Baby oh baby baby oh baby  \r\nBaby oh baby yeah baby yeah  \r\nBaby oh, baby oh baby  \r\nOh baby, baby oh baby  \r\nBaby oh baby oh baby  \r\nBaby oh baby yeah  \r\n  \r\nIt's a girl, and that's all right  \r\nTheres no way you are gonna change a bone  \r\nThat's why I keep it on the outside, you can ignore it, girl  \r\nI never give up, its always where we are  \r\nIt's what our lovers do, but that's just part of the fun girl  \r\n  \r\n(Chorus)  \r\nBaby baby baby baby oh baby  \r\nBaby oh baby baby oh baby  \r\nDon't you be afraid, don't you be afraid, just do it  \r\nDon't you be afraid of what could go wrong, baby  \r\nDon't you be afraid of me, when this scene has come to an end  \r\n  \r\nTheres a girl you must see  \r\nI don't need, i don't need nobody else girl  \r\nBut this girl, this girl is in and out of the closet  ", "base_output": "fierce, confident, powerful, sassy, anthemic, empowering, bold, danceable, charismatic, Rihanna is known for her \u201csassy\u201d moves: \u201cFetch \u00a0the cat, fetch the cat.\u201d \u201cFetch,\u201d \u201ctoss,\u201d \u201cfling,\u201d \u201cdangle,\u201d and \u201ccrawl\u201d were all Rihanna\u2019s ways to put her body on display, and how she moved made her unique. Rihanna danced and wore revealing style that set her apart from the rest as well as made many others jealous. Although Rihanna was not considered \u201chip\u2019 or \u201cbiceps and flys,\u201d she had to earn that respect because she never thought she had enough of it. By 2005, she was an \u201cavant-garde drag queen\u201d dressed in her trademark black tights and pink flannels. \u00a0In 2010 Rihanna was the world\u2019s most-feted rapper, and in 2012, she entered her first \u201cHip Hop Awards,\u201d and in 2012, Rihanna was given \u201cThe Best Rap-style Video in the Apprentice\u201d by S.Y.B.S.A (Supreme Black, White & Asian Stereotypes, 2013). Rihanna was always a part"}, {"prompt": "mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Tool", "finetuned_output": "mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Tool\n", "base_output": "mystical, progressive, cinematic, epic, dramatic, storytelling, ethereal, poetic, surreal, Tool-like, experimental, techno-pop, post-punk, electro, minimal, and post-modern.\n\n\nThere are still many new songs being explored, and many are still emerging in 2017.\u00a0 We will try and keep you updated all year round!"}, {"prompt": "raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen", "finetuned_output": "raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen\nSong lyrics: Daddy had a gun, mother had a gun  \r\nAnd I had a gun too  \r\nDaddy said:  \r\n\"I am not the judge, jury  \r\nAnd I am not the jury  \r\nAnd I am not the jailor  \r\nBut I'm here today to decide your case.\"  \r\n  \r\nAnd I looked at my two oldest, my sister and my brother  \r\nAnd I gave them kisses  \r\nAnd I said:  \r\n\"You come on in, and come stay  \r\nThere was a time  \r\nWhen I was no man, but I was not a man  \r\nAt least I was strong.\"  \r\n  \r\nNow I got to have a job  \r\nAnd they say that I should  \r\nThey say I should go to work for a living  \r\n'Cause they say that it ain't working, you know  \r\nBut I'll go now until my body's broken  \r\nI'll go until my body's broken  \r\n  \r\nDaddy was on a corner  \r\nMother was on a corner  \r\nI was up on a corner, too", "base_output": "raw, storytelling, gritty, emotional, melancholic, observational, confessional, lonely, folk-inspired, Bruce Springsteen-style.\n\n\"Don't forget the people\" may become the most-covered refrain in rock music ever, to the point of being used several times in \"Mountain,\" and it was one of the last lyrics written for \"Cowboy Bebop.\"\u00a0\n\nNow, it almost sounds silly to claim the song has a message, other than maybe that most Americans think that the country is at war with some people, and that at the end of the day, it's all about the guys in the red coats.\n\nBut, of course, \"Cowboy Bebop\" was not written with a message. If anything, the song is a work of self-indulgent, rambling fiction that makes the point about how much a songwriter can go wrong if they're told to not tell a story. Or at least, it makes that point to the point at which the songwriter's self-indulgence and rambling gets the point to the point that it all goes down the drain.\n\nIn spite of that, \"Cowboy Bebop\" is still about as good as any pop song could get when it comes to storytelling. The story is about the evolution of a cowboy-esque hero"}, {"prompt": "hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd", "finetuned_output": "hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd\n\nTommy: I wanna tell you a story.\n\nFaun: I wanna know your story.\n\nTommy: I just had a crazy dream. I'm not sure if it was real but it sure was weird. We are in a room that is pretty dark but the glow from a bright light on the wall is making it very bright. You can see the wall in color, the floor and the ceiling are very clear. There is a black shadow that moves in the room as we walk into it and it just disappears. It's so weird when it disappears but I can't figure out who it was that disappeared and what it was. We have a big computer that we are all sitting on. My phone is in my pocket. I'm texting Tommy. It was one question about something but I really didn't get it. I'm in a fight with a man, he's beating me up. He says a lot, I don't know how to tell you. I told Tommy that I don't remember the name and that it wasn't part of the dream. It's crazy because I don't think I even remember anything we said. We were just getting through it like we always do. I know it's been a", "base_output": "hypnotic, dark, electronic, industrial, brooding, mysterious, pulsating, futuristic, immersive, The Weeknd - 'Boyfriend' - 'Lost Songs'\n\n'Lost Songs' (1st album) is the fifth studio album by the New York based artist TJ Haney. In early April 2019, The Weeknd became the first U-known artist to release a digital-free album in his life.\n\nAfter his breakthrough album 'Ain't Nobody' (2013), The Weeknd released his first full-length album 'Ain't Nobody' (2013), in which he released a limited 'digital free' download. He continued the trend with #NoParcels - his 10th studio album: #NoParcels (release date October 23, 2014) in which he received a digital radio airplay.\n\nFollowing the track 'Lost Songs', Haney released a second studio album called 'Lost Songs' (2013) featuring the work of 23 other artists, including The Weeknd.\n\nHaney had previously had a solo release, #Lost Socks (2012), that he had never released digitally. He had also collaborated with 23 other artists on the first"}, {"prompt": "nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift", "finetuned_output": "nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift\nSong lyrics: The boy and I stood back across the sidewalk then I could hear  \r\nAll the other girls and we knew their faces  \r\nThey told us, oh, that they loved me  \r\nAnd I said I was their friend  \r\nWe sat through the movie then you said \"I just want to say\"  \r\n\"I'm sorry, just for a moment\"  \r\nMy first smile since I've been home  \r\nI think you do something that I've never done  \r\nAnd it's so good, we're so right for, so bad for  \r\nNo one else's love  \r\n  \r\nWe watched football while we ate pizza  \r\nIn the park that afternoon  \r\nAnd I'll never forget when my father called  \r\nAnd said, \"Taylor, something's wrong here\"  \r\n  \r\nWe packed up everything that we'd left on the other side  \r\nOf the city of fire, down in New Orleans  \r\nAnd I gave you one last good goodbye to my friends  \r\nAs I watched my father pack up, and my mother was at the station  \r\nBut my grandfather was still waiting on one more thing  ", "base_output": "nostalgic, hopeful, country, storytelling, heartfelt, acoustic, warm, sentimental, down-to-earth, sincere, Taylor Swift, 5th November 2014, brady, 77468, lyrics, words, 3:14\n\nHow do you tell if someone is depressed or a suicidal person?\n\n\nIf you care about someone, you really would not want him or her to kill or seriously injure himself or herself -- or anyone else. You would really want to \"watch\" him or her -- just in the sense that you want to hear what he or she has to say about what he or she is feeling or experiencing right now.\n\nIf you care, you know someone wants something. Even if you don\u2019t know him or her in a physical way, you hope to be able to hear what he or she wants; and if this person has some serious difficulty hearing you, you want to hear her or him talking about it.\n\nDepression is real. It\u2019s a real, serious, deep-rooted condition. And if you care, it is important for you to be concerned.\n\nIt is your job to be a source of hope to the person. You can say that, in fact, he or she wants you to be there for that reason. And that is truly a good thing; but you"}, {"prompt": "edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park", "finetuned_output": "edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park\nSong lyrics: [Verse 1]  \r\nYou gotta know  \r\nWhat the devil the real mutha fuck  \r\n  \r\n[Verse 2]  \r\nWe just waiting, so we  \r\n  \r\n[Chorus]  \r\nHoo! (Repeat 3X)  \r\n  \r\n[Verse 3]  \r\nWe can't hide, can't hide  \r\nWe hide, we never can hide  \r\nWe can't hide (we can't hide)  \r\nWe can't hide (we can't hide)  \r\nWe can't hide (we can't hide)  \r\nWe can't hide (we can't hide)  \r\nWe can't hide  \r\nOh... hooh  \r\nGirl you got to hear this  \r\n  \r\n[Verse 4]  \r\nCome on!  \r\nWe hide inside of  \r\n  \r\n[Chorus]  \r\nHoo! (Repeat 3X)  \r\n  \r\n[Verse 4]  \r\nWe can't hide, can't hide  \r\nWe hide, we", "base_output": "edgy, intense, high-energy, heavy, chaotic, distorted, anthemic, aggressive, dynamic, Linkin Park live music.\n\nThis was also the point where I decided to record and edit this performance. I\u2019d like to say that it was a real live performance live in an actual venue, but in reality, this performance is more or less a recording of a performance. With the help of my friend Tim Nolan an EMI engineer, we recorded the recording of this performance to create this track. The final arrangement of the track was mostly done on this acoustic guitar which is basically not meant for recording.\n\nI took this record into a production studio and recorded the vocals. There was a couple of other parts I played before recording. Then the vocals were mixed and mixed again. I finally decided that there was nothing more that can be done after recording. I tried to make the track more mellow with some additional instruments added too.\n\nThis track was recorded in 2020, and in a very good moment, during the pandemic when I wasn\u2019t able to record during my summer vacation. I recorded this 3 year old version of this song during the summer.\n\nThis is only a recording, this isn\u2019t a performance (not really). However, this track can be very powerful because its actually an acoustic guitar recording of"}, {"prompt": "sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson", "finetuned_output": "sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson\nSong lyrics: Good summer day sunshine  \r\nGood summer day sunshine  \r\n  \r\nWell, the weatherman's calling in the sun,  \r\nThe sky is looking like dry land.  \r\nThe sea will soon be turning grey, oh lordy, oh lordy  \r\nIt's gonna make me blow a fuse.  \r\n  \r\nGood summer day sunshine.  \r\nGood summer day sunshine  \r\nOh Lordy, oh Lordy.  \r\nWell, people say that summer's a time for sunin',  \r\nBut then summer's just begun  \r\nTo get hot and the sea can look so cold  \r\nIt's gonna bring a killer.  \r\n  \r\nWell, the wind was howlin' so  \r\nWe were stuck together by a rope.  \r\nOn the ground was a suitcase,  \r\nI was so dizzy that I fell down.  \r\n  \r\nGood summer day sunshine  \r\nGood summer day sunshine  \r\n  \r\nOh Lordy, oh Lordy.  \r\nWeather forecast, sunny, breezy  \r\nSummer is looking great.  \r\n  \r\nYou can hear the sea ro", "base_output": "sunny, carefree, acoustic, simple, breezy, beachy, laid-back, nostalgic, storytelling, warm, Jack Johnson, Johnny Mathis, James Dean, Jack Kemp, Jack Kern, John Lennon, JFK, John Lennon, John Roberts, John Ruskin, John Wayne, John Wayne, John Wayne, John Travolta, John Travolta, John Travolta, John Waters, John Waters, Jasper Fforde, Jacobean Drama, Jan 4/03, Jewishness, Jacque Fresco, jazz, jazz music, jazz music, jazz piano, jazz-style piano, Jazz-Style Piano is a free music and audio converter in the MP3/AIFF/WAV files format.\n\nThis page shows you how to convert songs and albums on iTunes (or any of the other songs files formats like MP3/AAR, WAV, AIFF, FLAC) from the JACK/JACK4 format to the mp4 and m4v format. We can convert the music files to different music formats that we want. These are the file types that we will be transferring from the JACK 4 format to the mp4, mp3, aiff, a2v, aac, m3u, wav etc. formats, and you can easily view the list of"}, {"prompt": "spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West", "finetuned_output": "spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West\nSong lyrics: It was the night of our salvation  \r\nAnd this ain't no church  \r\nHe raised up Moses right up to the mountain  \r\nAnd the moon turned into the sun  \r\nAnd all of a sudden  \r\n  \r\nIt was the night of our salvation  \r\nYou know me right in your heart  \r\nWe found a place in heaven  \r\nThe stars in our hand  \r\n  \r\nThis ain't no church  \r\nAnd this ain't no place  \r\nThis is my kingdom  \r\nThis is where you belong  \r\n  \r\nAnd I know there's people who don't know what to do  \r\nDon't try to be something you are  \r\nHe said come let us make you a name for a time on earth  \r\nLet your light shine before men  \r\n  \r\nThis ain't no church  \r\nWe ain't going to pray to Jesus  \r\nWe ain't talking about heaven  \r\nWe don't worship the King  \r\n  \r\nThis is my kingdom  \r\nThis is where you belong  \r\n  \r\nAnd I know there's people who don't know", "base_output": "spiritual, anthemic, uplifting, gospel-influenced, warm, celebratory, grand, soulful, reverent, Kanye West-inspired,\u00a0my personal idea of a wedding, or just a beautiful moment in time. There are so many ways to celebrate your wedding. If you're not sure what you should include, look at your guests for inspiration. Is your big day happening at a wedding that has the right ambiance for your event? You can even try and incorporate some of the elements of the event you want to celebrate into your big day too. Your wedding is a special day, give yourself the space you need to have it.\n\nThis is part two for the Wedding 101 series. Make sure you come to our next Wedding 101 post on Wednesday, when we introduce the basics of the bridal shower.\n\nYou Might Also Like\n\n\nBethany's Wedding & Bride Blog\n\n\n\nConnect with Bethany\n\n\nBethany's Blog\n\n\nSign up to get to my exclusive newsletter\n\nLike Bethany on Facebook"}, {"prompt": "dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds", "finetuned_output": "dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds, narrative-driven, allegorical, allegorical, complex, philosophical, darkly humorous", "base_output": "dark, cinematic, suspenseful, mysterious, poetic, gothic, haunting, theatrical, surreal, Nick Cave & The Bad Seeds - \"The River\"\n\nMystery Series (3 of 3)\n\nMystery (Mystery) Series (4 of 4)\n\nMysteries on the Run (Mystery Series (5 of 5))"}, {"prompt": "bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John", "finetuned_output": "bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John\nSong lyrics: The world is a whirling dream  \r\nWhen life's too short to be mad  \r\nSo I have a secret, dear  \r\nDream of never waking  \r\nThe dream is an island  \r\nFar, far away  \r\nAnd if I'm happy  \r\nHe is not around  \r\nHe can't tell me who I am  \r\nAll alone  \r\n  \r\n[Chorus]  \r\nShe is a stranger to me  \r\nBut the memory is still mine  \r\nThe time has come now  \r\nTo be loved, like nobody's loved  \r\nShe is a stranger to me  \r\nBut I feel I have seen  \r\nThat strange and strange love  \r\nLove like I never  \r\nEnountered before  \r\n  \r\nAnd he is just as distant  \r\nIn love's eternal song  \r\nHe has nothing to fear  \r\nSince he has come into my life  \r\nAnd all his songs have now come true  \r\nAnd with every kiss  \r\nI hear it in my dreams  \r\nThe time has come now  \r\nTo have a love that is mine  ", "base_output": "bittersweet, nostalgic, romantic, emotional, warm, orchestral, poetic, timeless, storytelling, Elton John, John Cale, John Lennon, John Lennon The Beatles, John Mayer, John Mayer The Hills, John Mayer, John Mayer of England, John Mayer's Family, John Mayer's Girlfriend, John Mayer's Love, John Mayer's Mother, John Mayer's Partner, John Mayer's Singer, John Mayer, John Mayer and the Beatles, John Mayer and the Beatles, John Mayer singing to his girlfriend, John Mayer's voice, John Mayer and his girlfriend, John Mayer and his family, John Mayer and his singer, John Mayer and his mother, John Mayer and his partner, John Mayer's son, John Mayer's son the Beatles, John Mayer's girlfriend, John Mayer's girlfriend and the Beatles, John Mayer's love, John Mayer and his lover, John Mayer's lover, John Mayer and his singer, John Mayer and his partner, John Mayer and his girl, John Mayer and his girlfriend and the Beatles, John Mayer and his girlfriend, John Mayer and his father, John Mayer and his lover, John Mayer and his husband, John Mayer and his lover and the Beatles, John Mayer and his lover. John Mayer and his partner, John Mayer and his singer and his mother, John Mayer and his lover. John Mayer"}, {"prompt": "eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie", "finetuned_output": "eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie.\n\nHis most famous work was the album Pink Floyd: The Ramrod. \"I love my new hat\" he said of the Pink Floyd' album Pink Floyd: The Ramrod, and later his description of his love affair with the band and the record: Pink Floyd: The Ramrod is, in a sense, about The Ramrod...I love my new hat and the Pink Floyd\n\nDavid Bowie\n\nThe film Pink Floyd: The Ramrod, an adventurous, experimental melodramatic tale, tells the story of a man who becomes a fugitive when the family business falls apart. At the heart of the film are the\n\nDavid Bowie\n\nDavid Bowie (born David Paulidis September 11, 1947) is an English, pop and, rock and roll, singer-songwriter. He is known for his distinct, theatrical style, as well as a vocal\n\nPink Floyd: The Ramrod, the album Pink Floyd: The Ramrod, is the first and longest album the English rock band The Pink Floyd produced.\n\nIt was released on August 21, 1974, and is the band's third album and the first\n\nalbum to have any", "base_output": "eccentric, bizarre, experimental, unpredictable, theatrical, chaotic, colorful, surreal, unpredictable, David Bowie (2010), John Cage (1970), Kronos Quartet (1970), Porsche (1974), The Phaddictons (1979), The Spaghetti Incident (1970), John Zorn (1970), Kurt Cobain (1970), David Bowie (1979), Korn (2010)\n\nMusic-based forms of chaos theory:\n\nAnarcho-propaganda (1979), Punk (1977), Blast Theory (1974), Noise (1975), Chaos Theory (1973), Chaotic Noise (1973), The Wild Man of Marnoch (1973), The Beatles\u2019 Sound Mix (1968), The Fall (1969), The End Theory (1970), Blast Theory (1971-77), Chaos Theory (1968), Acid Music (1974), Acid Jazz (1975), The Psychedelic Furs (1977), Punk (1977"}, {"prompt": "tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead", "finetuned_output": "tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead\n\n**Mood:**  Dark, slightly unsettling, introspective, melancholic, frantic\n\n**Atmosphere:**  Spooky, mysterious, isolated, haunting, slightly menacing\n\n**Style:**  Punk, new wave, alternative rock, experimental\n\n**Lyrical Structure:**  Repetitive, cyclical, fragmented, introspective\n\n**Artist's\nPage 1 of 14\r\n", "base_output": "tense, edgy, alternative, cryptic, moody, brooding, experimental, unsettling, layered, Radiohead-esque\n\nIn all, about 98% of the songs could be written by The Beatles\n\nA band, whose only contribution was the Rolling Stones in England\n\nFor more about The Beatles:\nThe Beatles Wiki - YouTube (with the exception of the song 'Rain')\nThe Beatles Wiki (including all 8 songs from The Beatles album, Sgt Pepper's Lonely Hearts Club Band)\nBBC News Song of the Day\n\nHere's a cool site with pictures of The Fab Four:\nThe Beatles Page\n\nAnd here's a cool Beatles song by the Beatles:\n\n1 comment:\n\ndjd said...\n\nthe only thing that made it to the US was the movie version in 1968.\n\nthe only other band that followed was the Beach Boys."}, {"prompt": "uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars", "finetuned_output": "uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars\nSong lyrics: Oh she's a high-tone lady, gonna make you go crazy  \r\nWith her high end style, so do it, high style  \r\nI don't know who you are, but you ain't no dime  \r\nSo if you want to play with me, come over here  \r\n  \r\n[Bruno Mars]  \r\nYeah and she got a big haircut,  \r\nShe got a big style,  \r\nAnd she got big legs, oh,  \r\nShe got a big name, oh,  \r\nShe got the high end style, you know she do her thing, oh,  \r\nShe was there to tell the ladies they can do what they please,  \r\n  \r\nShe like the buss, she like the car, she like the clothes on her back,  \r\nYou know that she just like her body's  \r\nYeah, yes she do her best to do it all right, you know she wanna  \r\nShe want you to make her feel all right, you know this lady don't wanna  \r\nHear no lies, and you, you  \r\nOh you don't w", "base_output": "uplifting, funky, vibrant, celebratory, high-energy, soulful, stylish, groovy, dynamic, Bruno Mars\n\nBruno Mars - We will not back down (Verse 2)\n\nSong Title \u2013 We will not back down (Verse 2)\nFrom: Spotify\nOfficial site: https://www.spotify.com/spotify/tracks/1w85pB91Dq7HcN0M6f19n2Fp"}, {"prompt": "gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys", "finetuned_output": "gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys do this, this is what Southern musicians do, this is why you love working in the blues and soul blues.\nThey're the kind of bands that when they play an old fashioned rock and roll tune that ain't got a ton of rhythm to it, you can bet your bottom dollar they're gonna slam on the fiddle so that it sounds like the first cowboy rodeo in town, that's what they do.\nWhen they do that, it makes you appreciate the bass and the guitar more too.\nWhen you're not into the rock and roll stuff from Nashville, and they do that bass slide.\nListen you know you gotta be able to slide on there, you know how to do that fiddle solo, you don't need bells and chokers with you.\nListen to a lot of Southern bands, they do the right things and I mean it, it really makes you respect the soul blues, and soul music.\nNow when we play blues, well, that's my personal thing.\nI wouldn't play another rock and roll blues.\nIf your music is nothing special, than the only thing that matters here is the groove and the blues, they'll come out if you play a really good, clean line.", "base_output": "gritty, southern, bluesy, raw, rebellious, foot-stomping, storytelling, authentic, earthy, The Black Keys, music, guitar, acoustic guitar, bass guitar, drums, playing guitar, learning to play guitar, music lessons, acoustic guitar, learn to play acoustic guitar\n\n\nA little more guitar riffs (from \"1000 Miles to the Horizon\" by the Black Keys):\n\nPunch it up with bass and drums.\n\nThe title song from \"Stick with Me\" by The Black Keys:\n\nThis could have happened before the record was out.\n\nThe title track of \"Stick with Me\" by The Black Keys:\n\nThat's one less than a perfect time to see the sound of a fiddle in an album with a major label and massive distribution.\n\nCurtis Mayfield (from the second side of \"This Ain't No Country For Old Men\" by the Black Keys) as Dr. Tuggin:\n\nThe title track from \"A Little Bit of Shit and a Tone\" by The Black Keys:\n\nA Little bit of Shit and a Tone is definitely a little better than \"It Wasn't Nice,\" but it isn't quite, well, 'a little bit', either.\n\n\"Stick with Me\" (from \"A Little Bit"}, {"prompt": "psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era)", "finetuned_output": "psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era) The Beatles (Sgt. Pepper era) All I Really Need\nAll I Really Need  \r\n[From the Sgt. Pepper's Lonely Hearts Club Band album.]  \r\nSong lyrics: All I need  \r\nIs a pretty girl to satisfy  \r\nThe hunger of my heart  \r\nTo satisfy my heart  \r\n  \r\nLove is blind  \r\nI know I'm not the only one  \r\nWith feelings of this kind  \r\nBut feelings I have  \r\n  \r\nAll I really need is a pretty girl  \r\nTo satisfy my heart  \r\nAnd it's true  \r\nI've never felt the need before  \r\nAll I really need is a pretty girl  \r\nTo satisfy my heart  \r\n  \r\nOne good reason  \r\nIs to satisfy my heart  \r\nSo then the question arise  \r\nDo I even have a heart at all  \r\n  \r\nAll I really need is a pretty girl  \r\nTo satisfy my heart  \r\n  \r\nSome say  \r\nThat love is blind  \r\nSays the man with the facts  \r\nBut I don't  \r\n  \r\nAll I really need", "base_output": "psychedelic, colorful, whimsical, surreal, dreamy, storytelling, imaginative, intricate, The Beatles (Sgt. Pepper era)\n\nNew, experimental, unusual ideas, unconventional music\n\nExperimental musicians who did not follow traditional or established style and tradition. Often non-traditional musicians who broke the rules or followed many unknown or unestablished artists. Such a break may come from the genre that is more recognized, that is, more known to the general public and therefore, from what is known. By contrast, experimental musician\u2019s music may come up with something unknown or different, sometimes in a humorous way. For example, a drummer can stop using regular drum sticks and instead use cow\u2019s horns.\n\nIn music, these types of music can be very controversial. For example, some are concerned that experimental music contains excessive amounts of noise. However, they use a lot of unconventional musical elements and create a unique sound. Therefore, some people appreciate this kind of music while other people see it as a threat and a potential danger. Therefore, it must not be confused with avant-garde music.\n\nThe musical genre is a broad category of music that allows for variety of musical styles, each with its own uniqueness and characteristics. However, all musicians share a common interest in music, in the development of this art. Therefore, the genre can be considered a category that includes every type"}, {"prompt": "ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath", "finetuned_output": "ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath, atmospheric, melancholic, repetitive, introspective, existential,\nSong lyrics: Black Sabbath  \r\n  \r\nIt's a cold midnight  \r\nThe hours have flown  \r\nIt's a cold wind blowing  \r\nThe cold winds blow  \r\n  \r\nIt's late in the day time  \r\nIt's a cold moon rise  \r\nAnd you know it's going to be a great day  \r\nGreat Day for  \r\nBlack Sabbath  \r\n  \r\nSinging the blues  \r\nIt's a dark and cold world  \r\nThe days of yesterday are gone  \r\nIt's a cold wind blowing  \r\nThe cold winds play  \r\nAnd you know it's gonna rain  \r\nNo one's in here  \r\nWith a cold windy spell  \r\nAnd we all know it's gonna be a great day  \r\n  \r\nSo take my hand  \r\nI'm goin' out tonight  \r\nBlack Sabbath\r\n\r\n", "base_output": "ominous, aggressive, eerie, doom-laden, heavy, raw, dark, apocalyptic, relentless, Black Sabbath's best-known song.\n\n'Power,' was also the band's only hit single, which was released on the self-titled debut album on December 14, 1970. Although the record was one album, it had seven songs, most of which are regarded as classic rock standards, like 'Dirty Deeds Done Dirtied', 'Killing Me Softly With His Strain of Medicine', 'Soul Man', 'Dirty Deeds Done Dirtied', 'Heartache' and 'Heartache Solved'.\n\nThe third album, entitled, In Event, was released on August 19, 1971. It was the third album to have a cover. This was done by 'Ace of Cages'' singer, Brian Johnson, using their image of black and red, a symbol usually associated with death.\n\nThe album went very well and sold well, making it extremely well for the band, making its main success with power metal. After this, Black Sabbath started another record cycle, which ended in October 1973. Their next release, called 'Drunken Sailor', was released in June 1974. The album was very successful,"}, {"prompt": "mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker", "finetuned_output": "mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker style, conversational, narrative, narrative style, blues, jazz, sophisticated, reflective, nostalgic, jazzy, upbeat,  romantic,  \n\nChet Baker\nSong lyrics: If you love me baby  \r\nI'll treat you nice  \r\nI am going to treat you better  \r\nI am going to treat you pretty  \r\nGive you everything that can be  \r\nA fine house with lots of land  \r\nA mansion with lots of marble  \r\nI'll buy you a diamond watch  \r\nA fancy suit when you marry me  \r\nI am going to treat you nice  \r\nI must treat you nice  \r\n  \r\nWonder how you like me baby  \r\nI may need you at my call  \r\nYou will be a good friend  \r\nWith a friend in need  \r\nI am going to treat you nice  \r\nGive you everything that can be  \r\nA fine house with lots of land  \r\nA mansion with lots of marble  \r\nI am going to treat you now  \r\nGive you everything that can be  \r\nA fine house with lots of land  \r\n  \r\nI may need you at my", "base_output": "mellow, jazzy, poetic, romantic, introspective, wistful, lounge-inspired, warm, cinematic, Chet Baker, The Beatles, The Rolling Stones, The Stones, the Beach Boys, the Beatles, pop, classical music, rock n' roll, gospel, soul music, classical music, pop music, blues music, jazz, folk music, pop rock, rock and roll, blues, blues rock, electric blues, rock n' roll, southern rock and roll\n\nTop 15 songs\n\nTop 1000 Most Simulated songs (In 2015)\n\nTop 100 oldest songs\n\nTop 100 biggest songs sold\n\nSongs like \"Let It Be (Lady Bells)\""}, {"prompt": "soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele", "finetuned_output": "soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele\nSongs: Baby  \r\nYou said I was perfect in every way  \r\nNo one would see, in your eyes they would stare  \r\nIt's no surprise I guess that you left me  \r\nBut how do you live with someone who tried  \r\nTo share me and take me in, how could you leave me  \r\nSo heart, so broken to death  \r\nCause when God said life is love  \r\nThe only thing on his list  \r\nHe forgot to include me  \r\nAnd every time you see me I wanna say you make him real  \r\nI try to tell myself the only thing on his list is love  \r\nBut I know my heart has gone and taken his soul  \r\nAnd now the truth is finally out  \r\nThere's no way to take it back from me\r\n\r\n", "base_output": "soulful, passionate, heart-wrenching, confessional, gospel-tinged, deeply personal, powerful, Adele-esque music that tells the heartbreaking story of a woman coming to terms with the loss of her only child, which is followed by the song \"Till It Hurts\", which sounds like a tribute to Kanye West.\n\nI had never heard of Adele before. When I heard that Adele has a new album on Sony Records, I had to check it out. I was a little worried to see the song cover so closely associated with Jay-z's album This Is It, but the song actually isn't about that album at all. Yes, it's a tribute to Jay's classic but not the latest album. What's more, it's actually a tribute to a person who didn't sign with Jay-z.\n\nJay-z has long been married to the Kardashians' daughter Khloe Kardashian (pictured at right) and this daughter has now gone on to marry an African American, Dexter Rivers. Dexter's dad is a member of the hip-hop group Black Eyed Peas. The album that Dexter Rivers released, Tears For Fears, also uses the song \u201cTill It Hurts\u201d as its theme track \u2013 which is clearly a reference"}, {"prompt": "brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode", "finetuned_output": "brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode\nSong lyrics: [Verse 1:]  \r\nThe eyes of the hunter shine  \r\nOn the sleeping beauty in the tree  \r\nTears on the face of the innocent girl  \r\nShe's crying  \r\n  \r\n[Verse 2:]  \r\nLike summer's warm and still,  \r\nLips and eyes and heart of winter's chill  \r\nShe feels the heat of the winter sun  \r\nWise beyond her years  \r\n  \r\nDarkness falls  \r\nTragedy abounds.  \r\nA candle's flicker dies,  \r\nA smile of innocence dies.\r\n\r\n", "base_output": "brooding, darkwave, gothic, atmospheric, melancholic, mysterious, ethereal, synth-heavy, Depeche Mode, Queen, Queen, Led Zeppelin, Rush, Pink Floyd, The Beatles, The Who, Queen Victoria, Queen, Michael, David Bowie, David Bowie, Frank Zappa, The White Stripes, The Verve, The Cure, The Smiths, Depeche Mode, Joy Division, Pink Floyd, The Rolling Stones, Zeppelin, The Clovers (Billy and Nancy Wilson), The Beatles, The Who, The Dandy Warhols, Led Zeppelin, Rush, Queen, Queen Victoria, The Cure, The White Stripes, Depeche Mode, Zeppelin, Rush, Pink Floyd, Elvis, Rolling Stones, The Beatles, Michael Jackson, Michael Jackson, U2, U2\n\n[edit] Lists\n\n[edit] Lists by decade\n\n[edit] Lists by year\n\n[edit] External links\n\nPersonal tools"}, {"prompt": "exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loaf", "finetuned_output": "exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loaf\nSunglasses, leather jacket, tie-dyed clothes, punk rock, psychedelic, wild and unconventional,\noutrageously expensive,\nHe's a modern Romeo dressed for the modern age.\nI've seen him and he's all over the place.  \r\n  \r\nI took a tour of the house he grew up in  \r\nI saw him walking past the museum he's from  \r\nHe likes to wear leather  \r\nHis hair is down  \r\nHe's a rock n roll star  \r\nWith a tie dyed face  \r\nHe's a modern day Romeo  \r\n  \r\nHe likes to drink and party  \r\nBe my friend, baby  \r\nCome to the party, baby  \r\nCome and shake his hand  \r\nHe's a rock n roll star  \r\n  \r\nHe's a modern Romeo dressed for the modern age.  \r\n  \r\nHe's a modern day Romeo.  \r\nHe'll never have to wear a tie  \r\nHe'll spend his whole life in jeans  \r\nHe'll sing the blues just like a Rolling Stone  \r\nHe's a modern day rock n roll star  \r\n  \r\nHe likes to drink", "base_output": "exuberant, bombastic, theatrical, outrageous, playful, rebellious, larger-than-life, Meat Loafic, madcap, manic, manic, manic-depressive, maniac, mad, madcap, mad, manic, madcap, manic, madcap, madcap, manic, madman, madwoman, madmaniac, madwomaniac\n\n(310 votes)\n\nAnton Kroon\nKroon - The Bigger They Come: An Artist and Five Years of His Life on The Bus\nDorri - Odeon"}, {"prompt": "emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana", "finetuned_output": "emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana\u00a0\n\nA song about how we are the products of the environment in which we grow up in.\nThis song is about the feeling of growing out of an addiction that you've been living in and out of your senses. It's an anthem for the new generation and the way they deal with the world and their surroundings,\u00a0and explores the feelings of self destruction and the struggle\nA song about the feeling of a dream turning into a reality and the struggle for\nthe love life, the struggle for the freedom of love. this song explores the feeling of searching for\na dream and losing that dream, the struggle to find love and longing for the truth, the\nsong explores the feelings of struggle and the dream of the freedom that is lost in real\nlife.this song explores the feelings of struggling for the love of a dream and longing for\nthe love life.", "base_output": "emotive, grungy, raw, introspective, angsty, visceral, poetic, haunting, Kurt Cobain/Nirvana, punk-punk, punk rock n' roll\n\nfierce, ferocious, ferocious, ferocity, fierce, ferocity, ferocity, fierce, ferocity, ferocity, fierce, ferocity, ferocity.\n\nshallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow.\n\nshallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow,\n\nshallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow,\n\nshallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow, shallow,\n\n\nShallow is an American musical studio, which is now defunct, whose discography contained the songs \"This is the End\", The Big Short, The\n\nShit, It's Raining Man\", and \"The Wives of P. Diddy\", by the Clutch. The studio formed in a loft in Chicago that became known\n\nThe Shittas was the"}, {"prompt": "sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer", "finetuned_output": "sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer\nMood: warm, nostalgic, folksy, reflective\nAtmosphere: sunny, serene, idyllic, storytelling\nStyle: folk-rock, storytelling\nLyrical Structure: simple, repetitive, conversational, narrative-driven\n\nInterview: Jon Kukla\n\nJ. Kukla: The story behind the song \"Hot Cross Buns\" takes place in the New England countryside and a time when the singer's family was struggling to survive. The song tells of a boy who saves his family's bread from the cold weather. The story, though simple and direct, conveys a deep sense of struggle and desperation. The song's imagery is simple, but evokes a sense of rural poverty and desperation. The narrative structure is straightforward and focuses on the personal struggle of a family that must face hardships. The overall atmosphere is one of quiet desperation. \"Hot Cross Buns,\" on the other hand, is a song about social injustice. The story of a boy saving his family's money in the winter time is a metaphor for the social struggle being battled daily in the country of the song. The lyrics offer a commentary on the social situation, telling a story that is just as much about social injustice as it is about a simple theme of saving", "base_output": "sun-drenched, warm, nostalgic, storytelling, folky, reflective, easy-going, wistful, John Mayer and his band The Cure has been in the news lately. So this time around is a bit different. Here's another guy who is a musician, and this time out for us there's also a new one as well.\nCreedence Clearwater Revival\n- \"Calypso Music\"\n- \"Heart of Gold\"\n- \"Stony Bridge\"\n- \"Lonesome Cowboy\"\n- \"Let it Go\"\n- \"Fragile (Creedence Clearwater Revival Mix)\"\n- \"Lonesome Cowboy\"\n- \"Stony Bridge\"\n- \"Heart of Gold\"\n- \"Calypso Music\"\n- \"Cruelty\"\n- \"Mantra\"\n- \"Beacon Light\"\n- \"Lonesome Cowboy\"\n- \"Calypso\"\n- \"Sweet Lady\"\n- \"Jet\"\n- \"Same Old Country\"\n- \"Puff the Magic Dragon\"\n- \"Calypso Music\"\n- \"Jet (Creamcore Mix)\"\n- \"Mantra\"\n- \"Beacon Light\"\n- \"Calypso\"\n- \"Cruelty\""}, {"prompt": "menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem", "finetuned_output": "menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem.\n\nHeaviness, trap, introspective, social commentary, rap,  catchy,  straightforward,  rhythmic,  melodic,  urban,  streetwise,  dark,  realistic,  violent,  thought-provoking,  philosophical,  dark,  gritty,  intense,  aggressive,  rhythmic,\n\nRap,  lyrical, \n\n**Mood:**  Confident, assertive, threatening, provocative, aggressive,  dark,\nMood:  Dark, Threatening, Intense,  Aggressive,  Raw,\n**Atmosphere:**  Urban,\n**Style:**  Rap,\n**Lyrical Structure:**  Verse-chorus\n**Artist's\nSong lyrics: Chorus:  \r\nOh hey, hey it's my friend, Chaka Chaka,  \r\nMy one and only, my friend, my one and only,  \r\nHey, (yeah, yeah, yeah),  \r\nRiff (Riff, riff, riff)  \r\nYeah, (yeah, yeah, yeah) yeah  \r\n(oh-ho-ho) (hey-hey) Yello  \r\nAnd I gotta", "base_output": "menacing, relentless, rapid-fire, lyrical, aggressive, intense, braggadocious, gritty, Eminem, The Runners, and the Wrecking Crew. While his name is not as familiar nor is the name for his other band, the Wrecking Crew, nor was the name of his new band, the Runners, ever as well known, they would become important in the world of hardcore music. During the mid-90s, as a rising star in hip-hop, the Runners started making their mark on Chicago hip-hop. They were a band that was very important, but not well known. It would never be known, until the Runners became known as the Runners.\nThe Runners made their first appearance in 1990 at the VH-3's \"Slam\" awards in Detroit. In the early days of 80's indie-rock, the Runners were known as \"The Runners of the WRC.\" It was very new, exciting, and a great name for a band. It sounded awesome. It would grow to become famous. When the Runners played \"Black Power Week\" at Woodstock Music and Art Fair in 1992 they were the top band in the world. And during that famous \"Black Power\" week tour, there was also a"}, {"prompt": "psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd", "finetuned_output": "psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd style,  dreamlike,  abstract,  rhythmic,  conversational,  introspective,  hopeful,  melancholy,  powerful,  reflective,  philosophical,  spiritual,  existential.\nSong lyrics: Well I saw a man  \r\nHe looked a little strange  \r\nHe looked like some  \r\nMan from Mars or Luna  \r\n  \r\nWhoever he was  \r\nI was so scared  \r\nI thought he might  \r\nStole my soul away  \r\n  \r\nWell it's all so clear  \r\nNow he's back again  \r\nHe's all the same  \r\nHe's going back again  \r\n  \r\nFrom some  \r\nAscending trip  \r\nHe's coming back  \r\nTo take me away  \r\n  \r\nWell I'm waiting by the door  \r\nFor all that he might want  \r\nHe could have, he could have, he could have  \r\nHe's like some  \r\nHe can't keep his head  \r\nHe can't keep his head  \r\n  \r\nHe's like some  \r\nHe's like some  \r\nWhat a man  \r\nWell he's like", "base_output": "psychedelic, experimental, otherworldly, transcendental, layered, mystical, avant-garde, Pink Floyd, psychedelic, folk, rock\n\n\nLisa's list of quotes in music:\n\n\"If a thing of the past gets a new name, that thing is a thing. If something gets an old name, that thing is a new thing. You can call it a modern thing, or you can call it the thing of the last millennium.\" -Bowie\n\n\n\"The last, greatest song that Elvis wrote is 'Suspended In Time'. (Laughter)\" -Troy Davis\n\n\n\"You can call a song a song, a piece of music, whatever you want, but no matter who does it, the song is the song.\" -Troy Davis\n\n\n\"I'm very much involved with the way you can manipulate a song, take it apart for a whole hour, and then go and mix it up, play it back and play it back.\" -Troy Davis, (1st interview)\n\n\n\"I don't think you have to work so hard to make your music interesting, but I think that if you're going to play an interesting instrument, you gotta play a sound, you gotta play a sound. And so you gotta have somebody who's gonna give you advice. You gotta"}, {"prompt": "soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse", "finetuned_output": "soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse style. The song has a rhythmic, driving beat with a simple, direct chorus. The song is about the desire for romance and the fight against the strong temptation of the dark side.\n\nSong lyrics: Dark is the night, love is the light  \r\nIt's dark inside, but what's the use  \r\nIt's a love of life, and this is mine  \r\nMy girl, my girl with my hand in your soul  \r\n  \r\nDawn's breaking, the dawn is breaking  \r\nNow let your light shine, into my eyes  \r\n  \r\nDon't let my soul get burned  \r\nNo don't let this love die  \r\nNo don't let our love die tonight  \r\n  \r\nIt's nightime, the dawn of a new day  \r\nYou say it's midnight, but this song's for you  \r\n  \r\nDawn's breaking  \r\nDawn's breaking  \r\nYou say it's nightime  \r\nBut it's only dark inside  \r\nNo don't let my soul get burned  \r\nNo, I just want to know  \r\nDon't let this love die  \r\nNo, I just want to", "base_output": "soulful, bluesy, smoky, passionate, dramatic, heart-on-sleeve, old-school, Amy Winehouse/Aeon Grey\u2026 I could go on, but I won\u2019t. I\u2019m a huge fan of both.\n\nIn his debut album, Sell the Money, he does a wonderful job of making a soulful record, but the most effective moments come from the songs by artistically inclined members of both bands, who also do most of the vocals. This album is quite different from his previous efforts, which tended to be darker and heavier. In his second album, Sell The Rope, he\u2019s again a heavy beat, song-by-song. The songs were better executed, but not as expressive. The new album shows a change in direction, moving the focus back to the vocals, which is all the more impressive because I\u2019m still unsure how he did this, because the lyrics (which are a lot like acoustic music) don\u2019t sound much different.\n\nI liked both bands very much, but I\u2019m not a fan of the new 20th Century Warblers. Despite their name, they do not sound like any contemporary band I\u2019ve ever heard. Their mix of acoustic and electric guitars doesn\u2019t lend itself to much more than \u201cAeon Grey,\u201d where the guitars are"}, {"prompt": "dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence", "finetuned_output": "dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence\nSong lyrics: The night was cold  \r\nThe world was wide  \r\nThe angels sang  \r\nAnd the moon was bright  \r\nIn black and white  \r\nAnd the stars of heaven  \r\nLooked down from above  \r\n  \r\nShe saw a young man  \r\nHe spoke the words unto her  \r\nAnd they were in black and white  \r\n  \r\nThey came from out  \r\nOf every window  \r\nThey came through the key  \r\nThat unlocked the door  \r\nAnd she knew it would always be there  \r\nAnd they would always be there  \r\n  \r\nThe moon was tall  \r\nThe stars were red  \r\nThe angels sang  \r\nAnd the moon was bright  \r\nIn black and white  \r\nAnd the earth in black and white  \r\n  \r\nThey came from out  \r\nOf every window  \r\nThey came through the key  \r\nThat unlocked the door  \r\nAnd her body it trembled  \r\nAnd he smiled  \r\nAnd he whispered  \r\n  \r\nIn her ear  \r\nIt was black and white  \r\nAnd the night was", "base_output": "dark, cinematic, haunting, orchestral, operatic, storytelling, gothic, grand, Evanescence \u2013 \u2018I can see the angels\u2019 the story comes from an operatic ballad which is based on the story of a poor man and his two daughters. The story is based on medieval life, religious concepts, music and the characters and events as they relate to the story.\n\nIn the film, the three main characters are played by Eva Longoria, Sian Phillips and Kristofferson.\n\nEvanescence are the main stars of the film, the song they wrote is called \u2018I can see the angels\u2019, and it is based on a ballad called \u2018I can see the angels\u2019. They write songs for the band and the other bands when the band is performing. Evanescence has also written songs for other pop music. The song about the band writing their own music came out in 2014 and the video for the song was released on August 14, 2014. Many of the songs in the film were recorded on an acoustic guitar, but were performed on many guitars.\n\nWhen the band finished the song, they wrote several others and recorded those too. The band was asked by the film producers to write a song based on one of their songs called \u2018I have dreams\u2019 which is about the band"}, {"prompt": "romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9", "finetuned_output": "romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9\nSong lyrics: It came like a dream  \r\nWhen he held you in his arms  \r\nLike the morning light  \r\nOut of my window  \r\nIt just came  \r\nLike a breath of spring  \r\nWhen he held you in his arms  \r\nLike sweet dreams  \r\nHe'd never known  \r\nIt seemed that  \r\nShe'd found her way to heaven  \r\nThrough my window  \r\n  \r\nWith crystal and glass  \r\nBridges that reach across love  \r\nThrough the night I saw  \r\nThrough his eyes  \r\nHe was always the one  \r\nWho knew the secrets to the night  \r\n  \r\nWhen he touched you, like so many others,  \r\nHe touched you like yesterday  \r\nIt came like a dream  \r\nWhen he held you in his arms  \r\nIt just came  \r\nLike a breath of spring  \r\nWhen  \r\nHe held you in his arms  \r\nLike sweet dreams  \r\nIt seemed that  \r\nShe'd found her way to heaven  \r\nThrough my window  \r\n  \r\nShe's in there with you  \r\nBreathing", "base_output": "romantic, dreamy, cinematic, nostalgic, orchestral, delicate, floating, timeless, Michael Bubl\u00e9, The Beatles\n\nYou love to move your body in a way that you don\u2019t have much control over. You spend a lot of time in yoga or at play in a park. You\u2019ve always wanted to be an athlete, gymnast, and dance teacher. You also enjoy cooking and being hands on so be proud of that too!\n\nYou\u2019re a creative person who is fascinated by the arts and the world of music.\n(Source: Pinterest)\n\nYou are an artistic type who likes to paint, draw, and write. It\u2019s very pleasing to you when someone expresses their emotions through beautiful things.\n(Source: Pinterest)\n\nYou live as a romantic type, who gets excited by love when you talk to someone. You value your relationships and value your privacy.\n(Source: Pinterest)\n\nYou are drawn to music that expresses your emotions, rather than music without strong emotion. You want to feel good and appreciate the music that has something in common with you. You will be happy by making music.\n(Source: Pinterest)\n\nYou are drawn to music that makes you feel like you are on a special journey. You enjoy taking part in musical performance and appreciate music that has an element of"}, {"prompt": "heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Muse", "finetuned_output": "heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Muse\n140 fans and counting\n\nMuse (Muse) is our new artist, a solo album with a theatrical, dynamic, and aggressive feel.  The song lyrics are an introduction to the artist. (All lyrics based on the description: melancholic, introspective, heavy, emotional, dark, theatrical, epic, intense, dynamic, aggressive, rock, melodic, repetitive, narrative-driven, introspective,\nChorus: (Song about a father trying to save his child from the pain of growing up)  \r\nI'm not about to leave you here  \r\nIn my hands, my world.  \r\nI want to be the one  \r\nTo make my world better.  \r\n  \r\nI'm not about to leave you all alone  \r\nIt hurts but this feeling's real.  \r\n  \r\nA very clear and powerful melody is being played in the intro to the songs, a melody that  \r\n  \r\nMuse Album Tracks:\r\n[Chorus]  \r\n  \r\nIn the beginning there was fear.  \r\nYou were the one who made me weak and you made me bleed for it all, all of it.  \r", "base_output": "heavy, dynamic, aggressive, emotional, epic, intense, dark, theatrical, Muse\n\nWhat are the examples of negative personae?\n\nLucio Secchi -The Pugachev Brothers\nHarry Houdini -L'Homme-Noir\nWilliam Shakespeare -Macbeth\n\nWhat is in the unconscious?\n\nSoul, imagination, desire, fear, and dreams\n\nWhat are the two ways in which a figure of speech operates?\n\nMetaphor and Simile\n\nWhat is symbolism?\n\nThe symbol has a meaning other than that usually understood.\n\nWhen we refer to human nature, why should we avoid the word \"narcissistic\"?\n\nIt carries the word \"cunning\".\n\nWhat is the difference between a simile and a metaphor, on the one hand, and a metonymy and an idiom, on the other?\n\nA simile compares two things, an idiom does not. An idiom is like an imitative phrase. Metonyms are like words that do not have the same meaning as they do in their original language. They may indicate some similarity only.\n\nWhat is the function and meaning of personification?\n\nPersonification makes the words expressive.\nIt expresses the image, emotions, and thoughts more effectively.\nIt"}, {"prompt": "laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak", "finetuned_output": "laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak,\nIggy Pop,\n\nIggy Pop said in the \"Tijuana Talking Heads Interview\" that the music he's made has no name. He said that the music on \"New York City\" had to be in the \"rock'n'roll\" genre without being a rock'n'roll song in the typical sense. He stated that it's more about the feel and the groove than anything else.\nThe rock'n'roll of the song is a 2:56. The feel is 1:14, the beat is 80% and almost completely, the rhythm is 70% and almost completely, the time signature is 3:5 (a mix of rock and heavy metal), 2:2\n\nIggy Pop's song is made with the feel and the groove instead of the rhythm.\n\nThe rock'n'roll of the song is a 2:56.\n\nThe feel is 1:14, the beat is 80% and almost\n\nThe time signature is 3:5\n\n(a mix of rock and heavy metal), 2:2.\n\nIggy pop is known for the feel and groove of his song,", "base_output": "laid-back, retro, funky, cool, stylish, groovy, effortless, danceable, Anderson .Paak.Mast., \"Kickstart\", \"Sacred Bones\", \"Wake Up\", \"Dance Party\", \"Kickstart 2008\", \"Kickstart 4\" or \"Kickstart 7\".\n\nThe kickstart is a series of songs played one after the other beginning with the opening verse at 2:15 and the end between 4:16 and 6:02. It consists of two parts, consisting of two songs. When the first song finishes one kick starts the following song. The first song \"Bomba\" begins at 8:10 with a song called \"Fever 103.3\". The lyrics \"Paint your body white!\" are repeated over and over as both songs.\n"}, {"prompt": "sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman", "finetuned_output": "sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman.\n2009  \r\n  \r\nI would like to begin my apology by thanking you\r\nwith all my heart\r\n\r\n", "base_output": "sentimental, acoustic, poetic, heartfelt, nostalgic, understated, warm, confessional, Tracy Chapman.\nI think these days, and for people you don't meet or see often, I think they were very strong tunes, but in the music business the way things have been done recently is that a young kid comes along with a catchy song, a pop song, a dance song, and the people who are interested in that kind of music try to make the song good, and it isn't that it can't be done well -- it is that it isn't the right song. You would look at it and say, \"Why would I want to hear that?\" The industry, the whole culture makes a whole series of statements that, \"This is the kind of music we want to hear,\" and if it isn't it isn't, they say, so you'll probably hear it. So I think that the pop or dance music that is done today, often is very much in the same direction of what Tracy Chapman did, the kind of folk that was going on in the '60s and '70s, and that's that thing where you are really singing your heart out for your loved ones, and it is not a song you could go, well, \"Oh yeah. That's the exact music I want to hear\".\n\nW"}, {"prompt": "enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx", "finetuned_output": "enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx'\nSong lyrics: One with the sun, two with the moon  \r\nOne with the sun, two with the moon  \r\nOne with the sun, two with the moon  \r\nOne with the sun, two with the moon  \r\n  \r\nI am with you, you are mine  \r\nI am with you, you are mine  \r\nIn the arms of heaven we wait  \r\nWe wait, we wait  \r\n  \r\nWe wait, we wait  \r\n  \r\nTwo without love (2O without love)  \r\nJustice without justice  \r\nTwo without love (2O without love)  \r\nA man without a lady  \r\n  \r\nI am with you, you are mine  \r\nI am with you, you are mine  \r\nThe eye of space  \r\nIs shining like a fire  \r\nI am with you, you are mine  \r\nI am with you, you are mine  \r\n  \r\nTwo without love (2O without love)  \r\nJustice without justice  \r\nTwo without love (2O without love)  \r\nA man without a lady  \r\n  \r\nI am with you,", "base_output": "enigmatic, electronic, hypnotic, spacey, futuristic, cinematic, melancholic, The xx, Postmodern, post-modern, experimental, underground, post progressive, post rock, post-post-modernist, post-progressive, post- progressive, post-protestant, post-socialist, post-socialist, post-industrial, post-industrial, post-post-industrial, post-post-industrial, post-post-industrial, post-industrial, post-industrialism, post-industrialism, post-industrialization, post-industrialization, post-industrialization, post-industrialization, post-industrialization, post-industrial, post-industrialism, post-industrialism, post-apocalyptic, post-apocalyptic, post-apocalyptic, post-apocalyptic, post-apocalyptic; 123)\n\nApostrophe [apostrophe] - noun\n\nAn apostrophe is a mark that appears at the end of a word to show that the letter(s) of that word are missing. The letter(s) is (are) replaced with an apostrophe:\n\nTo the children at the play-ground!\nThe cats have left the house!\nWhat happened to my old doll?\nHe always left me alone.\nWhere did you run off"}, {"prompt": "cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys", "finetuned_output": "cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys\nSong lyrics: Hey everybody now I'm on the beach right now  \r\nI just got out of the airplane  \r\nHey everybody I guess you've all heard my name  \r\nI'm The Beach Boys  \r\n  \r\nHey everybody now I'm on the beach right now  \r\nI just got out of the airplane  \r\n  \r\nWhat would you call me? Why I'm the  \r\nBeach Boys  \r\n  \r\nWhat would you call me? My baby's  \r\nBeach boy and I'm  \r\nThe baby's little friend and we don't  \r\nNeed don't we  \r\nBeautiful we love and I'm  \r\nSo cool so cool and I wanna  \r\nLove you  \r\n  \r\nWhat would you call me?  \r\nI'm the Beach Boy  \r\nWhat would you call me?  \r\n  \r\nWhat would you call me?  \r\nI'm the Beach Boy  \r\n  \r\nYeah what would you call  \r\nMe  \r\nI'm the Beach Boy  \r\n  \r\nWhat would you call me?  \r\nI'm the Beach Boy  \r\nHey everybody now I'm", "base_output": "cheerful, retro, surf rock, fun, simple, carefree, lighthearted, beachy, youthful, The Beach Boys (The Beatles version)\n\nThe original members: Don Budge, Ronny White (as Paul), Bill Haley & His Comets, Jerry Leiber & Mike Stoller, Brian Wilson\n\nCoarse: 80's, Pop, Soccer, New Romantics, Bands, 1980's, Rock, Youth, The Beatles, The Shirelles, Bob Dylan, R.E.M, Fleetwood Mac, Rolling Stones, U.F.O.\n\nRolling stones: Rock, Bands, American, The Beatles, Rolling Stones\n\nRolling stones: Rock, R&B, The Shirelles, The Rolling Stones, The Rolling Stones\n\nThe Beatles album \"Let It be\" is best known as being released as a single and never issued in the United States. It contains four songs, not all of them original to the Beatles. \u00a0All are from the film A Hard Day's Night (but the words of the song are taken from the film \"On the Beach\"). \"One More Year\" is the only song to be sung by The Beatles in the film, The original recording by The Beatles' brother John"}, {"prompt": "heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers", "finetuned_output": "heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers\nSong lyrics: I gave everything  \r\nMy heart is made to give  \r\nAnd I did  \r\nTo myself  \r\nSo this is how I feel  \r\nTo be the first one to  \r\nLet love  \r\nLove pass me by, I love you  \r\nI love you, I love you  \r\nAnd you don't even know  \r\nI'm feeling so sad  \r\nSaying I've thrown away  \r\nThe love that I believed in  \r\nI wish you had to find  \r\nI wish you'd find me  \r\nAnd you would find  \r\nThat love  \r\nThat love is free  \r\nSo if you ever ask  \r\nWhy do I keep  \r\nPraying  \r\nPraying  \r\nAnd I keep on telling you  \r\nSo you understand  \r\nMy spirit's calling  \r\nBegging you to come  \r\nTake me home  \r\n'Cause I love you  \r\nI love you, yes, I do  \r\nI'm saying I'm sad and blue  \r\nI'm saying I, I, I mean  \r\nYes, I", "base_output": "heartfelt, singer-songwriter, indie, introspective, soft-spoken, poetic, reflective, sad but hopeful, Phoebe Bridgers and her albums have been an inspiration for thousands.\n\nShe is often credited with the birth of the modern indie rock genre.\n\nHow old is Phoebe Bridgers in 2017?\n\nWhere was Phoebe Bridgers born?\n\nThe life of Phoebe Bridgers. Born in the same year as her mother and father, Bridgers was also born at approximately the same time that music had already swept around the globe. In her lifetime, however, a lot was taken for granted even if only the basics. A lot of what she lived through would not exist even a few decades later.\n\nWho was Phoebe Bridgers father?\n\nPhoebe Bridgers was billed as \"A woman in an industry you can tell about,\" but she is a self-made artist without any obvious mentorships, influences or connections. She only knew a mom, father and brother before she started writing songs.\n\nWho are Phoebe\u2019s siblings?\n\nPhoebe Bridgers Family. She is famous for her multiple singles, including \u201cLet\u2019s Talk About Our Feelings\u201d. However, her first album, Shake Your Feelings, only features songs from the two years when Phoe"}, {"prompt": "boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi", "finetuned_output": "boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi\nRandom\n\nSong lyrics: You see this building up ahead  \r\nAnd we won't lose control  \r\nWe get a little crazy  \r\nWe get a little wild for a moment  \r\nSometimes livin' free is livin' in the heat  \r\n  \r\nWe live it all for the crowd  \r\nThey're the fans in the backstage lounge  \r\nThey take in the view  \r\nNo, they're not your normal, not your average view  \r\n  \r\nThis is the part where I'm talkin'  \r\nAnd we really aren't that nice  \r\nWe're just about to show the world  \r\nThat we have something to say  \r\nThis can't be the end of everything  \r\nThis can go so wrong  \r\nWe're just about to show the world  \r\nThat we have something to say  \r\n  \r\nThey never know just what a show does in the heat  \r\n  \r\n(You ain't live what a fuckin' show does in a record)  \r\n(You ain't live what a fuckin' show does in a record)  \r\n(You a", "base_output": "boisterous, loud, anthemic, rebellious, arena rock, high-energy, dramatic, stadium-filling, Bon Jovi, Tears for Fears, Gossip Girl, WKRP-in-Cleveland, Bon Jovi, and Elton John; and, in general, an image of a young, rebellious person who is passionate about something.\n\nThis song became a massive success for the Beatles, being performed by some 500 groups around the world. In recent decades, it has been covered by bands such as Led Zeppelin, Deep Purple, Iron Butterfly, Blackie Lawless, Fleetwood Mac, Tom Petty and the Heartbreakers, Radiohead, The Rolling Stones, and Queen. The song also has been covered and performed by some famous musicians who are not members of the Beatles, such as Frank Sinatra, Dion and the Belmonts, Elton John, Paul McCartney \u2013 who, of course, is also featured \u2013 Bruce Springsteen, Stevie Nicks, The White Stripes, and many more."}]